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UNIVERSITY OF MASSACHUSETTS LOWELL
CENTER FOR LOWELL HISTORY
CENTER FOR ASIAN AMERICAN STUDIES
ORAL HISTORY PROJECT
INFORMANT: JACQUELINE MOLONEY
INTERVIEWER: MEHMED ALI
KALE CONNERTY
DATE: 2/11/2016
J=JACKIE
A=ALI
K=KALE
A: Okay. This is interview with Jacqueline Moloney on February 11, 2016. And thanks again
Jackie for being here with us.
J: It’s great to be here.
K: Okay. So I guess I’ll just start with asking you about the Foundation, The Indochinese Refuge
Foundation. Do you know how and why it was established in Lowell?
J: Yes. Actually the Founders of the Indochinese Self-Help Foundation, one of them was a
member of the faculty here. His name was Hai Pho, and his wife’s name was Lan Pho. And they
were from Vietnam. And they had family in Vietnam during the fall of Vietnam, and were
instrumental in trying to create a kind of what they called at the time, Mutual Assistance
Associations to enable refugees who were fleeing from Southeast Asia to support each other in
the U.S. So they were very involved in the Refugee Resettlement Movement and they created
that Foundation to do that work.
K: Do you know what year that was?
J: What year they founded the Foundation? I’m trying to think of when I started working for
them. So I would say, I could give you roughly the late seventies, but I don’t have the actual
date.
K: And when did you start working there?
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�J: About 79.
K: 79? (J: Umhm) Okay.
A: So you started right at the very beginning Jackie?
J: It was pretty close to the beginning. I was their second Executive Director.
A: Okay.
J: And the first one, I don’t think she lasted that long. It was really hard work and there were a
lot of cultural differences in the way that you know, even for me when I took on that job I had
to make a lot of adjustments in the way that I thought about running a non-profit that surprised
me in my first couple of weeks there. And it quickly became a labor of love for me. And I knew,
and maybe because they had learned from the first director that they had, that it didn’t work at
all because she wanted to do things in a certain way and they knew that would not work with
this refugee population, which honestly we can talk about in a minute, surprised me. I mean
these were people who were being resettled in Lowell in very large numbers, very irresponsible
way. They were being dropped in the city. The resettlement agency who was resettling them,
it wasn’t the Indochinese Self-Help Group, but there were different resettlement agencies
across the country who were, they would be paid $500.00 a person to resettle a refugee. Now
in some places, you know, like in the Mid-West there were a lot of small towns. They would
take that money in the church say, and help a family to resettle in you know, wherever, Idaho.
So that was one model.
In a place like Lowell unfortunately there was a resettlement agency that would take many,
many families, take their money and place them in very inadequate housing with no training,
no ESL, no support services, you know, to the point where we were finding people. I would get
calls from the hospital or police and say, “We just picked up this family. They have no shoes.
They don’t speak a word of English. It’s the middle of winter. They’re walking on Merrimack
Street with no shoes on. What are you doing about that?” So we had to develop a pretty, you
know large scale, very fast-responding mobilize the community to care for this group of
refugees that were basically dumped in the city. And the city was not prepared for it. The
schools were not prepared. The hospitals were not prepared. There were no translators, no
interpreters anywhere.
And so that was, that was my first job. I rang the first round of interpreters in the city of Lowell
providing ESL classes and then where we could you know, helping families to resettle and you
know, distributing goods that we were collecting to the families themselves.
K: Those were the main services then?
J: Those were it, yah.
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�K: So during your time there, there was the Indochinese Self-Help Project, correct?
J: Yes.
K: So was that a separate function of the IRF?
J: So the IRF was broader than just Lowell. In fact a lot of their work was in Boston. So you
know I honestly didn’t have as much to do with them. They got funding, this Indochinese
Refugees Foundation got funding to do the Self-Help Project from the Resettlement Agency.
K: So the Self-Help Project is what offered those services?
J: Yes.
K: Okay.
A: And the IRF was, the Headquarters was not based in Lowell?
J: Honestly the, I wonder if the (--) It was a Board. A lot of the members were from Boston and
they would hold their meetings where we were housed, which was the International Institute.
But they had other meetings that I didn’t always go to all their meetings Mehmed. So they
might have had some in Boston.
A: Okay.
J: So they were a broader base, more of the, I would say established, you know, well
established. They weren’t refugees. These were Southeast Asians who were well established
who created this Foundation. You know, they would hold, I remember them holding fashion
shows, fundraisers, but it was really to help build their own ethnic community until this crisis
happened. And that’s when they got funding to help intervene in the city of Lowell.
K: As Director what were your main duties with the Self-Help Project?
J: Well it was everything. The chief, cook and bottle washer. I mean there were really only I (-) There were probably six of us. And so one was to run the, set up and run the ESL Program and
to get those refugees to the point where they could actually go into the Adult Education
Program. So you think about Fred Abisi and Adult Education, which they were totally opened to
helping these refugees, but they didn’t have the resources either. They were not prepared for
people who were you know, Laotian, Cambodian whose you know first language, the alphabet
didn’t even look like ours. I mean you come into Lowell now, it’s so much more diverse and
people coming from so many different countries, Lowell was really not prepared for this
generation of refugees that came here. So we set up that first ESL class. That was a big deal.
We did work with companies trying to get job placements. And then I had this whole group of
interpreters. And their work was to go to the hospitals to you know, I mean there were battles
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�over everything going into the schools. There are a lot of cultural issues where you know, a
woman would go into the birthing center at Lowell General, and Lowell General was not
equipped to deal with the cultural traditions of these women coming from Cambodia, or from
Laos. And the interpreters, I mean they could barely speak English you know. I remember my
first Cambodian interpreter really barely, barely could speak English. And they were the most
challenged community, because of course of the genocide that had happened. So there
weren’t a lot of educated Cambodian refugees who could even read and write.
So we had a lot of challenges to overcome. It certainly changed their way of looking, changed
my way of looking at life for sure. You know the things that you take for granted, and dealing
with people who were traumatized by the wars in their countries. You know the civil wars as
well as the Vietnam War. And so there’s a lot of suspicion that we had to overcome, a lot of
worry about an agency. It took me a long time to earn the trust and respect of those people.
And that was the biggest surprise for me to be honest. I just thought, well I’m here. I’ve got
English language for you. I can help you find a job. You know, we might have some silverware
for your kitchen. Why would you not welcome me into your home? Well trust me, they did
not. It took me a long (--) But I really worked at it. And you know things like, and of course to
add to it, at the time I was pregnant.
Well there are certain customs which were unbeknown to me. There’s a whole hierarchy in
their cultures of you know, gratefully teachers are very important in their culture, women was
not. You know that I would go literally into the family home and the women would sit behind
the men. And here I as a woman who was pregnant no less, we’re pregnant and you were just
supposed to stay home and not even go outdoors, and I’m this pregnant woman walking into
their home trying to help them. And they would, some of them would take it like she’s trying to
tell me what to do. So I had to be very careful and very respectful, and really learn the
protocol. Things like who goes out of the room first? That was my first confusing you know,
cultural episode when you know, my first meeting I would just walk out the door. And then I
realized I was really upsetting some of the elders and I learned how to gracefully bow out of the
room, or let them go first. If they were the elder you always give them the respect. If they
hand you something you take it with two hands. You don’t just take it with one. So all of these
small things to show them the respect coming from what they had come from was a big deal.
So it was everything you know. We had our first, the first death of that community. I
remember we were about six months into this, so I was in pretty good shape with the
community at that point. We had delivered a lot of food and silverware and done a lot of ESL,
and gotten jobs and intervened in a lot of emergency room people calling, saying, “You’ve got
to get someone down here. These people are all [unclear].” So we settled a lot of those kind of
things. So we had great trust at that point from the community. And we had a death, and it
was a young man I think he was probably 32, or 33. And there was a belief among the Lao
Hmong people who were more, much more tribal, but they were a whole group of people in
Laos that had been displaced because they had helped the CIA. So this was this whole group of
people who were taken from their very tribal culture, ethnic culture, and dropped in the city.
It’s very, very difficult. And this young man died and they felt it was from his home sickness.
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�And they said that they would will themselves to death in a way, and that’s how they felt this
young man died.
Now of course here we go again. How do you bury him? They have all of these burial rituals. I
can remember bringing in the funeral directors into the International Institute and the city
health inspectors, and we had to meet and figure out how we were going to bury this young
man and respect their cultures, because it was even more traumatic that he had died this way.
And if we didn’t bury him the right way his spirit would wander forever. So that was on
everyone’s head, but there were all these city rules about you know, you have to cremate the
body first, not cremate it but what is it when you take the blood out of people? Do you know?
A: The embalming process?
J: Embalming. Yes, and when the embalming happened, that’s what it was. Oh boy trying to
resolve that! And to everyone’s credit in this city, you know, when I really learned to love this
city, because people figured it out and they made it work, and they made it right for that family.
And that fellow was buried the right way. And everybody changed everything that they were
doing to accommodate that. One small person’s life, you know I don’t think that would happen
everywhere. I know it wouldn’t. So it just, it really made me appreciate the compassion of the
people in this city and their inclination to really welcome people from diverse backgrounds, and
to try to find solutions rather than (--) I think in some cities they would have been so
overwhelmed. They would have said (--) We see it happening now and I understand it, in cities
in Europe where they’re saying stop. We can’t take any more of these refugees. You know, this
is overwhelming our community. Well this community was overwhelmed but people stepped
up. The school system stepped up. They hired teachers eventually. It took us some time, but
you know it was a challenging time.
K: You’re still working in Lowell here thirty years later. Do you think that working for the IRF
had any impact on your decision to stay involved in the Lowell Community?
J: Oh absolutely. Like I said, it was a life altering experience for me. And I was only there a
little over a year, but I never lost my tie with that community you know. It was just a
phenomenal experience. And I just described to you how it just changed my view of this city
and what the city is capable of doing, and has helped me to keep faith and focused. And having
been involved now in a lot of non-profits like Lowell General Hospital, now I’m on the board,
then I was taking people to the emergency room. Now I’m on the board. But I can tell you I
know that Lowell General Hospital really honors the diversity of people that come there, and
they’re well cared for. Lowell Community Health is there for that reason. And I just, I still see
how you know, this community embraced that community and really made it special for them.
I remember (--) Who? There was a special thing every year. It was before the Farmer’s Market
in downtown, but they would have these monthly whatever it is, some show or something
downtown Lowell, and they were so kind and reached out the Southeast Asian Community.
And these people were hurting. You know they left their countries with nothing. So culturally
like they didn’t have many of their clothes or their instruments; they didn’t even know who was
5
�the singer from there, how to find a singer, or dance, or how to do the dance. So we were kind
of coddling together the first Cambodian Dance Troupe.
K: That’s wonderful.
J: And I remember them performing in JFK Center and it was just really hard to pull that off. I
remember how hard they worked. And they’re calling their friend in Connecticut and their
friend in California. People are trying to ship stuff here. We were trying to coddle together
enough little outfits for the women to do the dance, and you know the different instruments.
And we coddled together that first group and there was such great pride in the community.
And I think for them it was also just bringing their culture here and having it back and be part of
who they were was very, very important for them. So it was nice to be a part of it.
A: Could you speak a little bit about the jobs program that the IRF had when you were there, if
you remember any details? Do you remember any?
J: I don’t. I know that we worked with a lot of companies and did entry level training. The ESL
was big, but beyond that I don’t really remember.
A: Okay.
J: Did you remember it?
A: Nope. I mean we found some of the companies in the photographs. Now I’ve forgotten. I
don’t know if you remember it.
K: Just kind of like linen work, or just working in like clothing factories, or anything like that.
There are a lot of pictures of people working.
J: Yeah, and you know, so we would arrange the transportation. And what’s funny to me is
now when I drive home I drive down Westford Street where of course a lot of the Southeast
Asians settled in the highlands. And you still see the buses, the vans going up that street and
dropping workers off at different plants. So you know, again, the plants were great. Of course
they loved these employees because they were very hard working.
K: So the building where you worked was 79 High Street, correct?
J: Yes, the International Institute.
K: What was that building like? Was it, is it still there? Is it, it changed right?
J: Well it’s still there. It got sold to a private residence. The International Institute moved. I
don’t even know where they are now. Do they even have a place in Lowell?
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�A: Yes, because Derek Mitchell was in charge of it until recently.
J: Yes.
A: I think they’re at 144 Merrimack Street.
J: Okay.
A: But the building itself, what was?
J: It was a big old house. It was, you know, the International Institute was downstairs, but it
was perfect for us because they had a lot of space, actually classroom space. And there was an
apartment in the building, and they needed someone to take care of it. So we had our first
interpreter, the Cambodian interpreter who lived in the building. So it was great for them too.
So it was great shelter. It was a great building. There was a big beautiful opened room. And I
still remember the, on the cultural, what we had to overcome. You know, probably at this point
we were four months, it was before that death, and many of the people had not seen a monk
for a year or two and they were really desperate to see a monk. So we, they connected with
friends and somewhere in Connecticut, they had some other group in Connecticut and the
monk came. So we announced the monk. I felt like there must have been 250 people in this
room where there should have been 100 people. And the same thing happened. And then I
was standing there and now I’m eight months pregnant, and everyone in the room dropped to
the floor in honor of the monk, you know the bow and hitting the floor and prostrating
themselves. And I’m standing there and I’m thinking it’s me and the monk. I don’t know what
to do. I’m not going to drop to the floor because I’ll never get up. And you know it wasn’t my
religion. I wasn’t disrespectful to him, but I didn’t know what else to do. Nobody coached me
on that one Kale. I didn’t really know what to do. But we had a lot of moments like that, that
were so special and people were just I mean crying and so happy to have a monk among them
again. And to have their traditions back, and to be able to say their prayers, and it was very,
very nice to be a part of that. So that building really lent itself to those meetings, a special
place.
K: What were your reasons for leaving the IRF?
J: I was pregnant.
K: Yah, that’s what I figured.
J: I just mentioned that, and I was having my second daughter. You know, I never intended to
stay there. I didn’t know what I was getting myself into when I took on that job. I probably
wouldn’t have done it if I had known, because I knew they needed a longer term solution. But I
had hired a couple of people who were very involved as the teachers, and one of them in social
work is Carol Keirstead who kind of took over.
7
�K: She took over?
J: Yah. So that was great. It’s amazing the way things happen, but it’s funny they were very
concerned when I was leaving. And I was in labor and they did not want me to leave. And you
know, at this point my office would always have like fifteen, sixteen of the elder men because
they decided everything as a community. And they would sit in my office every day and they’d
you know, bring me all like ginger root. I was supposed to eat ginger root and this big (egg?).
And Alise Martin was a teacher then too. Do you know Alise?
A: Yeah Alise.
K: Umhm.
J: Yah, that worked at Middlesex and she was pregnant too. It was just unusual. And they
didn’t want me to leave. And I’m like, “I have to leave. I’m in labor. I’m going. Bye, I’m
leaving.” And I got to the hospital and I had my daughter. And the nurse came in to me the
next morning and said, “Excuse me Ms. Moloney, but you’re going to have to help us. There
are all these people out in the waiting room and they won’t leave!” [All laugh] The same elders
and their families out in the waiting room and they wanted to talk to me. They wanted to talk
to me. I just had this little (--) I’m like we don’t do that here. We’re not going to talk, but I had
to go talk to them and tell them I’m okay and I will come back. [Laughing] And you know, it
was just again, because they knew at the hospital too what had been going on because I had
been helping them with different patients that were being admitted there. So that’s why I left.
K: So over your time there it seems like it became a lot easier, they warmed up to you. What
do you think was the most important thing that you did in kind of helping build that
relationship?
J: You know I’m a big believer as you know, maybe you’ve heard about my feelings about
students is to empower people to have control over their lives. And I think that self-help
project blossomed beautifully and it was because you know, having those elders in the room
and helping them to build their own community, get their own temple, build their own dance
groups, their own churches, you know, to take care of themselves and become their own
leaders. I think that’s what it was all about. [Repeats] That’s what it was all about. And I
believe that Lowell is a testament to how you do refugee resettlement correctly, because so
many, that community is so strong here. They’re such a strong part of this community and look
at where the first Cambodian State Legislator in the country. I mean that is a lot to be proud of
for this city. And I just, so when I look around me and most of the South Asians don’t have any
idea who I am, or what happened back then, it doesn’t matter to me at all. It was an honor to
be a part of it.
A: Two more questions Jackie.
J: Sure.
8
�A: One, any stories about coworkers, colleagues, special people that were there with you
during that time?
J: Absolutely. The interpreters were amazing. They were amazing people. And you know, they
came, they were very different. We had a fellow who was a Vietnamese. He was a refugee in
some ways, but he is a very well-educated man who had a wonderful family. So he wasn’t
coming out of poverty, didn’t live in (--) He had a family to come to here. [Ja] Pho, he was Lan
and Hai, he was Lan Pho’s father.
A: Okay.
J: But he was such a gentleman. He didn’t want to have any special treatment. So when I met
him I didn’t know he was Lan’s father. He wanted me to treat him like any other interpreter,
and he wasn’t like any other interpreter. This was a very distinguished scholar, wonderful man,
so well educated, and he just wanted to be you know, acted like the other interpreters. And of
course it took us about a month, but gradually I let him know I really needed him to do more
than be just (--) I needed advice. I needed guidance. And so he was very special. And the
other interpreter [So Chet Urk] was a Cambodian interpreter. He’s the one who really could
barely speak English, had grown up as a farmer, but worked so hard to help his people. Just
didn’t sleep, didn’t sleep. Twenty-four seven these people were on the road, they were on call
and they were needed, and we needed them to do it. And their community needed them to do
it. And you know, I know, I’ve met So Chet’s son like as a student here at the University. And I
hadn’t been in touch with So Chet for twenty years. You know, and to see his son be a student
here, that’s a pretty special feeling. That’s a pretty special feeling. They were great people.
K: So do you see any similarities in your job today as Chancellor as with working with for the
IRF?
J: I do always, everything I’ve ever done in my career to me it’s about building community, and
a community that thinks about making the world a better place. So certainly in that sense yes.
I think that that job really sensitized me to what it means to help people who are in trauma,
who have been traumatized and who need really emergency, immediate, deep care. And but
the biggest part of that is that it has to be done with respect. So I feel like, you know, certainly
at the university we have students who come here who are in that situation, who need that
help. As a community I feel like my greatest pride in UMass Lowell is that we are certainly, you
know, it goes without saying we’re an excellent academic institution, right? We are excellent in
research that we do. We provide excellent academic programs. But I think what gives me the
greatest pride (--) My greatest pride is that we’re a compassionate community. We are
compassionate to each other. Students, every day, every day I hear a story of students helping
other students. That gives me great pride. Every day I hear about our staff. Somebody, you
know, their child has cancer, or they’ve gone through a divorce, or they lost a parent, or
whatever happened, people reach across and help each other here. And that is what I think
9
�makes this place so unique and so special, and so extraordinary. So you know, to the extent
that I brought some of that because of that experience, all to the good.
A: Well thank you Jackie very much.
K: That you so much.
M: That helpful I hope?
K: Yah it was.
A: Wonderful.
M: Good. Good. A special group.
Interview ends
jw
10
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Indochinese Refugees Foundation, Inc. Oral Histories, 2016
Source
A related resource from which the described resource is derived
Indochinese Refugees Foundation, Inc. Oral Histories, 2016. UML 4. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Four oral history interviews with former staff and board members of the Indochinese Refugees Foundation, Inc., an organization that helped resettle Southeast Asian refugees in the greater Lowell, Massachusetts area during the 1980s. Oral histories were conducted with Jacqueline (Fidler) Moloney, Carol Keirstead, Elise Martin, Hai Pho, and Lan Pho. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml4">https://libguides.uml.edu/uml4</a>.<br /><br />The entire collection is accessible on this site.
Creator
An entity primarily responsible for making the resource
University of Massachusetts Lowell
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml4" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml4</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jacqueline Moloney oral history interview transcript, 2016
Subject
The topic of the resource
Community organization
English language--Study and teaching
Lowell (Mass.)
Nonprofit organizations
Occupational training
Political refugees
Refugee families
Refugee issues
Refugees--Southeast Asia
Refugees--United States
Social service
Unemployed--Services for
Oral history
Description
An account of the resource
The transcript of an oral history with Jacqueline Moloney, current Chancellor of the University of Massachusetts Lowell, on her experiences as an Indochinese Refugees Foundation, Inc. staff member during the late 1970s. Topics include programs, government policy, Southeast Asian refugees, and Lowell, Massachusetts.
Creator
An entity primarily responsible for making the resource
Moloney, Jacqueline
Connerty, Kale
Ali, Mehmed
Source
A related resource from which the described resource is derived
Indochinese Refugees Foundation, Inc. Oral Histories, 2016
Publisher
An entity responsible for making the resource available
University of Massachusetts Lowell
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-02-11
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
10 p., 21.5 x 28
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml4_16.01_i002
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2010-2019
Cambodians
Documents
Highlands
Hmong
Indochinese Self-Help Program
International Institute of New England
Laotians
Vietnamese
-
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Indochinese Refugees Foundation, Inc. Oral Histories, 2016
Source
A related resource from which the described resource is derived
Indochinese Refugees Foundation, Inc. Oral Histories, 2016. UML 4. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Four oral history interviews with former staff and board members of the Indochinese Refugees Foundation, Inc., an organization that helped resettle Southeast Asian refugees in the greater Lowell, Massachusetts area during the 1980s. Oral histories were conducted with Jacqueline (Fidler) Moloney, Carol Keirstead, Elise Martin, Hai Pho, and Lan Pho. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml4">https://libguides.uml.edu/uml4</a>.<br /><br />The entire collection is accessible on this site.
Creator
An entity primarily responsible for making the resource
University of Massachusetts Lowell
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml4" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml4</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jacqueline Moloney oral history interview audio recording, 2016
Subject
The topic of the resource
Community organization
English language--Study and teaching
Lowell (Mass.)
Nonprofit organizations
Occupational training
Political refugees
Refugee families
Refugee issues
Refugees--Southeast Asia
Refugees--United States
Social service
Unemployed--Services for
Oral history
Description
An account of the resource
The audio recording of an oral history with Jacqueline Moloney, current Chancellor of the University of Massachusetts Lowell, on her experiences as an Indochinese Refugees Foundation, Inc. staff member during the late 1970s. Topics include programs, government policy, Southeast Asian refugees, and Lowell, Massachusetts.
Creator
An entity primarily responsible for making the resource
Moloney, Jacqueline
Connerty, Kale
Ali, Mehmed
Source
A related resource from which the described resource is derived
Indochinese Refugees Foundation, Inc. Oral Histories, 2016
Publisher
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University of Massachusetts Lowell
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-02-11
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
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1 audio recording; 00:28:13
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound
Identifier
An unambiguous reference to the resource within a given context
uml4_16.01_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2010-2019
Cambodians
Highlands
Hmong
Indochinese Self-Help Program
International Institute of New England
Laotians
Sound recordings
Vietnamese
-
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acd40c7986f27babb1bd31886abcd5b3
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Indochinese Refugees Foundation, Inc. Oral Histories, 2016
Source
A related resource from which the described resource is derived
Indochinese Refugees Foundation, Inc. Oral Histories, 2016. UML 4. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Four oral history interviews with former staff and board members of the Indochinese Refugees Foundation, Inc., an organization that helped resettle Southeast Asian refugees in the greater Lowell, Massachusetts area during the 1980s. Oral histories were conducted with Jacqueline (Fidler) Moloney, Carol Keirstead, Elise Martin, Hai Pho, and Lan Pho. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml4">https://libguides.uml.edu/uml4</a>.<br /><br />The entire collection is accessible on this site.
Creator
An entity primarily responsible for making the resource
University of Massachusetts Lowell
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml4" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml4</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Carol Keirstead oral history interview audio recording, 2016
Subject
The topic of the resource
Adoption
Adoptive parents
Community organization
English language--Study and teaching
Lowell (Mass.)
Nonprofit organizations
Occupational training
Political refugees
Refugee camps
Refugee families
Refugee issues
Refugees--Southeast Asia
Refugees--United States
Social service
Unemployed--Services for
Oral history
Description
An account of the resource
The audio recording of an oral history with Carol Keirstead on her experiences working with Southeast Asian refugees and as an Indochinese Refugees Foundation, Inc. staff member. Other topics discussed include her work after she left the IRF, sponsoring a family, and adopting a child from Cambodia.
Creator
An entity primarily responsible for making the resource
Keirstead, Carol
Connerty, Kale
Ali, Mehmed
Source
A related resource from which the described resource is derived
Indochinese Refugees Foundation, Inc. Oral Histories, 2016
Publisher
An entity responsible for making the resource available
University of Massachusetts Lowell
Date
A point or period of time associated with an event in the lifecycle of the resource
2016-03-05
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
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1 audio recording; 00:45:44
Language
A language of the resource
English
Type
The nature or genre of the resource
Sound
Identifier
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uml4_16.02_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2010-2019
BASF Systems Corporation
Cambodian Mutual Assistance Association
Cambodians
Centralville
International Institute of New England
Laotians
Lowell Public Schools
Moore Street School
Philippine Refugee Processing Center
Sound recordings
The Grove
Vietnamese
Wang Laboratories
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PDF Text
Text
UNIVERSITY OF MASSACHUSETTS LOWELL
CENTER FOR ASIAN AMERICAN STUDIES
ORAL HISTORY PROJECT
INFORMANT: CAROL KEIRSTEAD
INTERVIEWER: MEHMED ALI
KALE CONNERTY
DATE: MARCH 5, 2016
C=CAROL
A=ALI
K=KALE
A: So this is interview with Carol Keirstead. Is that how you say it, Keirstead?
C: Keirstead, yup.
A: Keirstead, on March 5, 2016. And Carol thanks very much for willing to share some
time for us.
C: Excited to do it.
A: Good, great.
K: All right. Well I’ll just ask the first question. What do you know about the
circumstances under which the IRF [Indochinese Refugee Foundation] was founded?
C: Um, what I know about its founding was Hai Ba Pho and his wife Lan Pho were
Vietnamese refugees who settled in the country, and they wanted to establish an
organization that was really, ultimately they wanted it sort of for and by the refugee
community. So it was formed at a Mutual Assistance Association, which if memory
serves me correctly was really to be governed by members of the refugee community. So,
and his, his dream which actually came to fruition was to have the refugee community
actually you know, set up their own service organizations. So that’s what I recall about
that a few years ago. [All laugh]
K: When did you start working for the IRF [Indochinese Refugee Foundation]?
1
�C: In 1982.
K: Okay. And how long were you working there?
C: Two years.
K: Okay. Where had you previously been working?
C: The year before that I was with the university. I managed a Masters ESL Program for
teachers in Lowell Public Schools. It was a federally funded project. So we trained
“mainstream” classroom teachers to be able to effectively instruct English language
learners. So I did that for a year.
K: While you (--)
A: I’m sorry. And Carol how did you get, get into this field overall?
C: So way back when Ed Moloney and I worked together for CETA, which was the, you
know, federally funded sort of Skills in Employment Service Agency. And for whatever
reason you know at the time when refugees were coming into the city I just sort of took it
upon myself to reach out and do as best I could to serve that community through that
program. And so at one point he said to me, “Carol, you know, Jackie is going to be
leaving her position and I think you’d be great for it.” And I said, “Well I, you know,
I’m not so sure about that,” you know, but anyway. So he encouraged me to apply and I
did and got the job. So.
A: And where were you working for CETA previously like geographically?
C: In Lowell.
A: In Lowell, and where in Lowell?
C: Yup, it was up on Appleton Street. You know where the court is now?
A: Oh 89 Appleton, (C: You got it) The old Post Office?
C: Yup.
A: Okay. All right, that makes sense. And go ahead Kale.
K: How did you see the services offered by the IRF [Indochinese Refugee Foundation]
change while you were there? Did you see any change? You were only there for two
years, but.
C: Right. So in terms of change the actual services didn’t change much that I recall.
Again that was a long time ago. You know what changed over time was either one, the
2
�nature of the population, or the size of the population that we were serving. I mean when
we first started refugees were being resettled at a pretty rapid rate in this city. So we
were pretty, it was a pretty busy place. Yah, so over time I think it was the nature of the
population that we were serving, not so much the services.
A: And tell us about those changes and the different people coming and going.
C: Yah, so you know it would vary. It was Vietnamese, Cambodian and Lao that we
served and it just changed over time. The Vietnamese community was much smaller that
we served ultimately just by sheer numbers, and the Cambodian community kind of
started to excel. And there were a fair number of Lao families that we served as well.
And that over time, probably even after I left, just kind of flattened and the Khmer
population just kept, you know, people just kept relocating.
A: And why do you think the Cambodian population kind of grew where the other ones
stayed maybe smaller?
C: You know I think it was just a phenomenon of having a solid sort of community who
then would reach out to family, because Lowell at the time had very good employment
situation. So we could get people jobs pretty easily.
A: Um.
C: So the word would get out and family would come and resettle. You know at the time
there were pockets all across the country for different communities. Like the Hmong
were in Minnesota. So for whatever reason communities just began to sort of invite and
encourage people to come and resettle.
A: Where were you running the IRF [Indochinese Refugee Foundation] out of when you
took over?
C: 79 High Street.
A: And tell us about that building, what was going on there.
C: Yah, so the first floor was the International Institute, and then the second floor was us,
very small office space. And then we had, there was like an annex, which was a very
large room where we could hold functions and hold classes, and stuff like that. So it was
great because the International Institute was right below us. So we could collaborate a lot
on serving people.
K: What do you think were the most essential services you offered? What was the most
important?
C: Hm. Well the obvious ones right would be employment services and language
services. We had ESL Employment and Cultural Orientation Services. So those were
3
�critical. People needed jobs, but I think overall it was the welcoming, culturally
sensitive, supportive, proactive sort of approach that we took to just you know, helping
people to resettle in a new community.
So we’d do things like you know, have big household drives to have people donate all
kinds of things, because the refugee community they just needed so much. They were in
pretty substandard housing by in large. I mean I recall at the time there were a couple of
prominent landlords and the housing was pretty substandard. So you know, that was (--)
So we did what we did and more.
A: Yah. Who were some of the landlords around town that were notable?
C: It was George [Chambros], [Chambers], [Chamberos]?
A: Chamberas?
C: Yah, was the biggie.
A: Okay. How about Mr. Saab?
C: No, he wasn’t, that I knew of he wasn’t somebody that we encountered.
A: He might have gravitated over to the commercial stuff by that point.
C: Yah probably.
A: Because I know he had a lot in the, maybe in the 60s and 70s. I wasn’t sure.
C: And I sponsored a family while I was in my role.
A: Yah?
C: And the family I sponsored was a very, a family you know, non-literate and you know
from the Province. And so I had to work over a year’s time with them to help them get
housing and get settled and all that stuff. I’ll never forget the first time we found an
apartment for them. It was a decent apartment over in Centralville. And I was helping
them unpack, and you know getting everything settled. And we had all kinds of things
donated for them. And you know it was just so remarkable to step back and understand
what the experience was like for them, right. So a hairdryer, like they were just so
fascinated with a hairdryer. They thought it was to cook meat right.
A: Oh, to cook meat?
C: Right, and then you know, we were helping them put stuff away and they were
putting all the meat in the drawers and all of the appliances in the refrigerator. I mean
just you know, they had no idea.
4
�K: Yah.
C: So it was quite the learning experience. And a lot of the work that I did was advocacy
work, particularly with the school department, because at the time they were enrolling I
think it was like fifty students a week at one point.
A: Wow.
K: Wow.
C: And you know, we were hearing, you know there was one case I’ll never forget.
There was a girl who probably had PTSD. No, I know she had PTSD, and they didn’t
know what to do with her. So they kept her home. They didn’t serve her. So a lot of the
work we did had to be sort of advocacy oriented in working with other organizations to
help them understand the population and help them do right by them.
A: Yah. What made you decide that you wanted to sponsor that one family?
C: Well my thing was to sort of walk the talk in what I do. So I just wanted to do that as
part of you know, not just get paid for the work but the refugee community would
actually step up and help out.
K: Okay. So what were all of your duties and stuff? You already talked about advocacy
work, but what else were [unclear]?
C: So I supervised the staff that we had. We had bilingual bicultural staff. I oversaw all
of the programming. Oversaw all of the paperwork with Office of Refugee Resettlement,
you know, had to oversee all of the records and stuff like that.
A: And that was a federal agency?
C: Yes. And so you know, all of the administrative things that go along with an
administrative job, which I didn’t have a clue how to do until I got this job. So it was
really learning on the job, but it was great. And I’d say, you know, a fair amount of it
was really outreach to the community and helping you know, doing cultural orientations
out in the community. Really just helping develop understanding as much as I could
about, you know, the communities that were coming into Lowell.
K: Was there anything while you were on your job that you found unexpected, like any
tasks that you had to do that you weren’t prepared for, well not prepared for but just
weren’t expecting?
C: Yah, firing staff was hard. [Laughs]
5
�A: Yah, and without going into the specific persons what was the kind of nature of the
work that made it difficult?
C: It was a staff person that was, you know, I adored him and he was well respected in
the community, but just didn’t do his job. So you know, at some point you have to
address things like that and it’s hard, particularly when you’re a white female and the
person is a member of the community. It’s very difficult. So that was my probably
biggest challenge.
A: Was there any kind of fallout with the community from that?
C: Yes, this individual actually, yes there was.
A: Okay.
K: How many people do you think you helped over there, how many families?
C: Oh Lord. You know I’m sorry. I wouldn’t even know how to, I wouldn’t know how
to do that. You probably have the record. I just don’t even (--) I know we had to report
on it every month. We had to submit monthly reports.
A: Yah. No, that’s fine.
K: We actually might have those in our archives, yah.
C: That would be interesting to see, yah.
A: Could you describe the community as they were coming into Lowell? And you
talked about the, you know, kind of issues with understanding kind of technology and
things like that, which they had never seen before.
C: Right, right. So I guess it was really recognizing that what they had to become
accustomed to and what they had to learn was going to take time. And that they just
needed a lot of support to acculturating and learning what they needed to learn, and in the
employment setting. So that was a whole other thing. So my job as director that was my
(--) We had ESL teachers, and we had cultural specialists, but my job was to find jobs for
people. That was part of my role. So you know, I had to make sure that the work place
could accommodate people who were, you know, had various levels of education and,
you know, could handle expectations in the work place and stuff like that. So that was,
that was a challenge.
A: So tell us what companies were out kind of that you connected with?
C: I remember a big one was BASF. (A: Umhm) So there were a lot of electronic firms
at that time and medical supply firms where all folks would have to do is piecework, put
stuff together. And it was a pretty good job in the tech industry. So Wang, some people
6
�could get in. Not a lot, but some people could get into Wang. But there were a couple.
BASF I remember and it will come to me after you leave. [Laughs]
A: That’s fine.
C: There are a few sort of you know, our go-tos.
A: Where was BASF? Was that in Nashua?
C: Bedford.
A: Oh Bedford, okay. Good. And do you remember any kind of stories connected with
people getting jobs and you know, perceptions on that and feelings from the community
response?
C: Can you say more about that? What are you, what are you thinking?
A: Yes. Just I mean did, um, you know, do you remember any particular stories where
you know, you got somebody a job and it really kind of changed their outlook, or their
family’s outlook?
C: I’m sure. I just can’t at the top of my head recall. You know I’m sure there were
many, but yah.
A: Yah. What was the, what’s your perception on the city’s reception of these
immigrants?
C: I would say one of the reasons we ended up with such a large community is because
by in large the city stepped up. They didn’t always do the right thing, but by in large the
city really stepped up I think. You know, a lot of the churches were heavily involved.
Eliot Church, Saint Patrick’s was a huge supporter. Yah, so churches played a big role in
really helping refugee communities. So I would say yah, Lowell was pretty, Lowell did a
pretty good job.
A: Is there any way to find like what that could be attributed to?
C: So who would have been there at the time? Gee, I can’t even tell you. George
Tsapatsaris was the Superintendent of Schools.
A: Okay. Did you guys have a relationship with the school department?
C: I did, you know, it was sometimes heated because I did go to bat for people.
A: Okay.
C: So sometimes I’d be told you know, tell that Keirstead to cease and desist. [Laughs]
7
�A: Why? Over what issues?
C: You know, I (--) This is who I am. I don’t like injustice. Where there’s injustice I do
whatever I can do. So when I saw cases where kids weren’t being served well, like a
classroom was set up in a bathroom for a group of Laotian kids. I said, “Uh huh, not
okay.” Um, that student I remember going to bat for because she had some you know,
she was dealing with some emotional trauma and they kept her home. They wouldn’t
serve her. So it was things like that. I just (--)
A: And I’m sorry, when you said they wouldn’t serve, I originally thought you meant the
family, but you were talking about the school department?
C: School department.
A: Okay, and was that Cambodian?
C: She was Lao I believe this particular girl.
A: Okay.
C: You know how certain people stand out in your mind? Yah, but you know so at the
same time George respected me and I respected him, but I had to just, you know, do that
and he had to push back. So you know.
A: Where was the, which school were the kids in the bathroom originally?
C: The Daley.
A: The Daley? Okay. [Chuckles] All right, and I imagine there was some, I mean,
growing pains from the school department’s perspective right?
C: Oh everybody was out of space and it was, I mean really they were registering like
fifty kids a week. And after I left the Indochinese Refugee Foundation I went to work.
They recruited me for the public school system. So I ran the Southeast Asian Curriculum
Program. And so you know, I then saw it on that end. Yah, I mean. And then I worked
at the, did you hear about the Moore Street School?
A: They Morey?
C: Moore Street?
A: Moore Street School up in the Grove.
C: Yah, so it was really the only segregated publically supported school that had existed
in a very long time. It was all Cambodian kids.
8
�A: Now how did that school become only Cambodians? Had it been closed previously?
C: It was a private catholic that was closed by the Diocese.
A: Okay.
C: So Lowell rented it I guess (A: Okay) and set it up to serve this huge population of
kids they didn’t have a place to put. So that was in existence. I worked there for like a
year with Bob Keegan. He was the principle. He’s since passed away, but um, yah. So
that was an interesting experiment.
A: What was that school like? How would you describe it?
C: So I thought it was wonderful. I mean I get segregation, I get it, but it was a
protected, all about these kids, giving them what they needed in environment. They
didn’t have to deal with being treated whatever. So it was a protected environment and
we could design the program just for them.
A: Um.
C: In fact, have you seen the Southeast Asian book? Probably right?
A: The Jim Higgins photo book?
C: The cover, that’s the Moore Street School.
A: Yah, I, well I just was looking at that book recently and I said, “Where the heck was
this school?” I didn’t know anything about it. (C: Yah) So when you said it I was, yah.
C: Yah, funny.
A: What else can you talk about with that school? What were the programs that you
were running that wouldn’t be found anywhere else?
C: Well it was you know, before it was a bilingual program. So back then we believed
in bilingual education in this state. We don’t anymore by the way. So it was a bilingual
program where kids had native language instruction and ESL. So we could design the
program so that they got their content, you know, in the native language and then had sort
of sheltered English class instruction too. So it was great.
A: What was the building like physically? Was it in a decent shape?
C: It was decent.
A: Okay.
9
�C: Yah, yah, it was okay.
A: No leaky roofs or anything?
C: No, no, it was okay.
A: Okay, good. Um, you talk about Lowell being basically an accommodating
community. Any instances where you remember where it didn’t shine in that area?
C: Housing I would say.
A: And what were the issues there?
C: Really substandard housing. I mean most of the families when I’d go visit, you know,
they’d be roaches all over the walls. They’d be roach paper just like wallpaper, you
know, so just really substandard housing.
A: And did the IRF [Indochinese Refugee Foundation] get involved in kind of helping to
change that situation?
C: You know I’m sure we tried. You know we tried to get families into the best housing
situations we could, but there was limited, limited stock so to speak. And you know, it
was a big, it’s a bigger issue than we could take on, because it’s really, it’s you know, it
hasn’t changed. [Laughs]
A: Yah, yah.
C: So.
A: I know there was a group around town I think primarily connected to churches, but
the Ethnic Covenant?
C: Oh my God, yah! Jay. Jay. What was his name? Great group.
A: Okay. Tell us what you know about the group.
C: Oh, [unclear] the dust off the cobwebs. Jay was the gentleman who founded it I
believe. And I remember they authored a paper called “Thirty Pieces of Silver” maybe?
Right, is that is?
A: I think that’s it, yah.
C: Um, so yah, they were a very advocacy oriented group who really I think sought to
speak the truth on behalf of vulnerable populations. Yah, yah, God thank you for
mentioning that.
10
�A: Did the IRF [Indochinese Refugee Foundation] have any connection with them?
C: Yah, yah, we, I can’t remember exactly what we did together, but we definitely
collaborated and communicated a lot. Yah, yup.
A: Tell us about the everyday work week at the IRF [Indochinese Refugee Foundation].
C: It was, I mean the reason I stayed for two years is because I ate, breathed and slept
right, because it was just nonstop, never ending. It didn’t end at 5:00. So yah, I mean
that was primarily why I had to sort of go to a “more normal job”. It was you know,
doing the administrative stuff and then dealing with things all day long that would come
up; refugees coming in with whatever issues that they had and we would have to figure
out how to help them. So it was doing your regular job and then attending to people’s
needs as they would come through the door, which you never knew what those were
going to be.
A: Jackie told us a little bit about some of the issues that the refugees had with kind of
accessing health services. Do you have any (--)
C: Yes, yah, yes. So I would say a big issue for refugees, and I don’t know what Jackie’s
perspective was, they were very reluctant in a way to access American medical services.
And we often would have to (--) Oh, I just thought about this other case. Oh my God.
A: Yah, tell us about that case.
C: I’m just getting emotional. Sorry.
A: That’s okay. That’s okay. Sorry.
C: Wow, I didn’t expect that one. [Crying]
A: That’s okay, take a few minutes.
C: So there was this day, and in walked a woman with her daughter in her arms and her
daughter was almost lifeless. So Chulathy was her name. And so we arranged to have
her taken by ambulance to the hospital and I ended up following her for quite some time
and they could never figure out what was wrong with her. And you know part of me is
feeling like I should have done more, but whatever. And she just like languished in the
system and they couldn’t figure out what was wrong with her. She was dying and I’ll
never (--) They let her go home at some point and somewhat later I heard that she just
died in Lowell High School. She just died. So, I mean and I tried to work with the
family and it was just you know, a lot of Southeast Asians believe in spiritual even
sometimes sort of ghosts like things right. And so translating between that belief system
and western medicine is nearly impossible. And then you got the language barrier in
between. So I, you know, I worked with the family and I worked with you know, I’d go
11
�to visit Chulathy and she just always, she was always doing this. It hurt, it hurt, it hurt,
and they could never figure out what she had.
A: So she was always holding her fist to her chest?
C: Yup, like this and they never could figure out what she had. So, sorry.
A: Other issues on medical or health access?
C: There weren’t the language and cultural resources that of course there are now. So it
was really, really difficult. Yah, I didn’t even think of that. It was really difficult to get
adequate care for people because of the language barrier and the cultural barriers. Yah.
A: So talk about the language barriers in general?
C: Well I didn’t speak any of the language [laughs]. So I always had to rely on you
know, my folks to translate. And so when refugees would go do whatever they had to do
they would always have to find somebody, oftentimes the younger kid in the family, and
rely on that person as their translator which right, is not ideal. So yah, it was, it was really
tough. And that was a lot of the work that our staff had to do, which they weren’t paid to
do really. I mean their jobs were not to be translators, but there you go right.
K: Umhm.
A: Yah, yah. Any funny stories about IRF [Indochinese Refugee Foundation]
workplace?
C: Yah, so this may not want to be (--) [Laughs] You don’t have to stop it but there were
a lot of funny things, but I’ll never forget this one time. Alise Martin, do you know Alise
Martin?
A: Yah.
C: She was the ESL teacher.
A: Oh she worked at the IRF [Indochinese Refugee Foundation]?
C: Yah.
A: Okay. That’s another interview.
K: We have her [unclear].
C: And I think she was the teacher at this time. We had a couple while I was there, but I
went down to the classroom just to check on things. And we often had people donate
goods. So we’d have plastic bags all along the side of the classroom. So I went down
12
�and looked in the classroom and there was a big ruckus going on. And I’m like
everybody is laughing and you know, I’m like what’s going on? So what happened was
somebody had donated things and there was a box on tampons in there. And the Ref,
whoever found them thought they were firecrackers. So they’re all trying to light
tampons. [All laugh] That was a fun one, yah.
A: Other kind of workplace issues at the IRF [Indochinese Refugee Foundation]?
C: You know we always could have used more. It was always a scramble to have
enough resources to do what we needed to do. And I don’t remember at the time. I
remember getting some grants here and there, some small grants to do different things,
but I can’t recall what they were.
A: Yah. Now you worked with the federal government. Did you work with any state
agencies?
C: We, I’m trying to think. Well there was the Office of Refugee Resettlement in
Massachusetts. So every state has its own.
A: Okay.
C: Yah, yah.
A: Okay. So the office you primarily dealt with was kind of, they controlled the funds
that the federal government (--)
C: Right.
A: Okay I see.
C: They were sort of a pass through.
A: Do you remember any individuals or issues with the state?
C: No. I mean like any, I’ve managed many of those things since then. Like there are
always challenges with it, but you know.
A: Yah, regular bureaucracy stuff.
C: Yah, right, right, nothing that I can recall out of the ordinary.
A: Good.
K: Did you see funding change while you were there at all?
C: I don’t remember. Really I don’t remember.
13
�K: Did working with the IRF [Indochinese Refugee Foundation] change your perspective
on anything, like such as minority groups, non-profit work?
C: It was life changing for me.
K: Really.
C: Because when I left there I went to work for the school department and then I went to
work overseas in a Refugee Program. So I never would have done that if I hadn’t had
this opportunity. And then I adopted somebody from Cambodia. So it really was life
changing for me.
K: Now where did you work overseas?
C: In the Philippines, in the Philippine Refugee Camp.
K: And was that the camp where Cambodians and other folks from Southeast Asia were
coming?
C: A lot. There were several camps in Thailand and then there was PRPC in the
Philippines, and there were a couple of smaller ones in Indonesia.
A: Okay.
C: When I went the largest population were Amerasians.
A: From mainly from Vietnam?
C: Umhm.
A: Okay. Why don’t you tell us a little bit about how you got involved in that project?
C: So when I was at the Refugee Foundation I was able to make contacts. I also worked
at Middlesex Community College in between, that’s right. So I worked at Lowell Public
Schools. Then I went to Middlesex and help set up the new campus, because what they
wanted to do in setting up the new campus with Molly Sheehy was my, person I worked
with, was to set up what they called a Resource Center, because they wanted to provide
outreach services to the Southeast Asians in setting up the new campus. So I did that for
two years. So through my work at the Foundation and through Middlesex I made
contacts with the U.S. State Department. And when I decided I wanted to try it I just
called and said, “How do you do that?” And the women said, “Well here’s what you do.”
And so I applied to this organization and they flew me down for an interview. And
within a month I was gone. So yah, it was great.
A: Good. So tell us about the camps. There was one major camp for?
14
�C: The one I worked in was one major camp, but there were many camps and operation
at that time in Thailand. So a lot of Refugees from Lowell, some would have come
through the camp I worked at, some would have come through Thailand.
A: From Khao-I-Dang
C: Yup, Phanat Nikhom, Khao-I-Dang, yup.
A: And what was the camp that you worked at in the Philippines?
C: It was called PRPC, Philippine Refugee Processing Center. Bad name! What are we,
cows? Yah, anyway. So it was a really large camp. We serviced I think at any one time
there were about 100,000 people there. It was nine kilometers long. It was along a ridge.
It was beautiful, gorgeous, and there were several international organizations there, like
World Relief. ICMC was the group I worked for. There were many, many, many. So
my group ran the, what they called the Pass Program, which was for kids 11.5 - 16 who
were coming to the states. So it was like a school to get them ready for school here. So I
ran that program.
A: And would those kids be orphans primarily?
C: They were, they were not on paper orphans. So a lot of the, you probably know this,
so a lot of the Amerasians kids that ended up coming came through very nefarious means.
So they were orphans in their country, but because people knew they were gold tickets to
get to the states. That’s what they were called. They would sort of adopt them to get to
the states.
A: Oh! So parents that had no blood, or people that had no blood connections to (--)
C: In some cases right. And in some, you know, that wasn’t all of the cases, but it was
prevalent. And in some cases you know, the families really did care about the kids. And
then we had a Khmer population while I was there. And did we have Lao? If we had
Lao it was like miniscule. So it was mostly Vietnamese and Khmer when I was there.
And the Catholic Church was there, the Mormons were there. I mean it was like a whole
community.
A: Yah. Any difficulties there between the different nationalities?
C: Sometimes, yah. Sometimes they’d be pretty nasty clashes.
A: Remember any stories or incidents?
C: Not particularly, but it wasn’t, it wasn’t often, but you know, once in a while, yup.
15
�A: Now did you, did you work with Cambodian folks (C: Yup) there? And did some of
those people end up in Lowell?
C: Yah. Like you know, if I’m talking to somebody whose, who I think could fit the age
range, if I meet somebody, I’ll ask them. “So what camp were you in?” And sometimes
it will be that one. Yah, it’s kind of cool.
A: How long did you end up staying there?
C: Two years. I do everything for two years I think. [Laughs] I like to start things up. I
did. I’ve been in my job for twenty. So yah.
A: Maybe we should go back a little bit more and talk about your transition from IRF
[Indochinese Refugee Foundation] to the School Department. How did that come about?
C: If memory serves me, which sometimes it doesn’t, I believe Ann O’Donnell
approached me.
A: Don Pearson?
C: Ann O’Donnell.
A: Oh I’m sorry, Ann O’Donnell.
C: She was the head of the bilingual program.
A: Okay.
C: For a very long time. And I believe she approached me and asked me if I’d be
interested. They had this position. I think they got federal funds for it or something.
A: It was a new position?
C: Yup, to oversee development of a Southeast Asian curriculum. So yup.
A: Tell us all about that.
C: So in my role I oversaw, I had three curriculum developers, one Lao, one Khmer, and
one Vietnamese. And so our job was to try to develop a, you know, native language
curriculum that they could use in the schools, and that was a huge lift, because you know,
we’re talking K-12. I mean it was a huge lift. So we mostly focused on literacy, and then
would you know as we could develop materials, you know, in other content areas. But
we’d produce our own books and stuff like that, yup. And I believe, and you guys would
know maybe the timeline. So there was a time when there was going to be a shift away
from the Indochinese Foundation to splitting off the groups. When you talk to Hai he’ll
know.
16
�A: Okay. So like when the CMAA [Cambodian Mutual Assistance Association] was
formed?
C: Yah!
A: Yah, so the CMAA [Cambodian Mutual Assistance Association] was formed in 84.
C: Yup.
A: And I don’t know. Was there a Lao and Vietnamese?
C: There, well there was an effort. (A: Okay) It didn’t take hold, but there was an effort
to do that, yah.
A: Okay. So the CMAA was really the only group that kind of had legs?
C: It ended up, yup, that I recall. Yup.
K: Do you keep in touch with anyone you worked with, or while working for, at the
IRF?
C: Not really keep in touch. I, you know, I would see people out in the community and
you know, a couple of families I keep in touch with that I served, but I don’t keep in
touch with staff as much. In fact it’s funny one of the families that I for whatever reason
just became really close with, a Lao family, their daughter now has children my middle
son’s age and they’re best friends.
K: Oh.
C: So she, so you know when she came to the IRF [Indochinese Refugee Foundation]
she was like yay big, and now she’s mom to two kids and so it’s yah, it’s great.
K: What about the family you sponsored?
C: I have no idea. [Unclear], I have no idea. You know my life took a, you know, a left
turn. You know, when you have kids everything, everything changes. So you know, I
became much less involved in the community. I took this job up in Portsmouth, New
Hampshire. So I became sort of much less connected here.
A: Yah. So you went from IRF [Indochinese Refugee Foundation] to the school
department and then (--)
C: Then to Middlesex.
17
�A: And then to Middlesex. And how did you get connected up with Middlesex if you
recall?
C: Maybe Molly Sheehy?
A: Okay.
C: Yah, I think that’s probably likely.
A: Okay. And what did you do at (--) You talked a little bit about it already, but.
C: So you know, in setting up the Lowell Campus they were mindful, right that they
wanted to serve the Southeast Asian population. So we set up this um, and they had a
Gateway City’s Grant I believe to do that. So myself and a Hispanic community Leader,
Peki Wilson, who was at the time really well regarded in the Latino community (--)
A: How do you spell the first name?
C: Peki, P E K I was her nickname. Griselda was her first name.
A: Raselda?
C: Griselda.
A: Griselda. Okay.
C: She was Cuban, but very well regarded in the Hispanic community. So she and I
were sort of the two key staff at the Resource Center which operated out of Wannalancit
at the time, because we started at Wannalancit right?
A: Yah.
C: And so our job really was to provide sort of counseling so to speak to you know, kids
who were interested in maybe attending Middlesex, and while they were at the college
providing a lot of bicultural support for them. You know, doing special events with them
and just being there as a listening ear.
A: Were there a lot of students coming to Middlesex when, at the beginning essentially?
C: Well I think because of our outreach we started really to get kids you know aware of
the college and starting to come into the college.
A: How did you do the outreach? Do you recall?
18
�C: Well by that time I had, you know, because of my work at the Foundation I had a
pretty good network. So that wasn’t a huge lift. You know, without that I don’t know
what I would have done, but yah.
A: So who were some of the community leaders from the different refugee communities
at that time?
C: So the Lao I would say Kumson Silavong. I think he’s passed recently. Sommanee
Bounphasaysone, she’s actually a really good friend of mine. Who else in the Lao
community? That’s what I recall, and Sommanee worked for the DCF ultimately.
A: So many Lao folks or?
C: Sommanee is her name, sorry. [Laughs]
A: [Laughs] I’m going deaf anyways, so.
C: I know you and me both. So in the Cambodian community at the time it was Michael
Ben Ho (A: Umhm), great man.
A: Yah, he just passed away as well.
C: I know. Narin Sao. (A: Umhm) You probably know them all. I’m trying to think
who else. Those are the two that come to mind really.
A: Okay. Is Narin still around?
C: Yup.
A: Okay.
C: Yah, he lives in Chelmsford but he’s around. He’s a great guy, great guy.
A: Any politicians that stood out either kind of pro refugee, or not so pro?
C: Like if you tick check off names I could say “Oh yah, I know,” but (--)
A: One of the guys over the years, a couple of the guys that could be perceived as not
being super friendly would be Tarsy Poulios. [Both same name at same time].
C: Tarsy Poulios, right, it just all of a sudden came back to me! Yah, he was like the
Donald Trump of Lowell. So I’d say yah.
A: Do you remember any interactions with any of your jobs with him?
C: No.
19
�A: Okay. Anybody on the pro side?
C: I’m sure there were, because again we had, you know, we had a fair amount of (--)
Oh God I’m just remember on the school board, Katherine Stoklosa. She blamed me for
all of the refugees coming to the city.
A: How so?
C: At the school committee meeting.
A: Oh really?
C: Yah.
A: And so she didn’t think it was a good idea?
C: Oh no! We should stop those people from coming, yup. I mean a lot of people were
(--) It’s you know, it’s fear you know the unknown. Right, it’s so common, we don’t
learn.
A: Good.
K: Do you see any similarities in your job today with working with the IRF [Indochinese
Refugee Foundation]
C: No. I wish I did. [Laughs] No, I’m (--)
A: We won’t leave that on the record.
C: Yah! I’m pretty far removed from feeling like I have an impact on people’s lives, but
that’s okay.
K: He kind of skips this question, but what was the most interesting or enjoyable part of
your job?
C: Oh the people. Oh God yah. Just really, just delightful people, and some of them
could be like royal pains in the asses, but you know. Hai’s father worked for me, and a
wonderful, wonderful man. And he was very set in his ways. So supervising him was a
challenge, but you know, wonderful, wonderful man. And so just really wonderful
people and I learned a lot.
A: Any final thoughts about your time working for the IRF [Indochinese Refugee
Foundation]?
20
�C: No, just that you know, I want to thank Jackie’s husband. [Laughs] Really it was a
life changer for me, that opportunity, and Hai. It really was. I mean they took a risk with
me, because I was (--) How old was I? I was young, really and you know, I guess the
good thing for me was nobody had that experience because it was so new. So they took a
chance with me and it was great.
A: Yah, you said Jackie’s husband?
C: He’s the one that recommended me for the job.
A: Jackie Moloney’s husband?
C: Yup.
A: Oh, okay, and how did you know him?
C: I worked with him at CETA, the (--) Yup, Ed.
A: Yah, okay. What did he do at CETA?
C: He was one of the managers. So there was Ed and Henry Przydzial, and yah. But
yah, he just pulled me aside and said, “Hey, Jackie’s leaving this job. I think you should
go for it.” Now Jackie is brilliant. And going in trying to fill her shoes, I had to get over
that one right away. Yup, she’s brilliant.
A: How so?
C: I don’t know she just is.
A: But I mean how did you feel that you (--) Was there a learning curve from what
Jackie had done?
C: I mean I would have, if I tried to sort of emulate what she did, or be who she was I
would have failed. So I had to just find my own way in the job and yah. And I was
successful, but I’m just saying you know, yah.
A: Any final thoughts about your time working here in the city.
C: No, I mean I miss it. I loved doing that kind of work. My work is like I said, very
removed. You know, I have a federally funded job where I lead a multi-million dollar
grant, blah, blah, blah. So it’s a great job and but I loved doing community work.
Someday in my retirement.
A: Yah, why not?
C: Yah.
21
�A: Great.
K: I think that’s it, right?
C: Thank you so much.
K: Thank you.
A: Thank you.
K: Yah, this is great.
C: So are you a student at UMass?
K: Yah, I’m a student. I’m a sophomore.
C: What are you studying?
Interview ends
jw
22
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Indochinese Refugees Foundation, Inc. Oral Histories, 2016
Source
A related resource from which the described resource is derived
Indochinese Refugees Foundation, Inc. Oral Histories, 2016. UML 4. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Four oral history interviews with former staff and board members of the Indochinese Refugees Foundation, Inc., an organization that helped resettle Southeast Asian refugees in the greater Lowell, Massachusetts area during the 1980s. Oral histories were conducted with Jacqueline (Fidler) Moloney, Carol Keirstead, Elise Martin, Hai Pho, and Lan Pho. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml4">https://libguides.uml.edu/uml4</a>.<br /><br />The entire collection is accessible on this site.
Creator
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University of Massachusetts Lowell
Relation
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The collection finding aid, <a href="https://libguides.uml.edu/uml4" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml4</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
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Carol Keirstead oral history interview transcript, 2016
Subject
The topic of the resource
Adoption
Adoptive parents
Community organization
English language--Study and teaching
Lowell (Mass.)
Nonprofit organizations
Occupational training
Political refugees
Refugee camps
Refugee families
Refugee issues
Refugees--Southeast Asia
Refugees--United States
Social service
Unemployed--Services for
Oral history
Description
An account of the resource
The transcript of an oral history with Carol Keirstead on her experiences working with Southeast Asian refugees and as an Indochinese Refugees Foundation, Inc. staff member. Other topics discussed include her work after she left the IRF, sponsoring a family, and adopting a child from Cambodia.
Creator
An entity primarily responsible for making the resource
Keirstead, Carol
Connerty, Kale
Ali, Mehmed
Source
A related resource from which the described resource is derived
Indochinese Refugees Foundation, Inc. Oral Histories, 2016
Publisher
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University of Massachusetts Lowell
Date
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2016-03-05
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UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
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22 p., 21.5 x 28
Language
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English
Type
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Text
Identifier
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uml4_16.02_i002
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2010-2019
BASF Systems Corporation
Cambodian Mutual Assistance Association
Cambodians
Centralville
Daley Middle School
Documents
International Institute of New England
Laotians
Lowell Public Schools
Moore Street School
Philippine Refugee Processing Center
The Grove
Vietnamese
Wang Laboratories
-
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Text
UNIVERSITY OF MASSACHUSETTS LOWELL
CENTER FOR ASIAN AMERICAN STUDIES
ORAL HISTORY PROJECT
INFORMANT: LAN & HAI PHO
INTERVIEWER: KALE CONNERTY
DATE: October 5th, 2016
L=LAN
H=HAI
K=KALE
[Note: At the request of Lan and Hai Pho minor edits have been made to this transcript for clarification.
An unedited version of this transcript is available.]
H: Okay, why don’t you introduce yourself and then I’ll do it?
L: My name is Lan Pho. And my husband and I have participated in the resettlement of refugees from
Cambodia, Laos and Vietnam, into Massachusetts in general and in Lowell and the greater Lowell area
to be more specific since the late 70s.
H: My name is Hai Pho. I am a member of the initial establishment of the Indochinese Refugee
Foundation back in 1976. And with the participation and support of my wife Lan, and five other
members, we established what is known as the Indochinese Refugee Foundation Incorporated in 1977,
on January 27, 1977 by the Secretary of the Commonwealth of Massachusetts. Thank you.
K: So just to get started, what were the circumstances under which the IRF was started? Or how did
you decide to start it?
H: Okay, all right. The histories of immigration and refugees are quite different. The U.S. program for
immigrants started a long, long time ago, but I think in 1965, ‘66 there was a law by the Congress to
define immigration. And the status of refugees were not well defined then. So people that came
before 1975 were classified by law not as refugees but as immigrants. Immigrants came to better their
lives economically, socially. Refugees came as a place for protection because they were pushed out.
1
�So there’s a theory, there’s a pull and push theory. Immigrants are pulled into the U.S. for the
economic social betterment. Refugees were people whose lives were threatened and were pushed out
of their countries and they came for shelter, for protection, for survival. And so in 1975 at the end of
the Vietnam War some hundred and a hundred and thirty thousand refugees from Vietnam were
hosted in the U.S. for their survival, because they were pushed out by the Communist army victory in
South Vietnam. In 1980 the U.S. Congress established a law, the 1980 Refugee Act, that defined the
meaning of refugees and provided a systematic procedures and numbers for annual admission of
refugees into the US, the quota for Indochinese refugees to be resettled in the U.S. per year. And that
is the beginning as far as a statutory refugee definition is concerned.
As far as the Indochinese Refugee Foundation is concerned, we established it in 1977 because in 1975
some Vietnamese refugees just came to New England, to Boston, most of them with nothing but the
clothes on their back. So for the first year or so we were just trying to establish our life, re-establish
our life. And we do try to pull our community together. And we made an appeal on September 27,
1976 for Vietnamese and American friends and supporters to help us organize into a kind of a Mutual
Assistance Association. And that sort of launched the action to create an Indochinese Refugee
Foundation that was drafted. The Charter was drafted and then finally incorporated in the spring of,
January 27, 1977.
K: So going off of talking about the definition of refugees. Looking through the archives we see
documents that are trying to distinguish between political refugees and economic migrants. So were
there any difficulties, or controversies involved with trying to make that distinction? Or did you have
any problems?
H: There are a lot of difficulties. In most peoples’ mind immigrants come [here] to better themselves,
and they should not be dependent on anybody, particularly on public assistance. When refugees came
they had nothing with them. There was no preparation. There was no anticipation of self-sufficiency
at that particular point. In fact total lack of preparation. So from Southeast Asia, from Vietnam, Laos
and Cambodia, there are two phases. The first phase in 1975 to 1977, these people came from a very
advanced background, and so they can establish, re-establish themselves very fast, very well. In fact
there are a lot of studies that prove how successful that first phase of resettlement of refugees from
Vietnam at that time [was]. There’s a group of studies that was made [showing] there’s no impact on
the host country, on the United States, particularly with the initial U.S. policy of integration. In the
policy of integration of Indochinese refugees in 1975 there was an effort to disperse, meaning to
spread them out. How did they do that? By a hosting requirement, a requirement having a host, a
family host or a church, or an agency to host each family from Vietnam to settle in the U.S. Because of
that requirement, the Vietnamese who first came as refugees in 1975, ‘76 were spread out all across
the U.S. But – and in addition they were well, trained well, professional people, so with their
2
�background and skills they could find jobs, they could find housing on their own. They didn’t need to
depend on any help from agencies of the states or the federal government.
The phase of refugees that came from 1979, 1980 on were pushed out from Southeast Asia, from
Cambodia, from Vietnam because of the drastic, drastic, horrible, horrible violent policy of the regimes
in Southeast Asia. Those people were not prepared and they had to be dependent on public
assistance, and that created a lot of objections.
K: So – I’ll start with you Hai – what were your specific roles in the IRF, first as a member of the Board
of Directors?
H: Yes, I was fortunate to be educated, trained, get my Doctorate Degree at Boston University, teach
at UMass Lowell from 1968 on. So I have a well established root in Lowell. In fact I came to Lowell
some five, six years before anybody else was here, my wife and I, our family. And, in 1975 when the
first wave of Vietnamese refugees came, I was with my friend Doctor Nghia Nguyen, a physicist at
Draper Labs in Cambridge and we put together a group of leading Vietnamese refugees. They are
lawyers, they are engineers, they are scholars, and an American retiree from the State Department,
[unintelligible] to form the founding members group of the Indochinese Refugee Foundation to help to
provide the technical skill to help those who follow us who need some help to create a Mutual
Assistance Association. That is my role.
K: And what about your duties as the Coordinator for the Indochinese Self-Help Project?
H: Then three, four years later when the boat people from Vietnam and the Cambodian Refugees from
Cambodia who were sheltered on the Thailand borders, came. The State Department, because of
[continued need] to resettle Cambodians and Laotians, instead of dispersal they created a cluster
system, meaning they bring them as groups into different locations in the U.S. There were about five,
six clusters, one of which was the Lawrence/Lowell cluster. And each cluster, they bring about a
hundred families to the area, and these are supposed to receive not only assistance in resettlement,
but also to receive assistance in language skills, in employment training and job placement. So the
resettlement consisted of two phases. One is housing and (L: Language skills) language skills. No, that
is training, training in employment. ET, training, education and training. Okay. The first phase is
housing welfare resettlement, just to get them settled in a local community. The second phase is
Employment and Training. And because of the cluster system there was a high demand for
employment training in the Lawrence/Lowell area, [such] that the agencies, the local agencies that
provide the resettlement cannot handle it and do not have the staff, the skill to handle the education,
English as a Second Language, the job preparation and employment placement for them. So we sort of
see the need for it and find ways voluntarily to do it, but [there are] not enough resources available to
3
�us, because we are just resettling five years ago and it’s just not enough resources available to us. So
we call on the U.S Government, which at the time [it] is the State Department that is responsible for
resettlement to give us the funding. And so they did earmark some five million dollars to those selfhelp groups, mutual assistance groups, to apply. And if we did qualify they would give us the grant to
provide English as a Second Language, and orientation to resettle, and Employment and Training. So
that’s how I submit an application, because they sent out what is called a “Request for Proposal”
across the United States. And we are among the four or five Mutual Assistance Associations that
received that funding to provide Employment and Training here.
K: Was that the same as the Targeted Assistance Grants Program, or is that something different?
H: Separate.
K: Separate, okay. We won’t talk about that.
H: Target Assistance is different. (K: Okay) So that is the Self-Help Project from the Indochinese
Refugee Foundation.
K: Which was later renamed, years later, to the (--)
H: Employment Training.
K: Employment, yeah.
H: Yes, yes, because – well, before I jump into that. That is how the Mutual Assistance Association
transformed itself in this activity through the Self-Help Project because we believe that we can do it
just as well as anyone else. And in doing that we really make a special effort to find qualified
Vietnamese, qualified Cambodian, qualified Laotian refugees unlike many VOLAGs that relied on
American staffs. We screen ourselves to ask them to provide us staff for these services. The only ones
that we need are Americans who are skilled in teaching English as a Second Language, who are skilled
in running the businesses of Self-Help Project. So that’s how we recruited Miss Jacqueline [Fidler]
Moloney as the Project Director, and Miss Elise Martin as an English language teacher. But the rest of
the staff, and these are very important people, the Vietnamese social workers, the Cambodian social
works, Laotian social workers to go out and do the actual helping of refugee families that came to
Lowell.
K: Okay, I’ll move to Lan. Oh –
4
�H: Just one more step.
K: Okay, go ahead.
H: The first one hundred families in Lowell consist of about maybe four or five hundred people, mostly
children and women. There are very few men, okay, because as you can understand the men were
killed in the war or they run all over the place. So the fact that from 1979 to 1982 there’s a large
number of children that need to go to school, there’s quite a few women that need to get the health,
medical health, mental health and welfare, creates some kind of pressure on the community, but
because of the capabilities of these native social providers, workers, they did manage so well that their
reputation gets across the United States to the other clusters. And the problem with that is that it
creates what is known as the second migration. It creates the attraction for Cambodians, for Laotians,
from other clusters who are in South Carolina, who are in Louisiana, who are in Minnesota, who are in
Oregon, who are in California, to drift on their own, nobody brings them here, but on their own they
slowly migrated to Lowell. That increased the population several folds that nobody anticipated. No
one from the State Department, the Department of Health, Education and Welfare – in those days
HEW is also the one that provided the funding – and we did not anticipate that, definitely. We didn’t
know what’s happening there. So that creates a kind of pressure on the host, on the city of Lowell.
K: Were you able to get more funding from the state because of that influx?
H: No! There’s no (--) [Laughs]. That’s the problem. That’s the original problem that creates a lot of
pressure. That’s where my wife came into play.
K: Okay. So [addressing Lan] what were your duties as President of the IRF?
L: Well I immersed [myself in] an effort to relieve the community at large of number one, the
challenge of housing and feeding the refugees and their families. I realized [the need to] get them to
be self-sufficient. Get them to be able to communicate in English and give them an opportunity to
work and earn the bread for their family. I realized that if we don’t want to add any more burden to
the community then we have to seek help from the prospective employer to take part of the, to
provide you know, some limited English language capability and job training for their own employees.
So I went into different companies and appealed to them, that if they like to have good and faithful
employees, then they have to provide some extra services to their employees. For example, the
provision of on-the-job English training. So we came to the company at first learning the job ourselves
and what kind of English that the employees would need. And we developed a curriculum for job
related English training. And we also appealed to the company to provide at least one hour a day for
their employee who came from Vietnam, Laos and Cambodia to learn English on the job, and also to do
5
�show-and-tell on how to do the job, you know, more efficiently. And it turned out that the curriculum
that we helped to develop is very helpful. And the employers are very happy with it. The employees
are very excited about it. So I think all in all the placement of, you know, the refugees into entry level
jobs is not difficult at all. And we started out with one company at the time. And the first one in
Lowell is Lowell Lingerie, which is a textile company. And then we went into Billerica to get into a little
bit of a higher skilled job. At Lowell Lingerie it’s basically training stitchers, you know, who can work on
a sewing machine and do the sewing job. And when we brought the project to BASF, which is a
medical instrument manufacturing company – [H: Medical instruments.] –medical instruments
producing company, it worked out also very well. The job requirement was a bit higher than at Lowell
Lingerie. And it worked out fine. And then we brought it into Bedford with Bedford Glen Hotel and
Resort Center, to train housekeepers, and people in the food processing area. So these are examples
of the three companies lend a hand into the recruitment training maintaining their employees who
came from the Southeast Asian Community.
K: That’s great.
H: That explains the switches, the changes in name of this Self-Help Association, because the Self-Help
start with the resettlement mostly, but by 1982, ‘83, as you know, it split. The program changed name.
And the reason for that is that we’ve now set up the process of recruiting Cambodian, Laotian,
Vietnamese to be providers themselves, to be direct participants themselves. Now we manage to get
them into three separate identities. I don’t know if you realize Indochinese is an umbrella, broad
umbrella, but the fact that the Cambodian are to help themselves, the Vietnamese are to help
themselves, the Laotian are to help themselves, became a reality around 1982, ‘83 – that’s the turning
point. That’s when the Indochinese Refugee Foundation focused on Employment and Training.
K: Did [focusing on] that have anything to do with the struggling economy that was happening at the
time just right in the early 80s?
H: The economy actually is part of the issues, but at that time I think we mostly focused on providing
services. And when we applied for funding for the Mutual Assistance Association we were focusing
mainly at the beginning on resettlement, but by 1982, ‘83, the Employment and Training became very
important, critical because there’s pressure to place these people and get them out from dependency
on welfare. So maybe it played a role, but I don’t think that’s a major role. The major role is the
pressure put on the community, the host community, that means the Lowell inner city agencies, and
that coming to issue is education too, the children, schooling. And that’s where my wife again has to
do the advocacy with the help of city fathers. She can tell you about the effort to do that.
6
�L: I guess, you know, at that time, the practice of school desegregation started in the Lowell Public
Schools, because some educators believed that the Southeast Asian children should be integrated into
different schools rather than concentrated in the Acres area, you know, which is also in the heart of the
Lowell area.
H: Also that’s the low cost housing, that’s where the refugees kind of get stuck into. So the children,
you know, naturally are placed into the Acres school and they are all over, in the closet, sitting in the
hallways, etc. They even rented spaces from the YMCA and to house the children.
L: Wherever they can find space for the children, but mostly concentrated in the number schools in
the Acres area. And both the parents and the teachers are not happy about that. No, no, not just the
community, not just the students. So the school undertook a desegregation, it started out with busing
children across the school district rather than concentrated them in one area. At first the movement
or the practice was met with a lot of challenges from not just the community, but from the teachers
themselves. In addition, because parents in the Belvidere area of Lowell would not like to have refugee
children attending the same school with their children.
H: They fall behind and sort of drag the mainstream students. There are a lot of problems then.
L: However I believe that there is a short vision from both the parents and schools. I believe that
diversity started in the school system. You don’t have to wait until the student graduates and is
suddenly met with the challenge of being different. That’s what my personal belief [was], and I fully
agreed with the school desegregation and supported busing of students to different schools in the
district, rather than a concentration of refugee students in a couple of schools. And I was very
fortunate to get the support of first, the Dean of the Graduate School of Education from UMass Lowell.
So together we provide training to the teachers on how to work with students of different cultural
backgrounds and different English capability. So when teachers felt their job was very rewarding –
challenging, but very rewarding – then they started to feel like diversity needed to be started in the
school.
H: I think in addition to that there was such a large influx of children from the refugee community that
the school system was overwhelmed. And because of that there was a lot of resistance not only to
school, but also to refugees and immigrants that fled into Lowell, and they start a movement of antirefugee, anti-immigrants. And in fact it involved the city mayor [Dick Howe]. He had to come up and
justify why, you know, what are we going to do with all of these kids in the school? And so I recall a
time when Dick Howe I think called on us to do something. And so Lan was the one that joined him to
go to Washington to demand more support, you know? And I remember she made a couple of trips
7
�with him to HEW, what’s that, Health, Education and Welfare Department to get funding. We got a lot
of additional funds from the federal government to support the school system here.
L: In fact, you know, in the period of five years from a joint effort between the mayor of the city, the
superintendent of schools (H: Mr. Mroz) yah, Mr. Mroz, we went to Washington, DC and knocked at
the door of then Senator Kennedy and Congressman Atkins.
H: Paul Tsongas.
L: Yes, Paul Tsongas, and all together they were able to advise us how to approach in terms of applying
for funding from a pool of money for what they called the Dire Need of Refugee Resettlement, which is
a federal pool of money. And in the period of five years we were able to bring in more than two
million dollars [K: Wow] to this school system, the public school system in Lowell. So it alleviated the
school budget quite a bit, and they were able to hire ESL teachers, guidance counselors, and also to
provide some limited services to students, like free lunch, you know, for the children. So all in all I
think it’s an effort of a community, you know, together with the parents to make school for the
children from refugee families available to them and also it’s a pleasant experience.
K: You were also involved on an Affirmative Action Committee at the, I think maybe at UMass Lowell?
Do you remember?
L: I think (--) Correct, I think at UMass Lowell I was asked to join as a group of faculty to assist the
person in charge of the Affirmative Action Program, or at the time I think it was known as EEO, which is
Equal Employment Opportunity (--)
H: Equal Employment Opportunity.
L: Yes, Equal Employment Opportunity, which is a kind of a different look at Affirmative Action. It’s a
matter of wording, but I think it’s more than that, because with EEO, people feel like, well I can work
with you, but with Affirmative Action Program, it looked like, I have to accommodate you. So I think
it’s a slightly different perspective, but is very helpful you know, to get any initiative started.
K: Do you think there was a problem of discrimination against refugees when they came to Lowell, or
do you think it was more (--)
L: I think there’s a level of challenges. I wouldn’t say discrimination. I think the physical appearance of
children, or adults, from Southeast Asia is very much different from the so to say Caucasian
mainstream. The ability to communicate is also different. And people usually do not have time to
8
�understand and to be patient enough to make themselves understood. So I think it created challenges,
but I wouldn’t say discrimination.
K: So the building where the IRF was kind of held, or, was at the International Institute. Were there
any other associations that used that building?
H: Well from 1980 up until 1983 there’s only one, the Self-Help Project that has the funding to pay for
the rent and the classrooms at the International Institute of Lowell, on High Street. And the other, the
Cambodian Mutual Assistance Association, the Laos Mutual Assistance Association and the Vietnamese
one, were just beginning to perform as social, cultural groups. They used the facility under our, the
Indochinese Refugee umbrella, and we try as much as possible to facilitate the facilities for them. And
in fact we know that – because I’m fully familiar with the history, the rivalry, the hostility – to be
honest with you there’s hostility among the Vietnamese, and the Cambodian, and the Laotian back in
their own country. This is nothing new. So that as the supervisor of the Indochinese Refugee and the
Self-Help Project, I have to anticipate what’s going to happen once each group develops their own
identity. Sort of to reassemble themselves here in Lowell, to gain their own footing in Lowell, they
wanted to be independent from one another. And that is when we prepare the way, honestly at that
time as the program supervisor I don’t expect it to last any more than five years, and that’s exactly
what happened. By 1985 we want to be sure that each one of them can provide service to themselves,
and that the Indochinese would [proceed] in the background and would give up the service providing
for any one of them. Okay, so Miss Keirstead should be the one to tell you how we pulled back and
how the Laotian, the Cambodian, and Vietnamese applied, with her help, their own funding to give
direct support to each other, and that the Indochinese would no longer be there for them. And so in a
way the rental for the International Institute was paid by themselves, no longer [the IRF] by 1985.
K: So after 1985 it seems like you started serving on several advisory councils?
H: That’s correct.
K: So was that kind of the shift with your involvement?
H: That’s correct, yes. Well at that time there was a lot of opposition, a lot of anti-refugee, antiimmigrants across the states, and so it really took more advocacy in the public domain than giving
services to the new refugees. And I really think at that time, I wish I could still stay local, but the
pressure for me to get into the state level to do the advocacy become so critical and there was nobody
else who was doing that. So that’s how we sort of get moving onto that level.
K: So what were some of the things you did as part of the Education Task Force?
9
�H: In, not so much in the Education Task Force, it’s mostly in trying to create a place in the state
government to advocate for refugees. I was very fortunate that in 1982 I had the connection with a
team of four or five persons in Boston. These are volunteers. These are some of the social workers,
but they are volunteers in helping refugees, and that included Dr. Don Luce, Jim Lavelle, from the
Indochinese Psychiatry Clinic, Holly Lockwood from the South Cove Mental Health Center, Kathy Lique
from the Boston School of Social Work and me from UMass Lowell, to petition, to draft a petition, for a
kind of an advisory council to the governor. And when Mr. Dukakis was elected for the second term as
Governor of the State, in fact we go through his wife Kitty Dukakis, to ask him to take a positive role for
refugees. He established an advisory council after his election. He created the refugee advisory
council, on April of 1982. So we start off in the fall of 1981 and helped create a council for him. And
from then on it goes on to advocate for refugees across the state. In 1985 we were fortunate to have a
state senator from Lawrence/Methuen, her name is Patricia McGovern, who really, who was the Chair
of the Ways and Means Committee, you know that’s money, Ways and Means is where the funding is,
to provide several million dollars, I think it’s about twenty, twenty-seven million dollars funding for
cities that have high refugee impact and that’s known as the Gateway Program.
K: Were there any other committees that either of you served on that you’d like to talk about? Those
were just the ones that I saw in the archives.
H: So I served on the Advisory, the Governor’s Advisory Council. I was one of the co-chairs of that.
And I also served as co-chair of the Gateway City Program. It was established we had to hold hearings
to see whether the city can justify to receive the money. So we have to hold hearings in twenty plus
cities to see what they need, and to see whether the agencies, the state agencies can really provide
service to refugees in their cities or not. So we hold whatever, you know, is required as hearings
committee. And there are reports. I don’t know if we have the collection here, but the state do have
these hearing reports from the Gateway City Program.
K: So who was at the hearings?
H: There are, the states have many agencies that provide social services. Mental Health, okay,
Welfare, what is, WIC is for women.
L: For women and children prenatal and natal care.
H: Employment training, there is a Labor Department, but in the state what is it called? I forget, it’s
employment training, really placement training.
10
�L: Employment and Training.
H: The Office of Employment and Training. There are about seven or nine agencies, the state agencies
that deal with refugee trainees. That do not have any you know, in order to get the services you have
to be eligible. And in order to be eligible you have to be a legal resident. Refugees are not legal
residents. You have to remember that. So they are not eligible until the governor issued a new act
authorizing the agency to admit refugees into their services, and that is really where it opens access to
refugees to come and apply for employment training, or apply for welfare, or apply for women and
children assistances. So we really work on that state level between 1985, 1990, but I end my services
by 1989.
K: So speaking on health, were there any significant issues with refugees receiving health care or
mental health care?
L: I think that is a poorly situation. In Vietnam, or Laos, or Cambodia, mental health is not perceived as
a sickness. It’s perceived as karma. You know in your previous life you must have done something
wrong so therefore you pay for it, you know, in this life. That you [are not mentally stable], because of
something you did in the past, in the previous life. So that is one challenge from the patient
perspective of, “what’s wrong with me?” “Do I need help?” Or “This is my karma. I have to live with
it.” And from the perspective of the service provider, guidance and counseling that is appropriate for
the cultural background of the patient was not available. So therefore in dealing specifically with
mental health issues, it is not easy neither for the service provider nor for the patient. So a lot of
education has to be provided before the patient is ready to receive services, and before the medical
staff, or the counselor is ready to provide the service.
H: Well I can remember one incident or a controversy back in those days that creates a lot of issues for
both schools and parents. In the Southeast Asian community, the Laos, and Cambodian, and
Vietnamese, when you catch a cold what do you do? You don’t take aspirin or anything like that. You
have what’s known as coin rubbings. I don’t know if you’re familiar with coin rubbings. They, in order
to increase skin heat, they rub coins over your neck in the back. And when the kids come to school and
they see all these rubbing marks they say, “Abuse, abuse, child abuse,” from the parents. And so
there’s a huge controversy about what’s going on between parents and children, and it takes a lot of
explanation, a lot to the medical staff, to the school, to explain that’s not abuse of children it’s kind of a
medical treatment.
L: Remedy.
11
�H: Remedy for cold, okay. That became a controversy across the refugee community in the U.S. And
they have to have medical doctors from different, you know, perspectives come and explain and write
articles to explain that it is not really an abuse of children. And we here too, are asked to explain
what’s going on with the children, and we have to go to school and explain it to them.
L: And I think, you know, Jim Lavelle who was at the time coordinating the mental health services
providing (H: veterans) at Saint Elizabeth Hospital in (H: In Brighton) in Brighton, would have to do a
lot of education, you know, explaining to both the physician and the parents, to know how to approach
mental health assistance in a very appropriate way.
K: Were there any (--) Going back towards the schooling, were there any controversies with having
bilingual classrooms, or having classrooms set aside for refugee children?
L: There was a movement at the time across the U.S. cities and communities of English as the only
language taught in the schools.
H: Well there were leaders, community leaders, there was George Kouloheras, Lowell school
committeeman who submitted a petition to the legislators, to the state officials, to make Lowell as the
English language school, English language only in school.
L: English only in school. But I guess, you know, there is a transition period whereby students and
teachers need to communicate with each other in order for education or learning to happen. And in
that transitional period, there’s a lot of study that’s been done indicating that bilingual programs –
which means that the subject is being taught in two languages, in English and in the home language
also – would shorten the transitional period for the student into mainstream classroom. And so you
know there’re a lot of challenges that the teachers, the school district and the students are facing and
they try to work out a better way to receive education and to provide education services.
K: There was also a campaign called “Jobs for New Americans.” Do you remember exactly what that
was about, or if it was connected to the Self-Help Project?
H: It’s not connected to the Self-Help Project. How that came about I’m not familiar with.
K: Okay. What was one of the, what do you think, each of you, was your biggest challenge with
working for the IRF, or what was the biggest challenge you faced?
L: I don’t think that you know, there is a notion of the biggest or the smallest challenges that we were
facing at the time, but it is the awareness of, we need to do more work in order to make things happen
12
�either in schools, in hospitals, in the community. And when we came to terms with that challenge, you
know, everything we did was trying to smooth the way and make the challenges less challenging. So I
think we both, you know, the service providers and the service recipients, realized that, it’s just a
matter of making it work. So it’s a challenge, but there’s no big and no small one.
H: The only one of my concerns in those days when we [first] established the Indochinese Refugee
Foundation, [we] focused mostly in Boston, because that was the time when refugees came and
resettled in Boston. But by 1980 the population shifted to Lowell, the refugee population shifted in
Lowell and we had to focus so much work in Lowell that we left out Boston. And in that sense I felt
kind of sad that I could not, we could not do much more for those refugees in the Boston area. And to
that extent the members on the Refugee Foundation Board could not give us, lend us more support,
because most of them were in Boston, they were not in Lowell. However they did come every month
faithfully to the meeting, the board meeting here in Lowell in order to lend us support. We just could
not have enough resources, have enough strength to lend more work to the Boston area. But in a way
we felt that they gave us more support than anybody else that could help us to move on, to establish
the kind of services that we were able to do here in Lowell. So that, I would say that’s the only thing.
K: You spoke about how refugees ended up coming here because of the relative success of the
resettlement program here. Do you think that was the big kind of influence in why there’s such a big
(L: influx) Cambodian population now? Is that the explanation?
L: I think for, you know, that concentration of refugees from Southeast Asia into Massachusetts and
into Lowell, there were three situational factors that influenced the movement. One is the availability
of beginning low skill jobs. The number two factor is the availability of housing, low income housing.
And the number three factor is actually quite important. There are Buddhist Temples, places that are a
different religious entity that are available in support of the refugees who live, or who want to, who
were drawn to Lowell. So I think these are the three major factors that fuel, or attract the second
migration movement into Lowell.
H: These factors are very important, but I think the initial factor is, I believe, the fact that we perhaps
were the first organization that insisted on having a Cambodian, a Laotian, a Vietnamese native to do
the assistance to provide the kind of outreach, resettlement and employment training support within
the refugee communities. That really provided the sense of confidence that we understand what they
have to go through and we know what we can do to help them here. That sort of created a wave, an
appeal to those who are from elsewhere, from other clusters, to drift into Lowell. That I think, that
created the increases in population, and that also increased the support, the social support, the
cultural support, I think critically it’s the cultural, social support that brought about the Temples, that
brought about you know, the family clusters. Otherwise if you just have housing placement alone,
13
�anywhere else in the U.S. you can have that. Housing, jobs, you can go anywhere, but without that
value system, the social, the cultural values that “This is my people,” it will not attract them to come.
K: Do either of you have any other stories you’d like to share from the time, any specific experiences
with somebody?
L: Well actually I think that the interview with the information that we share with you thus far, you
know, would provide a sufficient story of resettlement, of the first wave, the second wave, the third
wave of refugees and immigrants from, you know, Cambodia, from Laos, and from Vietnam. When
you work more on the transcription, if you feel like you need some more information please feel free
to contact us.
K: Okay.
H: Well I just have a little story that I happened to experience. And that is, when we explained the
conditions of refugees in Lowell to Kitty Dukakis, she nearly cried. And she was the one that really said,
“Let me see what I can do.” In 1979 she paid her way to Cambodia, to Thailand in the border. And she
came back and hosted, adopted a Cambodian kid. I mean to me that is something that I will never
forget.
K: How do you think your time working for the IRF has influenced you?
L: I usually think that if I receive some good advice or some services from somebody then I mark on my
bucket list that I will find the opportunity to pay back. And I think the most satisfying feeling that I had
in volunteering my time for more than thirty years in the resettlement of refugees is a way, a very
small way, of paying back.
H: For me I think that it changed my life really. I came here to be a professional. Okay, I came not as a
refugee. I came as a student, went to high school in Waltham. I don’t know if you know anything
about Waltham. In those days back in the 1950s there was not a single Asian around let alone a
Vietnamese. I went to Boston College to get my degree so that I could go home and, you know, be
someone important. The feeling that I’m home-rooted here in Lowell because of that experience,
volunteer work, helping refugees, my own people and getting to know a lot of good people, really
profoundly affected my life. I cannot tell you how much, like Chet Atkins, Congressman from I think
Groton or, no, not Groton, Concord, or Kitty Dukakis, or Elise Martin and Jackie Moloney. These people
affected my life deeply. Made me feel I am rooted here. So I can tell you that really helped me more
than anybody else. Thank you.
14
�End of Interview
jw
edited by kc
15
�
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Title
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Indochinese Refugees Foundation, Inc. Oral Histories, 2016
Source
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Indochinese Refugees Foundation, Inc. Oral Histories, 2016. UML 4. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Four oral history interviews with former staff and board members of the Indochinese Refugees Foundation, Inc., an organization that helped resettle Southeast Asian refugees in the greater Lowell, Massachusetts area during the 1980s. Oral histories were conducted with Jacqueline (Fidler) Moloney, Carol Keirstead, Elise Martin, Hai Pho, and Lan Pho. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml4">https://libguides.uml.edu/uml4</a>.<br /><br />The entire collection is accessible on this site.
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University of Massachusetts Lowell
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The collection finding aid, <a href="https://libguides.uml.edu/uml4" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml4</a>.
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Lan Pho and Hai Pho oral history interview (edited) transcript, 2016
Description
An account of the resource
The edited transcript of an oral history with Lan Pho and Hai Pho on their experiences establishing and supporting the Indochinese Refugees Foundation, Inc. Other topics discussed include their involvement helping refugee communities after the the IRF closed.
Creator
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Pho, Lan T.
Pho, Hai B.
Connerty, Kale
Source
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Indochinese Refugees Foundation, Inc. Oral Histories, 2016
Publisher
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University of Massachusetts Lowell
Date
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2016-10-05
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UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
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15 p., 21.5 x 28
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English
Type
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Text
Identifier
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uml4_16.14_i002
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
Subject
The topic of the resource
Community organization
English language--Study and teaching
Lowell (Mass.)
Nonprofit organizations
Occupational training
Political refugees
Refugee families
Refugee issues
Refugees--Southeast Asia
Refugees--United States
Social service
Unemployed--Services for
Oral history
2010-2019
Cambodian Mutual Assistance Association
Cambodians
Documents
Indochinese Self-Help Program
Laotians
Lowell Lingerie Company
Lowell Public Schools
Mutual Assistance Associations
Stouffer's Bedford Glen Hotel
The Acre
Vietnamese
Vietnamese Mutual Assistance Association
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Dublin Core
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Title
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Indochinese Refugees Foundation, Inc. Oral Histories, 2016
Source
A related resource from which the described resource is derived
Indochinese Refugees Foundation, Inc. Oral Histories, 2016. UML 4. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Four oral history interviews with former staff and board members of the Indochinese Refugees Foundation, Inc., an organization that helped resettle Southeast Asian refugees in the greater Lowell, Massachusetts area during the 1980s. Oral histories were conducted with Jacqueline (Fidler) Moloney, Carol Keirstead, Elise Martin, Hai Pho, and Lan Pho. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml4">https://libguides.uml.edu/uml4</a>.<br /><br />The entire collection is accessible on this site.
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University of Massachusetts Lowell
Relation
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The collection finding aid, <a href="https://libguides.uml.edu/uml4" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml4</a>.
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Title
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Lan Pho and Hai Pho oral history interview audio recording, 2016
Description
An account of the resource
The audio recording of an oral history with Lan Pho and Hai Pho on their experiences establishing and supporting the Indochinese Refugees Foundation, Inc. Other topics discussed their involvement helping refugee communities after the the IRF closed.
Creator
An entity primarily responsible for making the resource
Pho, Lan T.
Pho, Hai B.
Connerty, Kale
Source
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Indochinese Refugees Foundation, Inc. Oral Histories, 2016
Publisher
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University of Massachusetts Lowell
Date
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2016-10-05
Rights
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UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
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2 audio recordings; 01:02:10 and 00:07:20
Language
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English
Type
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Sound
Identifier
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uml4_16.14_i004
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
Subject
The topic of the resource
Community organization
English language--Study and teaching
Lowell (Mass.)
Nonprofit organizations
Occupational training
Political refugees
Refugee families
Refugee issues
Refugees--Southeast Asia
Refugees--United States
Social service
Unemployed--Services for
Oral history
2010-2019
Cambodian Mutual Assistance Association
Cambodians
Indochinese Self-Help Program
Laotians
Lowell Lingerie Company
Lowell Public Schools
Mutual Assistance Associations
Sound recordings
Stouffer's Bedford Glen Hotel
The Acre
Vietnamese
Vietnamese Mutual Assistance Association
-
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PDF Text
Text
Angkor Dance Trope, Inc.
The Angkor Dance Troupe-Company Biography
The Angkor Dance Troupe is nationally recognized as one of the most experienced and
accomplished Cambodian dance ensembles performing today. The Troupe was formed in 1986 by
refugees of the Khmer Rouge holocaust who resettled in Lowell, Massachusetts. The 70-member
ensemble performs a diverse repertoire of elegant and courtship rituals from rural Cambodian.
The Troupe has a appeared at venues including First Night Boston, Yale University, The national
Folk Festival, The White house, JFK Boston, Long Island New York, Johnson State College, and
Quick Center for the arts in Connecticut.
The company takes its name from the great Angkor civilization, between 802 and 1432Ad, when
Cambodia was a dominant empire in Southeast Asia. Dance, music, and drama have always
prominent in Khmer society, but these ancient traditions were nearly eliminated when the Khmer
Rough controlled Cambodian in the 1970's. Artists were among deliberated targeted for
execution, it is estimated that close to 90% of the country's tradition bearers perished.
Angkor teachers and performs a body of work developed at the Royal University of Fine Arts
(RUF A) in Phnom Penh, Cambodia, considered the world's cultural source and standard bearer
for traditional Cambodian arts. Angkor Artistic Director Mrs. Phousita Huy is master teacher and
former faculty member of the Royal University of Cambodia and toured internationally as a
principal dancer with the Classical Dance Company of Cambodia. Angkor is hosting two masters
from RUF A, Mr. Sophea Sek and Mrs. Y om Peng, for extended residencies in 2001. These
important teachers will appear with the Angkor Dance Troupe at performances throughout the
year.
In 1999, the Angkor Dance Troupe was among a select group of 10 organizations from across the
country to receive the prestigious" Coming Up Taller" award from the President's Committee on
the Arts and Humanities and the National Endowment for the Arts. The award is the nation's top
honor for exemplary arts programs that serve at-risk youth. Angkor's artistic excellence was
again recognized by the NEA in 2000 with a grant from the" Creative Links: Positive Alternative
for Youth" initiative.
Cambodian Classical Dance
Classical Cambodian dance has been connected to the sacred rituals of Cambodia for more than
one thousand years. During the great Angkor civilization, dancers performed blessing ceremonies
to bring prosperity to the Kingdom. More recently, classical dancers lived and performed in
Cambodia's royal palace. Elegant and refined, Classical Dance combines highly stylized
positions with gentle movements. Once reserved exclusively for Cambodia's elite, Classical
dance is now performed for audiences around the world and has become a central symbol of the
beauty and spirituality of Cambodian Culture.
Cambodian Folk Dance
Cambodian folk dance is rooted Cambodian and depicts rituals of everyday village life. The
dancers honor skills are typically undervalued in the rush to westernization, such as fishing and
rice farming. Dance motifs are commonly based on local legends and inspired by themes of
natures as well as ceremonies and customs that shape the lives of the Khmer people. Just as
classical dance is rules by a strict form and prescribed language of movement, folk dance is
spontaneous, created for emotional expressions. Costumes are very colorful and reflect the
traditional dress of the particular province or ethnic group within Cambodia where the dance s
originate.
�Angkor Dance Troupe, Inc.
The Angkor Dance Troupe provides an essential service to the community not met by any other
organizations. The Troupe is the only nonprofit cultural group in Lowell, MA, whose soul mission
is to preserve the traditions of Cambodian performing arts. The Angkor Dance Troupe develops
and teaches Cambodian dance, promotes an understanding and appreciation of Cambodian culture,
and provides a positive social and educational outlet for Cambodian youth.
The Drive to Preserve Traditions
The Angkor Dance Troupe was formed in 1986, in Lowell, MA, by Mr. Tim Chan Thou, Angkor's
Program Director, along with a small group of dancers who learned traditional Cambodian dance in
refugee camps along the Thai-Cambodian border. They brought with them to the United States a
strong desire to practice and perform Cambodian dance and a passion to teach others.
Dance and its associated rituals and beliefs have become a way for Cambodian people to
reconstruct a sense of community and culture, particularly for refugees who have resettled in other
countries. Between 1975 and 1979, when Pol Pot and the Khmer Rouge controlled Cambodia, more
than 90% of the country's artists perished or fled. Today as Cambodia struggles to emerge from
decades of war and poverty, the people look to the rebirth and recreation of dance as testimony to
the endurance of their culture.
Classical Dance - A Treasured Symbol of Cambodian Culture
Classical or court dance is considered by many to be a universal symbol of Cambodian culture. It is
a source of national pride for Cambodians, representing the beauty and spirituality of Cambodian
people. The dance form is particularly meaningful for postwar Cambodians as they work to reclaim
and rebuild a treasured heritage. Many first practiced or saw the art form in the refugee camps. For
children born and raised in the camps or in other countries, it has become a connection to the past
and a way to experience revered ancient traditions.
Folk Dance - A Celebration of Traditional Ways of Life
Folk dances are a way for displaced Cambodians to remember their homeland and to teach their
children about the regional, agricultural, and social forces that shape the lives of Cambodia s rural
population. From folk dances, young Cambodian-Americans learn about geography and a daily life
�in Cambodia that they have never experienced.
Carrying on the Tradition: Engaging our young people
The Troupe holds weekly rehearsals. For four hours every Sunday, members gather to practice. The
method of teaching is practiced as it has been done traditionally, by watching, imitation, and
assistance from teachers to achieve the correct postures and movement.
Cambodian tradition prescribes a particular relationship between student and teacher, a relationship
that is repeated between children and parents, young people and elders. Students are respectful of
teachers and of the knowledge they possess. They appreciate the chance to learn and understand
their responsibility for carrying on their culture.
The young people in the Dance Troupe, most of whom were born here in the U.S., have
increasingly been asking for background on the dances and the history of Cambodia. In the
recently-published book Fractured Identities, Cambodia s Children of War, a young CambodianAmerican man from Lowell suggests his primary source of information about Southeast Asia has
been popular movies:
"I saw Good Morning Vietnam with my uncle two or three times. We don't learn anything about
the history of Cambodia in school here. Just Columbus ... who discovered America ... stuff like that
it just doesn't go in my head."
In response to the clear need for meaningful educational opportunities Angkor's Artistic Director,
Phousita Huy, develops and presents workshops on Cambodian culture as part of her ongoing
instruction. To encourage attendance and participation by the Cambodian community, these
workshops will take place at sites within Lowell's Cambodian-American community. They are
publicized via Khmer-language materials and media as well as through traditional forms of
promotion.
The Need for Master Teachers
The technical mastery involved in Cambodian dance is considerable. Students must perfect an
estimated forty-five hundred basic gestures and movements to perform certain dance pieces.
Because of the losses suffered during the Khmer Rouge, the transmission of traditional knowledge
is a crucial yet challenging process, particularly in communities that have resettled far from their
homeland.
�Dr. Sam-Ang Sam, a master musician and director of the Apsara Ensemble in Arlington, VA,
writes:
"The break in oral tradition has resulted in the loss of more than half of the oldest pieces that had
previously been passed from generation to generation. In the US today there is a shortage of
professional and knowledgeable artists ... this has endangered the preservation of technique, style,
and repertory."
Masters of Cambodian Dance - A Way to Build on Past Successes
Phousita Huy and the other dance masters who work with the Troupe have specialties that allow the
Troupe to develop dance forms not currently being taught to performance level. Say Seuar, for
example, a professor at the University of Fine Arts, is considered one of the best instructors of the
Monkey Dance in the world. The Monkey is a role in the Riemkee, Cambodia's version of the epic
Indian tale, the Ramayana, from which many dances are derived. There is one particular dance
called Swva Pol, which is performed by young boys. Because of its lively acrobatic style, it is a
hugely popular dance at performances. However the lack of students skilled in the dance precludes
its inclusion in many of the Troupes performances. As part of his master residency, Mr. Soy has
held a series of classes on the monkey dance.
Training by dance master Phousita Huy has greatly expanded the Troupe' s technical abilities as
well as the dancers' understanding of the spiritual and ritual functions of dance in Cambodian
culture. The power of the dance is in its cultural connection and the meaning behind the movement
fundamental aspects of the art form which are not always comprehensively taught here in the U.S.
Through her years of experience at the University of Fine Arts, Ms. Huy developed high standards
of training and performance, as well as extensive knowledge ofrepertory, dance history, and
cultural context.
The Angkor Dance Troupe performed in April 1997 for a large multi-ethnic audience at a
Cambodian New Year celebration at the Sheraton in Lowell. Because of the special expertise and
teaching of Phousita Huy, the Troupe was able, for the first time, to present a performance of the
Apsara Dance. The Apsara is a revered classical dance steeped in spiritual tradition and based on
the sculptures that adorn the walls of Angkor Wat. After the performance, Cambodians in the
audience approached members of the Troupe to express how deeply moved and impressed they
were by the Apsara Dance and how grateful they were to be able to experience this type and caliber
�of traditional Cambodian dance.
The responsiveness of the community to the idea of partnering with master dancers is evident in the
reaction to a major public event sponsored by the Lowell Cultural Council presented by the Troupe
in May 1997. The Troupe hosted dance masters from around the U.S. who joined members of
Angkor Dance in an elaborate public performance. The event was enthusiastically received by the
community and is still being re-broadcast on Cambodian cable stations around eastern
Massachusetts. The Troupe experienced a surge in membership after the performance and, for the
first time in its history, had to create a waiting list of young people interested in learning to dance.
For several years, The Angkor Dance Troupe has been selected for inclusion on the New England
States Touring Roster, administered by the New England Foundation for the Arts to help build
support for New England s best performing artists. Additionally, the Troupe was selected for
participation in NEF A's Ford Foundation-funded Newcomers Project on the basis of its artistic
excellence and its potential for acting as a key Cambodian arts organization among the network of
Cambodian communities throughout the region.
Sources
"The Dancer in Cambodia", Toni Shapiro, Ph.D., Asian Art & Culture, Winter 1995.
Fractured Identities, Cambodia 's Children of War, James Higgins and Joan Ross, Loom Press,
Lowell, MA 1997.
"Cambodian Culture and Community in America", Sam-Ang Sam, House Island Project, Portland
Performing Arts, Portland, ME, 1996.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe biography, [2000]
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Information about Angkor Dance Troupe, Inc. Includes brief histories of organization, Cambodian Classical Dance, and Cambodian Folk Dance.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
[2000]
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
5 p.; 28 x 21.5
Language
A language of the resource
English
Type
The nature or genre of the resource
text
Identifier
An unambiguous reference to the resource within a given context
uml1_b01_f05_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodian Classical Dance
Cambodian Folk Dance
Cambodians
Documents
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c8d2ff4d28bde73647786ba86f515764
PDF Text
Text
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Khmet' C:la>>ical and Folk Dance
�Like all traditional arts, Cambodian classical and folk dance has been handed from one
generation to the next. Since the Angkor Era, Cambodian dancers have preserved,
cherished, and celebrated their art.
The Angkor Dance Troupe develops and teaches the traditions of Cambodian performing
arts, promotes an understanding and appreciation of Cambodian culture, and provides a
positive social and educational outlet for Cambodian youth.
The Troupe was founded in Lowell, MA, in 1986, by
8
incethe
two teachers and a handful of dancers who learned
Angkor Era,
traditional dance in refugee camps along the Thai-
Cambodian dancers
Cambodian border. Between 1975 and 1979, when Pol
have preserved,
Pot and the Khmer Rouge controlled Cambodia, most
cherished, and
artists perished or fled the country. It was in the camps
celebrated their art.
and later in places like Lowell that Cambodian dance
was painstakingly resurrected.
Today, dance is one of the primary ways that Cambodian-Americans,
split by politics and war, identify a common culture. For the
people of Cambodia, art is the core of life, combining
entertainment, tradition, religion, and social cohesion.
�C
lassical dance has
been connected to the
sacred rituals of Cambodia
for more than 1000 years.
During the great Angkor civilization, dancers performed blessing ceremonies in
temples to bring prosperity to the kingdom. Once the exclusive domain of royalty,
classical dance is now performed for audiences everywhere and has taken on new
meaning for postwar Cambodians as they work to reclaim a treasured heritage.
In classical dance, we see highly-stylized gestures
in concert with gentle movements. Dancers spend
countless hours perfecting the intricate hand
positions and controlled postures that create the
elegant Khmer classical dance aesthetic.
�F
olk dance is rooted in rural Cambodia and reflects the life and spirit of peasants.
Throughout Cambodia, after the harvest, it is time for music, song, and dance.
Dance motifs, commonly based
· G!'..OR l )A
r r r(
&
\: TROUPE
Foll Dane<'
on local legends, are inspired
by themes of nature and the
rituals of everyday village life.
Distinctive, colorful costumes
represent the traditional dress
of peoples from the various
regions within Cambodia.
Just as Court Dance is ruled by a strict form and a prescribed
language of movement, folk dance is lively and spontaneous,
created for emotional expressions.
The folk dances performed by the Angkor Dance Troupe were
refined by the University of Fine Arts in Phnom Penh. Researchers
L
.r
JL
collected dances and music
from the countryside and
choreographed dances
that were suited to
stage performances.
�History and culture come alive through modern
interpretations of lively folk dance from rural Cambodia
and dazzling renditions of classical court dance, an
ancient tradition dating to the ninth century A.D.
Based in Massachusetts, the Angkor Dance Troupe is
recognized throughout New England as a leading
Cambodian traditional arts ensemble.
The organization comprises
several master teachers and
more than forty students. The
Troupe's repertoire is drawn from a body of work developed at
the University of Fine Arts in Phnom Penh, Cambodia, considered
the artistic standard bearer of Cambodian performing arts.
The Troupe owns an extensive collection of richly-detailed,
authentic costumes and dance materials. Angkor Dance has
participated in workshops at Jacob's Pillow and has performed
at numerous venues including First Night Boston, the Peabody
Museum, and the National Folk Festival.
�The Angkor Dance Troupe
P.O. Box 1553
Lowell, MA 01853
The Angkor Dance Troupe receives the generous support of the:
Theodore Edson Parker
Foundation
liill
Lowell Cultural Council
NEW ENGLAND
with funds from the
Massachusetts Cultural Council
f o u n d a t i o n for th e
A state agency that supports public programs
in the arts , humanities, and sciences
Design: Page One Productions • Photography: Toni Shapiro, Eileen Blumenthal, Eleanor Briggs, Ann Bartholomew, Ruth Page, Tim Chan Thou
Sources: Khmer Folk Dance, Sam-Ang Sam & Chan Moly Sam, Khmer Studies Institute, Inc., 1987; "The Dancer in Cambodia," Toni Shapiro, Asian Art & Culture,
Winter 1995; "An Introduction to Khmer Traditional Dance," Phousita S. Huy, Seoul, 1995; "Cambodia's Royal Dance" E
ileen Blumenthal, Natural History, 4/89;
Khmer Songbook, Foreward by Sophiline Cheam Shapiro, 1992; DanceandtheSpirit ofCambodia, Toni Shapiro, Ph.D. diss., Cornell University, 1994
arts
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe brochure, 2000?
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Angkor Dance Troupe brochure.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2000?
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
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6 p.; 17.8 x 17.8
Language
A language of the resource
English
Type
The nature or genre of the resource
text
Identifier
An unambiguous reference to the resource within a given context
uml5_b03_f04_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Ephemera
-
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1db3b0673ec5fab77ac2db2bad9a4ddd
PDF Text
Text
ANGKOR DANCE TROUPE
CONTENTS
MISSION STATEMENT
BYLAWS
Article 1. Name, Purpose, Location, and Fiscal Year.
1.1 Name and purpose
1.2 Location
1.3 Fiscal Year
Article 2. Membership.
2.1 Membership
Article 3. Board of Directors and Meetings
3 .1 Directors
3.2 Staff
3.3 Regular Meetings
3 .4 Special Meetings
3.5 Quorum
3.6 Annual Meeting
Article 4. Board Elections
4.1 Board size and tenure
4.2 Board Nominations
4.3 Term of Office
4.4 Vacancies
4.5 Removal
4.6 Attendance
4.7 Termination of Appointment
4.8 Quorum of the Board
Article 5. Officers
5 .1 Election
5.2 Officers of the Board
5.3 Chief Officer and Spokesperson
5 .4 Duties of the President.
5.5 Duties of the Vice-President
5.6. Duties of the Treasurer
5.7 Duties of the Secretary
Article 6. Amendments
6.1 Amendments
Article 7. Personnel Policies
7.1 Personnel Policies
�Article 8. Use of Earnings
8.1 Use of Earnings
8.2 Political Activities
Article 9. Compensation.
9 .1 Directors and Members
Article 10. Personal Liability.
10.1 Members, Directors and Officers
Article 11. Dissolution of the Organization.
11 .1 Liabilities and Assets
�ANGKOR DANCE TROUPE
MISSION STATEMENT
The MISSION of the Angkor Dance Troupe is:
•
to conserve Cambodian performing arts and traditions;
•
to develop Cambodian performing arts and traditions;
•
to maintain the integrity of Cambodian performing arts and traditions while adapting to the changing
cultural orientation of its members;
•
to celebrate and promote awareness of Cambodian dance, culture, and history through public
performances and workshops;
•
to provide its members a context for positive recreational activities; and
•
to guide the personal growth of its members through positive peer role models and adult mentors.
BYLAWS
The Angkor Dance Troupe is organized and will operate according to the following BYLAWS.
Article 1. Name, Purpose, Location, and Fiscal Year.
1. 1 Name and plll])ose
The name of the Organization shall be The Angkor Dance Troupe, Inc and the purpose as set forth in the Mission
Statement.
1.2 Location
The principal office of the Organization is to be located in the City of Lowell.
1.3 Fiscal Year
The Fiscal Year of the Organization, unless otherwise decided by the directors, shall end on June 30 of each year.
(Amended 2001)
Article 2. Membership .
2.1 Membership
The membership of this Organization shall consist of active regular members. Active, regular, annual membership in
the Organization shall be open to all persons who support the non-profit, artistic goals, purposes, objectives and policies of the
Organization.
�Article 3. Board of Directors and Meetings
3 .1 Directors
The Board of Directors shall consist ofat least seven Members as approved through voting by a majority of the Board
of Directors.
3 .11 At lease one of the members of the Board may be a dancer selected by the members of the Organization.
3.2 Staff
The Board of Directors shall have the authority to hire an Executive Director who in turn shall hire other staff
members, with the approval of the Board.
3.3 Regular Meetings
Regular meetings of the Directors shall be no less than quarterly.
3.4 Special Meetings
Special meetings shall be called by the Secretary of the Board of Directors at the direction of the President or VicePresident of the Organization.
3.5 Quorum
A quorum is defined by members present, providing:
•
all directors received written notice of the meeting no less· than 10 days prior; and
•
at least one member of the Executive Committee is present.
3.6 Annual Meeting
The Organization shall hold an annual meeting for the election of the Board of Directors. The annual meeting shall be
during the last month of each fiscal year. All members shall be notified at least three weeks in advance of the date of the annual
meeting.
Article 4. Board Elections
4.1 Board size an tenure
The Board of Directors shall consist of at least 7 members. A Board Member can serve for two consecutive terms.
However, after serving for six (6) years, the Board Member shall be placed on Sabbatical for one year before serving again.
4.2 Board Nominations
All members of the Board shall be elected by the General Membership. The Board may, from time to time, fill
vacancies of elected members who resign or for some reason are unable to complete their term, to serve the balance of the
unexpired term until the next general elections. Nominations shall be submitted to the General Membership one week prior to
the Annual Meeting.
4.3 Term of Office
Reccommended terms are as follows:
One third of the current elected Board Members will serve a three-year term; one third will serve a two-year term; and
one third will serve a one-year term effective with the current Board (1993). Subsequently, elections will be held annually for
one third of the elected members for a three year term. A Board Member can serve for a maximum of two consecutive terms
and may be re-elected after a one year absence. These term limits can be overturned by a majority vote of the board.
�4.4 Vacancies
Vacancies shall be filled subject to the approval ofa majority of the Board of Directors until the next regular election.
4.5 Removal
Removal or revocation of any Board Member shall be determined by a majority of the Board of Directors for just
cause. The Board will arrange a hearing before any such action is taken not later than the next regular meeting.
4.6 Attendance
Members who are unable to attend regularly scheduled Board meetings must notify the Secretary of their absence
prior to the meeting.
4.7 Termination of Appointment
Absences from three consecutive meetings of the Board of Directors without previous notification or a valid reason
shall be considered resignation. The Board of Directors shall be vested with the authority to remove any Director from office,
upon one week's written notice of the meeting, and providing a majority of the Directors are present. A majority vote in favor
ofremoval shall effectuate removal of such Director.
4.8 Quorum of the Board
At any meeting of the Board of Directors, a majority of the Directors currently serving on the Board shall constitute a
quorum for the transaction of business. There shall not be voting by proxy at any meeting held by the Organization.
Article 5. Officers
5 .1 Election
Officers shall be elected by a majority vote of the Board of Directors. The term of any one office shall be for one
year, or until successors have been elected, and shall begin immediately following the annual election.
5.2 Officers of the Board
The Officers of the Board shall be: President, Vice-President, Treasurer, Secretary. The Treasurer may not hold two
officer positions simultaneously. All officers shall be elected by the Board from among its members by a majority vote.
5.3 Chief Officer and Spokesperson
The President, as chief officer and spokesperson for the Board, shall, in addition to fulfilling normal duties of the
position, appoint such committees as may be needed. All such appointments shall be approved by a majority vote of the Board
of Directors. In addition, the President, or the President's authorized representative shall sign, on behalf of the Organization, all
deed, contracts, and other formal instruments unless a majority of the Board votes the responsibility to the Artistic Director.
5.4 Duties of the President.
The President shall be the chief elected official of the Organization and shall have, subject to the control of the
Directors, general charge of the affairs of the Organization. The President shall preside at all meetings of the Board.
5.5 Duties of the Vice-President
The Vice-President shall assist the President in the performance of his duties and shall perform the duties of the
President when the latter is unable to perform his duties.
5.6. Duties of the Treasurer
The Treasurer shall be the Chief Accounting Offers of the Organization. He/She shall be in charge of recording its
financial affairs, funds, securities and valuable papers and shall keep full and accurate records thereof. He/ She shall have other
duties and powers as designated by the Members. He/ She shall also be in charge of its books and its accounting procedures
with close contact with the Artistic Director and/or staff member responsible for the Organization's financial accounting.
5.7 Duties of the Secretary
The Secretary shall record and maintain records of all proceedings of the Members and Directors in a book or series
of books kept for that purpose which shall be available at all reasonable times to inspection by any Members. Such book or
books shall also contain records of all meetings of the Organization, By-Laws, names of all Members and Directors, and the
address of each. If the Secretary is absent from any meeting, a temporary Secretary shall be appointed to exercise the duties of
Secretary at the meeting.
�Article 6. Amendments
6.1 Amendments
Amendments to this constitution and By-Laws may be made at any meeting of the Board of Directors by a majority
vote.
Article 7. Personnel Policies
7 .1 Personnel Policies
Amendments and/or revisions to Personnel Policies shall be made by action of the Board and will become effective
upon such action. The Artistic Director shall be responsible for the implementation of Personnel Policies to engage, train and
supervise all personnel subject to Personnel Policies established by the Board of Directors.
Article 8. Use of Earnings
8.1 Use of Earnings
No part of the earnings (net earnings after salaries and expenses) of the Organization shall insure the benefit of, or be
distributed to its Members, Officers, or other private persons, except that the Organization shall be authorized and empowered
to pay reasonable compensation for services rendered by its Members, Officers, or other private persons, and to make
payments and distributions in furtherance of the purposes set forth in the Articles of Organization.
8.2 Political Activities
The Organization shall not participate in or intervene in any political campaign on behalf of any candidate for public
office. Notwithstanding, any other activities are permitted to be carried on as befits:
a) a corporation exempt from federal income tax under section 501 (c) (3) of the Internal Revenue Code of 1954 (or
the corresponding provision of any future United States Internal Revenue Law); or
b) a corporation, contributions to which are deductible under section 170 ( c) (2) of the Internal Revenue Code of
1954 (or the corresponding provisions of any future United States Internal Revenue Law.)
�Article 9. Compensation.
9.1 Directors and Members
Directors and Members shall not be entitled to receive for their services any compensation unless the Directors
determine that such compensation is warranted due to their expenditure of time or money which is not ordinary and usual in the
course of the duties of Directors.
Directors shall not be precluded from serving the Organization in any other capacity and receiving compensation for
any such services.
Article 10. Personal Liability.
10.1 Members, Directors and Officers
The Members, Directors, and Officers of the Organization shall not be personally liable for any debt, liability,
obligation of the Organization. All persons, corporations or other entities extending credit to, contracting with, or having any
claim against the Organization may look to any of the funds and property of the Organization for the payment of any such
contract or claim, or for the payment of debt, damages, judgement or decree, or of any money that may otherwise become due
or payable from the Organization.
Article 11. Dissolution of the Organization.
11.1 Liabilities and Assets
Upon dissolution of the Organization, the Board of Directors shall, after paying or making provisions for payment of
all of the liabilities of the Organization, dispose of all of the assets of the Organization in such manner, or to such
Organizations organized and operated exclusively for charitable, educational religious or scientific purposes as shall at the time
qualify as an exempt Organization or Organizations under 501 (c) (3) of the Internal Revenue Code of 1954 (or corresponding
portion of any future United States Internal Revenue Law), as the Board of Directors shall determine. Any such assets not so
disposed of shall be disposed ofby the court of jurisdiction in which the Organization is then located, exclusively for such
purposes or to such Organization or Organizations, as said court shall determine, which are organized and operated exclusively
for such purposes.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe board of directors governing documents, [2002]
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations--Management
Description
An account of the resource
Angkor Dance Troupe board of directors governing documents. Includes mission statement and bylaws.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
[2002]
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
7 p.; 28 x 21.5
Language
A language of the resource
English
Type
The nature or genre of the resource
text
Identifier
An unambiguous reference to the resource within a given context
uml3_b03_f10_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Documents
-
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186bc595b4b6c2e88e0874adcda08e6f
PDF Text
Text
Angkor Dance Troupe, Inc.
Costuming Procedures
*Neang Role
(Female Role)
1) Needs for preparation
a) Needles
b) Thread or yam
c) Safety pins
d) Scissors
*Note: if there is no yam then wrap thread around your feet three times and use with
bee's wax.
2) Start putting on costumes
a) girls should wear shirts ( ow cheang)
b) take cloth & measure length of legs
• knat of one hand horizantal
c) start folding fabric
• big folds then small folds
• small folds 12 times in & out
• dancers must hold the fabric
• wrap around waist (from the back first) and fix the fold
• safety pins on skirt (3)
• fix folds on bottom and pull top
• wrap under legs
• in the middle, let go of 2 sathop and pin
• pin bottom fabric to back skirt inside
• tie and place but after finishing skirt.
3) Sabaiy Procedure
• In the ld generation, elders would put sabaiy first, however, how
we wear skirts first.
a) wrap around left shoulder
b) sew shirt on back right
c) put pin in middle front and back waist
d) let dancer hold back shirt (sabaiy) when sewing
e) put jewelry
sarong karh
kasai cheang onleft shoulder hanging down by right hip
necklace (chee)
hand and ankle bracelets
4) Neang Jewelry names
Wrist first:
Saluk theh
�Vaen pradap
Koul dai
Kan throm
Kong rek
5) Ankle Jewelry
Kongjeaung
Kouljeaung
*-banh pap on right arm
Headpieces
-Tep Monorom
June Pour
Savan Macha
Chhoy Chhay
-Mokot
-Maklow
-Kabung N ah or Maklow
-Kabung nah, keaw & karah gnour
Female Costumes
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
Measure the length and height
The skirt, measure 2 inches from ankle
Take both jeey from skirt and fold
Fold from one end to the other to keep in place (plnut)
Fold one end of the skirt into small "tnuk" for 12 times
The 12th, fold it half way
Let the other person hold the top of skirt
Fix the "tnuk" in place called "jbud"
Tie a rubber band to the top of skirt for about 4 1/2 inches
Fix the "tnuk" again
Put skirt around the dancer
Put the "tnuk" on the left side of the waist
"Plea" the end of the skirt 12 times
Put the second "plea" in the middle and "jbud" again
Pin another on the bottom of "jeay"
Hold the bottom and pull the top one by onePut the "plea" between the
dancer's legs
Hold the top skirt and make two dent on both side (plea)
Tuck the top inside the skirt
Tie a string around the waist to put the skirt together
Take out the "plea" from the dancer's legs (take pin out)
Unfold the last 2 "plea"
Pin it inside of "plea" in the middle
Pin the inside skirt to the inside of the shirt
Put the bottom "plea" between dancers leg
�• Put the belt around the waist
• Wear the "sbeay'' on upper body
• Measure the back "sbeay'' to make it level
• Sew "Sbeay'' together
• Pin the "sbeay" in front of shirt together (under chest)
• Pin the back "sbeay" together with shirt
Accessories
• Sarong Kor (collar)
• Si-cheing (body chain)
• Je (necklace)
• Kong rek (plain bracelet)
• Kon trum (ball bracelet)
• Kro vel dai (spring bracelet)
• Van produp ( flower bracelet)
• Sluk the (grape-like bracelet)
• Beyn pup on right upper arm (arm bracelet)
• Kong jung (on bottom ankle)
• Ka vol jung ( plain bracelet)
• Kong jung ( spring bracelet)
• Earring
Costume Session
1) Before putting into skirt, measure length the height of a person from waist to
at least 2 inches far from ankle.
2) Pull the fabric from one end to another fold from back to back until end.
3) Fold about 1 V2 into small pieces 12 times. Hold the 12 pieces together with
them and index finger.
4) Slide fingers into folded pieces one by one to bring out the crease.
5) Tie the top crease with elastic. To 4 Yi in.
6) Now fold the bottom crease. All until the end
7) Measure the waste with the pleah and pin the skirt
8) Pleah the front of the other end (fold inside once)
9) Hold plea and then badt plea, hold on to plea with right hand.
10) Measure the robe straight from back feet
11) Sew robe to robe
12) Sew- (day gah cha-guy)
13) Pin the robe in front of the shirt
14) Pin back to (left side) to shirt
Jewelry
• Kasaiy cheing- body chain
• Chea- necklace
• Kong rhea (bracelet)
• Kon throm- (spring bracelet)
• Kraugh vel dia- (grape bracelet)
• Saluck Theyh( leave bracelet upper right arm
�•
•
•
•
•
•
•
•
•
•
•
Bunge pup( arm bracelet)
Kong Jung( ankle bracelet)
Kraugh vel jung(Spring ankle bracelet)
Badt the plea leaf of the folded plea
Level the top plea push the plea into the dancer leg and hold it with the
leg.
Make a dip of each side of the skirt.
Fold the front plea into the skirt tie string around waste-make knat.
Twist the extra string into the tied string.
Remove the plea from legs unfold at least 2 plea from front plea.
Pin inside front plea in middle
Grab 1st plea at the end onto the inside shirt
Bring second plea into leg then left
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe Costuming Procedures, [2006]
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Angkor Dance Troupe costuming procedures for a female role. Includes listing of clothing and other dress items as well as descriptions on how to put on the costumes.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
[2006]
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
4 p.; 28 x 21.5
Language
A language of the resource
English
Khmer
Type
The nature or genre of the resource
text
Identifier
An unambiguous reference to the resource within a given context
uml5_b04_f06_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Documents
-
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0
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1) The Blessing Dance
Dancers: Heng Noeuk, Rancia Phin, Sopharl Ngin, Rathanee Yean, Monica Veth
It is dance of greeting and good wishes. During the performance, the dancers come forward and
sprinkle flower petals toward the audience. This is done in the hope brining prosperity, peace,
and good health to everyone in the audience.
2) The Coconut Shell Dance
Dancers: Povtda Pech, Sodany Krouch, Paulina Srey, Linda Hong, Channa Sath
Samnang Hor, Zenith Rith, Sanny Meas, Rothna Mao, Vyrik Eng
The dance was inspired by a popular game that used coconut shells. The game was played during all kind
of ceremonies, but most often during weddings, engagements, and when the groom was escorted in a
procession to the bride's house. The Coconut Shell dance is one of the most popular and well known on
the Cambodian folk dance. In its original form, it was a one-man show. In the modem-day dance, an
equal number of male and female dancers perform the dance, signifying friendship and courtship. The
Khmer-language lyrics, the words that accompany the song-speak to how the coconut is the heart of the
Cambodian people.
3) Tep Monorom Dance (The Happiness of the Gods)
Dancers: Linda Sou, Sophy Leng, Khakhada Hom, Elizabeth Yim
Monica Veth, Sandra Proeung, Rancia Phin, Sopharl Ngin
This dance, often considered the most beautiful in the classical repertory, embodies the wellbeing, friendship, and prosperity of the Cambodian people.
4) The Khen Dance
Dancers: Rathanee Yean, Paulina Srey, Sodany Krouch, Channa Sath, Povtda Pech
Sanny Meas, Peter Veth, Vyrik Eng, Steve Hom, Vandary Moeun
The Khen Dance from a province of Cambodia located in the northeastern part on the CambodiaLoas border. Many young men from that part of the country play a musical instrument, a mouth
organ called Khen, which is made of bamboo and decorated with a garland flowers. Men play
their Khen to attract young passing by. The women can't resist so they touch the flowers and fall
in love.
5) Mini Mekhala & Giant
Dancers: Heng Noeuk, Linda Sou
Moni Mekhala and Ream Eyso were at one time students of the same teacher and both strived very hard
to be his best favorite. In the end, the teacher favored the goddess, Moni Mekhala, and rewarded her with
a beautiful and very powerful crystal made fro the morning dew. The storm demon, Ream Eyso, was
given an ax: as a consolation prize. As the dance begins, we see Moni Mekhala preparing to go out and
dance with other Gods and goddesses in the heavens. But on her way, she is accosted by Ream Eyso,
who is quite jealous and craves the powering glittering ball.
P.O. Box 1553 • Lowell, MA
01853
(978) 275-1823 • FAX: (978) 275-1824
�0
tf1~ftt1ft~f
Att5ltor Dattcc Trol-fpc, lttc.
Mini Mekhala teases him by holding the ball out very close. Then she tosses the crystal, momentarily
blinding him. This ends Ream Eyso to his knees, giving her just enough time to glide away.
It is said that the flash of Moni Mekhala' s crystal is what we know as lighting, and the crashing of Ream
Eyso' s ax is thunder. This is one of the most sacred dances in the Cambodian Classical repertoire and is
still performed in Cambodian in ceremonies to pray for rain.
6) The Fishing Dance
Dancers: Khakhada Horn, Sopharl Ngin, Sophy Leng, Monica Veth, Elizabeth Yim
Samnang Hor, Vyrik Eng, Peter Veth, Jamie Rin, Steve Horn
There's saying in Cambodia "Where there is water, there are fish."
In this dance you will see two traditional methods of catching fish, using braided bamboo baskets Called
CIIlINEANG In this dance you'll see young women scoop up water from the river into their Chhneng.
The baskets act as strainers-the water drains out through the bamboo leaving small fish in the basket.
And the guys use bell-shaped traps called ANGKUT For catching large fish in shallow water. Love and
romance and favorite themes in Khmer stories and dance. In traditional Cambodian society, young
people are careful watched and don't have many opportunities to get to know one another. But the
fishing quarter is one place they had the chance to meet.
7) The PestleDance
Dancers: Sophy Leng, Vyrik Eng, Linda Hong, Paulina Srey, Sokhoeum Khim, Zenith Rith
Povtda Pech, Sandra Proeung, Sodany Krouch, Rathna Mao, Channa Sath, Peter Veth
The pestle dance is depicted that celebrated the hard work of the harvest season.
8) The Swva Pol with DNC Dance
Dancers: Samnang Hor, Vyrik Eng, Jamie Rin, Steve Horn
In Cambodian legend, monkeys always fight evil; in fact they are army solders . And these solders are
celebrating a bid win. They're gathering food for a feast. The monkey dance is lively and acrobatic,
always performed by young boys, who you will see also capture the spirit and quick mannerisms of
monkeys. Following the original dance, the Troupe will feature some new choreography with elements
of modem dance. But if you watch carefully, you will see the dancers remain, throughout it all, Swva
Pol, the monkeys.
P.O. Box 1553 • Lowell, MA
01853
(978) 275-1823 • FAX: (978) 275-1824
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe dance program, [2002]
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Dance titles and descriptions for an Angkor Dance Troupe performance.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
[2002]
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
2 p.; 28 x 21.5
Language
A language of the resource
English
Khmer
Type
The nature or genre of the resource
text
Identifier
An unambiguous reference to the resource within a given context
uml5_b04_f09_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Blessing Dance
Cambodians
Coconut Dance
Documents
Fishing Dance
Happiness of the Gods
Khen Dance
Moni Mekhala and Ream Eyso Dance
Pestle Dance
Swva Pol Dance
Tep Monorom Dance
-
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Text
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~fjif fmft~f
Att5kor
Datte~ Tro"'p~.
lttc.
ID#_ __
For Staff Use Onl
. ~I
_______P_e_r_m_i_s_si_o_n_S_li~p_f_o_r_A_d_u_l_t_M_e_m_b_e_r_s_ _ _ _ _ _ ___.
The . Angkor Dance Troupe is a non-profit organization dedicated to t~e preservation and promotion of
Cambodian culture and positive recreational and educational opportunities for youth . Membership is open to
anyone willing to make a commitment to Cambodian dance. The Angkor Dance Troupe does not discriminate
on the basis of gender, age, religion, ethnicity, sexual orientation, or disability.
Information about you (the dancer) - please print:
Today's Date: _ _ _ __
Name:
Street Address & Apartment or Unit #
Telephone. # _ _ _ _ _ _ _ _ _ _ _ __
City
State
Zip Code
Date of Birth: _ _ _ _ _ _ __
Pager/Cell Phone: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Gender: M
F
•
I understand I will be participating in dance rehearsals at the Mogan Cultural Center,
40 French Street, Lowell and in public performances and group outings at various
locations throughout the region.
•
I give permission to be photographed and/or videotaped by staff, volunteers, visitors,
audience members, professional photographers, and/or the news media for the
purposes of documenting or promoting the Angkor Dance Troupe.
•
I give permission for staff members to use their best judgment in the event that
medical treatment is required in an emergency.
•
I agree to hold Angkor Dance Troupe staff and volunteers free from liability for any
damages.
Please Sign: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Emergency c o n t a c t : - - - - - - - - - - - - Phone: ~---'------Does you have any medical conditions or other issues we should know about.?
(please explain): _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Health Insurance Company & Policy# _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Insurance Card Holder's N a m e : - - - - - - - - - - - - - - - - - - - (If your are not insured, please write "UNINSURED ." This does not exclude you from participating in the program .)
P.O. Box 1553 •Lowell, MA 01853 • (978) 441-9277 •FAX: (978) 275-1824
�tff t$~tt1~t~~
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Att5ltor Dattce
Tro~pe,
lttc.
This f9rm should be filled oyt by the head of the household ..
The following information is being collected from all members of the Angkor
Dance Troupe to help us obtain a grant from the City of Lowell. The information
will be kept completely confidential (private).
CHILD NAME(s):
1. How many people live in ygur household? Include everyone that you share
living space and expenses with, including people who are not related to you .
Enter the total number of people here:
------
D Yes 0
2·. Is the head of the household a female?
3. Is there anyone in your house who has a perm(Jnent disability?
If Yes, how many? _ _ _ __
No
D Yes D
No
D
0Yes
No
4. Is anyone in your house 60 yesirs old or 9lder?
If Yes, how many?
5. How mapy in your househ,dld are: Male (enter #) ____ Female (enter #) _ _
----
6. How majny in your household are: Asian (enter #)
White (enter #) _ _
I
Hispanic (enter #) _ _ African American - - Other:--..ple..,...,as-e. ,. . sp.. . ,.ec1y_ _ __
..-l
7. Is the chi.Id enrolled in the Troupe a fgster child 'through an agency such as
DSS?
(If you answered y~s to guesljon #7. stop here. You do not need
to fill out the rest of this form. Please return partially completed form to Troupe.)
8. Circle the amount below that is closest to the total amount of money that
everyone in your household receives each month: Amount circled should be
monthly income of all household members combioeg. (If yo1;ir total income falls
between two numbers, please circle the larger of the two numbers .)
$1,229
$2,317
$3,500
$5,425
$1,404
$2,342
$3,625
$5,775
$1, 579
$2,633 .
$3, 863
$1, 754
$2, 925
$3,938
$1,896
$3,063
$4,375
$2,038
$3, 158
$4, 725
$2, 175
$3,392
$5,075
-
'·
I certify that the above information is true and correct to the best of my knowledge .
Parent/Guardian :
Date:
(?~eas'(
---~--
sl-511 .)
�October 2002
Angkor Dance Troupe Policies and Procedures
To: All dancers and staff
Fm: Tim Thou, Phousita Huy, and Ruth Page
Re: Contract concerning appropriate behavior during troupe rehearsals and other operations
Dt: October l , 2002
These rules have..
been developed for your safety and to ensure that we use our facility properly
and respectfully. All dancers and staff must sign and Feturn this contract.
~
STAIRWELL - At no time, should any dancers lean over the stairway railing on the second or
third floor stairwell.This is a very important safety rule. If you are seen hanging over the railing,
you will be issued a verbal warning, and a written record will be made in the office. Repeat
offenders will be suspended from the program.
)> STRANGERS - If you see someone walking through the halls or rehearsal rooms that you do
not recognize as a member or family member of a troupe dancer, notify an adult staff
person at once. Adult staff will inquire about the nature of the visit, and if appropriate, have
the guest sign in and receive a guest pass.
)> FIRE ALARMS - If a fire alarm goes off, immediately leave the rehearsal rooms and make your
way down the stairs. Use the buddy system - leave the building with at least one other
person from the .troupe. Members will gather in front of the building until we are told it is safe
to return. If the front of the building is also being evacuated, move over to Boarding House
Park next to the building. Stay together as a group. DO NOT ASSUME IT IS A FALSE ALARM
unless an .QQ.\.!11 staff member tells you so (Adult staff include Mehmed Ali who works in the
office in the lobby and/or anyone in a Lowell National Park uniform.)
Building Poff cf es
)> FIRE/ELEVATOR ALARMS - Do not tamper with fire or elevator alarms unless there is an
emergency. It is illegal to pull a fire alarm as a prank.
> COMMON AREA POLICY - Please be quiet and respectful when using the "common areas"
of the building. These include the lobby, elevator, and stairways. Absolutely no yelling over
the railings to someone upstairs or downstairs. No wrestling, pushing or otherwise rowdy
behavior. There are offices and a museum exhibit on the first and second floor. We must not
disturb our fellow tenants. If you are rehearsing in the third floor lobby, please close the doors
to the stairwell.
)> CLIMATE CONTROL-.Thermostats should be set at 70 degrees at all times. Do not tamper
with thermostats. Please report any concerns about excessive heat or air conditioning to an
·
adult staff member right away.
Rehearsal Policies
' '·
)> DRESS CODE-All dancers must adhere to our rehearsal dress code: K'ben and An Noy for
girls and sweats for boys. No jeans are permitted.
)> RESPECT - Be respectful at all times of master teachers and assistant instructors.
)> LANGUAGE- No profanity (swearing) is aliowed. No te.osing, arguing, or otherwise "hurtful"
language. Please treat your fellow dancers as you wish to be treated.
)> DISCRIMINATION- No one will be discriminated against or in any way harassed on the basis
of race, sex, age, or disability. Report violations at once to an adult staff member. We have
a ZERO toierance policy concerning discrimination.
)> NO CELL PHONES- No cell phones are allowed in rehearsal rooms . You must turn off your cell
phone during rehearsal.
·
)> OTHER- You must inform your instructor if you nee· to leave a rehearsal room during
d
· rehearsal. Please minimize your "comings and goings." It is disruptive to our rehearsals if
dancers.are constantly leaving and re-entering.
)>
�October 2002
ID Cards (Beginning November 2002)
};> All members and staff will be issued laminated photo ID cards with a breakaway
cord/lanyard to wear around their necks.
,
};> Once you are issued an ID card, you must wear it at all times while at the troupe's
headquarters at the Mogan Center and at performances - except when you are actually
rehearsing or performing. Hooks will be installed in all of the rehearsal rooms so that you can
remove your ID card while rehearsing, but you must wear your'card whenever you leave a
rehearsal room and use the halls.
};> It is your responsibili.ty to bring your ID card to every rehearsal. For your convenience, we will
install a rack at the Mogan Center where you can leave your card between rehearsals .
Anyone losing a card will be charged $4.00 for a replacement.
Guest Polley (Beginning October 2002)
};> If current members have friends who may be interested in joining the troupe, members are
welcome to bring a friend to a rehearsal as a guest ONE TIME ONLY. If the guest wishes to
return, he or she must enroll.
};> All guests must report to the office where they will sign in and be issued a guest pass. If you
bring a guest, it is YOUR responsibility to escort your friend to the office to sign them in. If no
staff is present in the office, please bring your guest to Ms. Phousita or one of the Assistant
Instructors.
};> If you bring a guest, you are responsible for supervising him/her and making sure he/she
complies with all Angkor Dance Troupe policies regarding safety and proper use of our
facility.
};> If you see someone in the hall or third floor rooms who does not have a guest pass or
member ID card, please inform a staff member or assistant instructor who will approach the
guest and ask if they have signed in.
Media Polley
)> If a newspaper photographer takes a photo that includes you during a performance or
rehearsal and asks for your name for the photo caption, you must also say that you are a
performerwith the Angkor Dance Troupe.
Contract between member and the Angkor Dance Troupe:
I have read these policies carefully and agree to abide by them.
ID#
Signature:_-'-:-:--~--::-:----:----------------
Member Signature
Date
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe permission slip for adult members, 2002
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Angkor Dance Troupe permission slip for adult members. Includes information on public performances and group outings, permission on being photographed and videotaped, permission for medical emergencies, and the organization's list of policies and procedures.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2002
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
4 p.; 28 x 21.5
Language
A language of the resource
English
Type
The nature or genre of the resource
text
Identifier
An unambiguous reference to the resource within a given context
uml5_b10_f12_i002
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Documents
-
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Angkor Dance Troupe, Inc.
ID#- - -
For Staff Use only
Permission Slip for Dancers under 18
The ~glcor Dance Troupe is a non-profit organization dedicated to the preservation and promotion of Cambodian
cultur~ and positive recreational and educational opportunities for youth. Membership is open to anyone willing to
make a commitment to Cambodian dance. The Angkor Dance Troupe does no discriminate on the basis of gender, age,
religio~. ethnicity, sexual orientation, or disability.
Info$ation about you (the dancer)- please print:
Nam~:
_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Today's Date: _ _ _ _ _ __
Addr~ss
_________________,..------,,..------=--=-~
Street Address & Apartment or unit #
City
State
Zip Code
Tele~hone #----------~--Date of Birth:---------
Paget/Cell Phone: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _Gender: M F
• • I understand I will be participating in dance rehearsals at the Mo.gan Cultural
Center, 40 French Street, in Lowell and in public performances and group outings
at various locations throughout the region.
•
I give permission to be photographed and/or videotaped by staff, volunteers,
visitors, audience members, professional photographers, arid/or the news media
for the purposes of documenting or promoting the Angkor Dance Troupe.
•
I give permission for staff members to use their best judgment in the event that
medical treatment is required in an emergency.
•
I agree to hold Angkor Dance Troupe Staff and volunteers free from liability for
any damages.
Paretjt/Guardians signature:
Emer~ency
---------------------~
contact: ---------------'Phone#: ________
Do y©u have any medical conditions, allergies or other issues we should know about?
(Plea~e e x p l a i n ) : - - - - - - - - - - - - - - - - - - - - - - - - Health Insurance Company & Policy #
Insurance Card Holder's Name:
------------------Farnio/ D o c t o r : - - - - - - - - - - - - - - - - - - - - - - - - - Hospital:
-----------------------------
�0
1!fgtmtt~t
Attgltor Dattce
Tro~pe,
lttc.
This fQrm shoyld be filled oyt by the head of the household.·
The following information is being collected from all members of the Angkor
Dance Troupe to help us obtain a grant from the City of Lowell. The information
will be kept completely confidential (private).
CHiLD NAME(s):
1. How many people live in ygur household? Include everyone that you share
living space and expenses with, including people who are not related to you .
Eriter the total number of people here:
------
D Yes 0
2. Is the head of the household a female?
3. Is there anyone in your house who has a i;>ermanent disability?
If Yes, how many? _ _ _ __
4. Is anyone in your house 60 yesus old or older?
If Yes, how many?
---5. How mal)y in your househ,old are: Male (enter#)
No
D Yes D
No
D
No
0Yes
Female (enter #)
6. How miny in your household are: Asian (enter #)-...___ White (enter #) - l
Hispanic (enter #) _ _ African American ___ Other:--,.-.----.----please specify
.
.
a
7. Is the chi.Id enrolled in the Troupe f9ster child ;through an agency such as
DSS?
(If you answered Yt:S to guestjon #7. stop here. You do not need
to fill out the rest of this form . Please return partially completed form to Troupe.)
8. Circle the amount below that is closest to the total amount of money that
everyone in your household receives each month: Amount circled should be
monthly income of all household members combined. (If your total income falls
between two numbers, please circle the larger of the two n'umbers.)
$1,229
$2,317
$3,500
$5,425
$1,404
$2,342
$3,625
$5,775
$1,579
$2,633 .
$3,863
$1, 754
$2,925
$3, 938
$1,896
$3,063
$4,375
$2,038
$3, 158
$4, 725
$2, 175
$3,392
$5,075
'
I certify that the above information is true and correct to the best of my knowledge .
.
~
Parent/Guardian:
Date:
(?~eas~ .sl-5"'·J
------
�•.
October 2002
Angkor Dance Troupe Policies and Procedures
To: All dancers and staff
Fm: nm Thou, Phousita Huy, and Ruth Page
.
Re: Contract concerning appropriate behavior during troupe rehearsals and other operations
Dt: October l , 2002
These rules have · een developed for your safety and to ensure that we use our facility properly
b
and respectfully. All dancers and stdff must sign and Feturn this contract.
~
>
STAIRWELL- At no time, should any dancers lean over the stairway railing on the second or
third floor stairwell. This is a very important safety rule. If you are seen hanging over the railing,
you will be issued a verbal warning, and a written record will be made in the office. Repeat
offenders will be suspended from the program.
.
> STRANGERS - If you see someone walking through the halls or rehearsal rooms that you do
not recognize as a member or family member of a troupe dancer, notify an adult staff
person at once. Adult staff will inquire about the nature of the visit, and if appropriate, have
the guest sign in and receive a guest pass.
·
> FIRE ALARMS - If a fire alarm goes off, immediately leave the rehearsal rooms and make your
way down the stairs. Use the buddy system - leave the building with at least one other
person from the .troupe. Members will gather in front of the building until we are told it is safe
to return. If the front of the building is also being evacuated, move over to Boarding House
Park next to the building. Stay together as a group. DO NOT ASSUME IT IS A FALSE ALARM
unless an .Q.Q.ul1 staff member tells you so (Adult staff include Mehmed Ali who works in the
office in the lobby and/or anyone in a Lowell National Park uniform.)
Building Policies
> FIRE/ELEVATOR ALARMS - Do not tamper with fire or elevator alarms unless there is an
emergency. It is illegal to pull a fire alarm as a prank.
> COMMON AREA POLICY - Please be quiet and respectful when using the "common areas" ..
of the building. These include the lobby, elevator, and stairways. Absolutely no yelling over
the railings to someone upstairs or downstairs. No wrestling, pushing or otherwise rowdy
behavior. There are offices and a museum exhibit on the first and second floor. We must not
disturb our fellow tenants. If you are rehearsing in the third floor lobby, please close the doors
to the stairwell.
> CLIMATE CONTROL-Thermostats should be set at 70 degrees at all times. Do not tamper
with thermostats. Please report any concerns about excessive heat or air conditioning to an
adult staff member right away.
·
Rehearsal Policies
" '
> DRESS CODE- All dancers must adhere to our rehearsal dress code: K' ben and An Noy for
gir1s and sweats for boys. No jeans are permitted.
> RESPECT - Be respectful at all times of master teachers and assistant Instructors.
I> LANGUAGE- No profanity (swearing) is aliowed. No te9sing, arguing, or otherwise "hurtful"
language. Please treat your fellow dancers as you wish to be treated.
> DISCRIMINATION-No one will be discriminated against or in any way harassed on the basis
of race, sex, age, or disability. Report violations at once to an adult staff member. We have
a ZERO tolerance policy concerning discrimination.
> NO CELL PHONES - No cell phones are allowed in rehearsal rooms. You must turn off your cell
phone during rehearsal.
·
> OTHER- You must inform your instructor if you nee·d to leave a rehearsal room during
. 'rehearsal. Please minimize your "comings and goings." It is disruptive to our rehearsals if
dancers_ constantly leaving and re-entering.
are
�October 2002
ID Cards (Beginning November 2002)
,... All members and staff will be issued laminated photo ID cards with a breakaway
cord/lanyard to wear around their necks.
,... Once you are issued an ID card, you must wear it at all times while at the troupe's
headquarters at the Mogan Center and at performances - except when you are actually
rehearsing or performing. Hooks will be installed in all of the rehearsal rooms so that you can
remove your ID card while rehearsing, but you must wear your card whenever you leave a
rehearsal room and use the halls.
)> It is your responsibility to bring your ID card to every rehearsal. For your convenience, we will
install a rack at the Mogan Center where you can leave your card between rehearsals.
Anyone losing a card will be charged $4.00 for a replacement.
Guest Polley (Beginning October 2002)
)> If current members have friends who may be interested in joining the troupe, members are
welcome to bring a friend to a rehearsal as a guest ONE TIME ONLY. If the guest wishes to
return, he or she must enroll.
> All guests must report to the office where they will sign in and be issued a guest pass. If you
bring a guest, it is YOUR responsibility to escort your friend to the office to sign them in. If no
staff is present in the office, please bring your guest to Ms. Phousita or one of the Assistant
Instructors.
,... If you bring a guest, you are responsible for supervising him/her and making sure he/she
complies with all Angkor Dance Troupe policies regarding safety and proper use of our
facility.
> If you see someone in the hall or third floor rooms who does not have a guest pass or
member ID card, please inform a staff member or assistant instructor who will approach the
guest and ask if they have signed in.
Media Polley
> If a newspaper photographer takes a photo that includes you during a performance or
rehearsal and asks for your name for the photo caption, you must also say that you are a
performerwilh the Angkor Dance Troupe.
Contract between member and the Angkor Dance Troupe:
,,
I have read these policies carefully and agree to abide by them.
ID#
Signature:._-:-::----:---:::----:---------~------
Member Signature
Date
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe permission slip for minor members, 2002
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Angkor Dance Troupe permission slip and list of policies and procedures for minor (under 18 years old) dancers. Includes information on public performances and group outings, permission on being photographed and videotaped, permission for medical emergencies, and the organization's list of policies and procedures.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2002
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
4 p.; 28 x 21.5
Language
A language of the resource
English
Type
The nature or genre of the resource
text
Identifier
An unambiguous reference to the resource within a given context
uml5_b10_f12_i003
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Documents
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aebbb34cee1def3dfeab2ebfdc6e9484
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Phousita Serey Huy
Master of Cambodian Royal Court Ballet
Phousita S. Huy was born in Phnom Penh City, Cambodia.
Ev ery Thursday, at her early age, her mother took her to the
royal palace for the public performances of royal court ballet .
She loved the beautiful dances and costumes and dreamed of
someday being a dancer herself.
In the past, Royal Court Ballet
was for entertaining the Cambodian king and queen, for some
priv ilege personnel, and for official reception of the foreign
delegates or diplomates.
Royal Court Ballet requires onl y female
performers due to its soft, gentle, flexible and delicate
gesture.
It is always regard as a special privilege to b e
s e lected for the Royal Court Ballet.
In April 17, 1975 the communist radical group, known as
Khmer Rouge, took control of Cambodia.
In order to reform
Cambodia to a pure peasant society, the Khmer Rouge start e d the
unspeakabl e destruction of Cambodian society. They destroye d
lives of the inhabitants, national properties, tradition and high
culture of Cambodian society--including the royal court ballet.
Most of the learned and intellect were perished under the Khmer
Rouge's brutal regime along with the most prominent p e rf o r me r s of
roya l court ballet .
Despite being separated from her family, Phousita manage d t o
s urv i v ed the most ordeal of her life. After being reunited wit h
h e r famil y , she h e aded back to her birthplace, Phnom Pe n h Ci t y .
Her dream of royal court ballet in her childhood remaine d ali ve
in her heart.
After several scrutinies, she finally wa s admitt e d
to University of Fine Arts at the early of 1980.
She gradu a t e d
in 1 989 . During her school years and after her graduation, she
had toured several countries, including Vietnam, North and South
Korea, Japan, America, Lao, Thailand, and India.
Prior to her departure from Cambodia for permane nt residency
in United States in the middle of 1996, Phousita taught . royal
cou r t ball e t at the University of Fine Arts and general publi c
e lementary schools . Presently, she is an artistic director at
Angkor Dance Troupe, Lowell, Massachusetts.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Biography of Phousita Serey Huy, Master of Cambodian Royal Court Ballet, 2002?
Subject
The topic of the resource
Cambodian Americans
Dance--Cambodia
Lowell (Mass.)
Description
An account of the resource
A short biography of Phousita Serey Huy, master of Cambodian Royal Court Ballet. She was born in Phnom Penh City in Cambodia. Her love for dance started when she was very young and she was admitted to the University of Fine Arts in1980. Prior to her departure from Cambodia for permanent residency in the United States in the middle of 1996, she taught royal court ballet at the University of Fine Arts and general public elementary schools. She is currently the artistic director at the Angkor Dance Troupe.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2002?
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
1 p.; 28 x 21.5
Language
A language of the resource
English
Type
The nature or genre of the resource
text
Identifier
An unambiguous reference to the resource within a given context
uml5_b12_f07_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Documents
Royal ballet of Cambodia
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1fda8d1eba5fa93e48cd0882a683dce3
PDF Text
Text
A NEW BEGINNING IN LOWELL
BY JAMES HIGGINS & JOAN ROSS
Foreword by Dith Pran Introduction by Hai B. Pho
����Southeast Asians
��Southeast Asians
A NEW BEGINNING IN LOWELL
BY JAMES HIGGINS & JOAN ROSS
PHOTOGRAPHS BY JAMES HIGGINS
Foreword by Dith Pran Introduction by Hai B. Pho
M ILL TOWN GRA PHICS
�Published by:
Mill Town Graphics
P.O. Box 2168
Highlands Station
Lowell, MA 01851
Copyright © 1986 Higgins & Ross
The histories that begin the Cambodian, Laotian, and Vietnamese sections
are excerpted from Peoples and Cultures of Cambodia, Laos and Vietnam . Reprinted
with the permission of the Center for Applied Linguistics.
The poem "Yaws" © 1986 George Chigas. Reprinted by permission of the
author.
The Introduction is drawn from a 1983 audio-visual presentation of the Southeast Asian Program, Fitchburg Ethnic Heritage Program Series, sponsored
by the Fitchburg Public Library with Dr. Gunther Hoos, Chairman of the
Communication/Media Department at Fitchburg State College as Director
and Dr. Hai B. Pho as Humanities Scholar.
All rights reserved. No part of this book may be reproduced in any form
or by any electronic or mechanical means including information storage and
retrieval systems without the written permission of the publisher except in
the case of brief excerpts for use in critical articles or reviews.
Library of Congress Catalog Card Number 86-62068
ISBN 0-914613-04-9
Produced in conjunction with the Cambodian Mutual Assistance Association
of Greater Lowell, Inc.
Project Coordination by Carol Keirstead
Book design by Joan Ross
Printed by Mercantile Printing Company
Typeset by Typographix, Inc.
Translation/Calligraphy:
Cambodian by S. Say
Laotian by Sompheth Phothisen
Vietnamese by Tran Kirn Lan
Manufactured in the United States of America
�ACKNOWLEDGEMENTS
AUTHORS' NOTE
First and foremost we thank all of those whose words and pictures
appear in this book.
The quotations in this book have been written as accurately as
possible in order to preserve the authenticity of the speakers'
voices. In many cases the English is ungrammatical, however this
in itself is telling - learning a new language is a great challenge.
The captions and quotations are, for the most part, said by or
about the subject photographed. We have not attributed the statements out of respect for the privacy of those who helped us create
this book.
We thank Theresa Theobald and the Cambodian Mutual Assistance
Association of Greater Lowell for the organizational support needed
to produce this book.
Carol Keirstead, project coordinator, has been a valuable link to the
Southeast Asian community, where she is so well respected.
We thank the following people and organizations: Narin Sao, George
and Chanthy Chigas, Heng Bun Chea, Sopheap Kuth, Michael Ben
Ho, Joan Gendron, Leslie Yauckoes and all our friends at the Cambodian Mutual Assistance Association; Silvia Sangiolo, Steve Lewis,
Khamsone Silavong, and the Laotian MAA; and Mr. Ong and Mr.
Gia from the Vietnamese MAA . We also wish to thank the following :
Reverend Steven Stager, Kim Jaynes, and members of the Eliot
Presbyterian Church; Vera Godley and the Lowell Ethnic Covenant;
Lydia Mattei, Kathi and Larry Flynn, and the staff at the International Institute; Frank Dalphond and the Merrimack Valley Vietnam
Veterans Organization; Jim Myers - Site Manager, Nate Kinnon
and Sandy Jolin at Digital, Wilmington, MA; Arthur Robbins and
the Lowell Hilton; Marilyn DeAngelis of Channel 56, Boston; Daniel
Lam from the Office of Refugee Resettlement; Joe Antonuccio,
Thoeun Thou, Evelyn Desmarais, Jim Doyle, Carol Merrian, Brian
Dunigan, Kang Song, and Lan Pho.
We gratefully acknowledge the special editorial support we received
from Paul Marion, Cultural Affairs Director, Lowell Historic Preservation Commission, who even walked our dog when things got crazy.
We appreciate the special advice and assistance we received from
Maude Salinger.
We thank Christine Reynolds for her design help.
A special thanks to our three translators: S.Say, Sompheth Phothisen,
and Tran Kim Lan .
Funding for this project was provided by :
rrrth
in
&P1:-'
M ass:1
chusc1ts Founda tion
for t-lu 1 mi 1ics and
m
Publi c Po lic)'
Massachusetts Foundation for Humanities and Public Policy, New England
Telephone Company, Massachusetts Council on the Arts and Humanities
Heritage Program, the Lowell Historic Preservation Commission - United
States Department of the Interior, and the Massachusetts Arts Lottery Council
as administered by the Lowell Arts Council.
Additional support was provided by the Massachusetts Arts Lottery Council as administered by the Chelmsford Arts Council, Community Teamwork, Inc., St. Jean Baptiste Parish, the Church of St. Michael, the First
Bank, the Commonwealth Federal Savings Bank, the Union National
Bank, the Lowell Institute for Savings, and the Bank of Boston .
The Foreword, Introduction Summary, captions, and quotations
are translated into the languages of the Cambodians, Laotians,
and Vietnamese in order to make the book accessible to the
Southeast Asian community.
This book represents almost two years of work with the Southeast
Asian peoples of Lowell. Our respect for them is great - the
friendships made forever rewarding.
J.H. and J.R.
1965, it seems so long ago ... sitting in high school class,
Beatles music playing in my head, and a knot in my
stomach, wondering if I would be called on for an answer.
While on the other side of the world dark clouds were
gathering, clouds that would soon be heading this way.
Decisions being made at the Gulf of Tonkin by people far
removed from Mr. Hogan , my sleepy history teacher.
J.H.
��FOREWORD
by Dith Pran
The plight of refugees is a universal and historic story.
While trapped inside communist Cambodia for four and
one half years, I vowed that when I reached freedom I
would bring my message to the world. My story, as
shown in the film "The Killing Fields," is not just my
story. It is the story of refugees throughout the world.
The Southeast Asian refugees, most of whom were
forced through hardships of war to come to the U.S.A. ,
are now adjusting to life in a new world . These Cambodian, Laotian, and Vietnamese people have suffered
for years. When the war was over in 1975, an internal
holocaust within the Southeast Asian countries con-.
tinued. The survivors fled their country because they
could not live under the communist regime where
they had little food and no freedom.
With the help of volunteer agencies and religious
organizations, these refugees are being taken care of
and are learning to adapt to the language, customs,
and life in their new world. I applaud the American
people because they have a tradition of helping the
suffering people.
I am now a citizen of the United States and I am
proud to be one. I have a home and a country; I am
no longer stateless. As Goodwill Ambassador to the
United Nations, I will continue to promote peace all
over the world. Please share with me my concern for all
the suffering refugees. I hope that someday the people
around the world would join together in creating a
peaceful global society. I am glad you care.
����INTRODUCTION
by Hai B. Pho
To many Americans whose grandparents first made the long journey to the United
States at the turn of the century, the memories of their hardship, struggle, and often
prejudicial treatment are likely wrapped in a mist of sentiment and nostalgia. Through
hard work, education, and sacrifice, they and their children were often rewarded by
a better life. Today, as part of the remaining legacy of the Vietnam War, another first
generation of immigrants is beginning its upward struggle. Lowell is fortunate to count
these courageous people as part of its cultural mosaic, and this book is an effort, at
least in part, to document the upward struggle of the newest group of immigrants,
the Southeast Asian refugees.
Southeast Asia encompasses the vast mainland area east of India and south of
China including Burma, Thailand, Malaysia, Cambodia, Laos, and Vietnam as well
as the two island nations of Indonesia and the Philippines. Historically, it has been
a crossroad of cultural activity. For more than 4000 years China, India, and Polynesia
have influenced the languages, customs, and institutions of the peoples of the area.
To these have been added the European Christian influences during the past 500
years resulting in a great diversity of life-style, culture, and language. The region
abounds in great beauty and cultural riches.
Geographically, Indochina reflects the mainland portion of Southeast Asia comprised
of Burma, Thailand, Malaysia, Vietnam, Cambodia, and Laos. Politically, however,
the name Indochina applies only to Vietnam, Cambodia, and Laos, the countries
which were once known as French Indochina. The history of French Indochina
began in 1893 when the French first proclaimed the Indochinese Union after it had
colonized these three independent states. The Union ended in 1950 when separate
treaties were ratified, recognizing Vietnam, Cambodia, and Laos as independent,
self-governing states within the French Union. After the Geneva Conference in 1954
and the dissolution of the French Union, the name Indochina no longer had any
political or constitutional meaning.
Indochina's more than 2000 years of independent existence has been frequently
disrupted by series of border disputes, wars of succession, invasions, and colonizations. Since World War II, after all the great ideologies such as capitalism, communism,
and nationalism had swept across the Asian continent, the Indochinese peoples experienced widespread grassroots struggles for independence from the French and
the ensuing internecine warfare.
Following the decisive loss by the French to Ho Chi Minh's guerrillas at the battle
of Dien Bien Phu in 1954, the Geneva Accords was signed which gave international
recognition of independence and unity to Cambodia and Laos, but divided Vietnam
into two portions with an arbitrary line along the 17th parallel. It also left Ngo Dinh
11
�Diem's South Vietnam in a highly vulnerable position to North Vietnam's battle hardened guerrilla armed forces, the People's Liberation Army. It was after this Geneva
Conference that the United States became directly and more deeply involved in
the region.
Speaking in 1955, at a meeting of the American Friends of Vietnam Association
in New York, Senator John F. Kennedy, then a presidential hopeful for the 1956
election, declared:
Vietnam represents the cornerstone of the free world in Southeast Asia,
the keystone of the arch, the finger in the dike. . . .
Vietnam represents a proving ground of democracy in Asia. . . . Vietnam
represents the alternative to Communist dictatorship. . . . The U.S. is
directly responsible for this experiment. . . . We cannot afford to permit
that experiment to fail . . . .
If we are not the parents of little Vietnam, then surely we are the godparents. We presided at its birth, we gave assistance to its life, we have
helped to shape its future . . .. And if it falls victim to any of the perils
that threaten its existence - Communism, political anarchy, poverty, and
the rest - then the U.S., with some justification, will be held responsible.
So, not willing to allow the North Vietnamese Communists to unify the country
either by political maneuver or by force, President Eisenhower authorized an expansion of U.S. economic and military aid to South Vietnam. The battlefields in South
Vietnam were then defined in Cold War theories and principles. South Vietnamese
people thus became freedom fighters and the 17th parallel became the frontier of
the Free World.
Initially, small teams of U.S. military advisors were sent to Vietnam. At first, they
were limited to a training role which was later changed to field advisors restricted
to a "fire when fired upon" rule. This unrealistic dictum was largely ignored by the
Americans and they took active part in skirmishes against the Communist-led front
in the South known as the National Liberation Movement Front or the Vietcong.
America went to Vietnam scarcely guessing the intricacy and pattern of ensuing
events. The War rapidly escalated shortly after the assassination first of Diem then
of Kennedy in November, 1963, and less than a year later President Johnson committed vast sums of AID money and tens of thousands of draftees into the war. In
the South, a succession of generals failed to unify and mobilize the public will to
defeat the Vietcong and the war dragged on. Like the French, the Americans were
suddenly bogged down in a war that seemed unending. Finally, after tremendous
resistance in America to the continuation and expansion of the war, the new strategy
became Vietnamization. Without defeating the Vietcong, America began to withdraw,
transferring all fighting responsibility to the South Vietnamese.
The failure of the U.S. to live by its commitments to support South Vietnam against
the North during the post-1973 Paris Peace Agreement period subsequently led to
12
�the defeat of the South by the North Vietnamese forces on April 30, 1975. Thus, the
last American presence that many South Vietnamese saw was the U.S. helicopters
leaving the American Embassy in Saigon.
Less than two weeks before the capture of Saigon, Communist forces had seized
control of Phnom Penh, the capital of Cambodia. But after four years of genocidal
ruthlessness by Cambodian Premier Pol Pot, supported by the People's Republic of
China, the Vietnamese Communist Army rolled into Cambodia and engaged the
savage Khmer Rouge. Vietnam ultimately installed Heng Samrin as a new Cambodian Premier. Laos too came under complete control of Vietnam's Communist ally,
the Pathet Lao in December, 1975.
Since the middle of 1975, the great question in Indochina has not been freedom,
but survival for those who hadn't given their loyalty to the Communist forces. Thus,
after the Communist takeover more than 1.5 million people had escaped the new
Regimes and started a search for a new beginning. Some fled for fear of reprisal. Some
were pushed out because they were dissidents. Some, like the ethnic Chinese, were
forcefully evacuated. And some left in search of freedom.
The Vietnamese exodus took place in three phases. The first came after the fall
of the Saigon government in April, 1975. In only three months over 130,000 Vietnamese
refugees entered the United States. Vietnamese who had worked for the U.S. government as well as members of their families were evacuated along with the officials of
the South Vietnamese government. Phase two refugees left Vietnam for a number of
reasons including the steady nationalization of the private sector, the erosion of personal freedom, and the establishment of reeducation camps, actually, concentration
camps. When registration for these camps began, many took small crafts that were
readily available and headed for ports in Thailand, Malaysia, Indonesia, and Singapore. Of all who left by boat during this time, more than half never made it to their
destination. The Vietnamese dead may total 400,000. The phase three exodus began
in 1978. This phase was characterized by the forcible eviction of Vietnam's ethnic
Chinese population. No transportation was provided and they too were forced to
leave on any available vessel. A conservative estimate was that between 30,000 and
50,000 persons drowned each month from May to July, 1979.
In 1975 the Communist Pathet Lao took total control over the Laotian government.
This also caused a massive exodus of many anticommunist Laotians as well as the
Hmong people of Laos. The Hmong had worked closely for 15 years with the U.S.
military and were involved in the effort to rescue U.S. pilots who were shot down
over North Vietnam. During their 20 to 25 days walk from the hills of Laos to
Thailand, many Hmong were assaulted, abused, or killed. They slipped over the
Mekong at night aboard logs, make-shift rafts, or even lengths of bamboo underneath their arms to make a break for freedom. Once the survivors made it across
the river to Thailand, many were placed into jails and ultimately into Thai camps.
When Pol Pot ruled Cambodia, only a trickle of refugees escaped across the
Thai border with unbelievable tales of horror. It was after the defeat of the Khmer
13
�Rouge by the invading Vietnamese forces that a flood of Cambodians spilled into
Thailand. While a complete story of this modern day genocide may never be told,
it was estimated that over three million, or nearly half of the Cambodian population, died at the hands of the Khmer Rouge. Anyone found to have some association with the West was summarily executed. The urban population, including the
old and the sick in hospitals, was forced to march to communal labor camps in
remote jungle bases. Infractions of the harsh, inhuman rules were punishable by
death. Food shortage was rampant and, in the fall of 1978, famine threatened the
survival of the entire country. The plight of the Cambodians attracted worldwide
attention.
The Indochinese refugee situation became a major international issue in 1979.
Countries of first asylum sometimes refused to accept anymore refugees. International resettlement efforts were slow and bound up in red tape as well as politics.
The July, 1979 Geneva Refugee Conference acknowledged an important principle.
Refugee assistance should be considered an international responsibility. As a result
of this conference, resettlements were doubled. Another development at Geneva
was the Philippine Government's offer to provide a site for a facility which would
serve as a refugee processing center. The U.S. strongly supported the establishment
of such a site as a means of relieving the pressure on the countries of first- asylum
and thereby encouraged them to continue to accept all new arrivals. From these camps
of first asylum in Thailand, Malaysia, and Hong Kong, the refugees were eventually
processed and resettled in many parts of the world including the U.S.
Many regulations had been written to facilitate the resettlement of Indochinese
refugees into the U.S., however, it was the enactment of the Refugee Act of 1980
which helped to speed up the resettlement of Indochinese refugees throughout the
United States. This law which defined a refugee as any person who is unable or
unwilling to return to his/her country ''because of persecution or a well-founded
fear of persecution on account of race, religion, nationality, membership in a particular social group, or political opinion," established the Federal Office of Refugee
Resettlement and enabled the government to raise more funds for refugee reception and placement, cash and medical assistance, and language skills training as
well as employment services. Refugee resettlement also increased in Massachusetts
as a result of the Dukakis Administration's leadership with prominent citizens
advocating for speedier family reunifications and less restrictive regulations for
persecuted Cambodian applicants. The Refugee State Plan was extensively revised
to facilitate access to state programs and services by refugees with linguistic and
cultural barriers. Supplemental funds were appropriated by the State Legislature
to assist cities and towns which received a high number of new immigrants and
refugees.
Nationwide, the refugee resettlement program was carried out by eleven U.S. volunteer agencies including among others the American Council for Nationalities Service,
the American Fund For Czechoslovak Refugees, the Buddhist Council for Refugee
14
�Rescue and Resettlement, and the U.S. Catholic Conference. These agencies, under contract to the government, work to find individual or group sponsors who can assume
responsibility for the refugee family. It was through such sponsorship that refugees
from Vietnam, Cambodia, and Laos found their way to Lowell. The sponsors, sometimes organized through churches and sometimes by the agencies themselves, played
an important role for the new residents. Initially, they provided food, shelter, and
clothing for the arriving family. Later, they assisted in finding employment, enrolling the children in schools, and helping the immigrants to understand and cope
with the American customs. Through informal sponsorship duties, the sponsors
often became close friends of the families and provided much needed personal
support and encouragement during difficult times.
In Lowell, the Indochinese refugees were mostly received and placed by the American Fund for Czechoslovak Refugees and the American Council for Nationalities
Service. They were also helped to resettle by local churches as well as the Cambodian Mutual Assistance Association (MAA), the Laotian MAA, the Vietnamese MAA,
and the International Institute of Lowell. These organizations are active in finding
sponsors for new refugees as well as in providing job development and language
training. Agency people continue to assist the new immigrants in their adjustment
to life in the new country.
In some ways, particularly with sponsorship and the state and federal governments
taking a pro-active role, it is now easier for the new immigrants to assimilate into
the American way of life especially when compared to the settlers at the turn of the
century. Some problems, however, have not changed, such as the need to acquire the
English language so that economic opportunities may be realized, the difficulty of
finding employment during hard economic times, and of course, the problems of prejudice and suspicion. But as other immigrant groups before them, the Indochinese
are ambitious, hard working, and greatly value education. These characteristics have
been and continue to be the classic ingredients of American upward mobility. The
earliest Indochinese refugees settled in Lowell only ten years ago. But many have
already succeeded in improving their own economic situations. Families have become
home-owners and have acquired other material goods. The high schools are regularly
graduating sons and daughters of Indochinese immigrants. Some are now enrolled
in colleges. Others are already working as technicians and engineers in high tech industries. And of course, most members of the Indochinese community are looking
forward to receiving American citizenship papers. Although assimilation into American ways is important, the Indochinese immigrants greatly value their cultural traditions
and keep them alive during celebrations and festivals throughout the year.
The first generation of Indochinese refugees can never forget the horror of war
and persecution that expelled them from their own countries or the Americans
who welcomed them and brought them here. But like other ethnic groups before
them, they are busy preparing a secure and stable future for themselves and for
their children in a new land.
15
�16
�17
�Gulf of
Thailand
KEY
INDOCHINA
~ Refugee
Escape Routes
I Refugee Camps
�The recorded history of Cambodia dates back to the first
century A.O., when it was known as Funan (100-500 A.O.).
This was followed by the Angkor period which lasted until
1432. It was a period of great accomplishments in culture,
arts and architecture. At its peak, the empire extended from
the Annamite Chain in present-day southern Vietnam to the
Gulf of Thailand . The temples at Angkor were erected during this period, which has been described as the height of
Cambodian domination in Southeast Asia.
At the end of the 13th century, the empire disintegrated
into small kingdoms often ruled by Thai vassals. The struggle
for territory between the Thais, Cambodians and Vietnamese
has continued to the present . Cambodia became a French
protectorate in 1864, and achieved complete independence
under the leadership of Prince Norodom Sihanouk after the
1954 Geneva Conference.
In 1970, Sihanouk was overthrown by his Prime Minister,
General Lon-Nol. That same year, Cambodia was the target
of attacks from the spreading war in Vietnam. This spurred
the growth of the Khmer communist faction (Khmer Rouge),
which gained control of the country in 1975, under the
leadership of Pol Pot. In 1979, the Vietnamese communists
overran and occupied Cambodia, installing a government
headed by Heng Samrin. The Vietnamese communist occupation, along with the Pol Pot generated holocaust, caused
an increasing number of Khmer people to flee their homeland
and become refugees in Thailand. Some 8,000 Cambodians
who are here today in Lowell, are victims of this continuing
war and turmoil .
19
Cambodians
�Most Cambodian refugees wait
in the camps (holding centers)
in Thailand for one to five years
while arrangements are made
for their resettlement . Language
instruction and cultural orientation are then received at a processing center before leaving for
the United States. The Mom
family waited in the camps for
six years before they could leave.
After a twenty-five hour flight
from Bangkok, they arrived in
Boston where Ing Mom ' s sister
and niece (on left) were there
to meet them .
20
�21
�A newly arrived refugee family is
given a demonstration of a hair
dryer found in a donated box of
clothes and small appliances .
22
�23
�Keo Saray' s parents are still in a
camp on the Thai-Khmer border.
They are not recognized as refugees by the Thai government
or the U.S. government. They
are considered '' displaced persons." Their only choices are to
go back to communist Cambodia
or wait in the camp with the
hope that someday their status
will change .
24
�25
�Poeun is forty-two years old.
She's had ten babies but now
there are six - four of them
died during the Khmer Rouge
regime.
"In Cambodia there are lots
of trees - hammocks are very
common. It's so easy to 'string
it and swing it. ' "
26
�27
�"Last night I heard a tape with
the songs of my country. In my
mind I went back to my grandparents' farm where I walked
through fields of coconut and
orange trees and ate fresh pineapple. I felt like there's no place
like home ."
28
�29
�Bun Vong and a friend were driving on the Revere Beach Parkway
when they became involved in
a traffic dispute with another
vehicle . A fight started and Bun
Vong was knocked unconscious .
He died of brain damage eleven
days later. In the second of two
trials, one of his assailants was
convicted of manslaughter.
The press converged on Bun
Yong's widow as she left the
funeral home . There was a barrage of questions and then an
awkward silence as she began
to cry . . . the only other sounds
coming from the click and whirl
of cameras .
30
�31
��33
�Rom was a village leader in
Cambodia . When he started ESL
(English as a Second Language)
classes, he had a strong motivation to learn . He entered the
clerical program but became frustrated with the level of language
skills required . He would say,
" I can 't keep it in my head - my
brain is too old." After transferring to the electrical program
that offered more hands-on skills,
Rom made good progress.
" When I go to look for a job,
maybe I will bring this to show
and say to them 'this is my
certificate. ' "
34
�35
�Division of Employment Security
" When I tell them a job is
available they ask if any other
Cambodians work there. If I
say no, then they don't want
to go. If their own people are
working there they feel comfortable . They are away from
their own country and things
seem strange here ."
36
�37
�The Moore Street School opened
in January, 1986, to house the
rapidly increasing population of
Cambodian students. The school,
segregated until June, 1986, is an
example of the emergency conditions facing public institutions
that deal with the Southeast
Asian refugees .
38
�39
�"12 Sisters" is a Cambodian folk
story that has been handed down
from generation to generation
and carried to Lowell by the
refugees . The film was shown
at St. Patrick's Church with a
translator for the English speaking viewers .
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ffvi· m c:ifut3.e, cti,,~ o ~ h."1i
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40
c1,c,1; ck
~,4
.
�41
�" Under communist regime we
lost more than three million
people. We lost everything all of our culture which took
more than 1000 years to build,
and all of our trust for each
other. We only trusted the
Buddhist monk. Only the Buddhist religion can rebuild our
culture."
42
�43
�The day came for celebrating
the opening of the new Trairatanaram Temple, which had once
been a Knights of Columbus
Hall. Everyone dressed up everyone 's spirits soared. The
next day they found out that it
was illegal for Venerable Khon
Sao to stay there without an
occupancy permit. After contributing much time and hard
earned money, the permit was
finally granted .
"In Cambodia if you want to
build a house or a temple and
live there, you go out and cut
away some bamboo, drag it to
where you want to build it, and
move in."
44
�45
�"An American man come two
times to our house and ask me
if he can have my son to be his
son. He say he will give him
everything he need and send
him to college. I have one son
- I don' t give to somebody. I'm
his mother - he 's a good boy
and I love him too."
46
�47
�Many Southeast Asians became
Christians in the refugee camps
where there were missionary
nurses and workers . When we
asked Cheth if we could photograph his family with its newest
son, he wanted to make sure
that his pastor was included in
the photograph .
48
�49
�50
�51
�Formal education in Cambodia
stopped under Pol Pot's regime.
At thirty years old, Salay is
graduating from high school.
"I' m not really proud yet until
the next diploma - then I'm
born again . When I finish with
college, if God wants me to, I
would like to be a missionary .
That's why I try so hard to study.
I want to go back to help my
people - if not my people then
others who need help ."
52
�53
�" The main reason I buy a house
is so I can be independent. Now
we can welcome everyone here
without having complaints from
a landlord . My father-in-law ' s
friends live here too because
they have nowhere to go . We
all live together; it's Cambodian
custom to receive anyone that
needs a home ."
t.<
r-
9
I
I
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L
nn'"' ~u zou r::nu:J tn t.9ul rs9JJ
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54
�55
�'When we fight in the Cambodian Army we believe the more
tattoos on the body, the more
protection in the war:'
56
�57
�L.<-
"My grandmother says 'if my
country is free, I want to go
back,' but we like it here . Even
if it's free, I don ' t think I go
back - I stay here ."
,
I,..,
t,..
_ ...
'
cc. ....
rr.vc'>UJt&u,:n::n ,z,r./:,cno
p...
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v (:i\_ C'\., ')')
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_.
f o.!(l}•
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f
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v.
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ff JJ.v.>J .uurrfu
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t.9uuno.>7 tau~~ ,--,ur>u
...,
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58
>>
�59
�I
Mother and child at home in
the U.S.A .
r Q..'Q._ ()
<f.JJ rr;;,~ -;:)>'HJ ,n r:seu1u t.fs r~:::I:.
tnt::x> ~= ,_!}~,n .
60
-1-iu· ~
· u
h
tvJ·
{;,(Jh
O L ?tk-
�61
�Phalik performs traditional Cambodian dances - her brother likes
the "moon walk" better.
~/<._--&,~~
ot;~
Vc,/-f¼ ::J~ f{lc,~
u/4 Wl? -~ -~
Gm fw• 'c ;
'
I
·
~~
~ '' /vu;oh Sa.f.):_ ' MIL-_
1
62
�63
�mJ.J~:r~.u.d=~~C;jq~'-:Jr.,
Cambodian New Year Celebration
t. • .ui..J
64
.
�65
�The first wedding of an American
man and Cambodian woman
in Lowell.
"The priest gives the couple a
haircut as a symbol of cleanliness. The locks of hair will be
mixed in a bowl to symbolize
the sharing of the bride and
groom. The monks advise them
to use the plural, not singular,
when speaking in the house .
They should say we instead
of I."
66
�67
�YAWS*
A scratch was doom
if their village had it.
Without penicilin
it could hide in blood forever
burning holes through skin that won't close.
She said her mother put leaves on infected sores
to draw the tiny worms started by flies
far enough out to get at with toothpicks.
My experience doesn't even begin to touch this.
The closest it ever came
was the summer I got poison ivy
chipping out of rough to save par.
And when I ask her, she'll just shrug it off.
To her it's just something terrible that happened.
We even laugh when she tilts back on her heels
with fingers and toes spread
to show how they walked.
*A tropical condition caused by a bacteria, characterized by skin
lesions on faces, palms of hands and soles of feet .
68
�69
�The Lao people moved from the Yunnan area of China and
settled in the northern part of Laos in 658 A.O., eventually
spreading throughout the present-day areas of Laos and
Thailand . Many wars were fought among clans to gain domination. There were three major kingdoms in Laos by 1707. By
1779, the kingdoms were colonized by the King of Thailand.
Many unsuccessful attempts by the Lao to free themselves
from Thai domination followed . In 1893, France took control of Indochina and pressured the King of Thailand into
relinquishing some of the Lao territory. A treaty was signed
in 1907 dividing the Lao people into two nations, one under
French control, the other under Thai.
During World War II, Japan conquered Laos, pushing the
French out of the country. Its rule was short-lived, however,
and France regained control in 1946. This resulted in many
Lao leaders fleeing to Thailand to create a "Free Movement."
The Movement was successful in 1949, when Laos was given
greater independence by France, and many members of the
"Free Movement" returned to Laos and participated in the
70
�formation of the new government. Others, however, remained
in Thailand and founded a movement known as the "Pathet
Lao," led by Prince Souphanouvong. The Pathet Lao was
headquartered in northeastern Laos.
Subsequent years saw continuous power struggles between
various factions for control of the government. During this
time, in 1954, Laos achieved full independence. The power
struggles continued, and Prince Souphanouvong was arrested.
He later escaped to the jungle to join the Pathet Lao. A coalition government was formed in 1962, under the leadership
of Souvanna Phouma, to demonstrate solidarity. This government received aid from the United States. This support was
phased out, however, in 1973, when another coalition
government - between the communist Pathet Lao and the
Royal Lao Government - was being created. Communist
control was total by December 1975. The current exodus of
refugees from Laos began at that time, as those who resisted
communist control escaped the country. Some 2,000 Laotians
are here in Lowell today.
71
Laotians ·
�"There are several things that
bind all Southeast Asians: the
suffering they have experienced,
religion, and good food . When
Chanthip and I opened the restaurant we wanted to make sure
that the food was authentic . That
meant not worrying about the
Americans and what they would
think of the smells or the taste
of the food . We wanted to have
a congregating place for the
Asians - something that they
could call their own. "
......,
,
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72
--,"")
�73
�Somdeth has been in this country for less than two years. He
escaped from Laos by swimming
across the Mekong river at night
with a plastic bag he filled with
air to help keep him afloat. His
seven brothers and sisters and
parents remain in Laos .
"When I came to Lowell I went
to Adult Education classes for
ESL, and then to a special banking program at the Vocational
School. I feel very lucky to have
my job at the bank. The people
who come here always ask how
to pronounce my last name . They
want to know why I came over
here, but I have a hard time to
explain ."
74
�75
�0 Q
I
"':!JY,.,,2:!)1,'0 :::))-.>/U.JJI..J.
A Lao/Cambodian wedding .
WV)
Neither bride nor groom speaks
the other' s language, although
they both speak a little English .
The bride's relative says " they
need an interpreter by day, but
not by night. "
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76
0
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- o~ ......... '6 •
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�"When I dance I feel like a thousand eyes are looking at me."
77
�'When we get to America my
sons grow faster. It's sports and
American food that make them
grow tall. They don't like Lao
food - they like McDonald's
and Papa Gino's and they
drink lots of Pepsi:'
78
�79
�80
�81
�, ft.i' l<f_ d,·o/ilM
IU/W) c1-u; ~ I :6-t; Il{_ (._
v~ do-,-:6 ~~
fedi Ouw-c Lao cf-e ... ~
~t)rf_ t1J ~ ~
~
Centuries of migration caused
the hill tribes of Northern Laos
to create a portable art. For
hundreds of years textile designs
have been passed down from
mother to daughter . This Hmong
tapestry, made in a refugee
camp, is an example of Pa'ndau
which means "Flower Cloth ."
C..0 /
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,&_- _,
82
Va-<
fka._. .,
u:
�83
�0.
0.,..
The Pink and The Purple
f):JJ:::Si_,JJb
"We know the Lao music but we
like American better - it's the
beat I guess. We like groups like
Kiss, Dokken, Keel, and Motley
Criie. Right now we just play for
fun, but you never know . . . . "
H;::)~
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84
�85
�"My parents have a lot of kids,
they can't raise them all so we
have to separate and go to live
with different relatives. That way
we can have something to eat
growing up and we can go to
school instead of work in the
fields. I don' t know exactly
how many brothers and sisters
I have . When I was seventeen
I try to track them down and
I found two or three of them .
Then after sixteen years away
I meet my real mother again.
She cries and tells me she feels
very, very sorry but that it was
the best thing she could do .
When I come to this country my
sister try to help me out so she
wants one of my twins for her
own . I tell her I want to raise
all my kids. I don't want them
to separate. I want every kid
with me no matter where I go ."
86
�87
�"When my son was three he
got poison from lead paint and
took a lot of medicine . I move
to another apartment but now
I patch up all the holes in the
wall because I'm afraid for his
sister."
88
�89
�"We all share the bathroom.
There is no electricity - if we
close the door we can't see. "
90
�91
�"I leave my first job at 2 p .m.
and get home and pick up my
son from school. I feed my son
and daughter and when my wife
gets home from work, I leave
for my second job . Many times
I work overtime on Saturdays .
On Sundays we usually do the
shopping. "
92
�93
�" I have lots of problems here
- broken windows, the ceiling
broken down, toilet and sink
that don't work. Every time I
have a problem I call the landlord but nobody ever come. I
need a better place for her."
94
�95
�~1-'·a- Nj
'"t>"la;,
'1n Laos, the elderly spend their
time in the yard . The yard is
not grass but a large vegetable
garden that provides food for
the famil y. Now, she lives on
the third floor of a tenement
building. Below is a parking
lot. She speaks no English,
there is nowhere to go."
nef /JA,U ca/ ~a:_
ck'-cd
M-ue
Vdoh..
d:ii c//.,c, 'fr'e<-
c/40,. . ¾ J'?,- /!:a-~
~ f-ih Jdj -t/l._,J' '3 0,,,i'aw~.eu') j-.w"ci ' Mt
~- ~ alfk ;c-e-. .3a rtwy
~~
~- cf~~
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96
-h~i
,1,,.1._ vd
eo' c.A.o~ ),ac, ah.'-
�97
��99
�"Now that I'm a United States
citizen I feel more confident living
here . I feel different. Not only
my appearance is different, I feel
different inside. . . being one of
the people in this big country."
100
�101
�The ethnic Vietnamese are believed to be mainly descendants
of a Mongoloid race who spread southward through the
Red River delta. The Chinese conquered the area in the second century, B.C., and ruled for a thousand years.
After many revolts against China were attempted and failed
during that long period of domination, the Vietnamese finally
succeeded in regaining independence and founded the first
national dynasty in 938 A.O. Subsequent invasions from the
north were repelled, including the major one by the powerful Mongols in the late 13th century. In the 15th century,
China tried again to re-establish its rule but was defeated
by the Le dynasty after ten years of war.
Vietnam's sovereignty ended with the advent of French colonization which was achieved in 1883 and lasted for about
60 years. In 1940, the Japanese entered Vietnam with the
consent of the Vichy government. In March 1945, Japan overthrew the French authorities and granted independence to
Vietnam under Emperor Bao Dai, the last ruler of the Nguyen
dynasty. In August 1945, only a few days after Japan surrendered to the Allies, Bao Dai handed over the imperial seal to
Ho Chi Minh, who declared independence that September.
Negotiations with the French to implement this independence
102
failed, and the French-Indochina war began. It ended in 1954
at the battle of Dien Bien Phu, after eight years of enormous
casualties. The 1954 Geneva Accord divided Vietnam at the
17th parallel, placing the North under Ho Chi Minh and the
South under ex-Experor Bao Dai, now Chief of State, who
later lost control to his prime minister, Ngo Dinh Diem, in
a referendum.
After a few years of relative peace, the early 1960's were
marked by a steadily increasing penetration of South Vietnam
by Vietnamese communist guerrillas known as the Viet Cong.
Beginning in early 1965, the pace of the war accelerated
sharply. From being largely supportive and advisory, the
United States role increasingly became one of active combat,
with U.S. troops engaging in operations designed to search
out and destroy the guerrillas. During this period, the internal political situation in South Vietnam was in turmoil. After
the coup d'etat in November 1963, during which President
Ngo Dinh Diem was killed, rule was taken over by successive
military regimes. Corruption was a constant problem, and
the political unrest fueled Viet Cong efforts. Finally after
persistent peace talks and negotiations, a Peace Agreement
was signed in Paris on January 27, 1973.
�The Peace Agreement was intended to bring about a ceasefire throughout the country, the beginning of negotiations
between the two Vietnams toward a political settlement, and
the withdrawal of foreign military forces. All U.S. forces were
withdrawn within the stipulated 60-day period . While South
Vietnam lost the vital support of the United States and had
too little time to consolidate its own strength, North Vietnam
continued a massive infiltration of troops and military supplies.
As a result, the defense system in the South rapidly disintegrated, and Saigon finally fell into communist hands on
April 30, 1975, causing a massive and chaotic evacuation of
at least 130,000 people in only a few days.
The pacification, the unification, and the enactment of
economic and political policies by the victorious communist
authorities in Vietnam, Cambodia, and Laos produced a
continuous stream of refugees to the first asylum countries
of Thailand, Malaysia, the Peoples Republic of China, Hong
Kong, and the Philippines. By the end of January, 1986 nearly
1.7 million people had fled their homelands. Of these, 781,000
have been resettled in the United States, 728,000 in other countries, and over 154,000 are still languishing in refugee camps.
As a result of the U.S. Refugee Resettlement Policy some
1,000 Vietnamese refugees have resettled in the Lowell area.
103
Vietnamese
�"Before my husband died he left
a portrait of himself dressed in
his traditional mandarin robe
and seated in the ceremonial
position. I am 88 years old now
and must prepare to die. I have
nothing to leave behind but this
portrait of me properly seated so
that after I am dead, it will be
placed on the family altar, next
to my husband's portrait for all
my children to remember us."
104
�105
�"' [} '-u"r-i/..
'1 work on a TV station in Vietnam singing and dancing. My
husband was a conductor in the
army and write patriotic songs.
When Saigon fell in 1975 he
have to escape. One day I'm
home cooking and I say 'Oh
my God, my husband not come
home.' We don't think we meet
again, but three years later I
receive a letter that he is safe in
America . We make a plan for
me to escape when my daughters are older. When I get to
Thailand they take everything I
have, my clothes . . . everything.
Some girls they grab and rape.
Thank God my daughters were
only five and six. It's terrible in
the camps. After five years we
meet in America . Now we have
two more kids. We live for our
kids - they must grow up right."
N{Av._
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106
\, _(~ UL,~
�107
�IN
Khanhnguyen's brother and
sister escaped from Vietnam by
boat in 1979. Three years later,
resettlement in the United States
was arranged for Khanhnguyen
and his parents. Khanhnguyen
is now enrolled in the College
of Music at the University of
Lowell.
Uv,·
v-4.-
UUI.~
d<J..,uJ, ~ ~
3
A-Ao, //,£1 -N:vm
h o '1,_,
~
~~ ~
~ ! f ft'l PCL.
~/rt
Jeu,,._ :J:..A_cu,J, I ~
V£tciJ:l ?Yee 4USc.,Aff
fef d 1 w -Jai. Mj'
h4
//-,0? ~ ~ ,{ 7::;entC..eo ~ c ~ ~ c
~ ~ ~ Lo we!/
d ~ k
d~
"When I first came to the University, I was very lonely and
depressed . It wasn 't easy for
me to make friends . The first
time I was to perform before
the school, I walked onto the
stage and back off again. I failed
because I was too nervous, I
could not cope." A month later
Khanhnguyen performed before
the school with his own improvised work . He received three
standing ovations.
;l-0;
.-a.ec,
~ ~
Ail CB c/oJ,J
-6-a~- C1,,;;;;,.
fo;
Vt,- +u},,;.__
/(l,,.,o 1 U-o-fo';
rltWJ ~ ({ ~ . ~
~ h~ ~~ -1~ ~ ,
d~ a'- Tw.1:t~ ... -lvi .teJx_
/,_a_
~ ~
,,(~
rua .
+ib'-" vao •/151 ~
!ITT ~J IN,~ c-fr,, ~
Jill'. "
108
~
-
�109
�Six days a week Dr. Tran drives
from his home in Connecticut
to his office in Lowell. He never
knows how many patients will
be waiting because appointments are not necessary.
"It's like a walk-in clinic here
- the people are used to it
that way. Back home they don't
make appointments because
people don't have telephones.
They like to keep it the same
way here."
110
�111
�"I believe nobody should work
for the first seven days of Tet
because it will bring bad luck
and hard life for the rest of the
year. I must prepare all these
special dishes in advance so
that at New Year all this food
will be offered to my Creator,
to the souls of the family ancestors who are expected to visit
us, and to all my children and
grandchildren who must come
to visit me and wish me a happy
long life."
112
�113
�Vietnamese New Year (TET)
'' All other activities come to
a halt, every sorrow set aside
before midnight of New Year's
Eve. This is a time when some
people shoot firecrackers to welcome the New Year and others
quietly pray at pagodas and
temples ."
114
�115
��117
�International Beauty Salon
" Asian hair is very straight and
strong. The men love to have
their hair permed - they can
do more with it. They don ' t go
to American shops because many
cannot speak English . Besides
Vietnamese, I speak Lao and a
little Cambodian. They are so
happy that I can speak their
language . "
118
�119
�Job interviews in this country
can sometimes be difficult for
Asians. Their interviewing
skills come from a culture less
aggressive than our own. Phu's
American friends helped prepare
her to be interviewed for an
engineering position.
"After my interview at Digital,
I think I better wait for this job .
The people are friendly and
always help each other. At work
I'm very Americanized but I
don't lose my tradition . Within
the family I'm very Vietnamese."
120
�121
�John at home with fiancee.
In July, 1979, John and his older
brother escaped from Vietnam on
a twenty foot fishing boat. Late
at night, sixty-five men, women,
and children met on the shore
and swam one mile to the boat.
The younger children were
pushed on floats . Each person
paid the boat owner one bar of
gold . After seven days and nights
in rough waters, without food ,
they landed in the Philippines .
" After we buried one boy at
sea who died from starvation, I
wished that the boat would capsize so that I would die. . . then
I wouldn't have to be so afraid ."
t /.,<>l.
122
I
'I
~
/J - \.
0P--< - ··
;,>
�123
�"Look at him - see what a terrible life he' s had . He was a
major in the Saigon Army . Look
at him now ... I don' t believe
this ."
124
�125
�Memorial Day Parade
" These guys are our allies . We
fought side by side with them.
I said to myself - who' s more
of a Vietnam Veteran than the
Vietnamese?"
126
�127
�''When I was in the refugee
camps I light a candle in a bowl
and turn it upside down so the
smoke go on the inside of the
bowl. Then I use the black smoke
on the brush to paint. I did this
painting after I get to this country. It' s about the boat people
from my country who would
rather die on the sea than live
under communistic atheism. "
128
�129
�The Catholic Church has been a
source of friendship and support
for the Southeast Asian refugees ... and sometimes vice versa .
"I won' t need to look in the
mirror to see if the cut' s a good
one. If it's done out of love,
it' s good ."
130
�131
��JAMES HIGGINS and JOAN ROSS work as a
photo/design team on documentary, editorial, and
architectural projects. Their first book Lowell - A
Contemporary View, has been distributed both regionally and nationally. They are currently working on
a book documenting the cultural aspects of Ulster
and the Republic of Ireland. They make their
home, with three children, in North Chelmsford,
Massachusetts.
HAI B. PHO, Ph.D. , Project Humanities Scholar,
is an associate professor of Political Science at the
University of Lowell. He is a member of the Board
of Directors for the Indochinese Refugees Foundation and serves as a Co-chair on the Governor's
Advisory Council for Refugee Resettlement.
CAROL KEIRSTEAD, Project Coordinator, works
as the curriculum coordinator for the Southeast
Asian Bilingual Program in the Lowell Public
Schools. Ms. Keirstead holds a Master's degree
in Administration, Planning, and Policy and has
worked as an advocate for Southeast Asian
refugees in Lowell for over five years.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Higgins, James (Jim). Lowell Books Collection, 1983-1997
Description
An account of the resource
The James Higgins book collection includes 2 copies each of 3 books related to Lowell and the Lowell area Cambodian and larger Southeast Asian communities. <br /><br />The collection is completely accessible on this site. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml7" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml7</a>.<br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Julia Huynh, and Chornai Pech.
Source
A related resource from which the described resource is derived
Higgins, James (Jim). Lowell Books Collection, 1983-1997. UML 7. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml7" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml7</a>.
Text
A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Southeast Asians: A New Beginning in Lowell photobook, 1986
Subject
The topic of the resource
Refugees--Southeast Asia
Cambodian Americans
Laotian Americans
Vietnamese Americans
Black-and-white photography
Description
An account of the resource
A photography book designed and created by James Higgins and Joan Ross with a foreword written by Dith Pran and and introduction by Hai B. Pho. "Southeast Asians: A New Beginning in Lowell" highlights some members of the Cambodian, Laotian and Vietnamese community in Lowell, Massachussetts. Some photographs are accompanied by text translated into English, Khmer, Lao and Vietnamese.
Creator
An entity primarily responsible for making the resource
Higgins, James
Ross, Joan
Source
A related resource from which the described resource is derived
Higgins, James (Jim). Lowell Books Collection
Publisher
An entity responsible for making the resource available
Mill Town Graphics
Date
A point or period of time associated with an event in the lifecycle of the resource
1986
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
140p.; 10.5 x 10.5
Language
A language of the resource
English
Khmer
Lao
Vietnamese
Type
The nature or genre of the resource
text
Identifier
An unambiguous reference to the resource within a given context
uml7_b01_f01_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
1980-1989
Books
Cambodians
Laotians
Photobooks
Refugee resettlement
Vietnamese
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/567aa4d2ac48cb76f616c10330006efa.pdf?Expires=1712793600&Signature=r%7Elzmtq32q7-x7iEJ7cHT2agg2UhWh1R0akgDE2wgMX8AtDuG0OruAt-Q2y07obcdPXw9J%7EwwVJSIvvzqYkIdJ4AKx2gkKInKY3yCAPOTkXB7KjIrTYJWgFSIJErVgh32ogaYjIxJ8JR-O0ny%7EqQyCcWMvHpM5fK7Xvz5eAiN0AClOlzBhxcim1W38YFqkht4bu6T7z0VwfuvwHMmD9NXd%7E0hGOOo4IsGjVPUnZTtCeJ-Ve2eghCyfVVx3Ig9m-2ZWNyBGxMpIwbqZej7wP3IvNOCwVxDJQ0UWU76V58mx-niJi-uDeC8bGZfJlpPyAUdZkk9UhXgs1lKYwW1ozL9w__&Key-Pair-Id=K6UGZS9ZTDSZM
4388afe6477a2b6207f0034bb7ffdece
PDF Text
Text
Att5kor Dattce T rol-tpe
Cambot>iatt folk & dassical Dattcc
�The Angkor Dance Troupe is a nationally recognized non-profit Cambodian arts
agency. Angkor Dance Troupe, P.O. Box 1553, Lowell, MA 01852.
Photograph: "Picking Krovine" by Andrew Page.
Postage
Required
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe postcard, 1999
Subject
The topic of the resource
Community organization
Dance--Cambodia
Nonprofit organizations
Postcards
Lowell (Mass.)
Description
An account of the resource
Angkor Dance Troupe postcard. One side is a photograph of the folk dance "Picking Krovine" performed at the Smith Baker Center and featuring (L - R back row) unidentified, Kauntaer Eng, unidentified, Rothana Thou, (L - R front row) unidentified, Sochenda Uch, unidentified, and Samnang Hor.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
1999
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
2 p.; 10.2 x 15.3
Language
A language of the resource
English
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
1990-1999
Cambodians
Cards
Picking Krovann Dance
Smith Baker Center
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/3b3e76e672ac7b2016327cb5a23ac41c.pdf?Expires=1712793600&Signature=WazD%7ESlasQkP88mRJOt7ZgTr7ie9R7mPOBWV6nQqBzxnmlVlciVv3hrpQOuza0yfMty216Hg2MSRWjMg9mg6m1g2CCHXLNR0AqMh9AYKxGh5xNLH6r8kn9CKSxQ6I3GCPZlvlA7Yo2BZIFYS6BcoXeBTbDOir9TVEm1-5THltcKy60KfWYGiI7LkFp0Q5Dv8JlHvBkB1LdpdvhkcEiHI1Rao1F4nYJIHkEshC2yJ%7E8IsRaVlL8bFRUvgeC0qtEI95Jw7e3vw-erUr1Bzr3LhxaTmvcYtn%7EuB6gRXvbb8JQHmMAIme7tMQ%7E-k6Le1weHQXZL4P8iYNTPq6FjE1FKDEA__&Key-Pair-Id=K6UGZS9ZTDSZM
100087c7a91551d403ec73e8befeb4af
PDF Text
Text
Att5ko1" Dattcc T t"oupc
Cambot>iatt Classical fr Folk Dattcc
�The Angkor Dance Troupe is a nationally recognized non-profit Cambodian arts agency.
Angkor Dance Troupe, P Box 1553, Lowell, MA 01852.
.O.
Photograph: "The Apsara Dance " by Rady Mom.
Postage
Required
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe postcard, 1999
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Postcards
Description
An account of the resource
Angkor Dance Troupe postcard. One side is a photograph of Sopheak Yuk performing the "The Apsara Dance" at the Smith Baker Center. Yuk was a principal dancer from a dance troupe that came out of the Site Two Refugee Camp. Randy Mom is credited as the photographer.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
1999
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
2 p.; 10.2 x 15.3
Language
A language of the resource
English
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i002
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
1990-1999
Apsara Dance
Cambodians
Cards
Smith Baker Center
-
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bf2238186f548090c930a1a55f9380ba
PDF Text
Text
Att5kor Dattce T rol.fpe
Cambot>iatt dassical & Folk Dattcc
�The Angkor Dance T
roupe is a nationally recognized non-profit Cambodian arts agency.
Angkor Dance T
roupe, P.O. Box 1553, Lowell, MA 01852.
Photograph: "Swva Pol" by Kevin Harkins.
Postage
Required
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe postcard, 1999
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Postcards
Description
An account of the resource
Angkor Dance Troupe postcard. One side is a photograph of the "Swva Pol" dance (or the Monkey Dance) with photograph credit to Kevin Harkins.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
1999
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
2 p.; 10.2 x 15.3
Language
A language of the resource
English
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i003
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
1990-1999
Cambodians
Cards
Monkey Dance
Swva Pol Dance
-
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71b484c294f4616f37f61d2349bc0db6
PDF Text
Text
Attgkor Dattcc T ro~pc
Cambot>iatt dassical & Folk Dattce
�The Angkor Dance Troupe is a nationally recognized non-profit Cambodian arts agency.
Angkor Dance Troupe, P.O. Box 1553, Lowell, MA 01852 .
Photograph: "The Fan Dance" by Andrew Page
Postage
Required
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe postcard, 1999
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Postcards
Description
An account of the resource
Angkor Dance Troupe postcard. One side is a photograph of Linda Chan Flynn (left) and (unknown first name) Sreng (right) performing "The Fan Dance." Andrew Page is credited as the photographer.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
1999
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
2 p.; 10.2 x 15.3
Language
A language of the resource
English
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i004
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
1990-1999
Cambodians
Cards
Fan Dance
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/30dad05fd1712fe00312c3645a779520.pdf?Expires=1712793600&Signature=cvIMgu-wM54yGzltZmPa7q7uakYoae8glIFg1nOx0tYbpT%7EidfwaG-G9nfWj4TUhJAvImU7onIvhRfFt91tEw%7Ed5Ae0NbI-B2ua2UBxMrkcPMIhdwVPrI3mwf3ZPnMedP9StrhRMUyYYFw69b9Ys2Z7w1RtI9nIiNuh6yi05zaoLNC-NnaH19OaHtxW6MIG%7E0N4vFjMbyjrJh67909uOh%7El7q%7E-IC6MTCYytQhJwjiaZ6KeHlh-xvlyeYSspEiqp8Q0y4Wd%7EguHPq8rwx4d1%7EToWn%7EmCRd3ewurepkxPeQE5LFGOsbNX%7EIyVFLw22lS5z0Q5nevCUt6W-q5sKkoHqw__&Key-Pair-Id=K6UGZS9ZTDSZM
91733d002b3085770f154a97bd706d46
PDF Text
Text
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe flyer, 2000?
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Flyer with information on how to book Angkor Dance Troupe to perform at events.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2000?
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
1 p.; 13.9 x 10.9
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i005
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Ephemera
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/a2ecd4a4dbe42d4ea3610220108a4e37.pdf?Expires=1712793600&Signature=ttnef4ng%7E3v9NR7u6DoQqMQBaVfPCEtgqOs9lEqZkdB6nq2HT-JCa1FLdGQcVPXZV44bynCpJDxamKM-VXinsMjyIZRIxAChJ%7EbD3iF89ZFBVjMEFaL3QtE8hASIegqaXXjtdX6T2-Pz3IWXPnA5r8ORCFAqgzfIatBXWO7xFiMsjQXkflYoUMj%7ExJKRBCYPftWTnWXQJDfDYyWBJXf66me5bPyrqIdyHuz5xpmKsULOgmFSkXN9814htOpyGpoON2xZoZF3oiR%7Eui9sWYhO5C0he7IvwvIakPgnxMVyFQTkGHeZqJQY8y4GAyf8yW6NW7Wb%7EujJQv86ToETAYIcbA__&Key-Pair-Id=K6UGZS9ZTDSZM
ca7bc1e83426c92d41d0d6416cf18819
PDF Text
Text
0
tf1~fmH~f
Att5ltor Dattce T rol-fpe~ lttc.
Cambodian N1ZW Y1Zar G1Zl1Zbration & Th1Z
23rd '(lnnuat f undraisfl,r
Photo courtesy of Higgins & Ro s s
frid ay, ~pril 9, 2010,., t~KJU'i
6:00 PM - 1
2:00 ~ M,.,
~ompov M!Ze$
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�~ngkor <Vane~ Troup~
Cordially invites you to the Cambodian New Year Celebration and
23 rd
Annual
Fund raiser to be held on Friday, April 9, 2010 from 6:00 pm to 12:00 Midnight
at Sompov Meas Hall located at 450 Chelmsford Street in Lowell, MA.
We are especially pleased to have two young exceptionally gifted artists from
Cambodia, Ms . Srey Peov Phoeun and Mr. Sinat Nhok, student leaders from
the Cambodian Living Arts , a project of Marion Institute, as our special guests
along with special performances by the nationally acclaimed Angkor Dance
Troupe. Enjoy delicious Southeast Asian food , music and dancing as well as
silent auction special prizes and 50/50 cash raffle.
Thi evining Program
Welcoming guests & Cash Bar ................................. 6:00 PM
"Cambodian Refugee Poetry" Book Signing by Samkhann Khoeun ... 6: 15 PM
Silent Auction for Special Prizes ........................ 6:30 PM
Cambodian & Southeast Asian Dinner................ ... 7:15 PM
Special Presentation by Cambodian Artists, Srey Peov Phoeun &
Sinat Nhok.............................. 7:45 PM
ance by
~ n gkor <F>anciz Troupiz ...8: 10
Performance by
~ngkor
PM
Ballroom ... 8:45 PM
50/50 Cash Raffle .................... 9:10 PM
DJ Music & Social Dancing ...... 9:30 PM
The End ........................... 12:00 AM
RSVP & Info: Angkor Dance Troupe
P.O. Box 1553 - Lowell, MA 01853
.275 . 1823 - Email: Tim@angkordance.org
�~plleial PrllS\Zntation of
Cambodian 'Rllf US\Zll Polltry d3ook & ~mot
The
political
and
military whims of the
superpowers fractured
the gentle land of
Cambodia,
ultimately
claiming the lives of
one-fourth
of
the
population in one of the
worst genocides of the
twentieth
century.
These
tragic stories
have
made
the
dangerous journey from
the Killing Fields of
Cambodia, to the makeshift shelters along the Cambodian-Thai border, to the
Refugee Holding Centers in Thailand, the Philippines and Indonesia, and finally to
communities in countries around the world, where traumatized Cambodian
refugees resettled , seeking freedom and opportunity. The poems were handwritten by the late Venerable Ly Van , who was a survivor of the Cambodian
holocaust and a refugee himself. They are beautifully written , poignant, and
filled with richness of Cambodian culture and history. "O! Maha Mount 'Vangrek:
Poetry of Cambodian 'R.ef ugee experiences" book is a testament to the hardship and
ugliness of war, as well as to the resilience of the survivors who have struggled for
the past thirty years to find peace in their hearts, justice for those lost, and
healing for the Cambodian survivors and refugees themselves.
Special book signing by editor/publisher, Samkhann C. Khoeun , along with special
presentation by two
Cambodian artists,
Ms. Srey Peov
Phoeun and Mr.
Sinat Nhek will be
held on Friday, April
9, 2010 from 6:15
pm at Sompov Meas
Hall in Lowell,
Massachusetts.
�0
1!1gsmf4~t
Att5kor Dattcc Troupc, lttc.
iii>1iUSS:QS~~S~~ & nsji&'\SG~&'\55
KHMER NEW YEAR CELEBRATION & BANQUET
1',.J
llJfi.!Lfi sg 5im1f01 w1:10~0 Ci
0
"'
Friday, April 9, 2010
N
~ : oo~u
-
~l:l : oornunu;
6:00 PM - 12:00 Midnight
SOMPOV MEAS HALL - 450 Chelmsford Street; Lowell, MA.
Please RSVP by Friday, April 2, 2010
I will attend _ _ __
,I will not attend _ _ __
Number of adult(s)._ · _ , · Number of children
Total Cost: $ _ _ _ __
Please print name clearly~---'----------------Contact phone number _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
E-mail _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
KEEPING TRADITIONAL CAMBODIAN PERFORMING ARTS ALIVE
Annual special event covers about 10% of our operating costs. We hope you will consider
a gi~ that will directly benefit hundreds of young children and youth who attend weekly
dance practices and cultural enrichment classes at the Mogan Cultural Center of the
Lowell National Historical Park.
Yes, I would like to make a tax deductible gi~ to ADT in the amount of:
0$250
0$100
0$50
0$25
OOther _ _ _ _ _ _ __
OCheck Enclosed
Please return in the enclosed envelope
Or call (978) 275-1823 and RSVP to Tim Thou, Program Director & Co-founder.
Angkor Dance Troupe, Inc.NP. 0. Box 1553; Lowell, Massachusetts 01853
Email: Tim@angkordance.org
N
visit us at: www.angkordance.org
�0
tr:~smf4Rt.
. ··
A115kor Dattcc T roMpc, lttc.
Preserving & Promoting Cambodian Dance Traditions Since 1986
Deborah Nelson, President
Linda Sou, 1 •t Vice-President
Samkhann C. Khoeun, 2 "dVice-President
Joan Gendron, Treasurer
Margaret Ouellet, Secretary
Doeun "Duey" Kol
Elaine McKinnon
Sochenda Uch
Tim Thou, Co-founder & Program Director
Phousita S. Huy, Artistic Director
Vandara Chun, Ballroom lnstrutor
Rosalie Williams, Assistant Program Director
Samnang Hor, Youth Coordinator/Dance Instructor
Jim Conlon, Performance/Out Rea<;h Assistant
Peter Veth, Assistant Artistic Director
Pech Heung, Classical Dance Master
Bin Phan, Khmer Music Master/Instructor
Kolab Thou, Costume Design Assistant
Eleanor Rizzo, Web Master
Randy Koung, Office Assistant
<Cll.at§§lL<e.atll & lFollk. JDl;aurnoe ll1rn§tt1ructo1
rn
Brendan Vuong
Brianna Mai
Channa Sath
Emily Horn
Kalya lek
Monica Veth
Sopaul Hem
Sophorl Ngin
Sophy Leng
Angkor Dance Troupe NP. 0 . Box 1553
Lowell, Massachusetts 01853
978-275-1823
N
Email: Tim@angkordance.org
Website: www.angkordance.org
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Cambodian New Year and 23rd Annual Angkor Dance Troupe fundraiser invitation, 2010
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
A four-page Cambodian New Year and 23rd Annual Angkor Dance Troupe fundraiser invitation. Includes a mail-able reservation card for the event.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2010
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
6 p.; 21.8 x 14
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i006
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2010-2019
Cambodians
Ephemera
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/6ddb33123cdb5d044d6d971de462941c.pdf?Expires=1712793600&Signature=aLdRFTe2TvjHql-3CzUU7ngEQWwJDCNkc9UCQ-MXVNlsPIdJDfl2dVf%7EXGO85bX1i4RQ9h8XAA3LudR9M2K%7E7qb0sK0RP1hhLd3exl0cVvMRp%7EcBlXxAjYB6F2-mcQhdOxWeWqkwKM4Y0VQhls6-Pk0Q144aBzHM0E66CZKxLt0Kmz-AamDT2Sj1YF93DN8BvQ2Ozfv7pW0kF0poD1PhdciBE%7EcuTbwm1MFKvEGus5DM1hQBhFDd1XVmcPJgGRdLQxKBJpLGo3M6jfJ8hcnQ5JKVw4dcGw0iChivJf56giHKRJnPYxQclS%7Ezf3%7ECueJ2kJlOLvbxqjMu-%7EMGCGsX8w__&Key-Pair-Id=K6UGZS9ZTDSZM
e5fbdc713bb15577cf053cf0f1c12f17
PDF Text
Text
Friday, April 7, 2017
Sompao Meas Hall - 450 Chelmsford Street, Lowell, MA
6:00-9:00pm Program, Performances, Raffles
9:00pm-12:00am Dancing and Celebration
' for tickets and sponsorship information, please visit
www.angkordance.org I info@angkordance.org I 978.275.1823
�Founded in 1986 by a group of Cambodian refugees with a passion for Khmer performing arts came
together in Lowell, Massachusetts, with the sole purpose of reviving a culture once almost lost, Angkor
Dance Troupe (ADT) was formed to preserve and develop the traditions of Cambodian performing
arts. Now, 30 years later, what began as an idea in the basement of a home has grown to an organization
of 10 dedicated staff and over 100 volunteers. Nationally recognized as one of the most accomplished
U.S.-based Cambodian traditional arts ensembles, the Troupe is directed by world-renowned master
teachers and performs a body of work developed by the Royal University of Fine Arts in Phnom Penh,
Cambodia. Cambodian culture continues to thrive here in Lowell through the generations of students
who have been enfolded into the journey ADT has travelled.
Each year over 20,000 people enjoy performances by ADT, which also reaches over 1,000 through a
quarterly newsletter, and in the past 30 years ADT has instructed over 4,500 youth in classical Cambodian dance and arts. We continue to receive national attention, including recognition by the National
Endowment of the Arts, a performance at the White House, a major role in the award-winning documentary Monkey Dance, and television segments on the Travel Channel with Andrew Zimmerman,
WGBH's Neighborhood Kitchens, and Chronicle.
The ADT youth of the past have become today's leaders, and they carry with them the legacy of the
magnificent Cambodian culture of performing arts. To celebrate this milestone, ADT's anniversary
celebration on April 7, 2017 will establish an endowment to ensure that today's youth will become future
leaders of the community, overcoming challenges with creativity and innovation.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe's 30th Anniversary Celebration invitation, 2017
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
A postcard size invitation to Angkor Dance Troupe's 30th Anniversary Celebration. The back of the card has the organization's biography.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2017
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
2 p.; 12.1 x 17.3
Language
A language of the resource
English
Type
The nature or genre of the resource
Texts
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i007
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2010-2019
Cambodians
Cards
-
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6d8212737c48fdd890430067b945d20a
PDF Text
Text
�0
t11;sn;:at~s
Att5ltor Dattcc Troupc, lttc.
Annual c:fundrais1i13 c;;:yzitner
CW!th live pe!formcmcesjirJm the hi§hlp acclaimed <Yambodicm
<Y!a:ssiccrl &' cfolk c:Bcmce <YrJmpcmp, Angkor c:Bcmce rcroupe
and dinner b~t catered bp the award-winning- <Yambodicm/
cfrench cuisine, "rche C!iiejJhcmt CWcrlk, "this evening- shrJuld nrJt
be missed cU'ark pour ccrhndars!!!
O<!JattJ
dndap, ®cttJber 21, 200S
1JimtJ
?00 pm - 1l00 pm
cM!. ~leastJJl! c2;tJf<Ylub
33 CffJtaple CffJtreet
~well of;[d 0!8Sl
$30 per a-dub, $10 per ch&/
(!ithnic/ dtJrmal CWear
62tJcatitJ11..
<9tJst
Attire..
12/ease @(GS 07'E bp ®cttJber 13, 200S
GffJr tickets and it!formatifJn, please cal/ 61 l-(}{}3-3.lfOlf
fJr wnte {(}, duepkfJ!@hfJ!mm!CrJm
cf§!!pou are nfJt able to make the cel.ebratifJn and would like tfJ
forward a tca;-deduct1bl.e CrJntnbutitm,
checks can be made papable M
An3kor 00Jance 'Groupe, ~®. ~oz I SS3, 62.owe!I, oU.b\ 0! 8S3
12/ea:se be sure tfJ check !fpfJur fJ'§anization ha:s a
matchin3 gi.Ji pmgr{[/11 - its a great wap M build fJn fJurjimdraisin3 tJorts!
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe's annual fundraising dinner invitation, 2005
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
An invitation to Angkor Dance Troupe' annual fundraising dinner.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2005
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
2 p.; 19.8 x 12.9
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i008
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Cards
-
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00ea91b2d18aa9e02c08fa0e47ffb46c
PDF Text
Text
0
!!f"tm~~f
Att5kor Dattce Troupe, lttc.
2orn ANNNERSARY
FUNDRAISING BANQUET
NOVEMBER. 3, 2006
1'ttx11 ~" Hi?Jt!it1 ~ Rt!i:JS
s
&sH11 Hitt) Pl.11~;/,,t1
�0
l!JUfmHRf
Att5kor Datte~ Tro~p~. lttc.
20th
Anniversa~
Fun~raising
Banquet
You are cordially invited to the Angkor Dance Troupe's
2Qth
Anniversary Fundraising Banquet.
With stunning performances from the award-winning
troupe, live band, silent auction, and a five -course meal,
this evening should not be missed!
Date:
Time:
Location:
Cost:
Friday, November 3, 2006
6:00 PM - 12:00 AM
Sunnyda Restaurant
454 Chelmsford Street
Lowell, MA 01851
$45 in advance/$50 at the door
R.S.V.P by October 27, 2006
For tickets and information: (978) 590-5654 or tim@angkordance.org
If you are not able to attend, but would like to forward a tax-deductible
donation, checks can be made payable to:
Angkor Dance Troupe
PO Boxl553
Lowell, MA 01853
Please be sure to check if your organization has a matching gift program
- it's a great way to increase the value of your donation!
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe's 20th anniversary fundraising banquet invitation, 2006
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
A invitation to Angkor Dance Troupe's 20th anniversary fundraising banquet. One side has a photograph of (L - R) Nadia Noeuk and Sophy Leng in traditional classical male and female costumes of the Sentimental Expression Dance.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2006
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
2 p.; 21.6 x 14
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i009
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Cards
Sentimental Expression Dance
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/2cc73ba63bbaec340fdbdd8e4bf4cb5f.pdf?Expires=1712793600&Signature=OdDNtlLcv%7EXLRDALwlVQoceyhl5ngUtWg4CdpMEg7ss9CmTr8wzak23ugI4rYiBIvhj98Q5KwLudO--HHrvtBuhWeBrhvNcMopjibJjifW7r%7E%7EKhfaU63bI0p2Z3X8xU4evfJJZ6Jh9K2q4ESFx-SkKT2Eh-KCIF55rnr%7EIFKD4i0YEe3h--rOMGmcZtDy8e0G7mmU1NzeErpI5-OafXlt97GIQnOJtdFNqHcdlga59rk8FsD%7EGlUpVCQAttSShw3UlNZeV-VbDaNMqKxuLqoXISlrBzI92iqbjW96E8cM6%7EgIq-N7ppsIyx2GGpR6K4XrZ4XUc2KDHTDMJ12FgtGg__&Key-Pair-Id=K6UGZS9ZTDSZM
872d2dd1227ab9bd12be1400e4c818fd
PDF Text
Text
��Dear Paul Marion
&
UMass Lowell,
Thank you for your generous support to the
Angkor Dance Troupe s 25th Anniversary
premier of Apsara Dancing Stones.
1
��
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe thank you card to Paul Marion, 2011
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Card from Angkor Dance Troupe sent to Paul Marion thanking Marion for supporting ADT's 25th anniversary event where Apsara Dancing Stones premiered.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2011
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
4 p.; 14 x 21.7
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i010
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2010-2019
Apsara Dancing Stones
Cambodians
Cards
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/7d60ebd8da4fe40fe1a30b90ae768b34.pdf?Expires=1712793600&Signature=klgxjUpNv85zKYmJ16H6NCKROXT77QMSRbP%7Eo3Bzx0HPJpUfHwFdvM8EGGcSutSGEeofyhJRU1j6HrM5ZvgTGeZifS2UfAS1rXqgxB8fJuyuTauBAXQO0lPUzJXKblZOPwCJqxyJCV0-oqoa7O-y6bSPd31jgV3k9KQDrNdHeyPw2IrHyd9bVBB1jW5V7hfxYGMnVb-UGjbdjdzHn7SwvFoCL%7EtVbSM2%7E7HkpdGMSMSL3YeylWVRVYbwNawapHuKFWlSpUMWsvZAeTojqLJOCiIRg%7E%7E4ntglfJUCiwGXFgpL7Gll0e8BL-bAOUcoDW-jGZXG1-XutvsRnAoK3PgF7w__&Key-Pair-Id=K6UGZS9ZTDSZM
6f3e9dcd6b55610155f57fa164024c63
PDF Text
Text
Cyrus W. Irish Auditorium
<e>
Lowell High School, 50 Morrisette Blvd, Lowell MA <e> 7:00pm
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Poster for Angkor Dance Troupe's annual residency fundraiser, 2017
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Poster for Angkor Dance Troupe's 2017 annual residency fundraiser, Preah Thoung Neang Neak: The Origin of Cambodian Wedding. (L - R) Virginia Prak, Channa Sath, and Sophy Leng wear traditional full classical dance costume. The residency took place October 20 and 21, 2017 at the Cyrus W. Irish Auditorium at Lowell High School.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2017
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
1 p.; 28.3 x 18.1
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i011
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2010-2019
Cambodians
Origin of Cambodian Wedding
Posters
Preah Thoung Neang Neak
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/f3db0a323c4f831f73521e383e40af66.pdf?Expires=1712793600&Signature=YqdlwasanC7S0Ms6zegQBMjQiuf1-xRopNpJeqjTyPoqE1DVDrgbxqMtVz188gAGJoNI7Xv-2h4m8L4oJts9hK1l6BMoJVsD7jroJ-brBTsVzHvlOIs7PXepyQBZgx-UgxhL1uTmyWtQJVI5f2vyh5QcAA7XK1G3uJ2sX%7EsxXUZubi33gTjSK7Wh64zuNPvdLtcEMdVxxswkLkE1KBT3zlgd3crfP3ELm%7EQ%7E1-SxQjcZAR72wxmoXYQTy2upIGCtXEeOie4xox3dSp2c8swFQDK21BdnjiQcjznkmUlza39cGCxvdqLw9zFIurck9NOTZ3bBO80KOGZysnIn6DMt1A__&Key-Pair-Id=K6UGZS9ZTDSZM
09aa2b9cee0c170199aa993206ede180
PDF Text
Text
Apsara (Celestial Gt.
SI 000-
MoniMekala
$500-
• 4 Tickets for Din11er & Sllow
• VJ P Pm,·.<, to Meet & Greet wit/, Pril,cipal D,mcers
• Name Listed in Program
,,,.
• 1 Ticket for Di1111er & Sllow
• Nflme Lif,;ted i11 Program
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Poster listing Angkor Dance Troupe's 25th anniversary event sponsorship levels, [2011]
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Poster listing Angkor Dance Troupe's 25th anniversary event sponsorship levels.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
[2011]
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
1 p.; 21.5 x 28
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i012
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2010-2019
Cambodians
Posters
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/dcc858dc8030cfeb22a1c5dc22e6a1c1.pdf?Expires=1712793600&Signature=aeJsulZG2lb0FY5ELIXbHwtMd4GXVxw8PuDx0AdeHaIsK%7ErcEpHQmCKIN8o2xOxxA2S2G20BBaTw1OX8aAHYnhTNGtVhy7o3Gft96kx7PDAMfgr-8YNrQ-8nqdcx7WssvTqbTiEDNA7bS21BPIAT%7ET6woDFwiY1xTMcHV4tQhttMApOyVgpECv0XGZcVv5TjDDbxzQMSsYSDmBoYZdKndL6mye-q%7E3ziyG7LKlJ3ZBY5SzJWM05yNIJippz1szWai7xkPwQAqbeJQ%7EI-TsUD%7E%7EbSbvj7-qFOz70Wn-H5Nh6ftBsU16JCASk9TWxVY7eLRIWfYd%7EbmK4-B6TdzD%7EI3A__&Key-Pair-Id=K6UGZS9ZTDSZM
147f0cbf778470a3de4eff83def876fb
PDF Text
Text
The Angkor Dance Troupe Presents the World Premiere of
APSARA DANCING STONES
"A contemporary dance drama that embodies the beauty
and culture of Cambodia. With Eastern and Western influences,
this visual narrative combines an unparalleled performance
of dance and music from modern and classical Cambodian styles."
To purchase tickets, please call (978) 454-2219 or online:
www.lowellauditorium.com/apsaradancingstones.htm lffi_
www.angkordance.org
Will
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Poster for Angkor Dance Troupe's annual residency fundraiser, 2012
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Poster for Angkor Dance Troupe's 2012 annual residency fundraiser, Apsara Dancing Stones. The world premiere was performed Saturday, October 27, 2012 at Lowell Memorial Auditorium at 7:30 p.m.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2012
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
1 p.; 28 x 21.5
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i013
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2010-2019
Apsara Dancing Stones
Cambodians
Posters
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/fc94cdee3a3b47f576b008bd08cb2385.pdf?Expires=1712793600&Signature=Pr%7E8PziYSQIJX1kN2b748a-FtlMKcs3f39XBz1Sf-hJ8TMN4Dvdi5k-Tm1BspvVPuq4QjTQkmh0W-spm3U%7EF-3rQf1Hij1OXBSPYgHZzFsXKPu4Hc9R1Z4c2zdEBHezqO2A-UOO4oUNkk7N6lkyrznSvEp5iOe9Xyzhfda0CPsRhB%7EWVWcaI0E6RnME7VUYmRkJl2qZ3R7lSgIPs1CDsl-BtMj-1JpHa30rPeFBWDPEKbmPOMwWju8SK5BNogBtR5ewXTh%7EoR1NcHQfqaq0UdLMgeuefXY%7Es2Ifj8ICxTo-s1nHo0cIJ9rsFzOKlUA5%7ENmICsqARDQ4%7ERAJDBQcujg__&Key-Pair-Id=K6UGZS9ZTDSZM
f6ce7934b5d9e57266c8f9251a63cc89
PDF Text
Text
0
~~finff~f
Att5kor Dattce Troupe, lttc.
20th Anniversary
Fundraising Event
You are cordially invited to the Angkor Dance Troupe's
20th Anniversary Fundraising Event.
-
With stunning performances from the award-winning
troupe, live band, and a five-course meal,
this evening should not be missed!
Date:
Time:
Location:
Cost:
Friday, November 3, 2006
6:00 PM - 12:00 AM
Sunnyda Restaurant
454 Chelmsford Street
Lowell, MA 01851
$45 in advance/$50 at the door
Please RSVP by October 27, 2006
For tickets and information: (978) 590-5654 or tim@angkordance.org
If you are not able to attend, but would like to forward a
tax-deductible donation, checks can be made payable to:
Angkor Dance Troupe
PO Box 1553
Lowell, MA 01853
Please be sure to check if your organization has a matching gift program
- it's a great way to build on our fundraising efforts!
�SA VE THE mA TE
IOVEM::IJEJ.l J, 2006 .- 6:00 F.M: . .- I.2:00 A.H.
0
tt:~D;S,1$$~!
Att5ltor Dattcc Troupe, lttc.
20th ANNIVERSARY FUNDRAISING EVENT
Sunnyda Restaurant
Tickets $45 in advance/$50 at the door
Look for your invitation in the mail in September
for additional information:
978-275-1823
P.O. Box 1553
Lowell MA 01853
tim@angkordance.org
SAVE THE mATE
IOVEM:EEJ.l J, 2006
_..J
6:00 F.M.
_..J
I2:00 A..M.
�0
1'~smff~s
Attgkor Dattcc Troi.pc. lttc.
2ot Vi AV'vV'vLVers.C{Ykj
Fu VI-cl r et ts. LVl-fj sve V1-t
NOVeVVlber 3 , 200G
Photo by Higgins & Ross
Design and Photography
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Save the date card for Angkor Dance Troupe's 20th anniversary fundraising event on November 3, 2006
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Save the date card for Angkor Dance Troupe's 20th anniversary fundraising event, 2006
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2006
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
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3 p.; 21.5 x 14
Language
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English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i014
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Ephemera
-
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PDF Text
Text
0
tff'5tm";t
0
1;1~smSt~s
At15kor Dat1ce Troupe, lt1c.
Att5kor Dattce Troupe, lttc.
2011-1 ANNIVER.SARY
20th Anniversary
FUNDRAISING BANQUET , /
NOVEMBER. 3, 2006
Fundraising Banquet
You are cordially invited to the Angkor Dance Troupe's
20 th Anniversary Fundraising Banquet.
With stunning performances from the award-winning
troupe, live band, silent auction, and a five-course meal,
this evening should not be missed!
Date:
Time:
Location:
Cost:
Friday, November 3, 2006
6:00 PM - 12:00 AM
Sunnyda Restaurant
454 Chelmsford Street
Lowell, MA 01851
$45 in advance/$50 at the door
R.S.V.P b y October 27, 2006
For tickets and information: (978) 590-5654 or tim@angkordance.org
If you are not able to attend, but would like to forward a tax-deductible
donation, checks can be made payable to:
Angkor Dance Troupe
PO Box 1553
Lowell, MA 01853
Please be sure to check if your organization has a matching gift program
~ it's a great w ay to increase the value of your donation!
Photo by Higgi,is & Ross
Desig11 a11d Photography
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Poster for Angkor Dance Troupe's 20th anniversary fundraising banquet, 2006
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Poster for Angkor Dance Troupe's 20th anniversary fundraising banquet.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2006
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
1 p.; 21.5 x 28
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i015
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Ephemera
-
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PDF Text
Text
0
0
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~~
ififDsm;~es
ft
Att5ltor Dattcc Troupe, lttc.
Sell'vLO Y s
tciff
Sophy Suon
President
Tim Thou
Program Director
Jonathan Pulliam
Vice President
Phousita Huy
A rtis tic Director
Joan Gendron
Treasurer
Doeun Kol
Manager
Ratana Ty-Riebe
Secretary
Rosalie Williams
Grant Writer
Through a generous arrangement with the Lowell National
Historical Park , Angkor has offices and rehearsal space on
the third floor of the Mogan Cultural Center located at
40 French Street in Lowell, Massachusetts.
Our mailing address is:
Angkor Dance Troupe
P. O. Box 1553
Lowell, MA 01853
Tel: 978.275 .1823
Fax: 978.275.1824
Email: tim@angkordance.org
Web site: www.angkordance.org
The Angkor Dance Troupe, Inc is a 501(c)3 nonprofit
organization dedicated to preserving the traditions of
Cambodian performing arts while providing a positive social
and educational environment for our young members.
~=
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Att5ltor Dattcc Troupc, lttc.
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe information flyer, 2004
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Flyer with information for Angkor Dance Troupe's office mailing address and contact information.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2004
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
1 p.; 21.5 x 28
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i016
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Ephemera
-
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PDF Text
Text
0
l!f"'~"R'
A115ltor Datte~ Trol-fp~. lttc.
5und!UWing ~Uuwi
<Jcto8e1t 21, 2005
�·.
Mistress of Ceremonies
·i
7:30 - 7:45pm
7:45 - 8:30pm
Opening Remarks
Sophy Suon
First Performance
·i
Doeun Kol
Tiva Propey
Dinner & Cocktails
Keynote Speaker
Julie Mallozzi
Award Ceremony
Dedicated Volunteer Award
Community Service Award
Students Achievement Awards
Recipients:
Jim Conlon
Mehmed Ali
Sophy Leng
Poutda Pech
Randa Phin
Peter Veth
8:30 - 9:00pm
Dance Performance I
Doeun Kol
9:00 - 9: 15pm
Intermission & Raffle
Joan Gendron
Rosalie Williams
·i
9: 15 - 9:45pm
Dance Performance II
Doeun Kol
9:45 - lO:OOpm
Special Presentation
Doeun Kol
lO:OOpm
Closing Remarks
Sophy Suon
�Tiva Propey Dance
Classical
Tiva Propey was originally performed in Cambodia in honor of
National Children's Day. It is designed to give young dancers
experience in movement and the rhythm of the classical orchestra.
Tep Monorom Dance
Classical
Tep Monorom Dance is often considered the most beautiful in the
classical repertory, embodies the well-being, friendship, and
prosperity of the Cambodian people.
The Coconut Dance
Folk
The Coconut Shell dance is one of the most popular and well-known
folk dances in the Cambodian repertoire.
I
4
Sentimental Expression Dance
Classical
Sentimental Expression like many classical dance is considered by
many to be a universal symbol of Cambodian culture. It is a source
of national pride for Cambodians, representing the beauty and
spirituality of Cambodian people.
INTERMISSION
9Jana [}~II
Picking Krovann Dance
Folk
This is a traditional dance of the Por tribe, which originated from the
Pursat Province of Cambodia.
Neang Neak Dance
Classical
Neang Neak is name for its central character - a mythical female sea
creature associated with the fertility of rivers, lakes and oceans.
Monkey Dance
Classical/Modern
In Cambodian legend, monkeys always fight evil; in fact they
are army soldiers. And these soldiers are celebrating a big win.
Following the original dance, the Troupe will feature some new
choreography with elements of modern dance.
y •
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
v
�sxecuHve "Bo~ r-o!
SeV\-LOY st~ff
Sophy Suon
President
Tim Thou
Program Director
Jonathan Pulliam
Vice President
Phousita Huy
Artistic Director
Joan Gendron
Treasurer
Doeun Kol
Office Manager
Ratana Ty-Riebe
Secretary
Rosalie Williams
Grant Writer
Through a generous arrangement with the Lowell National
Historical Park, Angkor has offices and rehearsal space on
the third floor of the Mogan Cultural Center located at
40 French Street in Lowell, MA.
Our mailing address is:
Angkor Dance Troupe
P.O. Box 1553
Lowell, MA 01853
Tel: 978.275.1823
Fax: 978.275.1824
Email: tim@angkordance.org
Web site: www.angkordance.org
The Angkor Dance Troupe, Inc is a 501 (c) 3 nonprofit
organization dedicated to preserving the traditions of
Cambodian performing arts while providing a positive social
and educational environment for our young members.
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe annual fundraising dinner program, 2005
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Program for Angkor Dance Troupe's annual fundraising dinner on October 21, 2005. The dinner program included classical and folk dances: Tiva Propey Dance, Tep Monorom Dance, The Coconut Dance, Sentimental Expression Dance, Picking Krovann Dance, Neang Neak Dance, and Monkey Dance.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2005
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
4 p.; 14 x 21.7
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i017
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Coconut Dance
Ephemera
Monkey Dance
Neang Neak Dance
Picking Krovann Dance
Sentimental Expression Dance
Tep Monorom Dance
Tiva Propey Dance
-
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PDF Text
Text
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Youth Dance Harvest Party flyer, 1999
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Flyer with an information for Angkor Youth Dance Havest Party with a performance by Angkor Youth Dance and a DJ Party. Angkor Youth Dance is a program of the Angkor Dance Troupe in conjunction with the Big Brother/Sister of G.L. ADAM project.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
1999
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
1 p.; 21.5 x 28
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f01_i018
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
1990-1999
Cambodians
Posters
-
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PDF Text
Text
0
tf1Uftt1~t~f
Attsltor Datte~ Troi.p~, lttc.
The Quick Center for Arts
Ptesents
Dances anci wotkshops of the Cambociia
March 16-17, 2004
Program:
1. The Blessing Dance
2. The Coconut Dance
3. The Tep Monorom Dance
4. The Khen Dance
5. The Moni Mekhala & Giant
6. Fishing Dance
7. Pestle Dance
8. Swva Pol with DNC
Classical
Folk
Classical
Folk
Classical
Folk
Folk
Classical
Angkor Dance troupe, Inc.
Mrs. Phousita Huy, Artistic Director
Mr. Tim Chan Thou, Dance Program Director
Mr. George Chigas, Troupe Manager
This program is sponsored by the Quick Center for the Arts
With special thanks to
Ms. Deborah Sommers, Director Programming
Ms. Melissa Di Fiore, Assistance Director of Programming
Mr. Russ Nagy, Technical Director and his staff
P.O. Box 1553 • Lowell, MA 01853
(978) 275-1823 • FAX: (978) 275-1824
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1) The Blessing Dance
Dancers: Heng Noeuk, Rancia Phin, Sopharl Ngin, Rathanee Yean, Monica Veth
It is dance of greeting and good wishes. During the performance, the dancers come forward and
sprinkle flower petals toward the audience. This is done in the hope brining prosperity, peace,
and good health to everyone in the audience.
2) The Coconut Shell Dance
Dancers: Povtda Pech, Sodany Krouch, Paulina Srey, Linda Hong, Channa Sath
Samnang Hor, Zenith Rith, Sanny Meas, Rothna Mao, Vyrik Eng
The dance was inspired by a popular game that used coconut shells. The game was played during all kind
of ceremonies, but most often during weddings, engagements, and when the groom was escorted in a
procession to the bride's house. The Coconut Shell dance is one of the most popular and well known on
the Cambodian folk dance. In its original form, it was a one-man show. In the modem-day dance, an
equal number of male and female dancers perform the dance, signifying friendship and courtship. The
Khmer-language lyrics, the words that accompany the song-speak to how the coconut is the heart of the
Cambodian people.
3) Tep Monorom Dance (The Happiness of the Gods)
Dancers: Linda Sou, Sophy Leng, Khakhada Hom, Elizabeth Yim
Monica Veth, Sandra Proeung, Rancia Phin, Sopharl Ngin
This dance, often considered the most beautiful in the classical repertory, embodies the wellbeing, friendship, and prosperity of the Cambodian people.
4) The Khen Dance
Dancers: Rathanee Yean, Paulina Srey, Sodany Krouch, Channa Sath, Povtda Pech
Sanny Meas, Peter Veth, Vyrik Eng, Steve Hom, Vandary Moeun
The Khen Dance from a province of Cambodia located in the northeastern part on the CambodiaLoas border. Many young men from that part of the country play a musical instrument, a mouth
organ called Khen, which is made of bamboo and decorated with a garland flowers. Men play
their Khen to attract young passing by. The women can't resist so they touch the flowers and fall
in love.
5) Mini Mekhala & Giant
Dancers: Heng Noeuk, Linda Sou
Moni Mekhala and Ream Eyso were at one time students of the same teacher and both strived very hard
to be his best favorite. In the end, the teacher favored the goddess, Moni Mekhala, and rewarded her with
a beautiful and very powerful crystal made fro the morning dew. The storm demon, Ream Eyso, was
given an ax as a consolation prize. As the dance begins, we see Moni Mekhala preparing to go out and
dance with other Gods and goddesses in the heavens. But on her way, she is accosted by Ream Eyso,
who is quite jealous and craves the powering glittering ball.
P.O. Box 1553 • Lowell, MA 01853
(978) 275-1823 • FAX: (978) 275-1824
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Mini Mekhala teases him by holding the ball out very close. Then she tosses the crystal, momentarily
blinding him. This ends Ream Eyso to his knees, giving her just enough time to glide away.
It is said that the flash of Moni Mekhala' s crystal is what we know as lighting, and the crashing of Ream
Eyso' s ax is thunder.This is one of the most sacred dances in the Cambodian Classical repertoire and is
still performed in Cambodian in ceremonies to pray for rain.
6) The Fishing Dance
Dancers: Khakhada Hom, Sopharl Ngin, Sophy Leng, Monica Veth , Elizabeth Yim
Samnang Hor, Vyrik Eng, Peter Veth, Jamie Rin, Steve Hom
There' s saying in Cambodia "Where there is water, there are fish."
In this dance you will see two traditional methods of catching fish, using braided bamboo baskets Called
CHHNEANG In this dance you'll see young women scoop up water from the river into their Chhneng.
The baskets act as strainers-the water drains out through the bamboo leaving small fish in the basket.
And the guys use bell-shaped traps called ANGKUT For catching large fish in shallow water. Love and
romance and favorite themes in Khmer stories and dance. In traditional Cambodian society, young
people are careful watched and don't have many opportunities to get to know one another. But the
fishing quarter is one place they had the chance to meet.
7) The PestleDance
Dancers: Sophy Leng, Vyrik Eng, Linda Hong, Paulina Srey, Sokhoeum Khim, Zenith Rith
Povtda Pech , Sandra Proeung, Sodany Krouch, Rathna Mao, Channa Sath , Peter Veth
The pestle dance is depicted that celebrated the hard work of the harvest season.
8) The Swva Pol with DNC Dance
Dancers: Samnang Hor, Vyrik Eng, Jamie Rin, Steve Hom
In Cambodian legend, monkeys always fight evil; in fact they are army solders. And these solders are
celebrating a bid win. They're gathering food for a feast. The monkey dance is lively and acrobatic,
always performed by young boys, who you will see also capture the spirit and quick mannerisms of
monkeys. Following the original dance, the Troupe will feature some new choreography with elements
of modem dance. But if you watch carefully, you will see the dancers remain, throughout it all, Swva
Pol, the monkeys.
P.O. Box 1553 • Lowell, MA 01853
(978) 275-1823 • FAX: (978) 275-1824
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Program for Angkor Dance Troupe dance workshop, 2004
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Program for Angkor Dance Troupe's dance workshop at the Quick Center for Arts, 2004. Includes brief descriptions of the dances and the names of performers.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2004
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
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3 p.; 28 x 21.5
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f08_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Blessing Dance
Cambodians
Coconut Dance
Documents
Fishing Dance
Happiness of the Gods
Khen Dance
Moni Mekhala and Ream Eyso Dance
Pestle Dance
Swva Pol Dance
Tep Monorom Dance
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/19da85c5fb33805db8ad6839e2c6a38e.pdf?Expires=1712793600&Signature=toDm76ou0S47tbRbSTUuaoYUggt%7EVjfAkUwGXDEkI6z6URtUiYh20B3Nw2NCObF3xpK3YRdb8TuSjrMkJZeH5LkHrQRrqZU67R6pIu6Q%7Euev2pLrjI5ZGDgP%7E9s8BQaL34H6xDIV%7EfazHNAIkiiH0cALwRpQgK43mZCSv8aMFjBBb03Pzcm1AS2KqPBvegw15WG9TCCPHm32xT8uv3ErsU3Ze2mQVPKV9A4fY9pZGHQx1JndYC6XlU%7ExE9IXCgMvp9NT0U3G5U-Fgqd09bAnpIffPLDTLNkk30rQHneARfXYa%7EP5ZlW-lptBXr1NyOyRb-hCmt8hGwh8VP1-BkKxew__&Key-Pair-Id=K6UGZS9ZTDSZM
023def2a8d0d3a3a42456fc494e92e55
PDF Text
Text
1986-2001
15TH ANNIVERSARY
COMMEMORATIVE BOOK
�AUTO ACCIDENTS
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PALMA LAW OFFICES, P.C.
45 MERRIMACK STREET, SUITE 330
LOWELL, MASSACHUSETTS 01852
(978} 970-2211
�TABLE OF CONTENTS
I.
II.
Ill.
IV.
V.
About the Angkor Dance Troupe
3 - 45
How to Contact the Angkor Dance Troupe
Inside Back Cover
Angkor Dance Troupe Funders
2
How to Make a Donation
48
Directory of Advertisers
41
Anne Sullivan Early Intervention Center
Anstiss & Company, P.C.
29
Asian American Bank
13
Paul A. Balakin Insurance
12
Ann Bartholomew & Ron Micheels
20
Big Brothers Big Sisters of G. L.
18
Casey Family Services
44
Lyla Chea & Family
9
37
Community Teamwork, Inc.
Nina Coppens, UMass Lowell
16
Dolan Funeral Home
26
Nancy & Richard Donahue
4
James Doyle, Esquire
6
Eliot Church
39
Eno, Boulay & Martin, LLP. Attorneys
47
Enterprise Bank & Trust Co.
7
FamCam
14
Friends of the Ankgor Dance Troupe
35
Thomas Golden, State Representative
46
Walter Halvorsen & Beth Kanter
8
Haskell Law Firm
40
Healthland
33
John J. Honan Insurance
39
HRH - One Stop Insurance
8
15
Human Services Corporation
Joseph's Coat
15
Carol & Cassandra Keirstead
5
43
Khemara Restaurant
Dick Lepine Real Estate
29
Loom Press
28
Lowell Community Health Center
38
Lowell Spinners
19
Bonna Mai & Family
3
Paul Marion and Rosemary Noon
2
MassBank
22
Armand P. Mercier, Lowell City Councilor
31
Mill City Management
23
Mom's Therapy
36
Steve Moses, UMass Lowell
32
Navy Yard Liquors
35
Vesna Noun
24
O'Donnell Funeral Home
30
Andrew Page, Photographer
47
Palma Law Offices
Inside Front Cover
Steve Panagiotakos, State Senator
17
Don Pierson, Dean, UMass Lowell
21
Louis L. Pinn Insurance
27
Jonathan & Diane Pulliam
34
Marina & Peter Schell
22
The Sharing Foundation
24
Shaw Real Estate
9
33
Spindle City Corps
Thomas Stylianos, Law Offices
Outside Back Cover
34
Tim Chan Thou & Family
36
Trinity Ambulance
Rithy Uong, Lowell City Councilor
45
UMass Lowell Community Social Psychology Graduate Program
5
UPS
25
YWCA of Lowell - Tobacco Prevention Program
41
�The Angkor Dance Troupe receives the generous support of the:
Massachusetts Cultural Council YouthReach Initiative
Lowell Community Development Block Grant Program
Friends of the Angkor Dance Troupe (see page 40)
Lowell Cultural Council
Lowell Enterprise Community
Greater Lowell Community Foundation
Significant In-kind support comes from the:
University of Massachusetts Lowell
College of Arts & Sciences, Psychology Department
Big Brother Big Sister of G.L. ADAM Project
Lowell Community Charter School
Community Teamwork, Inc. • Massachusetts Dept. of Social Services
Lowell Community Schools Program • E.N. Rogers Community School
Congratulations
to the
Nationally
Recognized
Angkor Dance
Troupe.
from Paul Marion & Rosemary Noon & Joe Marion
2
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Attgkor Dattcc Tro~pc
Celebrating 15 Years as a Leading Cultural Organization
The Angkor Dance was formed in 1986 by Cambodian refugees
of the Khmer Rouge genocide. When we resettled in Lowell,
Massachusetts we brought a passion to carry on our cherished
t radit ions - to practice and perform, to teach others, and to see
the art fo rm preserved for future generations of all cultures.
Greater Lowell is home to the second-largest community of
Cambodian Americans in the country. Cambodian dance
performances provide a poignant reminder of the beauty and
spirituality of Cambodian culture and help us develop a sense of
home and community in a new homeland.
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(Dance Master Yorn Peng instructs Angkor
Dance Troupe apprentice Brianna Mai.)
3
�Classical dance has been con nected to Cambodia's sacred
rituals for more than one
thousand years. During the
great Angkor civilization,
dancers performed blessing
ceremonies in temples to bring
prosperity to the kingdom . Bas
relief carvings at Angkor Wat
depict heavenly dancers -
i
Apsaras - which were believed
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to connect the human world to the gods. Classical dance is sometimes called court dance or royal ballet. At one time, it was the
exclusive domain of roya lty. Today this cherished art is enjoyed by
audiences around the w orld and is considered by many to be a
symbo l of t he beauty and com pl exity of Khmer culture.
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Thank you for your continuing good work.
You make our community a better place to live & work.
Nancy & Richard Donahue
4
�CoN&f~ATVLATtONS ON
15" Yf..A1?.s OF svcass~
- CAl?.OL, CASSANDl?.A
f~ACHAf..L $ SOPHf..A
<:;ood LucR. for a successful !:jta rt
from 1h8 Oommlrity Social Ptychology Orwiuat8 ProQnun at UMaaa/l.owell
\'le &hare in 1our c.ommitment to
improving c.ommuni"f \ife in G.reater Lo•e.\\
for more ilformatkln alxiut the Graduate Program contact the Graduate Student office by lim at
978-934-3952 or email at cwadoffrce®yaroo.com or 6ffi Serkowitz at 6ill Serkowitz®umledu.
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hroughout Cambodia, after the harvest, it is time for
music, song, and dance. Folk dance is rooted in rural
Cambodia and depicts rituals of everyday village life. The dances
honor skills that are typically undervalued in the rush toward
westernization, such as fishing and rice farming. Dance motifs
are commonly based on local legends and inspired by themes of
nature as well as the ceremonies, and customs that shape the
lives of Cambodian people. Distinctive, colorful costumes represent the traditional dress and cloth from the various regions and
ethnic groups within Cambodia.
5
�The Troupe takes its name
from the great Angkor
Civilization, between 802
and 1432 AD, when
Cambodia was a dominant
empire in Southeast Asia.
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tradition bearers perished .
A dancer performs a ceremony at Angkor Wat.
A National Leader in Traditional Cambodian Dance
The Angkor Dance Troupe is nationally recognized as one of the
most experienced and accomplished Cambodian dance ensembles
performing today. Angkor is directed by world-renowned master
teachers and performs a repertoi re developed in concert with the
Royal University of Fine Arts in Phnom Penh, Cambodia, considered
the global standard bearer for Khmer traditional arts. The Troupe
has an intensive program of educational exchange with the Royal
JAMES L. DOYLE
Attorney at Law
297 Foster Street
Lowell, MA 01851-3014
(978) 937-9293
Fax (978) 459-3777
jimdoyle@ma.ultranet.com
~ National Academy of
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Elder Law Attorneys
1-800-484-5121 x4690
6
�University of Fine Arts (RUFA),
Angkor Artistic Director Phousita Huy is a
former faculty member from the Royal
University of Fine Arts in Phnom Penh.
which allows us to continually
improve and expand our repertoire
of classical and folk dance traditions.
Angkor Artistic Director Phousita
Huy is a former RUFA faculty member and toured internationally with
the Classical Dance Company of
Cambodia. We routinely host visiting
master teachers from RUFA, as well
as former RUFA faculty living in the
U.S., for extended artists' residencies
and workshop series. Ms. Huy
coordinates these residencies,
selecting master artists with specific
expertise to advance the artistic
development of our dancers.
As a result of our active program of exchange with highlevel master artists, the Angkor Dance Troupe has the most
diverse and developed performance repertoire of any of the
U.S.-based Cambodian dance companies.
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Maria Lobao, Assistant Vice President I Branch Manager
7
�Masters of Cambodian Dance - Learning from the Best
In 2001, with assistance from
Middlesex Community College, we
secured educational visas for two
RUFA masters, Ms. Yorn Peng and Mr.
Sophea Sek. These important dance
teachers arrived in the U.S. in January 2001 and will teach and perform
with us for several months.
In 1999, master teachers
Sokhanarith Meour and Phan
Phoung of Connecticut held a
series of workshops on the "Chhay
Yam " and other dances, through
a project sponsored by the Lila
Wallace Reader's Digest Community Folklife Program .
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Lyla Chea and Family
9
�Masters of Cambodian Dance - Learning from the Best
In the 15-year history of the Angkor Dance Troupe, we have
had the honor to work with a number of the world's best
dance masters from the University of Fine Arts, Phnom Penh
and around the U.S. For their invaluable contribution to the
preservation of Cambodian dance, we give them our thanks:
The Esteemed Chea Samy
Master, Royal Uni versity
Chhieng Proeung
Dean, Univ. of Fine Arts
Ros Kong & Tes Sam Oeun
Masters of Classical Dance
Dr. Sam Ang Sam
Master of Cambodian Music
Chan Moly Sam
Master of Court Dance
Malis Keo
Director, Univ. of Fine Arts
_.-..,...., Sokhanarith Moeur (left), Master of Folk Dance & Drama
Phan Phoung, (Below) Master of Folk Dance
Choreographer. Coconut Shell
10
�Savath Roeung (Center)
Folk Dance Instructor
with Tim Chan Thou (left)
& Sokhoeum Sim
Phousita Serey Huy
Master of Classical Dance
Artistic Director,
Angkor Dance Troupe
Sam On Soth
Master of Classical
Dance Drama
Heang Nayto
Folk Dance Instructor
Phalla Lak Morris
Folk Instructor
Thavro Phim
Folk/Giant/Monkey
Instructor
Song Heng
Master Musician
Khatna Peou
Master of Classical Dance
(With Grandson Tim Chan Thou & Family)
Yorn Peng
Master of
Classical Dance
Sophea Sek
Folk/Giant
Instructor
Say Soeur
Monkey
Instructor
11
Tath Sum
Master Musician
Not Pictured: Rachana Khiev,
Tonara Hing
�Tep Menorom at a Khmer New Year celebration at Lowell's
Tsongas Arena in April 2000. (Rady Mom Photograph)
RIGHT - Taary Ram performs Picking Krovine at a 2000
Khmer New Year festival. (Andrew Page Photograph)
Performances
The Angkor Dance Troupe is listed on
the Massachusetts and New England
States Touring Rosters and has performed at venues including th·e White
House, First Night Boston, the Lowell
Folk Festival, the Berkshire Museum,
Yale University, and Jacob's Pillow.
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12
�Performances, rehearsa ls, an d works hops are a central part of
our mission. These activities promote a g reater awareness and
appreciation for our cultural tra d itions, provide support for our
artists, preserve fragi le cultura l t ra diti o ns, and he lp us inspi re a
new generation of Ca mbodian dan cers. The Trou pe has mo re
than 70 dancers, includ ing sea so ned performers as w ell as
apprentices ranging in age fro m fi ite to ad ult. Parti cipation in
dance rehea rsa ls is free and open to anyon e willing t o make a
com mitm ent t o Cambodian dance.
Du ring our busy season, leading up to Cambodian New Year in
April, we operate rehearsals seven days a week in five locations.
We run an awa rd-winning afterschool and summer program fo r
at-risk youth and host extended residencies each year with
Lowell 's Butler middle school and the community of Peterb orough, New Hampshire. We perform and p resent works hops an
average of 30 times per year for a var iety of audi ences t hroughout the reg io n. Between 1998 and 2000, An gkor presented 88
performances and w o rksho ps for mo re than 29,450 peop le.
~
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13
Member
FDIC
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'
�Above - Butler Principal Harry Kouloheras with
student dancers in 1996. Right - Butler students take
the stage in a performance of the Good Crops dance.
The Butler Middle School & Angkor Dance: Partners in
Multicultural Education - Every spring, Lowell 's Butler Middle
School and the Angkor Dance Troupe collaborate on an ambitious
Cambodian New Year dance residency that culminates in two fullscale performances by multi-cultural groups of Butler students.
Artistic Director
Phousita Huy leads
dancers in a performance
of the Apsara Dance at
the Peterborough NH
Town House in 1997.
Peterborough, NH - For the past several years, the community of
Peterborough NH, led by David Blair and Linda Marsella, has
hosted Angkor for performances, classes, and in-school programs.
Fctrn
Carn
Families with Cambodian
Children congratulate the
Angkor Dance Troupe
on their 15th anniversary.
For info on FamCam: www.famcam .org
14
�r.JUHJljMtnnnmunm 1
Peterborough's Satellite Dance Troupe,
Children in the Arts Day, May 19 &
Joseph's Coat Peace Crafts
creating jobs for people in need
with wonderful clothing, toys, and jewelry
10 School Street, Peterborough, NH
Commendations and
thanfs to you for
enhancin3 and enrichin3
the variety and num6er
cherished cufrura(
traditions in the (jreater
Loweff Community.
ef
Human Services Corporation• P.O. Box 1091 • Lowell , MA 01853
15
�A VNtGtuf.
WA.Y
To
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Youn-1
A central component of the Troupe's mission is to provide
positive cultural, recreational, and educational opportunities for
Lowell youth. Since 1986, the Troupe has served approximately
350 young people, ranging in age from 4 to 18, who rigorously
rehearse and participate in Troupe performances and events.
Youth apprentices typically stay involved with the Troupe for at
least 4 to 5 years, many even longer.
In 1999, the Angkor Dance Troupe was selected for the prestigious Coming Up Taller award from the President's Committee
on the Arts and the Humanities and the National Endowment
for the Arts. The awards were presented to a select group of ten
organizations across the nation to honor exemplary arts programs serving at-risk youth.
Angkor Oance Troupe
Thank you for sharing
the beauty of your culture!
Nina Coppens, Ph.D.
Evaluator, Angkor Youth Dance
Professor, Psychology Department
University of Massachusetts Lowell
16
�Angkor Youth Dance - A Community Partnership
In October 1998, the Troupe launched Angkor Youth Dance, a
very successful afterschool and summer program for at-risk
youth with major funding from the Massachusetts Cultural
Council YouthReach Initiative. We operate the program with a
number of community partners including the : ADAM project of
Big Brother/Big Sister of Greater Lowell, Psychology Department
of the UMass Lowell College of Arts and Sciences, Lowell Community Schools Program, E.N. Rogers School, Community Team work, Inc., Lowell office of DSS, and others.
The Troupe helps young people make constructive choices in their
lives by immersing them in rigorous, in-depth arts experiences.
Over the years, we have witnessed firsthand the value of culturalbased arts programming for youth . We have had several
apprentices, for example, who were involved in gang activities
when they joined our program and have since left their street life
behind to make remarkable progress in their academic and
personal lives. Angkor's success with at-risk youth is a vivid
example of the power of the arts to transform lives .
Congratulations to the
Angkor Dance Troupe on your
15th Anniversary
and Best Wishes to the
Cambodian Community.
STATE SENATOR
Steven C. Panagiotakos
17
�Big Brothers Big Sisters
Of Greater Lowell
Congratulates
Angkor Dance Troupe
on
15 wonderful years
Big Brothers Big Sisters I A.D.A.M. Project
is proud of our continued association in helping at-risk
youth develop positive cultural activity. All youth, regardless
of income, need to be able to express themselves.
Angkor Dance Troupe and A.D.A.M. project provide
that outlet.
Angkor Dance Troupe & A.D.A.M. Project
Making a Big Difference, One Child at a Time
Big Brothers Big Sisters
45 Merrimack Street, Suite 227
Lowell, MA 01852
978-453-9339
Web Site - www.becomeabig.com
18
�Highlights from Angkor Youth Dance - our award-winning
Afterschool & Summer Youth Program
Above - Dancers take a bow at a Youth Dance performance.
Right - Peter Veth & Sophy Leng receive achievement awards.
Below Left - Jim Conlon of Big Brothers/Sisters leads a group
discussion as part of an education component.
Below Right - Sam Hor and Shawn Clod in the Fishing Dance
Above - City Councilor Rithy Uong & State
Senator Steve Panagiotakos announce Mass. Cultural Council
and NEA grants. Right -Vyrik Eng speaks at a press conference.
Sam Hor receives an award from Angkor Director Ruth Page.
Lowell Spinners
Class A - Boston Red Sox
"On the Road to Fenway"
For group information,
please call 978-459-1702
19
�Congratulations to our Role Models!
Pov Sath, 1996 & Khoeun Pring, 1998
Andeth Vann, 1995 & Sopor Vann, 1994
Rothana Yok, _
1998 & Akara V. Savun 1997
Samnang Hor & Sopheap Sou 1999
Taary Ram, 2000 & Sochenda Uch, 2000
Sophy Leng & Vyrik Eng, 2001
Best Wishes from Ann Bartholomew & Ron Micheels
20
�An Extensive Collection of Richly Detailed Costumes
The Angko r Dance Troupe has an
ext ensive co llecti on of authe ntic
costu mes, dance mat eria ls, props, and
artifa cts. Most of the costu mes were
crafted by master dancers and
costumers from Cambodia .
Preparing for a performance can take several hours.
Above Left - Shawn Clod,
Jamie Rin, Vyrik Eng, and
David Noeuk help each other
into costumes for Swva Pol.
Above Right - Phousita Huy
and Heng Noeuk sew Linda
Sou into the Giant costume.
Middle Right - Mary Many helps
Stephanie Seng with make up.
Right - Thida Loeung puts
finishing touches on Kuntaer
Eng's costume for Tep Menorom.
Andrew Page Photos.
Don ald E. Pierson
Dean, College of Edu cation
UMass Lowell
21
�2000 Performance Highlights
Above Left - Kuntaer Eng, Rotana Thou, and Taary Ram in
a performance of Tep Menorom at the Bawker
Auditorium as part of the UMass Amherst
Asian Music and Dance series in November.
Above Right - Phalla Lak in the Fan Dance at
Jacob's Pillow in August. (Andrew Page Photos)
Right - Sochenda Uch and Linda Sou in the
Fishing Dance at the Tsongas Arena in April.
(Rady Mom Photo)
Yours~ perfor~
eJt,Yidt, the, !e>Ue&
~caylifr
aJUi e,x~ our worU view:
fA>HjY~M aJUi tlr.a.HJc,you,
AHjkoY Danurs!
MarUta,. & Peeer sckett
Pere Pen
Mortgage Originator
The Bank For Your Dreamsl
50 Central St.
Low•ll, MA 01152
Pag•r(971)159-0664
Vole• Mall (971) 446-9333
22
�CONGRATULATIONS/
C
ongratulations To
The Angkor Dance
Troupe On Their
15th Anniversary
Compliments of the Staff of the
Lowell Memorial Auditorium
And Mill City Management
-Tom McKay, Leo Creegan, Terry McCarthy
23
�2000 Performance Highlights
Left - Thida Loeung in Tep Menorom at the
Tsongas Arena in April. (Rady Mom Photo)
Above & Below - The Butterfly & new
c ho reo~rap hy for Swva Pol at the Smith Baker
Center m November. (Andrew Page Photos)
VesnaNuon
& family wishing you and
yours the best of everything
in the New Year.
Paid by the Committee to Elect Vesna
Nuon to the Lowell School Committee.
Congratulations to the Angkor Dance Troupe for
15 years of hard work!
from your fri ends at
THE SHARING FOUNDATION
Helping to Care for Cambodia's Children
THE SHARI NG FOU DATION is a non-profit organization whose goal is to
help meet the physical , emotional , and medical needs of children in Cambodia .
Visit us on the Web at www.sharingfoundation.org or write to us:
The Sharing Foundation , P.O. Box 399 , Woolwich , ME 04579
*The support for this ad was donated by James Piseth Kelly (Seth), a big fan of both organizations!
24
�I 9t< I
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Salutes
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The Nationally Recognized
I Angkor Dance Troupe I
~
I
I
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~
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Trnly a Cultural Gem
.
Happy Cambodian New Year - The Year of the Serpent
We Offer Great Career Opportunities
Full-Time Benefits in a Part-Time Package
• GREAT STARTING WEEKLY PAY • MEDICAL, DENTAL & LIFE INSURANCE
• 401(K) •WEEKENDS & HOLIDAYS OFF
• PAID VACATIONS • AND MUCH MORE!!!
$23,000 * *
Get up to
in College Education Assistance!! !
The UPS
EARN &
•• UPS Earn & Learn Prog ram g uidelines apply. L E A R N
Program
I
25
I
~
�DOLAN
FUNERAL HOME, INC.
106 MIDDLESEX STREET
CHELMSFORD
• Serving all faiths
• Advanced Funeral Planning Available
TRADITIONAL OR
CREMATION SERVICES
DIRECTORS
James F. Dolan
James F. Dolan II
Independently Family Owned & Operated
(978) 251-4041
www.dolanfuneralhome.com
O•CEliil
26
�March 2001 Commonwealth Culture Fest - The
Angkor Dance Troupe was one of three leading
performing arts organizations from across the
state invited to perform at the Massachusetts
State House. Above - Elizabeth Yim, Mary Many,
Heng Noeuk, Monica Veth, and Stephanie Seng
perform the Blessing Dance. Right - Mary Many.
Photos by Andrew Page
LOUIS L. PINN
INSURANCE AGENCY
1519 Middlesex Street
2nd Floor
Lowell, MA 01851
PHONE: (978) 452-4748
FAX:
(978) 452-4754
27
�March 2001 Commonwealth Culture
Fest at the State House. Left - State
Senator Steve Panagiotakos lent his
legislative office to the effort.
Artistic Director Phousita Huy puts
finishing touches on Stephanie
Seng's costume. Above - Sam Hor
performs the Coconut Shell Dan ce.
Photos by Andrew Page
Loont Press
Our Region's Best Literature
Fractured Identities: Cambodia's Children of War
by James Higgins and Joan Ross
French Class: French Canadian-American Writings
on Identity, Culture, and Place
by Susan April • Paul Brouillette
Paul Marion • Marie Louise St. Onge
Baptism in the Merrimack: Poems by Hilary Holladay
lost Baggage: Poems by Charles Levenstein
Loom Press• P.O. Box 1394 •Lowell, Mil 01853
28
�March 2001, Concord Academy, Concord, MA - Left: Peter Veth & Heng Noeuk in Hanuman
& Sovann Macha. Right: Tbal Kdoeung. Photos by Coung Ly
DICK LEPINE REAL ESTATE, INC.
Dracut, MA 01826
FAX: 978-957-1528
1333 Lakeview Avenue
Tel: 978-957-8200
CON(jR.ATULATIONS AN(jKOR. DANCE TR.OUPE
Don McMeniman, Sales Manager V/M 978-442-5 829
Anstiss & Co., P.C.
Certified Public Accountants
21 George Street
Lowell, MA 01852
Raymond L. Anstiss, CPA, MBA
Richard B. Dionne, CPA, MST
Raymond L. Anstiss, Jr., CPA, MBA
Telephone: (978) 452-2500
Fax: (978) 458-0425
29
�Above &
Left photos
courtesy:
Ellen
Bullock,
Chelmsford
Independent
December 2000 - Harringt on School, Chelmsford, MA
Above Left: Sam Hor gives a workshop on the pestle
dance. Lef t: Students are entertained during a performance of the Fishing Dance (top). Above - Many Srey
gives 6-year-old Joshua Glidden an autograph.
FUNERAL DIRECTORS SINCE 1884
81 WtiUHfl fll Bn ti nJNtlmtlnf:P~c;tfj([
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JOHN W. CRANE
JAMES F. O'DONNELL, Jr.
Serving all Faiths • Cremation Service
Pre-need Funeral Planning
uiitnuutireitlil tBJ hll NITT 1:11 se~ rum1yt11 Ntl
fl rmiJ uti t11 lf s ~tm1n n ru Nn-m1yt11 Ntl
•
276 Pawtucket Street at Fletcher Street, Lowell
978-458-8768
www.odonnellfuneralhome.com
30
�To the Performers ...
Continued Success
To the Angkor Dance Troupe, Inc ....
Best Wishes
Armand P. Mercier
City Councilor
31
�The Angkor Dance Troupe - A Look Back at 15 Years
A key part of the Angkor Dance Troupe success story is the stead fast commitment and passion of co-founder Tim Chan Thou . Many
people have made valuable commitments to the Troupe over the
past 15 years. Among them are Sanara Chea, George Chigas,
Sambath Fennell, Ravuth Yin, Ann Bartholomew, Phallik Ting,
Thida Loeung, Carol Keirstead, Vuthy Chreck, Phousita Huy, and
Sophorn Savunn, to name a few. But without the sustained dedication of Tim and his family, the Troupe would not have survived.
Tim Chan Thou co-founded
the Angkor Dance Troupe in 1986
Tim learned to dance in the Khao-1Dang refugee camp, inspired by his
Grandmother, Peou Khatna, a
former palace dancer. From early on,
he earned a reputation for his
commitment, talent, and ability to
organize. He became certified as a
teacher and emerged as a leader in
the refugee camp dance movement
when he moved to a resettlement
camp in the Philippines.
In Recognition of What My Friends
Jane Benfey, Nina Coppens, Rady Mom, and Ruth Page
do so Selflessly on Behalf of the Wonderful
Angkor Dance Troupe.
Steve Moses
of the
UMass Lowell
Center for Health Sciences, Health Promotion and Public Health
32
�Good luck to the
Angkor Dance Troupe!
Best Wishes
- The Spindle City Corps
(978) 459-9899 X15
When Tim resettled in
Lowell in 1982, community
members sought him out
to perform at Khmer New
Year celebrations. Joined
by fellow dancer Phallik
Ting, Tim performed a few
times a year around the
A 1987 performance of the Fishing Dance.
region. In the mid 1980's
Tim connected with respected dance instructor Sanara Chea, and
together they founded the Angkor Dance Troupe.
"Our idea was to promote the culture
and share our dance traditions with
community," said Thou. "We had a core
group of dancers and felt it was important to continue awareness of the
cu lture. We rehearsed every weekend, w o rking together to
pre pare for performances. The motivation came from the commun ity, whi ch was so ha ppy t o see the dances."
ALTERNATIVE MEDICAL CENTER
H EALTH LAND
SPECIALIZE IN:
•AUTO ACCIDENTS
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FR.EE lNlTIAl. CONSULTATION
Open 6 D•ys · Same Day Appointments
Mo t lnsuunces Acee ted
978-970-1212
Fax: 978·970..0800
21 Geor e St., Lowell, MA 01852
33
·
·
·
·
·
Massage Therap
Acupu ncture
Chiropractic
Physical Therapy
Herbal Medicine
�The Angkor Dance Troupe
Bringing Cambodian
Classical and Folk Dance to Lowell
Two of the Troupe's Rising Young Apprentices:
Diane Pulliam and Krisna Thou
with Master Teacher Yorn Peng
from Jonathan & Diane Pulliam
and
Tim Chan Thou & Kolab Yin
34
�The Angkor Dance Troupe
- A Look Back at 15 Years
"As time went on, I
became more and more
interested in teaching the
young kids who were
growing up here and
didn't know anything
about Cambodia and
the traditions," said cofounder Tim Chan Thou .
The Angkor Dance Troupe in 1988.
"It's really important that we pay respect to the traditions, the
proper costuming . We need to preserve the culture - it's very
fragile . So we make sure that we teach the proper way. It makes
my heart happy to see young people today so involved. Now
the children of some of my former students are joining . That
seed that we planted for so many years is now growing and
flourishing. I hope the role models take over in a few years. I
think it's important that the culture doesn't fade out. The kids
need to know our culture, the dignity of it, and understand
where they come from. Even though many of t hem w ere born
here, inside they have the blood of Cambodia" .
NAVY YARD LIQUORS
• Beer •Wine • Spirits • Kegs
~
~
3 Hampson St.
Dracut, MA 01826
978-957-4775
35
�Dance, The Spirit of Cambodia
SAVE THE DATES!
August 31 & September 1
The dance company from
the Royal University of Fine
Arts, Phnom Penh will make
its first U.S. tour in more
than a decade.
The 12-city national tour
stops in Lowell for two exciting
shows at the
Lowell Memorial Auditorium
August 31 & September 1, 2001
Call 978-441 -9277 more information.
Accupressure • Cupping Therapy • Sports Therapy
Back & Neck Therapy • Stress Management
Find out what alternative therapy can do for you.
Call Rady for more information.
Rady Mom,
C. M.T. ,
Certified Therapist
Mom's T herapy • 15 Pine Street• Lowell, MA 01851
978-458-0404
36
�Happy New Year
&
Best Wishes
Angkor Dance Troupe
Community Teamwork, Inc.
167 Dutton St.
Lowell, Massachusetts 01852
(978) 459-0551
FAX: (978) 453-9128
We're on the Web
www.comteam.org
Community Teamwork ...
Building a Better Community
Every Day
37
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Lowell Community Health-Centir, Inc.
585-597 Merrimack Street, Lowell, MA 01854
Phone (978) 937-9700, Fax (978) 970-0057
•
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273 Summer Street• Lowell, MA 01852
(978) 452-3383
dlp11l!ll~iiJllnnlNtjjuidlmN1f41lllaih1!N
Angkor Dancers - Then & Now
Above - Now 10, Elizabeth Yim
joined the Troupe when she was
four years old.
Right - Peter Veth will be 14 in
2001 He joined Angkor when he
was 11-years-old.
AUTO INSURANCE
LARGEST
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Whh A Discount
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JOHN J. HONAN
INSURANCE A GENCY
42' CHELMSFORD Sf, LOWELL• NEXT TO WENDY'S
TEL: 9 78-454-0402
39
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Office: (978) 459-8359
16 Pine Street, Lowell, MA 01851
40
�Tr
YWCA
Lowell
The Tobacco Prevention Program (TPP) Peer Leaders
from the Acre Youth Center are working towards a
tobacco-free community. Every day, 3000 children
become regular smokers! Please help keep us healthy.
Do not give or sell cigarettes to minors under age 18. Please volunteer
in your community. For more information, please call 978-458-9983.
For the Angkor Dance Troupe, good luck!
YWCA of Lowell• 206 Rogers Street• Lowell, MA 01852
Left - 6-year old
Rotana Thou receives
a certificate from
RUFA Director Malis
Keo after a workshop
in Lowell in the early
1990's.
Right - Nearly 10
years later, Rotana
performs the Apsara
Dance.
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Anne Sullivan Center
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Is your child developing like other
children his or her age?
If you wonder...
please call
Anne Sullivan Center
Early Intervention Program
978-453-8331
126 Phoenix Avenue, Lowell, MA 01852
41
�Compliments of
Lowell's Emergency Service
LFff:1rfJsqpfllmtt[3mr7sl5mmSnfJnf1a
Trinity E.M.S. , Inc.
1221 Westford Street • Lowell, MA 01851
(978) 441-9999
42
�Sam Hor has been dancing since
he was 9. He turns 17 in 2001.
Right - Linda Sou
began dancing at age
four. She turns 18 in
2001.
_,
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Open 6 Days/Week
308 Westford Street
Lowell, MA 01851
(Closed Tuesday)
(978) 452-4431
Tluutkyoufor CD~ f:b pruerve-tliU e-x.trMnW1A¥f cukU¥e-far
future-!JeKeratWIU. You, make, OUJ' CD~ wok!JYeaC!
- Kheuutra, RMf:auranr
43
�Growing Up in the Angkor Dance Troupe
Above Left - Sochenda Uch at FirstNight
Boston in 1996.
Above Right - Sophal Ngin in an
undated photo.
Right - Sochenda and Sopha I at Jacob's Pilliow in August 2000.
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Interested in becoming a foster parent?
You might be able to help provide a supportive family
environment for Cambodian children, ages 11 to 14.
Informational meetings are open to you.
Call us to find out more.
·~'I Services
CAS~ (978) 931-1811
FAMI~
SERVICES
~-'~""
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.-.,,.;,
18 Palmer Street • Lowell, MA 01852
44
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�Lowell City Councilor
Rithy Uong represents a new
generation of leadership ...
for all of Lowell.
"I want to continue to serve you on the
Lowell City Council, to hear your concerns, and work together to make Lowell
the best it can be.
"Housing, decent and affordable, is a
basic right, to which everyone in Lowell
is entitled. As chair of the City Council
Housing Committee, I am working to
help all our citizens.
"Economic development begins in the
neighborhoods and should support
neighborhoods, rather than harm them.
"Elders deserve our respect and support.
As they have supported us, their families ,
and our city, we have an obligation to
stand up for them."
Rithy Uong, 2001
Lowell City Councilor
Paid by the Committee to Re-elect Rithy Uong, Lowell City Councilor.
For more information: 978-452-7158.
45
�Thomas A. Golden, Jr.
STATE REPRESENTATIVE
0
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Best Wishes to the
Greater Lowell Cambodian Community
and Congratulations to the
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Angkor Dance Troupe!
46
�EB
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ENO, BOULAY &
MARTIN, LLP
ATTORNEYS - AT - LAW
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ARTHUR L. ENO. JR.
SANDRA M. BOULAY
WlLLIAM F. MARTIN. JR.
134 Middle Street-Suite 300 • LowelL MA 01852-1867
Tel. 978-452-8902
Fax. 978-453-2585
And rew Page
Freelance
Photography
48 Morning Street
Portland , Maine 041 0 l
(207) 775-6678
email:
apage@maine.rr.com
47
�FRIENDS OF THE ANGKOR DANCE TROUPE
The "Friends of the Angkor Dance Troupe" is a membership drive to
support the Troupe's award-winning youth programs. Thank you to
the many concerned community members and organizations who have
contributed to the Friends of the Angkor Dance Troupe.
Major Program Sponsors in 2001
Casey Family Services
Linda Marsella & David Blair
Eleanor Briggs
Dr. Malcolm Hill
Contributing Sponsors in 2001
Nancy L. Donahue
Jonathan & Diane Pulliam
Community Leaders in 2001
Jane and Tom Benfey
Ann Bartholomew & Ron Micheels
Louis L. Pinn Insurance Agency
Citizens for Youth in 2001
Richard & Mary Noon • Elaine Wong
Kristina Nicolli • George C. Eliades, Jr., Esq.
Past Contributors
The Edward & Elizabeth Gardner Foundation • Janet Gardner
St. Joseph the Worker Shrine • John E. Leggat
Rosemary Noon & Paul Marion • Bonna Mai
r-------------------------1
HOW TO DONATE: Every gift is greatly appreciated. Many businesses offer a
matching gift program which can double the size of employees' contributions. Other
ways to give include memorial gifts, which allow the donor to recognize special
people in their lives, or gifts of appreciated stock that can reap substantial tax
benefits for the donor. All gifts are tax-deductible. Thank you for your support!
Address:------------------------
I am enclosing: 0$1,000 0$500 0$250 0$100
0
0
$50
0
$25
0
Other: - - - - -
My company's matching gift form is enclosed.
Please make checks payable to: Angkor Dance Troupe, PO Box 1553,
Lowell, MA 01853 (Thank You!)
L-------------------------~
�0
1'Uf~M~f
The Angkor Dance Troupe, Inc.
P.O. Box 1553, Lowell, MA 01853
(978) 441-9277 • FAX: (978) 251-8039
email: pageone@mediaone.net
http://ecommunity.uml.edu/angkor
I Special Thanks To: I
Our Dedicated Staff & Board of Directors
Phousita S. Huy, Artistic Director
Ruth Page, Executive Director
Sakhoeum Sim, Instructor
Chhan D. Touch, Co-Chair
Nissay Liek, Treasurer
Todd Beauregard
Dr. Nina Coppens
Vyrik Eng
Lynne Faust, LNP
Sophy Leng
Bonna Mai
Rady Mom
Taary Ram
Sopheap Sou
Rithy Uong
Tim Chan Thou, Manager
Panha Yuk, Instructor
Kolab Yin, Costumer
Jane Benfey, Co-Chair
Gloria Polites, Secretary
Jim Conlon
Saovary En
Samnang Hor
Cassandra Keirstead
Thida Loeung
Paul Marion
Jonathan Pulliam
Akara V. Savun
Sochenda Uch
Master Artists in Residency from
Royal University of Fine Arts, Phnom Penh
Yorn Peng
Sophea Sek
And to our Community Partners and Collaborators:
Big Brother/Big Sister of Greater Lowell ADAM project
UMass Lowell, College of Arts & Sciences
Lowell Community Charter School
Pat Mccrary and the Lowell National Historical Park
Jim Canavan, Donna Welch, & Marco Cancel, Community Teamwork, Inc.
Jay Lange & Jen Landry, Lowell Community Schools Program
E.N. Rogers Community School
Carole Mathews, Mass. Dept. of Social Services, Lowell Office
Photo Credits: Andrew Page, Rady Mom, Kevin Harkins, Tim Chan Thou,
Eleanor Briggs, Love Photos, Jocelyn Augustina. David Noeuk, Rachel Cooper
Translation Services: Nissay Liek
Sources: Dance and the Spirit of Cambodia, Toni Shapiro, Ph.D., Cornell University, 1994
"Cambodia's Royal Dance," Eileen Blumenthal, Natural History, 4/89
"The Dancer in Cambodia," Toni Shapiro, Ph .D., Asian Art & Culture. Arthur M. Sackler Gallery.
Smithsonian Institution. Winter 1995 Southeast Asia Today, Oxford University Press
�THOMAS ITYLiA~05
ATTORNEY AT LAW
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Child support
Divorce
Wills & estates
School law
Criminal defense
Injuries*
Auto accident*
Medical treatment*
Discrimination law*
Social Security*
Khmer speaking staff
•NO FEE unless we collect money for you!
FREE initial consultation
Weekend & evening hours, hospital visits
226 Central Street
Lowell, MA 01852
tel. (978) 459-5000
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe 15th Anniversary Commemorative Book, 2001
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Angkor Dance Troupe's 15th Anniversary Commemorative Book. Includes a brief history of the organization, descriptions of Cambodian Classical and Folk Dance, and information to contract the organization for events.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2001
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
52 p.; 21.5 x 14
Language
A language of the resource
English
Khmer
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f09_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Books
Cambodian Classical Dance
Cambodian Folk Dance
Cambodians
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/9d8843371dd1bb504d874dacb9f37a71.pdf?Expires=1712793600&Signature=g2JsL9eSM6vtYdAkl7wF5abWwlD5CYG7C6ndNfTPiNV8-6nhmptYyARzTuhsQ68I8xRPOwdV%7EUM4tdSU0SVTb8dQiDOTwhBa1UlncoTVXkqA6czXoDSB9hliVW9P1HnahJwqi-30x3RyVP6TahV2b812aW7JsoA7KHvDSoF%7EMWuWiWS8Y9%7EVHUA27X6o10xMjMqj6ExjlE33zMWHTrKsi4xVCpDALZcnkyjVzjPeovNZ7%7EXDiSx0gaicEf6EInM7TtwqpBaVZbgY6UPWmvNAAnNEt6f2DfTqp8kSlr0VF4MHLd4lX76M0BcGw9IodFQtlhDQpnSxya3A3YJIYOaJ%7Eg__&Key-Pair-Id=K6UGZS9ZTDSZM
182fd841aab1b987aefe2edcdd2e0e2a
PDF Text
Text
Cambodian C:la~~ical and Folk 'Dance.
. 1998 Commemorative Book
�Thomas A. Golden, Jr.
State Representative
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Best Wishes to the
Greater Lowell Cambodian Community
and Congratulations to
0
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The Angkor Dance Troupe!
�Table of Contents
I.
II.
II.
About the Angkor Dance Troupe
1 - 17
Dance Descriptions
18 - 37
Directory of Advertisers
Asian American Bank & Trust
35
12
Anstiss & Company
Bargain Rent A Car
21
Ann Bartholomew & Ron Micheels
25
Bratton Law Offices
36
28
Eleanor Briggs
10
Cobblestones
23
Colonial Gas
James L. Cooney
16
Nina Coppens
32
Donahue & Donahue, Attorneys, P.C.
27
Dutton Street Auto Works
9
Enterprise Bank & Trust Co.
7
Freedom Auto Sales
Inside back cover
Thomas A. Golden, Jr.
Inside front cover
20
John H. Honan Insurance
Jeanne D'Arc Credit Union
17
Daniel P. Leahy, Esquire
12
Lowell Community Health Center
34
Lowell General Hospital
27
Lowell Telecommunications Corp.
37
Marcotte Law Firm
15 & Back cover
Paul Marion and Rosemary Noon
2
Steve Moses
17
Kevin Murphy
29
Steve Panagiotakos
33
Don Pierson
14
Louis L. Pinn Insurance
18
Safeway Insurance
6
Sagendorf I Taupier Consulting
30
Saints Memorial Hospital
19
Marina & Peter Schell
6
Janice M. Stecchi
3
Trinity Ambulance
31
University of Massachusetts Lowell
11
University of Massachusetts Lowell Bookstores 24
Visiting Nurse Association of Greater Lowell
26
Washington Savings Bank
10
WLLH
37
�Special Thanks
To Our Dedicated Staff & Board of Directors
Chhan D. Touch, President
Phousita S Huy, Artistic Director
.
Nissay Liek, Treasurer
Tim Chan Thou, Troupe Coordinator
Carol Keirstead, Vice President
Carole Matthews, Co-Secretary
Ruth Page, General Manager
Gloria Polites, Co-Secretary
Jane Benfey
Paul Marion
Nina Coppens, Ph.D., R.N.
George Chigas
Maureen Martin
Laurie Beth Kalb, Ph.D.
Lynne Faust, LNP
Sokhorn Sem
Maria Cunha
Rothana Yak, Role Model
Akara Im, Role Model
Sokhoeum Sim, Instructor
Khoeun Pring, Role Model
Phalik Ting, Instructor
Soy Soeur, Artist-in Residence
Sophea Sek, Artist-in-Residence
Yorn Peng, Artist-in-Residence
Also to:
Toni Shapiro, Ph.D., Troupe Advisor
Ann Bartholomew
Pare Kaplov, WLLH
Cambodian Access Television
Thurman Prints
Khmer American Times
Lowell Showcase Cinema
Goodyear Auto Service Center
Cheryl Liebling
UMass Lowell Student Info. Centers and Cambodian Student Assoc.
Pat Desmaris, Middlesex Community College
UMass Lowell Bookstores/ Barnes & Noble Lowell
Publication designed by Page One Productions
Sources: "Cambodia's Royal Dance," by Eileen Blumenthal, Natural History 4/89
Khmer Folk Dance by Sam-Ang S & Chan Moly Sam, Khmer Studies Institute Inc., 1987
am
Khmer Songbook, Forward by Sophiline Cheam Shapiro, 1992
The Classical Dance Company of Cambodia, Sam-Ang Sam, Music Director
"An Introduction to Khmer Traditional Dance" by Huy Serey Phousita, Seoul, 1995
Photo Credits:
Tim Chan Thou, Toni Shapiro, Eileen Blumenthal, Ruth Page, Rothana Yok
Ann Bartholomew, Eleanor Briggs, Carol Bond, Kevin Harkins
Translation Services: Nissay Liek & Tim Chan Thou,
If you are interested in booking the Angkor Dance Troupe,
please call: (978) 441-9277 FAX: (978) 937-9419
�History and Background
Like all traditional arts, Cambodian dance has been been handed
from one generation to the next. Since the great Angkor Era,
Cambodian dancers have preserved, cherished, and celebrated
their art.
S
The Angkor Dance Troupe was
founded in Lowell, MA in 1986 by
ince the
Angkor Era,
Cambodian dancers
two teachers and a handful of
have preserved,
dancers who learned traditional
cherished, and
dance in refugee camps along the
celebrated their art.
Thai-Cambodian border. Between
1975 and 1979, when Pol Pot and the Khmer Rouge controlled
Cambodia, more than 90% of the country's perished or fled. It was
in the camps and later in places like Lowell and at the University of
Fine Arts in Phnom Penh that traditional Cambodian dance was
painstakingly resurrected.
Today, dance has become one of the primary ways that
Cambodians, split by politics and war, identify a common culture.
For the people of Cambodia, art is the core of life, combining
entertainment, tradition, religion, and social cohesion . Wherever
Cambodians live, so do the traditions of practicing, performing,
and passing on the culture.
1
�A Leader in Traditional Cambodian Dance
The Angkor Dance Troupe is nationally recognized as one of the
most accomplished and experienced Cambodian traditional arts
ensembles performing today. The Troupe develops and teaches the
traditions of Cambodian performing arts, promotes an understanding and appreciation of Cambodian cu lture, and provides a positive
social, cu ltural, and recreational outlet for Cambodian youth.
The Angkor Dance Troupe is routinely invited to perform at presti-
'
gious events such as Boston's First Night celebration and the Lowell
Folk Festival. The Troupe has participated in workshops at Jacob's
Pillow and is listed on the New England States Touring Roster
Congratulations to Lowell's
nationally recognized Dance Troupe!
~
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PAUL MARION
& ROSEMARY NOON
2
�The Angkor Dance Troupe is recognized througout the
country ilS a leading Cambodian Classical. and Folk Dance
Ensemble. Above, members perform in a special ceremony
at the Masuchusetts ~tate House in March 1998.
The Troupe's artistic director, Phousita S. Huy, is one of the mostrespected master teachers of Cambodian dance in the U.S. and is
recognized internationally. She is a recently-emigrated teacher and
star performer from the Royal University of Fine Arts in Phnom Penh,
Cambodia, considered the world's artistic standard bearer for
Cambodian performing arts. Troupe coordinator and cofounder Tim
Chan Thou was trained and certified as a teacher of Cambodian
traditional dance at the Khao-1-Dang and Philippine Refugee Centers.
Best Wishes from
Dean Janice M. Stecchi
College of Health Professions
& Center for Health Promotion
University of Massachusetts Lowell
in anticipation of continued partnerships.
3
�I
/1 lassical dance has been connected to the sacred rituals of
l,; Cambodia for more than one thousand years. During the
great Angkor civilization, dancers performed ceremonies in temples
to bring prosperity to the kingdom. Once the exclusive domain of
royalty, classical dance is now performed for audiences everywhere.
In classical dance, we see highly-stylized positions in concert with
gentle movements. Gestures are strictly defined and distinguished
by the intricacy of hand positions.
Each of these gestures has a specific meaning, often relating to
nature. For example "Lea" can denote a leaf, but it can also mean
•'
"to open." (See right hand in photo below.) Depending on its
context within the dance, Lea can represent
its beauty or the opening of a hand or a
piece of paper. "Cheep" (left hand in photo)
can symbolize a flower or it can mean
to fold into small pleats.
4
the leaf and
�T
hroughout Cambodia, after the harvest, it is time for music,
song, and dance. Folk dance is rooted in rural Cambodia and
depicts rituals of everyday village life, such as fishing and rice farming, that are typically undervalued in the rush toward westernization.
Dance motifs are commonly based on local legends and inspired by
themes of nature as well as the ceremonies and customs that shape
the lives of Cambodian people. Distinctive, colorful costumes represent the traditional dress of peoples from the various regions and
ethnic groups within Cambodia.
Just as court dance is ruled by a strict form and a prescribed
language of movement, folk dance is spontaneous, created for
emotional expressions.
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5
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555Merrimack Street, Lowell, MA 01852
1i (978) 970-5567 Fax (978) 441-1611
With smooth step and elegant gesture,
you grace our city and take us to a
wonderful new place.
Thank you Angkor Dance Troupe.
/11atzlna and ~etetz Schell
6
�Visiting Dance
master Say Soeur
(left) is one of the
world's best
teachers and
performers of the
"Monkey Dance"
role. Here, he
accompanies
Troupe Artistic
Director Phousita
Huy in a performance of
Hanuman and
Sovann Macha
(White Monkey &
Golden Mermaid).
~~
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ENTERPRISE
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BANK AND TR UST COMPANY
Member
FDIC
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LENDER
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Branch Offices
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4 Central Street • Leominster, MA 01453 • 978-534-7400
910 Andover Street • Tewksbury, MA 01876 • 978-863-5500
Mortgage Lending Center
27 Palmer Street • Lowell, MA 01852 • 978-459-9000
7
�An Extensive Collection of Authentic Costumes
The Angkor Dance Troupe has assembled an extensive collection
of richly-detailed, authentic costumes, dance materials, and
artifacts. Much of the collection was created by master dancers
and costumers from the University of Fine Arts in Phnom Penh.
Preparing for a performance can take several
hours. Many costumes
are so intricate and
close-fitting that
dancers have to be
sewn into them
before performances.
8
�Steve Graham's
Dutton Street
Auto Works
0
Honda Collision Experts
1!11
Complete Frame Straightening
Free Towing
The Best Quality at the Best Price.
115 Rock Street
(978) 937-1823
Lowell, MA
In MA 1-800-937-1823
MA Reg.# 3231
9
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Est. 1892
Lowell, MA 01852
(978) 458-7999
0
Dracut, MA 01826
(978) 275-6000
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MEMBER
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Celebtllfing Lowell'~ culfutlll divet~ity - Welcoming All!
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91 Dutton St. Lowell MA
"Btinging ~tyle Downtown•
10
�Carrying on the Tradition
The Troupe holds weekly
rehearsals. The method of
teaching is practiced as it has
been done traditionally, by
watching, imitation, and
assistance from teachers to
achieve the correct postures
and movement. Left, Dance
Master Phousita Huy
instructs apprentice dancer
Elizabeth Yim.
Discover
UMass Lowell
A proud member ofLowell's Multicultural Community.
IPMdli&iiMPi
13CWIIIMIID
LOWeLL
One University Ave., Lowell, MA 01854
(978) 934-4000
www.uml.edu
11
�Free Initial Consultation
Q
"
'
C,
ffii~z1SW6~iS Gi$m~
Daniel P. Leahy, Esq.
Former State Senator
Al
o
$i~~~~8~~~~ Massachusetts
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Put His Experience to
Work For You
459-0181
10 Bridge Street, Lowell
Anstiss & Co., P.C.
Certified Public Accountants
2 1 George Street
Lowell, MA 01852
Raymond L. Anstiss, CPA, M BA
Richard B. Dionne, C PA, MST
Raymond L. Anstiss, Jr., CPA, MBA
]acnes G. Heller, CPA
Telephone: (978) 452-2500
Fax: (978) 458-0425
A FULL SERVICE FIRM
PROUDLY SERVING THE GREATER LOWELL COMMUNITY
FOR MORE THAN 30 YEA RS
12
�Royal Univeristy of Fine Arts Dance Masters Sophea Sek, Yorn Peng,
and Say Soeur arrived in the United States in early 1998 and will teach
and perform with the Angkor Dance Troupe throughout the year.
1998 Masters of Cambodian Dance Project
In 1998, the Angkor Dance
Troupe hosted three internationally-recognized dance
masters from Phnom P
enh,
Cambodia. The th ree will
teach and perform with the
Troupe as part of an
·'
apprenticeship program
funded by the Lila WallaceReader's Digest Community
Folklife Program. Right, Ms.
Yorn Peng instructs apprentice Linda Thou during a
Troupe rehearsal.
13
�1998 Masters of Cambodian Dance Project
Esteemed Dance Master
Yorn Peng demonstrated
the "Giant" classical dance
role during a workshop at
Middlesex Community
College as part of 1998
Lowell Women's Week.
Below, Ms. Yorn taught the
traditional Roam Vong circle
dance to students at the
Lowell Demonstration School
during a Cambodian New
Year celebration.
Donald E. Pierson,
Dean
College of Education
University of
Massachusetts Lowell
14
�Marcotte Law Firm
45 Merrimack Street, 4th Floor
Lowell, MA 01852
.
.
• Workman's Compensation
• Personal Injury .
• Auto Accident
• Divorce
• Business Law
• Wills & Trust
• Real Estate
Ir (978)
15
458-1229
�1998 Masters of Cambodian Dance Project
t/111
,
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f~m&~ft!ftieu~,J
Small Enough to Know You
Large Enough to Serve You
rn'
James L. Cooney Agencies
Insurance
Real Estate
32 Church Street• Lowell, MA 01852
(978) 459-05, 5 (978) 452-9952
0
16
.
�0
JEANNE
1
D ARc CREDIT UN10N
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MSIC;NCUA
LOWELL • BILLERICA • CHELMSFORD • DRACUT
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ASL£ • TEWkSIIURY • TYNG80i10 •
Prl.}WA, NH
PEPPERELL • WEsTfoeo • W11.MNGTON •
Hu050N, NH
Best Wishes For A Successful Yearl
,.
I
6 58 Mer
rimack St,Lowell
1345 L
akeview Ave,Dracut
(978) 452-5001 All Loc,1tions
Left, Dance Master Sophea Sek
assists apprentice Tola Sok, 15,
in perfecting a hand gesture
during a Troupe rehearsal.
Right, Master Say Soeur with
one of his proteges, 13-year old
Samnang Hor. Mr. Say is a
widely-respected teacher of the
Monkey, a spirited and lively
classical dance role that is
hugely popular at performances. Samnang apprenticed
under Say during a 1996
residency and now performs
the role for audiences around
New England.
6JUL
UM§a1inHl&UtdtJJflUa1fg1,siu111-vr1,
Steve Moses &
The Center for Health Promotion
University of Massachusetts Lowell
extend sincere best wishes to
the Angkor Dance Troupe
17
�The Blessing Dance
The Blessing Dance was traditionally performed in the Cambodian
royal palace to eliminate bad spirits and bless the royal kingdom.
Today the blessing dance
is performed at the
beginning of performances of all types. It is
a dance of greetings and
good wishes. During the
performance, dancers
come forward and
sprinkle flower petals toward the audience. This is done in the hope
of bringing prosperity, peace, and good health to everyone in attendance in accordance with Cambodian tradition. (Above, Troupe
members perform the Blessing Dance at the 1997 Southeast Asian
Water Festival in Lowell.)
Insurance Agency Louis L. Pinn
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�Saints Memorial Medical Center
Best Wishes
to the Greater Lowell
Cambodian Community
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19
�The Coconut Shell Dance
Coconut trees are a main agricultural resource in Cambodia. They
provide sustenance to Khmer farmers and are abundant in villages.
The dance was inspired by a popular game that used coconut
shells. The game was played during all kinds of ceremonies, but
most often during weddings, engagements, and when the groom
was escorted in a procession to the bride's house. In its original
form, it was a one-man show. In the modern-day dance, an equal
number of male and female dancers performs the dance, signifying
friendship and courtship.
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INSURANCE AGENCY
421 CHELMSFORD IT., LOWELL (NEXT TO WENDrl)
TEL. 454-0402
20
�BARGAIN RENT•A•CAR
DEUVERY SERVICE AVAILABLE
W. IAft YOU IIONEY
RIGHT FRON THE STARTI
tow RATES -STARTING AS tow &i
$15.H A DAY!
.L TRANSPOlffATl)N SEIMCES AVMABU FOR HANDICAPPED, TBIPOIWIL.Y
0OtSMUD, B.DERLY OR IMA8l.f TO ORM YOURSELF.
EB
111
970-5500
794-9988
BARGAIN RENT•A·CAR
DEUVERY SERVICE AVAILABLE
21
�After countless hours of practice, Angkor Dance Troupe
apprentices Choumnith Sath, 11, and Samnang Hor, 13,
· mastered the skills to perform the challenging classical dance
"Hanuman and Sovann Macha." Above the pair dazzled an
audience in Cambridge during a performance .n January 1998.
i
22
�Hanuman and Sovann Macha
Hanuman & Sovann Macha (The White Monkey and the Golden
Mermaid) depicts a scene from the Reamker, Cambodia's version of
the Hindu epic Ramayana. Before this episode begins, the Queen was
captured and taken to the kingdom of Lanka far out at sea. King Ream
calls on a famous army general named Hanuman to help him rescue
the queen. Hanuman is a white monkey and in Cambodian legend,
white monkey warriors always fight evil. Hanuman sets about to build
a bridge across the ocean to reach the Queen. But as fast as he and
his army of monkeys pile up stones for the bridge, the stones mysteriously disappear.
In the scene depicted in this dance, the white monkey dives into the
sea to investigate. What he discovers is that a school of fish, led by a
golden mermaid named Sovann Macha, has been carrying off the
stones. Hanuman confronts the beautiful troublesome mermaid - at
the same time he can't help but be dazzled by her beauty and falls in
love. And while she initially resists, Hanuman eventually wins her over
as his partner in the fight against evil.
A
tradition in the
community since 1849.
It has alwa ys been the goal of Colonial Gas Compa ny to offer exceptional val ue
and superior sen·ice to our customers. To that end, \\'C' continually look for \\'ays
to irnp rove the way we do business - through th C' innovati ve use of technology,
by focusing on the needs of our customers, and by partici pating in tlw economic
growth anct welfare of the communities we serve.
It is this commitment to exce llence, and the ctesirt• to Sc(' this commun ity pros pt'r,
that will continue the tradition of Co lonial Gas into the next century.
800- 548-8000
S rnce /849
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COLONIAL
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The B est Cho,ce
23
�The Battle at Night
Chambang Pel Yup, the Battle at Night, is a dance from the traditional Lakhan Khol form all-male dance drama, performed to illustrate stories from the Reamker. The Battle at Night depicts a scene in
which monkeys, who always fight evil, fight a group of demons. As
night falls, neither side can tell friend from foe and chaos ensures.
Finally, the monkeys use the weapon of light to prevail over darkness. Cambodians see this episode as an allegory for the battle
against ignorance. (From the Classical Dance Company of Cambodia
1990 Tour)
The Peacock of Pursat
This dance originated in the Pursat provide of Cambodia where
people of the Cardamom Mountain region performed dances for the
spirits before going on trips to pick cardamom (a spice from the
ginger family). Cambodia's lush tropical forests are home to a large
variety of animals and birds, including numerous peacocks and
peahens. Their fabulous green and black tail feathers bear the stamp
of nobility. During the Peacock of Pursat dance, performers wearing
headgear of peacock feathers represent pairs of peafowl as they play
in the forest and float on the mountain breezes.
University of Massachusetts Lowell
Bookstores
934-2623
934-6908
458-3939
North Campus
South Campus
Downtown
Serving all ofyour on-campus and
general reading needs throughout Greater Lowell.
Best ofLuck
Angkor Dance Troupe!
24
�Congratulations to
our Role Models!
Pov Sath 1996
Khoeun Pring 1998
Andeth Vann 1995
Sopor Vann 1994
Rothana Yok 1998
Akara Im 1997
Troupe apprentices who prove through their
attendance, commitment, and contribution that they are
dedicated students of Cambodian dance are awarded the
position of "role models."
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Congratulations and Best Wishes from
Ann Bartholomew & Ron Micheels
25
�The Angkor Dance Troupe at FirstNight Boston, 1997
From left Chhan D. Touch, Khoeun Pring, Phalik Ting, George Chigas,
Thida Loeung, Linda Thou, Sochenda Uch, Vanlina Im, Rothana Yok, Pov
Sath, Boo Ouch,Rotana Thou, Vanrotha Im, Sophannary Khem,
Sophannarin Khem, Harlen Hor, Soparl Ngin, Samnang Hor, Akara Im,
Andeth Vann, Phousita Serey Huy, Chenda Ty, Sarith Heng, Sokhoeum
Sim, Maliny Pen, Maliny Khem, Elizabeth Yim, Choumnith Sath.
Visiting Nurse Association of Greater Lowell, Inc.
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We bring skilled and compassionate health care to you at home.
26
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Donahue & Donahue
Attorneys, P.C.
Since 1887
Excellence in the Practice ofLaw
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Civil, Commercial and Criminal Trials
Personal Injury, Medical Negligence and Defective Product Actions
Business and Corporate Law
Real Estate Transactions
Employment Practices
Environmental Law & Land Use Management
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21 George Street • Lowell, MA 1852-2283
;;:rfamily,
friends,
your
your
life.
At Lowell General Hospital we are committed to giving you
the widest range of care. We have the area's newest pediatric
and maternity units, the only Trauma Center in the region, a
cardiology unit with the latest in heart diagnostic equipment
and procedures, and top-notch physicians, nurses, and technicians. If you are looking for a physician, or if you would
like information on any of our services, call (978) 937-6425.
Lowell General Hospital, 295 Varnum Avenue, Lowell, MA • www.lowellgeneral.org
27
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350 King's Highway
Hancock, NH 03449
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�KEVIN J. MURPHY
ATTORNEY AT LAW
STATE REPRESENTATIVE
(Highlands, Acre, Downtown Lowell)
LAW OFFICE (978) 459-6320
STATE HOUSE (617) 722-2240
63 Newbury Street
Lowell, Massachusetts O18 51
29
�The Fan Dance
The Fan Dance is a classical dance performed to glorify the king - for
prosperitiy and peace. This dance praises the mercy and love of the
king toward ordinary people. It is an elegant and joyful dance that asks
the gods to bless his majesty, the king, with long life and good health.
Sagendorf/ Taupier
Consulting, Inc.
Real Estate
Sales & Consulting
11 East Merrimack Street
lowell, Ill 01852
1918) 931-5000
30
�Compliments of
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Lowell's Emergency Service
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Lowell, MA 01851
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�The Fishing Dance
There is a saying in Cambodia "Where there is water, there
are fish. " The Fishing Dance demonstrates two of the traditional methods of catching fish, using bamboo baskets, called
chhneang, and angrut, which are braided bell-shaped traps
for catching larger fish in shallow water.
Love and romance are favorite themes in folk dances. In
traditional Cambodian society, young people are carefully
watched and don't have many opportunities to get to know
one another. But the fishing quarter is one place they had the
chance to meet. The Fishing Dance shows how young people
balance custom and courtship by the river's edge.
Angkor Dance Troupe
thank you for sharing the beauty of your culture!
Nina Coppens, PhD, RN
Director of the Baccalaureate Nursing Program
University of Massachusetts Lowell
32
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Happy New Year
and Best Wishes to the
Cambodian Community
from
".
S TATE S EN AT O R
Steven C. Panagiotakos
33
�Lowell Community Health Center
5 8 5 Merrimack Street
Lowell, MA 01854
(978) 937-6100
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�TbalKdoeung
Tbal Kdoeung comes from the northern part of Cambodia. It demonstrates how Khmer famrers process rice after it has been brought in from
the fields - breaking the rice chaff with wooden mallets and winnowing
or separating the rice from the chaff by rotating it in flat baskets.
The Preap (White Dove) Dance
In Cambodia, the dove represents peace, as it does in many parts of
the world. Preap is a dance to discourage war and the atrocities of
war and to celebrate peace and harmony among all people.
ASIAN AMERICAN
BANK&. TRUST
COMPANY
68 Harrison Avenue, Boston MA 02111
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and knowledgeable loan officers at (617) 695-2800.
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-LENDER
35
�In January 1998, Troupe members performed at NewTV in Newton
in a television program for deaf children. Below, visiting Masters
Sophea Sek, Yorn Peng, and Say Souer were interviewed for a Khmer
television show in Lowell.
Bratton La"W" Offices
226 Central Street
Lowell, MA 01852
(978) 452-7100
Personal Injury, Auto Accidents, Criminal Defense
36
�The Troupe presented a spirited "Trod Dance" at the Temple for
Cambodian New Year in 1998, marking the first time the traditional folk procession had ever been performed in Greater Lowell.
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37
�The Chhay Yam
The Ch hay Yam is a comic country dance. After the harvest, Khmer
farmers gather in ceremonies and festivals to celebrate. The Chhay
Yam is performed to enliven and add levity to these celebrations. Its
exciting rhythm and lively "call and response" singing encourages
the dancers to improvise their steps and gestures.
The Angkor Dance Troupe is funded in part by:
The Lila Wallace-Reader's Digest Community Folklife Program,
administered by the Fund for Folk Culture and underwritten by the
Lila Wallace-Reader's Digest Fund.
liill
MASSACHUSETTS CULTURAL COUNCIL
A state agency that supports public programs
in the arts, humanities, and sciences.
THEODORE EDSON PARKER
FOUNDATION
Nathaniel and Elizabeth P.
Stevens Foundation
Lowell Cultural Council
with funds from the
Massachusetts Cultural Council
�Mike Ballas'
1600 Middlesex Street, Lowell, MA 0 1851
Telephone: 978-934-8855 Fax: 978-934-8866
website: www.ballos.com/freedom
s ~ ~ ~ o/fPze-(J(Q«e4 ~ & ~ uiia & ~
ad ~
Lowell's Cambodian Community
& the Angkor Dance Troupe!
Finance Plans Available For Everyone
& ~ 0«1r- ~ Olte ~ at a tifflel
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Marcotte Law Firm
45 Merrimack Street, 4th Floor
Lowell, MA 01852
• Workman's Compensation
• Personal Injury
• Auto Accident
• Divorce
• Business Law
• Wills & Trust
• Real Estate
if (978) 458-1229
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe Commemorative Book, 1998
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Angkor Dance Troupe's 1998 Commemorative Book. Includes a brief description of the organization and descriptions of Cambodian Classical and Folk Dance.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
1998
Rights
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UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
44 p.; 21.5 x 14
Language
A language of the resource
English
Khmer
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f09_i002
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
1990-1999
Books
Cambodian Classical Dance
Cambodian Folk Dance
Cambodians
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/ca1320a5c143b203e6e10afca9501614.pdf?Expires=1712793600&Signature=pOE2EJsktLX0VMDc5T923CdMDumF0V6sHsNCshZxOmzsStLwxEh5WX0HAd5mpgiJbsopCVix4qx10Pp-HimsJPGmEFgTVoTvkEVGMidxnC06TDdiqfSWwkp6Yfo0QOz5a9PG2V1sFKmF8DoRaI2aO6tF%7EYWCZxrPM%7EN-atOxr8QlQ-O9YlUGrWo0LRiQv2-9UALcQ6VYNTAbbwsfrgdHR2e-HBxRrDdxbO4P7Ksf3yWrTR3sZ4rl59HyoifTm0tgyxLdLbtynBkwPK%7E6Lyzb0mNbXAcpmgS5-w2iQJf57-JAV%7EhI%7EA6Kk1urXhFP6VB%7E3H6RLdCQZMFzgQMEGBdpZw__&Key-Pair-Id=K6UGZS9ZTDSZM
69c102a5e74dabdde0a743be04cd3595
PDF Text
Text
ANGKOR
DANCE TROUPE
Cambodian Classical & Folk Dance
1999 COMMEMORATIVE BOOK
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�TABLE OF CONTENTS
I.
II.
Ill.
IV.
V.
About the Angkor Dance Troupe
A Unique Way to Reach Youth
The Year in Pictures
Inside Back
Funders & Credits
Directory of Advertisers
Asian American Bank & Trust
Anstiss & Company, P.C., CPA
Ann Bartholomew & Ron Micheels
Jane Benfey, Angkor Dance Troupe
Colonial Gas
Community Teamwork, Inc.
Nina Coppens
Donahue & Donahue, Attorneys, P.C.
Eno, Boulay & Martin, LLP, Attorneys at Law
Enterprise Bank & Trust Co.
Outside Back
Friends of the Ankgor Dance Troupe
Thomas A. Golden, Jr., State Representative
John J. Honan Insurance Agency
Jeanne D'Arc Credit Union
Haskell Law Offices
Inside Front
Harvard Vanguard Medical Associates
Wayne Hayes, Lowell City Council Candidate
John E. Leggat, Counselor at Law
Dick Lepine Real Estate, Inc.
Paul Marion and Rosemary Noon
MassBank
Steve Moses
Kristina Niccoli
Page One Productions
Steve Panagiotakos
Pelletier Brothers Garage
Donald Pierson
Louis L. Pinn Insurance Agency
Jonathan Pulliam
Saints Memorial Medical Center
Nicholas C. Sarris, Inc.
Linda Sllka, Ctr. for Family, Work, & Community
Janice M. Stecchi
Tim Chan Thou & Family
Roland A. Turmaine, Attorney
University of Massachusetts Lowell Bookstores
Washington Savings Bank
1 - 17
20-24
26-34
Cover
17
27
38
35
25
29
32
28
17
5
Cover
9
22
27
Cover
13
25
11
21
3
33
27
32
36
33
23
34
23
37
31
11
35
8
18-19
30
30
11
�Special Thanks
To Our Dedicated Staff & Board of Directors
Chhan D. Touch, President
Phousita S Huy, Artistic Director
.
Nissay Liek, Treasurer
Tim Chan Thou, Troupe Coordinator
Jane Benfey, Vice President
Carole Mathews, Co-Secretary
Ruth Page, General Manager
Gloria Polites, Co-Secretary
Jim Conlon
Paul Marion
Nina Coppens, Ph.D., R.N.
Maureen Martin
Saovary En
Rady Mom
Lynne Faust, LNP
Khoeun Pring
Samnang Hor
Seng S Prum
.
Akara Im
Sokhorn Sem
Laurie Beth Kalb, Ph.D.
Sopheap Sou
Cassandra Keirstead
Sokhoeum Sim, Instructor
Toni Shapiro, Ph.D., Troupe Advisor
Phalla Lak, Instructor
Phallik Ting, Instructor
Sovann Thida Loeung, Instructor
Kolab Yin, Costumer
Also to:
Thurman Prints
Cambodian Women News
UMass Lowell Bookstores I Barnes & Noble Lowell
And to Our Funders:
Massachusetts Cultural Council
Theodore Edson Parker Foundation
Lila Wall-Reader's Digest Community Folklife Program
Lowell Cultural Council
Friends of the Angkor Dance Troupe
Lowell Community Schools
Lowell Police Department
Nathaniel & Elizabeth P. Stevens Foundation
Greater Lowell Community Foundation
For more information regarding the Angkor Dance Troupe,
please call or write:
Angkor Dance Troupe
P.O. Box 1553, Lowell, MA 01853
(978) 441-9277 FAX: (978) 455-2454
http://civic.uml.edu/angkor
�ANGKOR DANCE TROUPE
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THE POWER OF ART & CULTURE:
A COMMUNITY HEALS ITSELF
The Angkor Dance was formed in 1986 by two dance instructors
and a handful of dancers who learned traditional Cambodian
dance in refugee camps along the Thai-Cambodian border. When
we resettled in Lowell, we brought a passion to carry on our
cherished traditions - to practice and perform, to teach others, and
to see the art form preserved for future generations of all cultures.
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A classical dancer performs a ceremony in front of the
Angkor Wat temple complex in the Siem Reap province of Cambodia.
The Troupe takes its name from the great Angkor Civilization,
between 802 and 1432 AD, when Cambodia was a dominant
empire in Southeast Asia . Dance, music, and· drama :have always
been prominent in Khmer society, but these ancient traditions
were nearly wiped out when the Khmer Rouge controlled
Cambodia in the 1970's. Artists were among those deliberately
targeted for execution and more than 90% of the country's
tradition bearers perished. Today as Cambodians in Lowell and
elsewhere struggle to emerg'e from decades of war and poverty,
our people look to the rebirth and re-creation of dance as
testimony to the endurance of Cambodian culture.1
2
�The Angkor Dance Troupe plays an important role in Lowell.
Greater Lowell is home to the second-largest community of
Cambodian Americans in the country. Most residents are refugees
who resettled here in the wake of the Khmer Rouge genocide.
Cambodian dance performances provide a poignant reminder of
the beauty and deep spirituality of Cambodian culture and help us
develop a sense of home and community in our new homeland.
While working in refugee camps during the 1980's, anthropologist
Toni Shapiro observed that despite adverse conditions there was a
passion to dance. "People who know only the rudiments of Khmer
classical or folk dance movements taught others, and they staged
small shows ... Wherever the Khmer were, some were dancing. In the
camps along the Thai -Cambodian border, a war zone in 1983,
dancers dodged artillery shells on the way to practice o r even
during performances. Still they danced .. .And thousands showed up
to watch, sometimes perching on bunkers to get a better view. "
Happy New Year
"!iiFi
from
Paul Marion & Rosemary Noon
3
2
�?
A National Leader in Traditional Cambodian Dance
The Angkor Dance Troupe is nationally recognized as one of the
most accomplished and experienced Cambodian traditional arts
ensembles performing today. The Troupe has appeared at
numerous prestigious venues throughout the Northeast including
First Night Boston, the National and Lowell Folk Festivals, the
Berkshire Museum, Yale University, and the Merkin Concert Hall
in New York City. The Troupe has participated in workshops at
Jacob's Pillow and is listed on the New England Touring Roster.
During 1998 alone, the Troupe appeared in 33 performances for
combined audiences of more than 13,000 people.
Troupe Artistic Director Phousita S. Huy is one of the world's mostrespected master teachers of Cambodian dance. Before joining the
Troupe, she was a faculty member with the Royal University of Fine
Arts in Phnom Penh, and she toured internationally as a principal
with the Classical Dance Company of Cambodia. Troupe Coordinator and Founder Tim Chan Thou was certified as a teacher of
Cambodian traditional dance at the Khao-1-Dang and Philippine
Refugee Centers.
4
�T
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ENTERPRISE
Gr
BANK AND TRUST COMPANY
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A
CERTIFIED SBA
LENDER
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FDIC
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222 Merrimack Street • Lowell, MA 01852 • 978-459-9000
Branch Offices
674 Boston Road (Rte 3A) •Billerica, MA 01821 • 978-262-0123
185 Littleton Road (Rte 110) • Chelmsford, MA 01824 • 978-442-5588
1168 Lakeview Avenue• Dracut, MA 01826 • 978-957-5100
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Coming Soon: 23 7 Littleton Road, Westford
Mortgage Lending Center
27 Palmer Street• Lowell, MA 01852 • 978-459-9000
The Troupe takes a bow after a peformance for Yale University in September 1998.
5
�lassical dance has been connected to the sacred rituals of
Cambodia for more than one thousand years. During the
great Angkor civilization, dancers performed blessing ceremonies in temples to bring prosperity to the kingdom. Once the
exclusive domain of royalty, classical dance is now performed for
audiences everywhere.
In classical dance, we see highly-stylized positions in concert with
gentle movements. Gestures are strictly defined and distinguished by the intricacy of hand positions. Each gesture has a
specific meaning, often relating to nature. For example "Lea"
can denote a leaf, but it can also mean "to OP.en." (Right hand in
photo.) Depending on its context within a
can represent the leaf and its beauty or the
opening of a hand or piece of paper. "Cheep"
(left hand in photo) can symbolize a flower ..•
or it can mean to fold into small pleats.
6
�,..,... hroughout Cambodia, after the harvest, it is time for
I.
music, son g, and dance. Folk dance is rooted in rural
Cambod ia and depicts ritua ls of everyday vi ll ag e life. The dances
honor skills that are t ypically undervalued in t he rush towa rd
westernization, such as fishing and rice farming .
Dance motifs are commonly based on local legends and inspired
by themes of nature as well as the ceremonies, and customs that
shape the lives of Cambodian people. Distinctive, colorfu l
costumes represent the traditional dress and cloth worn the
various regions and ethnic groups within Cambodia.
Just as court dance is ruled by a strict form and a prescribed
language of movement, folk dance is spontaneous, created for
emotional expressions.
folk Danell
7
�An Extensive Collection of Richly Detailed Costumes
The Angkor Dance Troupe has assembled an extensive collection
of richly-detailed, authentic costumes, dance materials, and
artifacts. Much of the collection was created by master dancers
and costumers from the University of Fine Arts in Phnom Penh.
Preparing for a performance can take several hours. Many
costumes are so intricate and close-fitting that dancers must be
sewn into them before performances.
Best Wishes from
Dean Janice M. Stecchi
College of Health Professions &
Center for Health Promotion
University of Massachusetts Lowell
in anticipation of continued partnerships.
8
�Thomas A. Golden, Jr.
ST ,\TE
REPRl ·~ SE0:T , \Tl\ ' E
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Best Wishes to the
Greater Lowell Cambodian Community
and Congratulations to the
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Angkor Dance Troupe!
9
�From One Generation to the Next - Carrying on the Tradition
Members of the Troupe rehearse for several hours each week. The
method of teaching is based on the traditional model - apprentices
learn by watching, imitation, and hands-on assistance from teachers.
At left, Master Phousita Huy helps
apprentice Elizabeth Yim achieve
the correct posture during a
rehearsal in January 1998.
In May, the
8-year old made
her stage debut
as "Sovann
Macha," a
challenging
classical dance
role, during a
performance at
Lowell's Robinson School. Right, Master Yorn
Peng makes adjustments to Elizabeth's
headdress before she takes the stage.
LAST-MINUTE
BACKSTAGE
PREPARATIONS
Ms. Huy gives lastminute instructions
to dancers ready to
perform the
"Blessing Dance"
at the University
of Massachusetts
Lowell in May.
10
�JOHN E. LEGGAT
COUNSELOR AT LAW
(978) 454-5654
FAX: (978) 452-5914
174 CENTRAL STREET
LOWELL, MA 01852
87 Pevey Sueec
Lowell
Massachusetts
01851
Telep/Jone
508·458·9762
Fax
508·970·0717
Custom
Building,
Remodeling
& Historic
fuseroation
Cabinetry
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ln98f!a51nfNf&Nf~&~ff!ft
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SAVINGS BANK
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458-7999
275-6000
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30 Middlesex St.
100 Broadway Rd.
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Mtne.rsoftk ~
1t'f'j1 CD Mllwrb
11
~MEMBER
tUil FDIC/DF
�Masters of Cambodian Dance - Learning from the Best
The Ang ko r Dance Troupe teaches and performs a body of work
from the Royal Un iversity of Fine Arts in Phnom Penh, Cambodia,
whi ch is con sidered the world 's cultural standard bearer for
Cambodian trad it ional arts.
Part of what distinguishes the Angkor Dance Troupe from other
Cambodian dance ensembles is our ongoing program of cultural
exchange with the international community of professional
dance masters. The Troupe has worked with numerous master
dancers and musicians over the years, most recently hosting three
dance professors from the Royal University during 1998 through
a project funded by the Lila Wallace-Reader's Digest Community
Folklife Program .
Below right, visiting instructor Say
to teach apprentices new
scenes from the
Cambodian Reimkee.
Left, popular University of Fine Arts
Instructor Sophea Sek with Troupe
apprentice Sochenda Uch.
12
�Harvard
Vanguard
Medical Associates
Chelmsford
Serving the Chelmsford area for over 40 years.
Offering the largest and most complete
medical services in the area in one convenient location.
On-site services include adult and pediatric primary care,
surgery, and other specialities.
en;snaiee
Chelmsford ~9~0F&e5'55
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mamdittlfl a~~01 m mrutgna~ MJm riJ, ~a tQ\3,
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228 Billerica Road
Chelmsford, MA 01824
(978) 250-6000
msununltum fi1l t~19 8
On-site Khmer interpreter (978) 244-6667
13
�Masters of Cambodian Dance - Learning from the Best
In the 12-year history of the Troupe, we have had the honor to
work with a number of professional dance masters from the
University of Fine Arts, Phnom Penh and around the world. For
their invaluable contribution to the preservation of Cambodian
dance, we give them our thanks:
The Esteemed Chea Samy
Master, Royal University
Chhieng Proeung
Dean, Univ. of Fine Arts
Ros Kong & Tes Sam Oeun
Masters of Classical Dance
Dr. Sam Ang Sam
Master of Cambodian Music
Chan Moly Sam
Master of Court Dance
Malis Keo
Director, Univ. of Fine Arts
Sokhanarith
Moeur (Left)
Professor of
Folk Dance
& Drama
Phan Phoung
Professor of
Folk Dance
(Choreographer,
Coconut Shell
Dance)
14
�Somaly Hay
Master of Classical Dance
1
Savath Roeung (Center)
Folk Dance Instructor
with Tim Chan Thou (left)
& Sokhoeum Sim
Phousita Serey Huy
Master of Classical Dance
Sam On Soth
Master of Classical
Dance Drama
Heang Nayto
Folk Dance Instructor
Phalla Lak Morris
Folk Instructor
Thavro Phim
Folk/Giant/Monkey
Instructor
Song Heng
Master Musician
Khatna Peou
Master of Classical Dance
(With Grandson Tim Chan Thou & Family)
Yom Peng
Master of
Classical Dance
Sophea Sek
Folk/Giant
Instructor
Say Soeur
Monkey
Instructor
lath Sum
Master Musician
Not Pictured: Rachana Khiev,
15
Tonara Hing
�Masters of Cambodian Dance - Learning from the Best
Over the years, our active
educational exchange with the
Royal University of Fine Arts has
helped us significantly expand our
repertoire of classical and folk
dance traditions.
Today, the Angkor Dance Troupe
performs a number of traditional
dances rarely performed by U.S.based Troupes.
A year-long 1998 residency with
Sophea Sek and Say Soeur, below,
and Yorn Peng, right,
helped the Troupe add a number of
dances to our performance repertoire
including "Tbal Kdoeung," the Rice
Harvesting dance, "Moni Mekhala &
Ream Eyso," the Cambodian fable
of thunder and lightning, "Peacock
of Pursat," the "Preap Dance,"
"Swva Pol," and "Peacock of Pailin."
Above, Royal University
Dance Master Yorn Peng
assists apprentice Kuntear
Eng during a Troupe
rehearsal.
�In 1999, Connecticutbased Master teachers
Sokhanarith Meour
and Phan Phoung will
hold a series of workshops on the "Chhay
Yam" and other
dances, through a
project sponsored by
the Lila Wallace Reader's Digest Community Folklife Program.
ENO, BOULAY &
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ATTORN EYS-:AT-LAW
ARTHUR L. ENO. JR.
SANDRA M. BOULAY
WILLIAM F. MARTIN, JR.
134 Middle
Street-Suite 300 • Lowell, MA 01852-1867
'/el fJlB-452-8902
Fax. fJlB-453-2585
"Congratulations and Best Wishes
for Another Successful Year."
ASIAN AMERICAN
Phone: (617) 695-2800
BANK &. TRUST
Boston • Somerville • Allston
www.asianamericanbank.com
COMPANY
68-Avmae, -....,MA 02111
The Bank That Serves AU Nations
If you lack credit history but exhibit sound financial habits, we may be
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All fo rms a"' in English. Translation assistance is availablt.
MEMBER FDIC
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17
�~spite of the past tragedies in our homeland,
you worked successfullly to
restore and
promote our treasured cultural arts,
so they may be preserved and passed
down to future generations.
~ct always dreamed that
my daughters would dance
for you, but that time never
seemed right. Now, they are
able to dance, but you are gone.
Grandma, you have been my
inspiration anct,my
source of strength.
- Tim Chan Thou
(Left: Rotana & Linda Thou)
18
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Although you are no longer with us,
we know
your spirit is still alive,
guiding us to
Nuth Kantya, Nou Bun Long
&Family
remember our heritage.
Love & RM~ect alwayg,
From: daughters, Families, Grandsons, and Granddaughters
Sin Ny, Chum Chan Chhavy
Chum Koev Amra
Nuth Kantya & Nou Bun Long
Long, Amrin, Amreth, Amrith, Among
Lang Phann's family
Hom Hun (Gary)'s Family
Tim Chan Thou's Family
19
�A UNIQUE WAY TO REACH YOUTH
A central component of the Troupe's mission is to provide positive
cultural, recreational, and educational programming for youth.
We have more than 40 students, ranging in age from 4 to 18,
who rehearse together every week, perform on stage, and attend
Troupe outings and events. Young people typically remain involved
with the Troupe for at least four or five years, many even longer.
Membership in the Troupe has always been free.
Through interaction with dozens of inner-city youth over the
years, the Angkor Dance Troupe has witnessed firsthand the
value of culture-based arts programming in helping young
people make constructive choices in their lives. We have had
several students, for example, who were involved in gang activities when they first joined and who have since "disengaged" and
are making remarkable progress in their academic and personal
lives. Through their involvement in our program, young people
develop a sense of discipline, self esteem, and a new-found
respect for their heritage.
In 1998, the Troupe launched Angkor Youth Dance, a very successful afterschool and summer youth program, with major funding
from the Massachusetts Cultural Council YouthReach Initiative.
The program is operated in conjunction with community agencies
including: DSS, the ADAM project of Big Brother/Big Sister, UMass
Lowell, the Lowell Police Department, Community Teamwork,
and the Lowell Community Schools.
Angkor Youth Dance
Inaugural Performance
at the E.N. Rogers Community School: Peter Veth
and other youth perform
the Pestle Dance.
�DICK LEPINE REAL ESTATE, INC.
1333 LAKEVIEW AVENUE
DRACUT, MASSACHUSETTS 01826
978-957-8200
RESIDENTIAL
COMMERCIAL
INVESTMENT
LAND
~U"5&19'}1S&"56Q"5f&"5f
e)
-
~ci!li
t'fgfmst~f
HAPPY NEW YEAR
Angkor Dance Troupe, Inc.
Jim Haley, Broker
Voice Mail: 978-442-5831
Gary Caplice, Sales Rep.
Voice Mail: 978-442-5827
Don McMeniman Sales Manager
Voice Mail: 978-442-5829
Dick Morgan, Realtor
Voice Mail: 978-442-5843
Nancy Prud'homme, Sales Rep.
Voice Mail: 978-656-9730
m1nnmm:
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Office: 978-957-8200
21
-
�The Angkor Dance Troupe addresses a critical need in Lowell for
programs that provide services to Cambodian youth who are at
high risk of negative outcomes. In a culture that traditionally
reveres elders for their experience and wisdom, the relationship
between youth and parents has been seriously eroded by the
massive cultural shift between life in rural Cambodian and life in
urban America. Lowell's Cambodian-American children often
serve as their parents' interpreters - of culture as well as language. Many young people feel torn between two worlds. Their
elders expect them to demonstrate Cambodian values at home,
while they behave as American teenagers at school. All too often,
these young people seek affirmation and identity not at home or
school - but through gang membership, dropping out of school,
and other high-risk behaviors.
There is growing evidence that in-depth exposure to traditional
culture makes a significant difference in the emotional adjustment of Lowell's Cambodian American youth. In Fractured
Identities: Cambodia's Children of War, a book that chronicles
the lives of Lowell's refugee children, authors Joan Ross and Jim
Higgins write "the search for identity within a new culture has
taken young people in more than one direction. The paths they
have chosen seem to depend on the individual's depth of exposure to traditional Cambodian culture. " 3
f;\lj (•JI: f\IJ :!;1: Ci 3
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INSURANCE AGENCY
421 CHELMSFORD IT., LOWE.L (NEXT TO WENDrl)
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mut1Ja111ntm0101iiirrtuwb01a1 rttwn g: ib rnruiQ.ntti
tmbtnaq:lgtt\Jb"l Ctinirmnnnn tnu&ib~ wrnmrwngin'l)la
(Registry Services) 9B tfJl l1Hi nft nlg nvrui
1319 Middlesex Street
Lowell, MA 01851
(9181 452-4148
P ELLET I E R BRO S. G ARAG E
BODY & FENDER WORK
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1516 Middlesex Str e et:, Lowell
(Across from Duncan Donuts)
Mass. License # 1656
23
�Our experi ences with young Cambodian Americans suggest they
are ea ger for opportunities t o learn more about their heritage.
Wh en th e Tro upe presented a 10-week resi dency at t he Butl er
Middle School in 1998, 130 students sign ed up - reli nqu ishing t heir
free peri od fo r an opportu nity t o learn Cambod ian dance and
perform for their school during Cambodian New Year.
Learn ing and performing Cambodian dance gives young people a
chance t o earn both Cambodian and American acclaim . Th eir
parents are pleased and honored by their interest in their heritage.
Our experiences have also shown that participation by students in
Cambodian dance performances is held in high esteem within the
youth community. It is a source of great pride for the young people
involved and generates considerable respect from their peers.
NEW CHOREOGRAPHY
DEVELOPED DURING ANGKOR
YOUTH DANCE PROGRAM
Dancers in the Troupe's
afterschool program experimented w ith new choreography
during the Fall 1998 session of
Angkor Youth Dance. They
combined elements of the
centuries-old "Monkey Dance "
with acrobatic modern dance.
The resulting dance,
debuted at the Rogers
Community School in lat e
1998, has been huge ly
popular with audiences
aro und the regi o n.
�A
tradition in the
community since 1849.
It has alway been the goa l of Colonial Gas Company to offer except iona l \·;1iue
and superior service to our customers. To that end, we continuall y look for ways
to impro\·c the way we do businc!>s - through the innO\·atiH' use of technology,
by focusing on the needs of our customers, and by pa rt icipating in th e economic
growth and welfa re of the communit ies we se r n~.
It is this commitment to rxcelknn>, and the desi re to see this ornm unit y prosper,
that will continue the trad ition of Colonial Gas into the next century.
t·
800- 548-8000 COLONIAL
GAS
COMPANY
The 8 1st Cho1Ce
-1eei:~vsmg&~a~e
Wayne Ba es
To your Lowell City ouncil
.,
c:>
(~~'lu~e"1~me~ss•
... from neighborhood commitment,
to City-wide success.
*
A man of accomplishment,
working hard for our city.
*
Jann91mna~lau11mrdf11fp:r11,fmrtnrirnafvr11
•
25
�Highlights of the Year in Pictures
During 1998, The Angkor Dance Troupe appeared in 33 performances for combined audiences of more than 13,000 people.
Above, Phalla Lak Morris and Thavro Phim perform "The Fishing
Dance" at the Lowell Folk Festival.
26
�LOWELL
w
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658 MERRIMACK ST
DRACUT
I 345 LAKEVIEW AVE
Anstiss & Co., P.C.
Certified Public Accountants
21 George Street
Lowell, MA 01852
Raymond L. Anstiss, CPA, MBA
Richard B. Dionne, CPA, MST
Raymond L. Anstiss, Jr., CPA, MBA
James G. Heller, CPA
Telephone: (978) 452-2500
Fax: (978) 458-0425
6J"Lur.igo1inr11~A1wauillg1unu1111Gl11
Steve Moses &
The Center for Health Promotion
University of Ma~sachusetts Lowell
extend sincere best wishes to
the Angkor D~ce Troupe
27
�Linda Thou and Sophea Sek perform "Peacock of Pailin"
during a performance for Yale University in September 1998.
Donahue & Donahue
Attorneys, P.C.
Since 1887
Excellence in the Practice of Law
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Personal Injury, Medical Negligence
and Defective Product Actions
Business and Corporate Law
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978-458-6887
21 George Street
Lowell, MA 01852-2283
28
�Building a Better Community
Every Day
ts~e6'sftue~~-m~1esueru-i.;&~
167 Dutton St.
Lowell, Massachusetts 01852
(978) 459-0551
Visit us at
www.comteam.org
Congratulations
Angkor Dance Troupe, Inc.
"
tl!ll
tl!ll
~Ufd&l9f!9Sild6ftldfifdf
0
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29
�In 1998, the Angkor Dance Troupe became one of the first U.S.-based dance
ensembles to perform " Thal Kdoeung," a folk dance about rice harvesting.
COMPETENT SERVICE YOU CAN TRUST
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934-2623
934-6908
458-3939
Serving all of your on-campus and
general reading needs throughout Greater Lowell.
Best ofLuck Angkor Dance Troupe!
30
�Best Wishes to the
Angkor Dance Troupe
and the
Greater Lowell
Cambodian Community
Saints Memorial Medical Center
Quality Care You Can Count On!
~ tt~t
fJ
SAINTS
MEMORIAL
_.. MEDICAL
CENTER
Yours for life
31
�Master performers Sokhanarith Moeur (left) and Thavro Phim take flight in the
"Peacock of Pailin" at the Lowell Folk Festival, July 1998. (Andrew Page Photograph)
Angkor Dance Troupe
Thank you for sharing the beauty of your culture!
Nina Coppens, PhD, RN
Director of the Baccalaureate Nursing Program
University of Massachusetts Lowell
32
�Best Wishes to the
Cambodian Community
from
STATE SENATOR
Steven C. Panagiotakos
Heng Noeuk
(right) and
Samnang Hor
perform
"Hanuman &
Sovann Macha"
for Needham
Elementary
School Students
in January 1999.
CALL US FOR A MORTGAGE
978-446-9200
781-662-0100
33
�Sopheap Sou (left) and Chansarim Sreng perform the
"Fan Dance" at the Lowell Folk Festival, July 1998.
&aw~
to #t
A~~T!WUft
Donald E. Pierson
Dean, College of Education
University of Massachusetts Lowell
34
�We sa{ute tfie youtfi of tfie
:Angkor 'Dance Trouye
antf tfie
River :Ambassadors Program
for enricfiing tfie fives
of a{{ in our community.
;
Linda Silka, Director,
Center for Family, Work, and Community
at UMass Lowell
Jane Benfey, Vice President
Boa.rd of Directors, Angkor Dance Troupe
35
�PAGE ONE
PRODUCTIONS
Film & Video · Advertising • Multimedia • Design
80 Aberdeen Street • Lowell, MA 018 50
(978) 441 1750 • FAX (978) 937 9419
E-mail : pageone@mediaone.net
PAGE ONE PRODUCTIONS
is proud to support
the Angkor Dance Troupe.
36
�Two of the Troupe 's Rising Young Apprentices:
Krisna Thou and Diane Pulliam
Bringing Cambodian
Classical and Folk D~nce to Lowell
Best Wishes to the Cambodian Community
from Jonathan A. Pulliam
�Congratulations to our Role Models!
Pov Sath 1996
Khoeun Pring 1998
Andeth Vann 1995
Sopor Vann 1994
Rothana Yok 1998
Akara Im 1997
Samnang Hor & Sopheap Sou Thou 1999
Best Wishes from
Ann Bartholomew & Ron Micheels
�The Angkor Dance Troupe is funded in part by:
MAsSACHUSETTS CULTURAL COUNCIL
A state agency that supports public programs in the arts, humanities. and sciences
THEODORE EDSON PARKER FOUNDATION
Nathaniel and Elizabeth P. Stevens Foundation
The Lila Wallace-Reader's Digest Community Folklife Program.
administered by the Fund for Folk Culture and underwritten
by the Lila Wallace-Reader's Digest Fund.
Lowell Cultural Council
Lowell Community Schools Program
Friends of the Angkor Dance Troupe
Lowell Police Department
Greater Lowell Community Foundation
Publication produced by Page One Productions
Printing by Thurman Prints
Photo Credits: Kevin Harkins, Andrew Page, Higgins & Ross, Tim Chan Thou,
Toni Shapiro, Eileen Blumenthal, Eleanor Briggs, Ruth Page
Translation Services: Nissay Liek
Sources:
Dance and the Spirit of Cambodia. Toni Shapiro, Ph.D., Cornell University, 1994
"Cambodia's Royal Dance," Eileen Blumenthal, Natural History, 4/89
Khmer Folk Dance, Sam-Ang Sam & Chan Moly Sam,
Khmer Studies Institute Inc., 1987
Khmer Songbook, Forward by Sophiline Cheam Shapiro, 1992
Classical Dance Company of Cambodia, 1990 U.S. Tour Book
"An Introduction to Khmer Traditional Dance," Huy Serey Phousita, Seoul, 1995
' "The Dancer in Cambodia," Toni Shapiro, Ph.D., Asian Art & Culture, Arthur M. Sack/er
Gallery, Smithsonian Institution, Winter 1995 Southeast Asia Today, Oxford University Press
2
"Dance and the Spirit of Cambodia, "Toni Shapiro, Ph .D. Cornell University, 1994
.i fractured identities Cambodia's Children of War, James Higgins & Joan Ross, Loom Press, 1997
For more information, please call or write: Angkor Dance Troupe
P.O. Box 1553, Lowell, MA 01853
(978) 441-9277 FAX: (978) 455-2454
http://civic.uml.edu/angkor
�FRIENDS OF THE ANGKOR DANCE TROUPE
The Friends of the Angkor Dance Troupe•• is a
fund-raising membership drive to support the
Troupe•s important work with at-risk youth.
Donations to date have exceeded $4.500!
11
Thank you
to the many concerned citizens and
organizations who have joined the
••friends of the Angkor Dance Troupe:••
Major Program Sponsors
($1000 & above)
Eleanor Briggs
The Edward & Elizabeth
Gardner Foundation
Contributing Sponsors
($500 - 999)
Jane & Tom Benfey
Community Leaders
($150 - 499)
Ann Bartholomew & Ron Micheels
Jonathan and Diane Pullman
Janet Gardner
Nancy Donahue
St. Joseph the Worker Shrine
Louis L. Pinn Insurance Agency
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe Commemorative Book, 1999
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Angkor Dance Troupe's 1999 Commemorative Book. Includes a brief description of the organization, descriptions of Cambodian Classical and Folk Dance, and information on youth recruitment.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
1999
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
44 p.; 21.5 x 14
Language
A language of the resource
English
Khmer
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f09_i003
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
1990-1999
Books
Cambodian Classical Dance
Cambodian Folk Dance
Cambodians
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/c07ac4c18fbfec2fe1004de72faa7e97.pdf?Expires=1712793600&Signature=r9cyWuNvsKRRK6qbBvd3Bth2aZTkGtKUc8fUhxBizSOGuTrpPUzScFj7b5NmSk3fdKKfTBXX1GxbPe7xhzydeUWV8JCbZhUQ1NZTcucmP6iZo8r1WV-PhP0mX9mkc8Udj0TeYheKLdgYIsbqgf4jWpjhdVA6olbXwRFD31rzEr02NOrJAE1O8eij6tgyFjlDnjc6rFsT7tOodqBktadyxitv0sItVJc1lCue9c5Ppq%7E9PnvjI1DgLLSK3xTkCZYeXpF1oM3q3%7EbLKMzNSy%7Ezc838k6FNqha6hF5vPK3oEqi0h5Tfv%7Ejhw8%7ErpU8Jsq7jzuCL-otqc1WJ1t999NUNTA__&Key-Pair-Id=K6UGZS9ZTDSZM
93322c9ddb1d899ba8d98828c033a7a2
PDF Text
Text
�T'ha11ff You
We are delighted you have joined us for Reamker, 29 years ago we
began the Angkor Dance Troupe with the vision to preserve and
develop the traditions of Cambodian performing arts, that was
almost completely wiped out during the Khmer Rouge genocide.
As a community struggling to put down roots in a new homeland,
Cambodian dance provides a poignant reminder of the beauty and
spirituality of our culture and helps us build a more stable foundation for our children.
As the heart and soul of the Cambodian American community
in Lowell, the Troupe has served as a foundation and voice of our
cherished cultural traditions. We are nationally recognized as one
of the most accomplished and experienced of the U.S. - based Cambodian traditional arts ensembles and have received recognition
from the Massachusetts Cultural Council, the National Endowment
of the Arts, and the White House.
We hope you enjoy the show!
Tim Thou
Co-Founder
~
Phousita Huy
Artistic Director
~
?
DahvyTran
Executive Director
~
�•
Progra,n
Attgkor Oam:~ Troup<, Im:.
1'UfIDH~f
The Angkor Dance Troupe is proud to present Reamker a Cambodian epic poem, based on the Sanskrit's Ramayana epic. It adapts
the Hindu ideas to Buddhist themes and shows the balance of good
and evil in the world.
Reamker Program
Scene I:
Krong Reap sees Preah Ream and
Neang Seda
Scene II:
Preah Ream follows the Golden Deer
Scene III:
The Abduction of Neang Seda
Scene IV:
Preah Ream and Preah Leak calls
for Hanuman
Scene V
Kingdom of Langka
Scene VI
Hanuman and Sovann Macha
Scene VII
Neang Seda and the Test of Fire
�Rea,nter
Att5k or Oa ttc:c TrOl-fpc, lttc:.
w1mrl URS
The classical literature of Cambodia during the 16th and mid-19th
century reflected the cultural influence of India and represented
three major genres: the epic, verse novels, and bap, or "codes of
conduct:'
One of the earliest literary epic stories that was composed in the
Khmer language is the Cambodian version of the Indian Ramayana, Reamker. The evolution of the Indian Ramayana story in Cambodia represents the adaptation of Hindu ideas to Buddhist themes
and shows the balance of good and evil in society. Reamker serves
as an inspiration for various genres of performance in Cambodia.
Classical dance-drama, all-male masked dance-drama, and shadow
puppet plays all include episodes in their repertoire.
The story of Reamker centers on Preah Ream, a Prince who was
exiled to the forest through no fault of his own for fourteen years.
Following many adventures including the abduction of his wife
Neang Seda by the evil giant Krong Reap, Preah Ream eventually
rescues her with the help of an Army of monkeys guided by Hanuman. Preah Ream and Neang Seda return home in triumph and the
Prince reclaims his throne.
The complex interplay of strengths (bravery, foresight) and weaknesses (distrust, trickery) --though couched in episodes lined with
magic -- nonetheless represents aspects of human social behavior.
4
�•
Characters
Att5lwr D,M1C£ Trow!"!, lttc.
1.~\f$£0$0£f
Preah Ream, is the main protagonist of the epic. He is believed to be
the reincarnation of the Hinduism deity Vishnu and the husband of
Neang Seda.
Neang Seda, the female protagonist of the epic and wife of Preah
Ream.
Preah lea~, is the brother of Preah Ream and his aid to fight Kong
Reap and rescue Neang Seda.
Krong Reap, is the main antagonist of the story. He captures the
beautiful Neang Seda to his island of Langka.
Preus Meas (G()lden Deer) is the transformation of Maharik, a cousin
of Krong Reap.
T'a rysi (Hermit) - Krong Reap transforms into an old hermit to disguise his true identity in order to capture Neang Seda.
Hanuman (General White M()nhy), helps rescues Neang Seda. While
building the bridge connecting the island of Langka to the mainland, he fells madly in love with Sovann Macha, the Golden Mermaid.
S()Vann Mar;ha (G()lden Mermaid), is the Golden Mermaid who tries to
spoil Hanuman's plans to build a bridge to Langka but fell in love
with him instead.
5
�Rea1nker
Attg:kot' Da.ttcc Trowpc. lttc.
wuH!l$4~1
Scene I: Krong Reap sees Preah Ream and Neang Seda
The story begins with Preah Ream, Neang Seda and Preah Leak venturing off to the forest to gather fruits and flowers. Preah Ream and Neang
Seda falls asleep under a tree. It was there that Krong Reap catches sight
of Neang Seda, he was so awed by her beauty that he commands his
soldier Maharik to transform into Preus Meas - the Golden Deer. Neang
Seda falls in love with Preus Meas and ask Preah Ream to capture it for
her. Neang Seda and Preah Leak waits, while Preah Ream pursues the
Golden Deer.
Scene II: Preah Ream follows the Golden Deer
As Preah Ream pursues Preus Meas, Neang Seda becomes worried that
her husband may have trouble capturing the deer and ask Preah Leak to
assist him. Preah Leak agrees but before leaving he pulls out his magic
bow, shoots it at the ground near Neang Seda, which cast a protective
enchantment around her
Scene III: The Abduction of Nean Seda
Krong Reap's plans to get Neang Seda alone succeeds and attempts to
capture her, but fails. He keeps circling around the enchanted perimeter,
trying to find a way in, but each time gets burnt by the enchantment.
The only way Krong Reap can get to Neang Seda is to trick her out of
the circle, so he transforms into an Ta Eysi - an old Hermit. Neang Seda
sees Ta Eysi and steps out of the protective circle to bow down and pay
her respects. She allows him into the circle, where Ta Eysi tells her she is
destined for Krong Reap and not for Preah Ream. Shocked, Neang Seda
reprimands Ta Eysi by striking him. Angered, Ta Eysi transforms back to
his true form and chases her. The scene ends with Krong Reap capturing
and flying away with Neang Seda.
6
�Rea,nffer
Atts)«.or OattC£ Trol-tpe, lttc.
1.ffSHti'lff~f
Scene IV: Preah Ream and Preah Leak calls for Hanuman
Upon returning the brothers realized Neang Seda was abducted. They
seek out Hanuman for help. Preah Ream shoots his magic arrow into the
sky to summon Hanuman and when he arrives, Preah Ream places his
ring preah thomrong in Hanuman's hand. This would be proof to Neang
Seda that she can trust Hanuman to bring her back home.
Scene V: Kin dom of Lan ka
At Krong Reap's palace, the gods cast a protective spell around Neang
Seda's body, which caused intense heat to radiate. Krong Reap is burned
every time he attempts to touch her. Angered, Krong Reap orders two
female servants to punish her, but they are interrupted by Hanuman.
Initially, Neang Seda thinks Hanuman is a fraud, so she places a spell on
him to test him. If he is the real Hanuman, a flower garland would appear around his neck. Hanuman then places the ring from Preah Ream
in Neang Seda's hand.
Scene VI: Hanuman and Sovann Macha
Hanuman attempts to build a bridge to the kingdom of Langka to rescue
Neang Seda, but is thwarted by Krong Reap's daughter, Sovann Macha.
As soon as the monkeys lay down the stone path to cross the ocean,
Sovann Macha's mermaids remove the stones. Hanuman catches Sovann
Macha and decides to seduce her. He succeeds and they end up falling in
love. Sovann Macha allows the completion of the stone path to the kingdom of Langka where a battle ensues between good and evil.
Scene VII: Neang Seda and the Test of Fire
Preah Ream, out of jealousy, assumes that Neang Seda was unfaithful and
no longer pure after being Krong Reap's captive, he puts her through the
test of fire to prove her fertility and purity. Her innocence was proven.
7
�At1$kor Oat1cie: Trowpc. lt1c.
1.!'1UfID$$£f
sova1111 Ma,1ha Spo11sors
Lowell General Hospital is proud to
sponsor the Angkor Dance Troupe, Inc.
~
Lowell General Hospital
'-.,./'
Complete connected care=
GALLAGHER
& CAVANAUGH LLP
COUNSELLORS AT LAW
8
�Sora1111 Ma,;ha Sponsors
Anskor Oa-=< Trow~. lttc.
1.'1SHs.1ff£f
INSURANCE AGENCY
How- can w-e help you?
Imagine a banking experience perfectly in sync with you. The right tools
at your fingertips 24/7. Expert guidance when and where you need it.
At Align Credit Union , it's how we 've been doing things since 1922.
=rrlign.
Con necting all you r banki ng needs
Visit our convenient Lowell locations at:
900 Chelmsford Street (Cross Point)
87 Hale Street
(800) 942-9575
AlignCU.com
+ Personal & Bus in ess Ba nkin g + Mortgages + Finan cial Plannin g + Insu ran ce +
�Sova1111 Ma•;ha Spo11sors
At15ko,- Oa,-,c:e T,-owpc, J,-,c:.
1,fJUffi1$$~f
Carol & George Duncan
"We are delighted to support and celebrate
the Angkor Dance Troupe as it debuts
their annual residency at the Merrimack
Repertory Theatre and continues to connect communities with the preservation
and innovation of their rich culture:'
<
Enterprise Bank
is proud to support the
Angl<or Dance Troupe
/
as they celebrate their heritage and continually bind
the immensely-diverse cultures of our community.
978-459-9000
Member
FDIC
~~ Enterprise
Bank
CREATE SUCCESS
EnterpriseBanking.com
10
�Mo11i Methala Sponsors
Thinking about buying a house?
Do it right.
Project Genesis
Home Buyer Training Seminars
LEARN ABOUT
The Home Buying Process
Mortgages
Legal Aspects
Home Inspections
Household Budgeting
Responsible Home Ownership
Down Payment Assistance Programs
Seminars avaiLible in Engish. Spanish & Khmer.
T O REGISTER
v,,;, www.mvhp.org
or call 978-459-8190.
Thank you.
~Washington
~
SAVINGS BANK
We give you more
washingtonsavings.com
11
Att5kor D,1,t1cc TrOMpc , h1c.
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Att5kor Oattce Troupe. h1c.
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Mut Peah (f rie11ds)
~ w'd Awakening Coffeehaus
Demoulas Foundation
L<JNELL. MA
juliem~!tyi~~!
creator of
•Monkey Dance• documentary
-
Robert Farrant
Sara Serendipity
Sharing Foundation
12
�13
�Artists and Perf or,ners
Masters and Teachers
Artistic Director and Master Teacher - Phousita Huy
Dance Program Manager - Channa Sath
Master Teacher Pech Heung
Master Teacher Phirum Meas
Master Teacher Kimhan Meas
Supporting Master Tead1ers:
Master Teacher/Choreographer - Proeung Chhieng
Master Teacher - Yorn Peng
14
�Artists and Pert or1ners
Perfcmners
Alexandra Mai
Anita Srey
Brianna Mai
Celena Mai
Chad Mai
Channa Sath
Chummeng Soun
Daisy Var
Emaly Horn
Isabel Clafin
Jaren Kong
Jasmine T. Udomsay
Jefferson Phan
Johnny Khat
Judith Wilson
Kelly Ly
Kevin Searth
Kevin Vann
Krisna Thou
Krissandra Mai
Monica Veth
Nadia Heng Noeuk
Nicky C. Fennell
Nina Touch
Pech Heung
Peter Chea
Peter Veth
Phirum Meas
Poutda Pech
Robin Wilson
Salena Mam
Sambo Yoeun
Costume Support:
KolabThou
Chenda Wilson
Multimedia Support:
James Higgins
Prerecorded music:
Royal University of Fine Arts, Phnom Penh, Cambodia
15
Semnang Kao
Sophy Leng
Sovann-Malis Loeung
Tanromni Chum
Tim Sokhoeun
Victoria Phan
Virginia Prak
Viseth Loeung-Rinehart
Vituu Touch
�Att5kor 0,At1Cl' Trowpe. Jttc:-.
1'UUl'lM~(
Stat f &leadership
Advisory Board:
Celeste Bernardo
Michael Gallagher
Nancy Donahue
Carol Duncan
Felicia Sullivan
Jim Conlon
Adrien Bisson
Sophy Theam
Vanna Howard
Joe Hungler
Jim Wilde
Robert Farrant
Walter Wright
Students practice a scene from Reamker
16
�Att5k01" Oa.ttct Trowpc:. Im.
wsumH~S
Board of Direr.tors:
Lianna Kushi, President
Karen McManimon, Vice President
Linda Uch, Clerk
Chummeng Soun
Michael Conway
Narin Sinuon
Nary Tith
Sheila Kirschbaum
Sochenda Uch
Sovanna Pouv
Virginia Prak
Program Staff:
Dahvy Tran, Executive Director
Tim Chan Thou, Operations Director
Tom Southernton, Program Coordinator
Khakhada Horn, Program Assistant
Shaun McCarthy, Grant Writer
The Angkor Dance Troupe host a traditional Sampeak Gru ceremony to pay their
respects for past Master Teachers to help guide them to a successful performance.
17
�Ans\tor o...nce Trowpe. Inc.
1.fflH£i1ff£S
Vision
We envision Lowell Massachusetts to be the epicenter for innovative Cambodian performing arts with the Angkor Dance Troupe at
the core.
Mission
The Angkor Dance Troupe connects communities through the preservation, education and innovation of Cambodian performing arts.
History
The Angkor Dance Troupe was formed in 1986 by Cambodian refugees of the
Khmer Rouge holocaust. Lowell's Cambodian American community, estimated
at more than 35,000 people, is the second largest in the country. When we
resettled here, we brought a passion to carry on our cherished cultural traditions
to practice and perform, to teach our children, and to see our art preserved for
future gene!ations of all cultures.
We take our name from the great Angkor civilization, between 802 and 1432 AD
when Cambodia was a dominant empire in Southeast Asia. Dance and music
have always been prominent in Khmer society, but these ancient traditions were
nearly eliminated when the Khmer Rouge controlled Cambodia in the 1970s.
Artists were among those deliberately targeted for execution. More than 90% of
the country's tradition bearers perished. Today, as Cambodians around the world
struggle to emerge from decades of war and poverty, our people look to the
rebirth and re-creation of dance as testimony to the endurance of our culture.
"The Angkor Dance Troupe is a gem in the Commonwealth. The Massachusetts
Cultural Council is proud to be a longtime supporter of Angkor for its beauty,
value, and impact in preserving this rich cultural art form for the Lowell
community and beyond" says Anita Walker, the Executive Director for the
Mass Cultural Council. "The Angkor Dance Troupe is not only an organization
promoting dance, it's an inspiration to all those who survived the Cambodian
Genocide three decades ago, and a testament to the enduring power of the arts:'
18
�Supporters
\
National
Endowment
for the Arts
ARTWORKS.
arts.gov
Th Lenny Zakim Fund
1
8A I OG I
G COM
U
!TI ES
@Eastern Bani<
charitable foundation
T
The Parker Foundation
19
�PRESERVE• EDUCATE• INNOVATE
www.angkordance.o
�Reamker Cast
2015
Students
PreahReam
Nean Seda
PreahLeak
Giants Army
Golden Deer ·
Tha E si Hermit
Hanuman
Tim Sokhoeun
Poutda Pech
Brianna Mai
Monica Veth
Judith Wilson
Alexandra Mai
Salena Mam
Dais Var
Channa Sath
Kimhan Meas
Nicky Fennell
Gen. White Monkey)
Monkey Army
Swva Pol Army
Sovann Macha
Jaren Kong
Peter Chea
Johnn Khat
Kevin Searth
Vituu Touch
Chad Mai
Viseth Loeung-Rinehart
Jefferson Phan
Semnang Kao
Sambo Youen
Nadia Heng Noeuk
Golden Mermaid
Mermaids
Candle Dance
Nina Touch
Victoria Phan
Jasmine Tauvari Udomsay
Isabel Claflin
Kelly Ly
Anita Sre
Krisna Thou
Emaly Horn
Robin Wilson
Celena Mai
Krissandra Mai
Tamromni Chum
�Jy;;_7
Wr(BfAHAM (c[)
)35 GroDVv1~ S\
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Program for Angkor Dance Troupe's "Reamker: The Balance of Good and Evil," 2015
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Program for Angkor Dance Troupe's "Reamker: The Balance of Good and Evil." Reamker is a Cambodian epic poem, based on the Sanskrit's Ramayana epic. It adapts the Hindu ideas to Buddhist themes and shows the balance of good and evil in the world. Included is a list of Reamker cast members with handwritten notes on the back.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2015
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
22 p.; 21.5 x 14
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f10_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2010-2019
Books
Cambodians
Reamker
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/81272e8a942ab14c02cc0d342e704778.pdf?Expires=1712793600&Signature=WTdbnJL2DYo65Jm1Fma6lL2O1Mb1zWyhJXFB7BH8yOSU1PFvvSvZP-B3DRS3lrq5tWwp0kFendFGci3wppz6qfcv%7Em1GwqGK5Qz6clM0RwTBsIWKBYi1kKh8fYYfvfIzUYmmSjzhZu-MxvKlES524C7azNHevcFAszlSMTg3%7EzC3IsYHqlMb0HB6iVNqGh-sfv8XQI0O-Q6S60SYJxf-ie2hMms1NayUTYS34BR758a5oM0OrufkXLTBTkWYC47DIQad3eRtdpZgzqr5PoZMjaLuSavgB4PtToEUVzsFN-DR4uRGyzOl4-E%7EG89GoZ%7ECEkSy7tMuu-zRC4NBiPGrbA__&Key-Pair-Id=K6UGZS9ZTDSZM
940aa85394067aabd5297d3b2b074ac4
PDF Text
Text
�4. Celebr-atiun uf
Cambudian Cla\\ical and f'ulk. uance
ARTIST DIRECTOR
DANCE COORDINATORS GENERAL MANAGER
Mrs. Phousita Serey Huy
Mr. Tim Chan Thou
Mr. Sokheoun Sim
Ms. Ruth Page
ARTISTS/PERFORMERS
Miss Akara Im
Miss Linda C. Thou
Miss Sopharl Ngin
Miss Ratana C. Thou
Miss Vanrotha Im
Miss Choumnith Sath
Miss Chenda Ty
Miss Sophannary Khem
Miss Sophannarin Khem
Mr. Savann Leng
Mr. Retha Yok
Mr. Samnang Hor
Mr. Khoeun Pring
Mrs. Sokhanarith Moeur
Mrs. Somaly Hay
Mrs. Sopheap Sim
Miss Leakhena Moeur
Miss Rachana Khiev
Miss Rith Malay Hay
Ms. Maly Ouk
Mr. Pov Sath
Mr. Samuth Koam
Mr. Boo Ouch
Mr. Rothana Yok
Mr. Sochenda Uch
Mr. Tola Sok
SPECIAL GUESTS
Mr. Phan Phoung
Mr. Tonara Hing
Ms. Sophana Keth
COSTUMERS/ DRESSERS
Ms. Phalik Ting
Mrs. Kolab Thou
STAGE/SOUND/LIGHTING/PRESENTER COORDINATORS
Mr. Nissay Liek
Mr. Chhan D. Touch
Mr. Scott Glidden
Mr. Tim Chan Chou
Ms. Carol Keirstead
Ms. Gloria Polites
THE PROGRAM
Welcoming Remarks
Lowell Mayor Edward Caulfield
State Representative Thomas Golden
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
Apsara Dance
The Coconut Shell Dance
Expression of Sentiment Dance
The Butterfly Dance
The Good Crops Dance
Mani Mekhala Dance
15-Minute Intermission
Khen Dance
Chhoy Chhay Dance
The Peacock of Pailin Dance
Tep Monorom Dance
Pestle Dance
Chhay Yam Dance
Classical
Folk
Classical
Folk
Folk
Classical
.....
Folk
Classical
Folk
Classical
Folk
Folk
�Table uf Cuntenu
I.
11.
II.
About the Angkor Dance Troupe .
Dance Descriptions
Apsara Dance .
The Coconut Dance .
The Expression of Sentiment Dance
The Good Crops Dance
The Butterfly Dance .
Moni Mekhala Dance .
Khen Dance .
Chhoy Chhay Dance
Peacock of Pailin .
Tep Monorom Dance .
Pestle Dance .
Chhay Yam Dance .
Directory of Advertisers
Alden's Discount
Fred C. Church Insurance
Colonial Gas
Enterprise Bank & Trust Co.
Family Bank
Friends of the Angkor Dance Troupe .
John H. Honan Insurance .
Henrick F. Johnson Insurance .
Lowell General Hospital
Paul Marion
Massbank .
Carole Mathews .
Kris Niccoli .
Page One Productions .
Donald E. Pierson
Safeway Insurance .
Saints Memorial Hospital .
Marina & Peter Schell .
Smithwick's Restaurant & Tavern .
Terry's Creations
Washington Savings Bank .
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�le~ ENTERPRISE
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Phone/Fax : (508) 454-4883
E-mail: MarionPF @aol.com
1
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An~kor' "Dance. Tr'o'-lpe., Inc.
History and Background
/ ike all traditional arts, Cambodian classical and folk dance has
/...!Jen passed down from one generation to the next. Since the
Angkor Era, Cambodian dancers and musicians have preserved,
cherished, and celebrated their art.
The Angkor Dance Troupe was formed
For' Cambodian~,
in 1986 in Lowell, MA by two teachers
ar'f i~ +he cor'e of
and a handful of dancers who learned
life, combining
traditional Cambodian Dance in
enfer'fainmen+,
refugee camps along the Thai-
fr'adifion, r'eligion,
Cambodian border. Between 1975, and
and ~ocial cohe~ion.
1979, when Pol Pot and the Khmer
Rouge controlled Cambodia, many dancers and musicians perished
or fled the country. It was in the camps and later in places like Lowell
and at the University of Fine Arts in Phnom Penh that traditional
Cambodian dance was painstakingly resurrected.
Today, dance has become one of the primary ways that Cambodians,
split by politics and war, identify a common culture. For Cambodians,
art is the core of life, combining entertainment, tradition, religion,
and social cohesion. Wherever Cambodians live, so do the traditions
of practicing, performing, and passing on the culture.
2
�classi<;:
Dan '
C
ambodian classical dance has been associated with the
court of Cambodia for more than one thousand years.
During the great Angkor civilization, the dancers of the Khmer
royal ballet made offerings while performing during rituals and
ceremonies before sacred idols.
In court dance, we see highly-stylized positions in concert with
gentle movements. Gestures are strictly defined and distinguished
by the intricacy of hand positions.
Each of these gestures has a specific meaning, often relating to
nature. For example "Lea" can denote a leaf, but it can also mean
"to open." (See right hand in photo below.) Depending on its
context within the dance, Lea can represent the leaf and its beauty
or the opening of a hand or a piece of paper.
"Cheep" (left hand in photo) can symbolize
a flower or it can mean to fold into
small pleats.
3
�F
olk dance is rooted in rural Cambodia and reflects the life
and spirit of peasants. Throughout Cambodia, after the
harvest is over, it is time for music, song, and dance. Dance motifs
are commonly based on local legends and inspired by themes of
nature as well as the ceremonies, customs, and rituals of everyday
life. Just as court dance is ruled by a strict form and a prescribed
language of movement, folk dance is spontaneous, created for
emotional expressions.
The folk dances performed by the Angkor Dance Troupe were refined
by the University of Fine Arts in Phnom Penh. Researchers collected
dances and music from all over the country and then choreographed
dances that were suited to staged performances.
~alkD11nes
4
�A Leader in Traditional Cambodian Dance
The mission of the Angkor Dance Troupe is to preserve and
develop the traditions of Cambodian performing arts, to promote
an understanding and appreciation of Cambodian culture, and to
provide a positive social, cultural, and recreational outlet for
Cambodian youth.
The Angkor Dance Troupe is recognized throughout New England
as a leading Cambodian folk and classical dance ensemble.
The Troupe's artistic director, Phousita S. Huy is one of the mostrespected master teachers of Cambodian dance in the U.S.
She is a recently-emigrated star performer from the University of
Fine Arts in Phnom Penh, which is considered the cultural source
and artistic standard bearer of Cambodian performing arts. Troupe
coordinator and cofounder Tim Chan Thou was trained and
certified as a teacher of Cambodian traditional dance from
Khao-1-Dang and Philippine Refugee Centers.
�Phalik Ting (left) and
Thida Loeung at a
recent performance
in Boston.
The Angkor Dance Troupe
is recognized througout
New England as a leading
Cambodian Classical and
Folk Dance Ensemble.
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Safeway Insurance
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1es1e~e1mn1~eemsere~e~em•m~nvse
555 Merrimack Street, Lowell, MA 01852
(508) 970-2442 (508) 458-7681 Fax: (508) 441-1611
CoNqRATulATioNs!
THANk you ANkqoR DANCE TRoupE
foR sHARiNq youR cu lTuRE,
bRiNqiNq SUCH bEAUTY ANd yRACE iNTO OUR CiTY.
MARiNA ANd PETER ScHEll
6
�An Extensive Collection of Authentic Costumes
The Dance Troupe has assembled an extensive collection of
authentic costumes, dance materials, artifacts, and documentation.
The Troupe's principal costumer, Phalik Ting, learned Khmer classical dance in Camp Sakeo, Thailand. Costumers from the University of
Fine Arts in Phnom Penh have also made costumes for the Troupe.
Preparing for a performance can
take several hours. Many
Cambodian dance costumes are
so intricate and close-fitting that
dancers have to be sewn into
them before performances.
Above - Angkor Dance Troupe
member Akara Im assists Linda
Thou with her costume.
Right - Vanrotha Im gets help
with her costume before
performing the Coconut Dance.
�~~~rfamily,
your
your
friends,
life.
Lean on Lowell General
LGH
LOWELL GENERAL
• HDnlTAL •
Lowell General Hospital
295 Varnum Avenue, Lowell, Mass.
www.lowcllgcneral.org
8
�Congratulations
to The Angkor Dance Troupe
from
•
wash1. Gton
n
~~~'!!~~!!!e~
Est.1892
458-7999
Member FDIC/DIF
All Deposits Insured in Full
Plenty of Free Parking
Best Wishes to the Angkor Dance Troupe
from
~mttbtutck's
Restaurant & Tavern
92 - ro4 Middle Street in downtown Lowell
(508) 937-21n
Live Entertainment
Home of 220 Beers
9
�Members of the Angkor Dance T
roupe perform the classical dance"Tep
Monorum " at First Night Boston in Decem ber 1996.
The Angkor Dance Troupe has participated in workshops at the
Jacob's Pillow Dance Festival and is listed on the Touring Roster for
the New England Foundation for the Arts. The Troupe is routinely
invited to perform at prestigious events, such as Boston's First Night
celebration at the Wang Center and the Boston Ballet. Other
performance venues have included the National and Lowell Folk
Festivals, the Boston Public Library, the Peabody Museum, the
Peterborough NH Town House, the University of Massachusetts Lowell and Amherst campuses, the Annual City of Fall River
Cambodian Celebration, and the Children's Museum.
HENRICK
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JOHNSON INSURANCE AGENCY, INC.
"Building For The Future Through Personal Service"
448 Gorham Street, Lowell, Massachusetts 01852 I Telephone 508-458-3458
10
�Carrying on the Tradition
Over a dozen performances and public events have been scheduled
to date in 1997, including workshops and residency programs in
several public schools. Instructor Tim Chan Thou believes teaching in
the schools is vitally important. "This is how we plant the seeds of
interest in traditional culture," said Thou. "This is how we develop in
young people an appreciation for our heritage, and ultimately it's our
best hope to keep Cambodian dance alive."
Members of the Angkor Dance Troupe rehearse at the Madelon
Curtis Dance Studio in downtown Lowell.
The Troupe holds weekly rehearsals. For four hours every Sunday,
members gather to practice. The method of teaching is practiced as
it has been done traditionally, by watching, imitation, and assistaoce
from teachers to achieve the correct postures and movement.
Through the dance instruction, students learn about Cambodian
culture. From the folk dances, they learn about geography and a
daily life in Cambodia that they have never experienced. From the
classical or court dances they experience revered ancient traditions.
11
�Cambodian tradition prescribes
a particular relationship
between student and teacher,
a relationship that is repeated
in the relationships of children
to parents, and young people to
elders. Students are respectful
of teachers and of the knowledge they possess. They appreciate the chance to learn and
understand their responsibility
for carrying on their culture.
Four young members of
the Angkor Dance Troupe
after a performance of
Tivea Propey, a dance
originally performed in
honor of Children's Day
in Cambodia.
Donald E. Pierson, Dean
College of Education
University of Massachusetts Lowell
12
�Members of the Angkor Dance Troupe
at a recent performance.
From left Chhan D. Touch, Khoeun Pring, Phalik Ting, George
Chigas, Thida Loeung, Linda Thou, Sochenda Uch, Vanlina Im,
Rothana Yok, Pov Sath, Boo Ouch, Ratana Thou, Vanrotha Im,
Sophannary Khem, Sophannarin Khem, Harlen Hor, Soparl Ngin,
Samnang Hor, Akara Im, Andeth Vann, Phousita Serey Huy,
Chenda Ty, Sarith Heng, Sokhoeum Sim, Maliny Pen,
Maliny Khem, Elizabeth Yim, Choumnith Sath. Not pictured:
Tim Chan Thou, Savann Leng, Rotha Yok, Tola Sok, Samuth Koam .
•••••••••••••••••••••••••••••••••••••••••••••
•
•
•
•
•
•
•
•
•
•
Happy New Year
•
•
•
•
•
•
to the Cambodian Community
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•••••••••••••••••••••••••••••••••••••••••••••
Carole Matthews
13
�We would like to
honor and thank
Thoeun (Tlnl) Thou
and Kolab Yin
for their dedication to
continuing the tradition
of Canlbodian dance.
Many people have made valuable contributions to the
Angkor Dance Troupe1 but without the sustained
commitment of Thoeun and Kolab over the past decade1
the Troupe would not have survived.
Despite the difficulties and hardships1 they have never
given up in their belief that Cambodian traditional dance
has meaning and value for future generations.
With respect and appreciation1 we give them our thanks.
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Friends of the Angkor Dance Troupe:
Ann Bartholomew
George Chigas • Cecily Cook • Sovann-Thida Loeung
Ron Micheels • Elizabeth Morrish • Saly Pin-Riebe
Bunrith Sath • Vathana and Parady Soch • Nancy Sweezy .
14
�1--IONORING Tl--IE ARTS
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PAGE ONE PRODUCTIONS
80 Aberdeen Street, Lowell, MA 01852
(508) 441-1740 • Email: PAGEl PROD@AOL.COM
�Apsara Dance
Apsara is a central symbol of Cambodian culture. In the great Angkor
civilization, the beautiful celestial dancers of the temple represented the
prayers and linked the human world to omnipotent deities. Hundreds of
bas-relief Apsara carvings can still be seen on the walls of Cambodia's
national treasure, the temples of Angkor Wat.
The Apsara Dance is based on the Angkor Wat sculptures. It is a dance
for special occasions, originally performed only for the royal families of
Cambodia. In the dance, we see Mera, dressed in white for purity,
dancing in her garden with her handmaidens, also Apsaras. The
golden flowers they carry symbolize the happiness and well-being of
Cambodian people.
�The Coconut Shell Dance
Coconut trees are a main
agricultural resource in
Cambodia. They provide
sustenance to Khmer farmers
and are abundant in villages.
Inspired by a popular game
called Coconut Shell, the
Coconut Dance originated in
the province of Svay Rieny, the
eastern part of Cambodia. In
its original form, it was a oneman show. In the modern-day
dance, an equal number of male and female dancers performs
the dance, signifying friendship and courtship.
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18
�TROUPE
O. Foll- Dane<'
Good Crops Dance
This folk dance comes from a minority tribe called Phnorng that lives in
the hilly plateaus and forests of the Mundulkiri and Tarankiri provinces
of Cambodia. The Good Crops dance depicts a delightful episode of
choosing the fields for crops. The dance, through its movements and
gesture, celebrates the hope for a productive harvest.
Expression of Sentiment Dance
Choreographed by the late dance master Chea Samy, this dance was
originally created to provide dance students with a wide range of
expressions and sentiments. It has also been performed by professional dancers as an addition to their repertoire of court dances. The
theme depicts courting actions and, as it concludes, the sadness of
two lovers separated.
+- Fred C. Church
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SINCE 1865
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(508) 692-1865
19
�To a 11
in
+he pe.r'for'me.r'~
+he Angkor' "Dance. Tr'o\Jpe.
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101 BROADWAY RD. RTE. 113, DRACUT, MA
(508) 937-5766
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20
�The Butterfly Dance
In Cambodia, a young Khmer hunter captures a butterfly, intrigued by its
color and motion. But when the hapless helpless creature begs for mercy,
he lets it go. And so the Butterfly Dance symbolizes both the curiosity and
the compassion of Cambodian people. The graceful gestures and polite
manner. The willingness to always help and support one another. And
above all, the desire to live in peace and harmony.
Moni Mekhala Dance
According to Cambodian legend, thunder and lightning result from the
eternal battle between the Goddess Moni Mekhala and her adversary,
the storm demon Ream Eyso. One of the most sacred dances in the
Cambodian classical repertory, Moni Mekhala is still performed as a
ceremony to pray for rain.
A
tradition in the
community since 1849.
It has always been the goal of Colon ial Gas Company to offer exceptional value
and superior service to our customers. To that end, we continually look for ways
to improve the way we do business - through the innovative use of technology,
by focusing on the needs of our customers, and by participating in the economic
growth and welfare of the communities we serve.
It is this commitment to excellence, and the desire to see this community prosper,
that will continue the tradition of Colonial Gas into the next century.
'
800-548-8000 COLONIAL
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COMPANY
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21
�Khen Dance
This is a dance of courtship. In a region of Cambodia along the
border with Lao, people frequently play an instrument called the
khen or mouth organ. In this dance, men play the mouth organs to
serenade women. Not able to resist, the ladies touch the flowers
hanging from the khen and fall in love.
Chhoy Chhay Dance
Chhouy Chhay is the name of an adolescent princess dancer with
perfect beauty in all aspects. Her dance, voice, figure, and attitude are
rare and unmatched in the world. This choreography demonstrates her
delicate and gentle dance during her promenade in the forest.
e peacock is a symbol of
happiness in the region of
Pailin, which borders Thailand.
The dance is thought to bring
prosperity to villagers and for
that reason the dance is performed
during the New Year and at other
Peacock
of Pailin
ceremonies and festivals. The original
performance of this dance was adapted
from a tale involving a peacock and a
hunter and was danced with both
dancing and chasing actions.
When it was brought to the University of Fine Arts in Phnom Penh,
some of the original elements were eliminated and new elements
added. The theme was changed and now the dance embodies courtship.
Tep Monorum Dance
This dance, often considered the most beautiful in the classical
repertory, embodies the well being, friendship, and prosperity of
Cambodian people.
22
�Happy New Year
to the Cambodian Community
from
l(ris Niccoli
The Pestle Dance
The Pestle Dance is a popular Khmer folk dance that originated in
Siem Riep Province. It is a dance that celebrates the harvest. The
pestle and mortar are used in Cambodia as an old-fashioned way to
mill rice paddies. Usually two people, each with a pestle, pound
alternatively in a constant rhythm, an action which provided the
basis for the modern day dance.
Ch hay Yam Dance
Chhayam is a comic country dance. After the harvest, Khmer
peasants and farmers gather in ceremonies and festivals to
celebrate. Chhayam is performed to enliven and add levity to these
celebrations. Its exciting rhythm encourages dancers to improvise
their steps and gestures.
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INSURANCE AGENCY
421 CHELMSFORD IT., LOWELL (NEXT TO WENDY'I)
TEL. 454-0402
23
�••••••••••••••••••••••••••••••••••••••
•
Special Thanks to
Our Dedicated Staff & Board of Directors
•
Chhan D. Touch, President
Carol Keirstead, Vice President
Gloria Polites, Co-Secretary
Carole Matthews, Co-Secretary
Nissay Liek, Treasurer
Phousita S. Huy, Artistic Director
Phalik Ting, Instructor
Sokhoeum Sim, Instructor
Akara Im
Samuth Koam
Arn Chorn Pong
Tim Chan Thou, Troupe Coordinator
Dr. Toni Shapiro, Advisor
Also to:
Lori Kalb, New England Folklife Center
Molly Sheehy, Middlesex Community College
Michelle Ramahlo, Smith Baker Center
Thurman Prints
The Top Half
Publication designed by Page One Productions
Sources: "Cambodia's Royal Dance, " by Eileen Blumenthal, Natural History 4189
Khmer Folk Dance by Sam-Ang Sam & Chan Moly Sam, Khmer Studies Institute Inc., 1987
Khmer Songbook, Forward by Sophiline Cheam Shapiro, 1992
The Classical Dance Company of Cambodia, Sam-Ang Sam, Music Director
"An Introduction to Khmer Traditional Dance" by Huy Serey Phousita, Seoul, 1995
Photo Credits:
Tim Chan Thou, Toni Shapiro, Eileen Blumenthal,
Ann Bartholomew, Eleanor Briggs, Higgins & Ross
Translation Services: Nissay Liek
If you are interested in booking the Angkor Dance Troupe,
please contact: Ruth Page, General Manager (508) 441-1750
••••••••••••••••••••••••• ••• •••••• • ••
�The Angkor Dance Troupe is funded in part by the:
THEODORE EDSON PARKER
FOUNDATION
li111
MASSACHUSEITS CULTURAL COUNCIL
A state agency that supports public programs
in the arts, humanities. and sciences
Lowell Cultural Council
with funds from the Massachusetts
Cultural Council, a state agency
Angkor'
ll:l:HllMc.e. Tr'o'Jpe.
P.O. Box 1553
well, MA 01853
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Program for Angkor Dance Troupe's "A Celebration of Cambodian Classical and Folk Dance" event, 2000?
Subject
The topic of the resource
Community organization;
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Program for Angkor Dance Troupe's "A Celebration of Cambodian Classical and Folk Dance" event. Includes a brief description of the organization and descriptions of Cambodian Classical and Folk Dance.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2000?
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
28 p.; 21.5 x 14
Language
A language of the resource
English
Khmer
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f10_i002
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Apsara Dance
Books
Butterfly Dance
Cambodians
Chhay Yam Dance
Chhoy Chhay Dance
Coconut Dance
Good Crops Dance
Khen Dance
Moni Mekhala and Ream Eyso Dance
Peacock of Pailin Dance
Pestle Dance
Sentimental Expression Dance
Tep Monorom Dance
-
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8447f17d41a31a288a851ef7afe72ba4
PDF Text
Text
��30th Anniversary
Evening Program
Cocktails
Welcome
Recognition of Angkor Dance Troupe by Congresswoman
Niki Tsongas, Senator Eileen Donoghue,
Mayor Edward Kennedy
Past, Present, Future
Dinner
Performance
Special recognition by Angkor Dance Troupe
Lifetime Achievement Award
Raffle announcement
3
�Thank You
On behalf of our Board of Directors, our planning committee, and staff
of Angkor Dance Troupe, we would like to thank you for joining us as we
commemorate "30 Years of Connecting Communities through the Preservation,
Education and Innovation of Cambodian Performing Arts:'
Tonight's anniversary is a true celebration of our past, present, and future. This
celebration is an opportunity to honor those who helped establish Angkor
Dance Troupe in 1986; a chance to acknowledge those who believed in our work,
leading to over 4,500 youth served and 20,000 reached across the Northeast; and
a time to recognize those who continue helping us grow.
We would like to recognize each of you for making this a memorable event for
years to come and extend a special thank you to all our sponsors for this evening.
Your contributions are invaluable to this organization and will be used to ensure
the future growth of Angkor Dance Troupe.
Angkor Dance Troupe could not deliver on our mission without the support of
our donors, community partners, families, friends, staff and board. We look forward to your continued partnership in helping us connect Communities through
the Preservation, Education and Innovation of Cambodian Performing Arts.
~ h,Ctn~
JY.o/-1~
Michael Conway
President- Board of Director
DahvyTran
Executive Director
0
4
�Staff & Leadership
Advisory Board
Celeste Bernardo
Michael Gallagher
Adrien Bisson
Vanna Howard
Jim Conlon
Joe Hungler
Nancy Donahue
Felicia Sullivan
Carol Duncan
Sophy Theam
Robert Farrant
Jim Wilde
Board of Directors
Michael Conway, President
Chummeng Soun
Karen McManimon, Vice President
Narin Sinuon
Savanna Pouv, Treasurer
Nary Tith
Linda Uch, Clerk
Sheila Kirschbaum
Jay Lee
Virginia Prak
Program Staff
Dahvy Tran, Executive Director
Emaly Horn, Program Intern
Tim Chan Thou, Operations Director
Shaun McCarthy, Grant Writer
Khakhada Horn, Program Coordinator
Artistic Staff
Artistic Director and Master Teacher - Phousita Huy
Master Teacher Kimhan Meas
Dance Program Manager - Channa Sath
Master Teacher Sophea Chamroeunnop
Master Teacher Pech Heung
5
�Honoring Our Past
History
The Angkor Dance Troupe was formed in 1986 by a group of
Cambodian refugees of the Khmer Rouge holocaust. Lowell's
Cambodian American community, estimated at more than 35,000
people, is the second largest in the country. When we resettled here,
we brought a passion to carry on our cherished cultural traditions
to practice and perform, to teach our children, and to see our art
preserved for future generations of all cultures.
We take our name
from the great
Angkor civilization,
between 802 and
1432 AD when
Cambodia was a
dominant empire
in Southeast Asia.
Dance and music
have always been
prominent in
Khmer society, but
these ancient traditions were nearly eliminated when the Khmer
Rouge controlled Cambodia in the 1970s. Artists were among those
deliberately targeted for execution. More than 90% of the country's
tradition bearers perished. Today, as Cambodians around the world
struggle to emerge from decades of war and poverty, our people
look to the rebirth and re-creation of dance as testimony to the
endurance of our culture.
6
�Celebrating Our Present
Today
What began as an organization that focused on the preservation
of Cambodian arts and culture quickly became a youth-serving
program. We recognized that, in order to fulfill our mission, we
needed to groom the next generation of leaders. Using performing
arts as the tool, we developed and guided over 4,500 youth over the
years. These young people furthered their education and became
teachers, nurses, and civic leaders within the community. They
pointed to ADT as an integral part of their leadership journey.
Since our 25th anniversary we
have built a passionate Advisory
Board, strengthened our current
Board of Directors, created
a comprehensive strategic
fundraising plan, and we continue
to establish strong partnerships.
The number of youth served has
increased each year, with our
residency reaching an additional
100 youth through a summer
program serving new refugee
groups.
In addition to our expansion in youth programming, our
accomplishments include three "big" annual performances,
two residencies, performance market expansion outside of
Greater Lowell, co-hosting a national Southeast Asian American
Conference with UMass Lowell (summer 2017), Senior Dancer
Certification, (Bi)Annual Master Teacher Residencies, and Senior
Dancer professional development.
7
�Embracing Our Future
Future
The future of Angkor Dance Troupe is to become the epicenter for
innovative Cambodian performing arts. To achieve this vision, our
goal is to have Lowell become home to the following:
Lowell Angkor Arts Academy
10 Certified Master Teachers
Angkor Touring Company
We ask that you help advance this vision by supporting our goal of
raising $30,000 toward establishing an endowment that will ensure
thousands more youth will be served.
8
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NGKOR
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�11
�Circle Health is a proud
supporter of the
Angkor Dance Troupe, Inc.
We applaud their mission to
connect communities through
the preservation , education
and innovation of Cambodian
Performing Arts.
Happy 3Qth Anniversa ry.
~
circlehealth
~ Complete
connected care ..
www.circle-health.org
INSURANCE AGENCY
12
�Happy 30th Anniversary to Angkor Dance Troupe,
who preserves the traditions of Cambodian performing arts.
Fede rally in sure d by NCUA
I Shares and Deposits in excess of NCUA limits are fully in su red by MS IC.
Jeanne D'Arc Credit Union and the phrase We Share a Common Thread are federally registered trademarks owned by Jeanne D'Arc Credit Union.
Paul Marion &
Rosemary Noon
------
Congratulations, Angkor Dance
Troupe, in celebrating 30 years of
performing arts. We are blessed
to have the dance troupe in our
community preserving Cambodian
traditional dance, art and culture!
13
�We are proud to
support the
.!lngkor Dance Troupe
and congratulate them
on their remarkable
30th .!lnniversarg.
The Gaslight Building
22 Shattuck Street
Lowell, MA 01852
Tel 978.452.0522
Fax 978.452.0482
www.gcattorneys.com
14
�e
1
CREDIT UNION
Connecting all your banking needs
ol & George Duncan
e are delighted to support Angkor
Dance Troupe as they celebrate 30 years
of connecting communities with the
preservation and innovation of their rich
culture.
s
u
t
S c:c s s S a
15
e
�~
UMASS
LOWELL
learning with Purpose
Lianna Kushi &
16
�Raffle and Cocktail Sponsors
Amara Boutique and Trav
Bangkok Market
Brew'd Awakening Coffeehaus
Cultural Shock Apparel
Hong Kong Market
New Asia Restaurant
Pailin Express
Peephuptmei Restaurant
Sorin Sieng
Yummy Express
Washington Savings Bank
Humanities
:l'fUU5fT 3:)0AU J!O>ICJ0A
':))nsO Alo~ i8 '6Ji?zsD l'j{T)r/>f
17
�Mut Peah Sponsor
18
�Dear Angkor Dance Troupe,
You're Getting Old ...
. . . But That's Good!
Happy Anniversary and
Many More Years to Go!
Your friend,
MehmedAli
19
�Mut Peah Sponsors
2017 ASIAN AMERICAN CULTURES FESTIVAL
PIN PANHCHAPOR
THE HARP & FIVE COLORS OF HARMONY
Angkor Dance Troupe
UMass Lowell World Music Ensemble
H
UMASS
LOWELL
Friday, April 21 at 8pm
Durgin Concert Hall
UMass Lowell
35 Wilder Street
Tickets $10 at the door
(cash only please)
Washington
SAVINGS BANK
We give you more
washingtonsavings.com
20
�Supporters
Music Support:
Alan Williams & UMass Lowell
World Music Ensemble Wongpleng Khmer
Kimhan Meas
Sovann Khon & Tepniyum Band
Program Design Support:
Jim Higgins
Joan Ross
Sochenda Uch
30th Planning Committee Members/Supporters:
Angkor Dance Troupe's Board of
Directors
Celena Mai
Channa Sath
Cheymony Fennell
Chummeng Soun
EmalyHorn
Linda Sou
Peter Chea
Phousita Huy
Roselyn Soung
Sochenda Uch
Sodany Krouch -Venue Designer
Tim Thou
Victoria Phan
�Supporters
Organizations:
Center for Asian American Studies
Flying Orb
Lowell National Historical Park
Massachusetts Cultural Council
Parker Foundation
The Flower House
Individuals:
BonnaMai
Chamroeun Sdoeung
Chenda Wilson
Chhan Touch
Christina Prum
Kolab Thou
Linda Sopheap Sou
Liz Claffin
Malis Loeung
Peter Veth
Sarina Choun
Selena Tran
Sochenda Uch
Sue Kim
Tenzin Thoulutsang
22
1
�NANCYL.&
RICHARD K. DONAHUE
In celebration of the Angkor Dance Troupe's 30th
anniversary, we would like to extend sincere gratitude
to NANCY L. & RICHARD K. DONAHUE for their
continuous support, which helps make this event possible.
�GOOD
CELEBRATES
+
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe's 30th Anniversary Celebration program book, 2016
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Angkor Dance Troupe's 30th Anniversary Celebration program book. Includes a brief description of the past, present, and the future of organization.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
24 p.; 21.5 x 14
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f10_i003
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2010-2019
Books
Cambodians
-
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029f22b42df68449e858f06748462fb8
PDF Text
Text
�1
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978-459-8359
Congratulations
to the Angkor Dance Troupe
for sixteen marvelous years of
great performances.
Law Office of
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Office: (978) 459-8359
16 Pine Street, Lowell, MA 01851
�TABLE OF CONTENTS
I.
II.
Ill.
IV.
v.
About the Angkor Dance Troupe
3 - 45
How to Contact the Angkor Dance Troupe
46
Angkor Dance Troupe Grant Support & Funders
2
How to Make a Donation
48
Directory of Advertisers
Mehmed Ali & Family
36
Anstiss & Co., P.C
17
Banknorth
39
Law Office of Karen Bolton
32
Casey Family Services
4
Lila Chea & Family
21
Children's Museum Lowell
19
James L. Cooney Agencies
35
Dolan Funeral Home, Inc.
33
Nancy & Richard Donahue
5
The Edge Group, Inc.
12
Eno, Boulay, Martin, & Donahue, LLP
25
Enterprise Bank and Trust Company
13
Fineberg/Gray Tax Service
4
Friends of the Angkor Dance Troupe
48
Law Office of Louis S Haskell
.
Inside Front Cover
John J. Honan Insurance Agency
21
Sambath Keo, D.M.D.
27
Landmark Video World
30
Daniel P Leahy, Esq.
.
29
Loom Press
3
Lowell Community Charter School
41
Lowell Community Health Center
31
Lowell Memorial Auditorium
22
Marcotte Law Firm
37
Paul Marion & Rosemary Noon
9
Massbank
23
Armand Mercier, Lowell City Councilor
7
Rita Mercier, Mayor of Lowell
14
Steve Moses
6
Navy Yard Liquors
28
Andrew Page, Photographer
38
Page One Productions
28
Palma Law Offices, P.C.
15
Louis L. Pinn Insurance
2
Jonathan & Diane Pulliam
20
Saints Memorial Medical Center
Inside Back Cover
Saturn of Lowell
43
The Sharing Foundation
24
Law Offices of Clark H. Siddiqui
22
34
Sir Speedy
Sovereign Bank
47
Thomas Stylianos, Attorney at Law
Back Cover
Tim Thou & Kolab Yin
20
Trinity E.M.S, Inc.
26
UTEC - United Teen Equality Center
16
On our cover - "Hanuman," a mystical, magical white monkey and legendary army general, leader of
the "Swva Pol" (monkey soldiers). Hanuman is a prominent character in the Reamker. Cambodia's version
of the epic Indian Ramayana. Illustration by (and special thanks to) Phallina Chea, an artist with the
Department of Culture at the Royal University of F Arts, Phnom Penh, Cambodia.
ine
© 2002 Angkor Dance Troupe, Inc. No reproduction of any images in this publication without written
permission from the Angkor Dance Troupe.
�The Angkor Dance Troupe receives the generous support of the:
THEODORE EDSON PARKER FOUNDATION
IiiII
MAsSACHUSETTS CULTURAL COUNCIL
A state a~ncy 11\at suppons publie programs in the ans, llumanities, and sciences
Massachusetts Cultural Council YouthReach Initiative
Lowell Enterprise Community
Lowell Community Development Block Grant Program
An Anonymous Donor
Lowell Cultural Council
Friends of the Angkor Dance Troupe
Greater Lowell Community Foundation
So. N.E. Folk & Traditional Arts Apprenticeship Program
Significant In-kind support comes from the:
Lowell National Historical Park
University of Massachusetts Lowell
College of Arts & Sciences, Psychology Department
Big Brother Big Sister of G.L. ADAM Project
LOUIS L. PINN
INSURANCE AGENCY
1519 Middlesex Street
2nd Floor
PHONE: (978) 452-4748·
FAX:
(978) 452-4754
Lowell, MA 01851
2
�tfJUfs5H~f
Att5kor Dattce Tro~pe
From One Generation to the Next
The Angkor Dance was formed in 1986 by Cambodian refugees
of the Khmer Rouge genocide. When we resettled in Lowell,
Massachusetts we brought a passion to carry on our cherished
traditions - to practice and perform, to teach others, and to see
our art preserved for future generations of all cultures.
Greater Lowell is home to the second-largest community of
Cambodian Americans in the country. Cambodian dance
performances provide a poignant reminder of the beauty and
spirituality of Khmer culture and help us develop a sense of home
and community in a new homeland.
On, wit:/r,f:he, dtut,u,t Letjoy be- wtCb~j
no rUe.p-tili HWrn-, ~youJ:lr.,
a.ntiplea&ure- meet
to duue-the,!JW~ lwurr wit:/r,fly~ foee·
- uni Byron-
Loom Press • PO Box 1394 • Lowell, MA 01853
3
�Classical dance has been connected to
Cambodia's sacred rituals for more than
one thousand years. During the great
Angkor Era, dancers performed in temples
to bring prosperity to the kingdom . Bas
relief carvings at many of Cambodia's vast
temple complexes depict celestial dancers
-Apsaras - who linked the human world
to the gods. Classical dance is sometimes
called court dance or royal ballet. At one
time, it was the exclusive domain of
royalty. Today this cherished art is enjoyed
by audiences around the world and is a
universal symbol of Khmer culture.
FINEBERG • GRAY ASSOCIATES
345 Westford Street• Lowell, MA 01851
Tel: (978) 452-5003 - Fax: (978) 970-0076
TAX PREPARATION & CONSULTING
Coneratu(ations &' 'Best Wishes in the 'lfew Year
• DOCUMENT TRANSLATION
• COURT INTERPRETATION
KHMER • LAOTIAN • VIETNAMESE
Notary Public
Michael P. Fineberg
F. Gerald Gray
Members: National Society of Tax Professionals
CASEY&t..
Change The World
One Child
FAMILY 11-1·
at a Time
The Foster Care Program at Casey Family Services seeks
individ uals and families who can provide Long-term and
Treatment-level foster care. Casey Family Services is dedicated to
helping children between the ages of 8 and 16 find opportunities
for a stable fam ily life with people who can provide lasting
relationshi ps and a safe living environment. If you would like to
share your fami ly's success, be a part of our Professional Team.
4
SERVICES
18 Palmer Street
Lowell, MA 01852
Call today! 800-883-8836
978-937-1877
•Top quality training & support
• Excellent compensation
�THANK YOU FOR PRESENTING AND SHARING
YOUR BEAUTIFUL DANCE WITH ALL OF US.
NANCY & RICHARD DONAHUE
~roughout Cambodia,
after the harvest, it is time
for music, song, and dance.
Folk dance is rooted in rural Cambodia and depicts rituals of
everyday village life. The dances honor skills that are typically
undervalued in the rush toward westernization, such as fishing
and rice farming. Dance motifs are commonly based on local
legends and inspired by themes of nature as well as the ceremonies, and customs that shape the lives of Cambodian people.
Distinctive, colorful costumes represent the traditional dress of
the various regions and ethnic groups within Cambodia.
5
�A National Leader in Traditional Cambodian Dance
The Troupe takes its name
from the great Angkor
Civilization, between 802
and 1432 AD, when
Cambodia was a dominant
empire in Southeast Asia.
Dance, music, and drama
have always been promi nent in Khmer society, but
these ancient traditions
were nearly eliminated
when the Khmer Rouge
controlled Cambodia in the
1970's. Artists were among
those del iberately targeted
for execution and more
A dancer rehearses at the Royal University of F Arts,
ine
Phnom P
enh, Cambodia. March 2002
than 90% of the country's
tradition bearers perished.
The Angkor Dance Troupe is nationally recognized as one of the
most experienced and accomplished of the U.S. based Cambodian
dance ensembles. Angkor is directed by world-renowned master
teachers and performs a repertoire developed in concert with the
Royal University of Fine Arts (RUFA) in Phnom Penh, Cambodia,
considered the global standard bearer for Khmer traditional arts.
Angkor has an active program of educational exchange with RUFA,
'.IJ'-
Best Wishes to All Those Involved
with Lowell's Own Jewel
The Angkor Dance Troupe
. Congratulations from Steve Moses
of the UMass Lowell Center for
Public Health, Research, and Health Promotion
6
�which allows us to continually improve and expand our repertoire
of classical and folk dance traditions.
We routinely host visiting master teachers from RUFA, as well as U.S.
based master dancers, for extended artists' residencies and workshops. Between 1999 and 2002, for example, we were honored to
work closely with esteemed master
teachers Phan Phoung and
Sokhanarith Moeur, through
projects funded by the Lila Wallace/
Readers Digest Fund for Folk
Culture and the Southern N.E. Folk
and Traditional Arts Apprenticeship
program, funded by the NEA,
Institute for Community Research,
R.I. State Council on the Arts, and
the Mass. Cultural Council.
At Right - Master Teacher Phan Phoung
appeared with Angkor at Jacob's Pillow
in June 2001.
To the Peiformers .. .
Continued Success
To the
'Angkor 'Dance Trouye ...
'Best Wishes
Armand P. Mercier
Ci Councilor
7
�Masters of Cambodian Dance - Learning from the Best
In 1998 and 2001 , Angkor was able to
secure educational visas for a number
of RUFA masters through a partnership with Middlesex Community
College. These important dance
masters spent several months in Lowell
teaching Angkor apprentices as well as
dance students in Providence, R.I. and
Portland, ME. They also conducted
residencies with public school students
at the Lowell Community Charter
School and the Peterborough, NH
Regional Educational System .
Left - Master dancer
Sophea Sek, an
artist-in-residence
from the Royal
University of Fine
Arts, Phnom Penh,
performs with
Angkor at Jacob's
Pillow in 2001 .
Right - Sophea Sek,
assists Vyrik Eng
with his costume
before a
performance of
Swva Pol at the
Boston Center for
the Arts ·ere-Asian•
Festival in 2001 .
Master teacher Yorn Peng, is an artist-inresidence from the Royal University of
Fine Arts, Phnom Penh. A master of the
" Giant" dance role, she instructs Kuntaer
Eng before a performance at First Night
Boston 2002 .
Left -Angkor Founder Tim Chan Thou, who was
certified as a folk dance teacher in the Khao-1Dang refugee camp, teaches the Fishing Dance
during a troupe rehearsal at the Lowell
Community Charter School in 2001 .
8
�Congratulations
for another successfu I year!
Paul Marion, Rosemary Noon,
and Joe Marion
9
�Masters of Cambodian Dance - Learning from the Best
In the 16-year history of the Angkor Dance Troupe, we have
had the honor to work with a number of the world's best
dance masters from the University of Fine Arts, Phnom Penh
and around the U.S. For their invaluable contribution to the
preservation of Cambodian dance, we give them our thanks.
The Esteemed Chea Samv
Master of Classical Dance
Chhieng Proeung, Dean
Dr. Sam Ang Sam
Master of Cambodian Music
Chan Moly Sam
Master of Court Dance
Choreographic Arts, RUFA
Ros Kong & Tes Sam Oeun
Masters of Classical Dance
Malis Keo
Royal University of Fine Arts
Sokhanarith Moeur (left), Master of Folk Dance & Drama
Phan Phoung, (Below) Master of Folk Dance
Choreographer. Coconut Shell
10
�Savath Roeung (Center)
Folk Dance Instructor
with Tim Chan Thou (left)
& Sokhoeum Sim
.., ,..
..
~...
Phousita Serey Huy
Master of Classical Dance
Artistic Director.
Angkor Dance Troupe
('
Sam On Soth
Master of Classical
Dance Drama
NeitoHeang
Folk Dance Master
Phalla Lak Morris
Folk Instructor
Song Heng
Master Musician
Thavro Phim
Folk/Giant/Monkey
Instructor
Khatna Peou
Master of Classical Dance
(With Grandson Tim Chan Thou & Family)
Yorn Peng
Master of
Classical Dance &
Giant Role
Sophea Sek
Master of
Folk Dance &
Giant (Lakhon Kowl)
11
Say Souer
Monkey Master
Tath Sum
Master Musician
Not Pictured: Rachana Khiev,
Tonara Hing
�"Dance, the Spirit of Cambodia" 2001 U.S. Tour
Lowell was one of 12 cities to host the first
major tour out of Cambodia by the Royal
University of Fine Arts in more than 10 years.
Produced by the New England Foundation for
the Arts and Lisa Booth Management, the tour
included spectacular performances and handson workshops. (Andrew Page Photos)
Happy New Year!
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Lowell, MA 01852
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edgegroupinc.com
Commercial Real Estate - Brokerage & Consulting
12
�"Dance, the Spirit of Cambodia" 2001 U.S. Tour
"Dance, the Spirit of
Cambodia" included
performances by more
than 40 master artists.
As part of the Lowell
leg of the 12-city
national tour, masters
conducted workshops
with apprentices from
the Angkor Dance
Troupe at our newly
opened rehearsal
facility in the Mogan
Cultural Center.
Above Right - Sathya
Sam demonstrates
classical postures.
Right - Master Thavarak
Soeur works with Sam
Hor and other young men
on their monkey dance
moves.
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�"Dance, the Spirit of Cambodia" 2001 U.S. Tour
Thanks for sharing your
talent and love for the
dance with us.
Happy New Year
Angkor Dance Troupe!
- Mayor Rita Mercier
14
�PERSONAL INJURY
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45 MERRIMACK STREET, SUITE 330
LOWELL MASSACHUSETTS 01852
(978) 970-2211
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A Unique Way to Serve Youth
A central component of Angkor's mission is to provide positive cultural,
and recreational opportunities for Lowell youth. Since 1986, we have
served more than 500 young people, ranging in age from 4 to 18, who
rigorously rehearse, participate in performances, and attend outings.
Youth typically stay involved with Angkor for at least 4 to 5 years, many
even longer. In 1999, our work with youth was honored at the White
House with a prestigious "Coming Up Taller" award from the President's
Committee on the Arts and the Humanities and the National Endowment
for the Arts.
Since 1998, the Troupe has operated Angkor Youth Dance, an
afterschool and summer program for at-risk youth, with major funding
from the Massachusetts Cultural Council YouthReach Initiative. The
program benefits from the involvement of a number of community
UTEC
congratulates the youth
of the Angkor Dance Troupe.
United Teen Equality Center
10 l<irk Street, Lowell • 978-441-9949
16
�partners, including the ADAM project of Big Brother/Big Sister of
Greater Lowell, UMass Lowell College of Arts and Sciences, and Lowell
National Historical Park, and others. In addition to MCC funding,
supporters include the Lowell Enterprise Community, Lowell Community
Development Block Grant, and Friends of the Angkor Dance Troupe.
Over the years, we have witnessed firsthand the value of high quality, indepth arts programming for youth . We have had several apprentices, for
example, who were involved in gangs when they joined the troupe and
have since left their street lives behind . Angkor's success with at-risk
youth was featured on the WCVB-TV Chronicle program in October 2001 .
Below Left- Peter Mehegan and Mary Richardson introduce the segment on the
Angkor Dance Troupe.
Right - Lowell High School student Roeun Chan is interviewed.
Anstiss & Co., P.C.
Certified Public Accountants
21 George Street
Lowell, MA 01852
Raymond L. Anstiss, CPA, MBA
Richard B. Dionne, CPA, MST
Raymond L. Anstiss, Jr., CPA, MBA
Telephone: (978) 452-2500
Fax: (978) 458-0425
17
�At Last - A Home of our Own!
On September 16, 2001, the Angkor Dance
Troupe and the Lowell National Historical Park celebrated the opening
of Angkor's new rehearsal and office space on the third floor of the
Patrick J. Mogan Cultural Center. Angkor set up operations in the
former boardinghouse and will
offer public programming through
a cooperative agreement with the
Lowell National Historical Park
(LNHP). Our heartfelt thanks to
LNHP Superintendent Patrick
Mccrary. Special thanks also to
Memhed Ali, Jim Corless, Erin
Sheehan, Todd Pappas, Patrick
Laffey, Ted Davis, Paul Fontaine, and the staff
of the Tsongas Industrial History Center.
Top Left - Ribbon-cutting ceremony and
Blessing dancers.
Top Right - Angkor President Sovann-Thida Loeung
and Jim Corless, of the LNHP cut a ribbon to open
Angkor's new space.
Middle Right - Sam Hor leads monkey dancers
in a rehearsal in the new facility.
Right - The ribbon-cutting ceremony also served
as the opening for two exhibits on traditional
dance. "Dance Traditions of Southeast Asia Enduring Symbols of Cambodia and Laos" and "Ancient Steps on American Soil.
Cambodian Dance in Lowell" are open to the public through August 2002 at the
Mogan Cultural Center, 40 French Street, Lowell. Admission is free.
18
�19
�Two of Angkor's Rising Young Apprentices:
Krisna Thou and Diane Pulliam
The Angkor Dance Troupe - Bringing Cambodian
Classical and Folk Dance to Lowell
7
..
Happy New Year from
Jonathan & Diane Pulliam and
Tim Chan Thou & Kolab Yin
20
�Performances
The Angkor Dance Troupe has
performed at the White
House, First Night Boston,
Lowell Folk Festival, Boston
Dragon Boat Festival, Yale
University, and Jacob's Pillow.
In 2001, Angkor presented 37
performances and workshops
for more than 24,000 people.
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Turn to the Law Offices of Clark. H. Siddiqu i, a comp lete law firm for
all your corporate and persona l legal needs. Offering a wide range of
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Email: dark@gcdcgalhelp.com • www.getlegalhdp.com • www. legalauclits.com
The Lowell Memorial
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Best Wishes for a Successful Year!
Your friends at
Lowell Memorial Auditorium
Mill City Management
Tom McKay, Leo Creegan, Terry McCarthy
22
~
.
�During our busy season, leading up to Cambodian New Year in
April, Angkor operates rehearsals seven days a week in five
locations across three states. Rehearsals and workshops are a
central part of our mission. They promote a greater awareness
and appreciation for our cultural traditions, provide s_ pport
u
for our artists, preserve fragile cultural traditions, and help us
inspire a new generation of Cambodian dancers. Angkor has
more than 70 dancers, ranging in age from five to adult. Our
dance rehearsals are free and open to anyone willing to make
a commitment to Cambodian dance
Left - Taary
Ram leads a
workshop on
the Pestle
Dance for
audience
members at
the Lowell
Folk Festival
in July 2001 .
We Make Mortgages Happen!
til-,
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23
�Best Wishes for Another Successful Year
to The Angkor Dance Troupe!
From your friends at
The Sharing Foundation
Helping to Care for Cambodia's Children
The mission of The Sharing Foundation is to help meet the physical,
emotional. educational, and medical needs of orphaned and severely
disadvantaged children in Cambodia. Our goal is to prevent some of
the problems associated with poverty by developing, in conjunction
with Cambodian community leaders, programs to improve the social
fabric for these children and their families.
Some of the children from Roteang Village, Kandal province, who benefit from our cooperative farming program.
Visit us on the World Wide Web at
www.sharingfoundation.org
or write to us at:
The Sharing Foundation
P.O. Box399
Woolwich, ME 04579
Sponsorship for this page was donated by members of
The Sharing F
oundation's Board of Director's and the Parent Advisory Council.
24
�Performance Highlights
Taking it to the Streets at the
2001 Lowell Folk Festival
Left - Victoria Chau
performs the Blessing Dance.
Above Right - Young men
demonstrate new choreography
for the Monkey Dance.
First Night Boston 2002
Right - Stephanie Seng in a
performance of the Fan Dance.
(Andrew Page Photos)
ENO, BOULAY, MARTIN & DONAHUE, LLP
Attorneys-at-Law
21 Gc·or&'<' Stret't. Lowd!. M assachusem 01852- 2283
Td. 978-452-8902
Fax 978- 453- 2585
M. B OU LAY
F. MART IN, JR .•
MArTHEW C. DONAHU E
SANDRA
WI LLI AM
• Also admittrd in l\l. H.
ARTHUR
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ENO.JR. QfG>11md
JOSEPH f~ D O NAH UE, jR. Q{ O>tmStl
25
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Life Support • Wheelchair Service
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9 78-441-9999
Good Luck Angkor Dance Troupe!
Trinity E.M.S., Inc.
1221 Westford Street• Lowell, MA
(978) 441-9999
email: tems@aol.com
www.trinityems.com
26
�Above - Dancers take a bow at
FirstNight Boston 2002.
Left - A dance of peace at a Lowell
vigil for victims of the September 11
terrorist attacks.
Right - The Monkey Dance at Boarding
House Park
Photos by Andrew Page
Sambath Keo, D.M.D
50 Wood Street
I.::owell, MA 01851
(978) 441-9991
Quality Dent:al Care
for t:he Whole Family
Visit us at our new office at 50 Wood Street near Middlesex Plaza!
27
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of the ANGKOR DANCE TR OUPE.
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NAVY YARD LIQUORS
Beer . Wne Spirits . Kegs
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Monday-v.dneaday
10:00 am.-10:00 pm.
Thursday-Saturday
10:00 am.-11 :00 pm.
Sunday
12:00 Noon.-1 0:00 pm.
Yura Thay
Manager
3 Hampson Str.
Phone/Fax.(978) 957-4775
Dracut, MA 01826
28
�Above Left - David Noeuk and Kuntaer Eng
perform the Coconut Dance at Boarding House
Park, September 2001 .
Above Middle - Channa Sath performs the
Blessing Dance at the Littleton Lyceum . (11 /01)
Above Right - Poe Pech and Harlan Hor
perform Peacock of Pursat at the Angkor Youth
Dance Fall 2001 performance at the Smith
Baker Cent~r in Lowell.
Right - Sophy Leng and Sam Hor dazzle a crowd
of more than 2200 with "Peacock of Pailin" at
the Boston Dragon Boat Festival in June 2001 .
Attorney Daniel P. Leahy
is here to meet all of
your legal needs.
unn1a1iQJ1W w1w
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fllWIWlftflftUJlftll
Daniel P. Leahy, Esquire
10 Bridge Street • Lowell, MA
978-459-0181
29
�An Extensive Collection of Richly Detailed Costumes
The Angkor Dance Troupe has an extensive collection of richly
detailed, authentic costumes, headdresses and masks. Much of
the collection was crafted by master costumers from Cambodia .
Above Left - Tep Menorom at FirstNight Boston.
Above Right - The legendary Hanuman during a
performance for Quincy FirstNight.
Left - Master Yorn
Peng assists Sodany
Krouch with her
headdress for
"Ream Lak/Chup Lak"
before a performance
at FirstNight Quincy.
Right - Sopheap (Linda)
Sou & Heng Noeuk at
FirstNight Boston .
Andrew Page Photos
Landmark Video World
The Real Superstore
72 Gorham Street, Lowell MA 01852
30
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Lowell Community Health Centir, Inc.
585-597 Merrimack Street, Lowell, MA 01854
Phone (978) 937-9700, Fax (978) 970-0057
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31
�Young women perform "Picking
Krovine" at the 2001 Southeast
Asian Water Festival in Lowell.
The dance depicts the spiceharvesting traditions of
villagers from the Cardamom
Mountain region
of Cambodia.
Law Office of Karen M. Bolton
10 Bridge Street
Lowell, MA 01852
(978) 458-0776
32
�DOLAN
FUNERAL HOME, INC.
106 MIDDLESEX STREET
CHELMSFORD
Independently Family Owned & Operated
Serving all faiths
TRADITIONAL OR
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DIRECTORS
James F. Dolan
James F. Dolan II
(978) 251-4041
www.dolanfuneralhome.com
33
�Fishing Dance - Littleton, MA, Nov. 2001
Ilt/Q
Dancers share their thoughts
•••••••••••••••
Sopharl Ngin was born in Cambodia but has been
immersed in American culture since she was five.
"When I perform the Fishing Dance, and my
parents are watching,
I feel so happy. It's
like I've gone back in
time and I'm this
Cambodian girl out
fishing in the stream.
Through dancing,
I can connect to my
Khmer side and hold
on to that part of
my heritage. I can
show my parents
that I haven't
forgotten where I
come from."
•••••••••••••••••••••
Tep Menorom - Jacob's Pillow, June 2001
"We're proud to be doing a dance that has been
carried down from generation to generation."
- Monica Veth and Kuntaer Eng
Best Wishes
Sir spiifid,
287 Appleton Street • Lowell, MA 01852
(978) 459-2109 • Fax (978) 452-8879
Printing, Copying and Digital Ntttwork
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32 Church Street
Lowell, Massachusetts 01852
Insurance
Real Estate
978-459-0505
978-452-9952
Small enough to know you.
Large enough to serve you.
35
�0
•
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•
•
•
•
•
•
•
•
•
•
Sovann-Thida Loeung was 15 when she and
her family left Cambodia for a refugee camp
in Thailand. After resettling in Lowell in the
1980's, Thida joined the Angkor Dance Troupe.
" Being a new arrival to America, regularly
practicing and performing Cambodian dance
gave me a kind of identity that went beyond
that of refugee and newcomer. It confirmed
the value of my Cambodian culture - to others
and to myself. With every performance of the
Angkor Dance Troupe,
I felt more and more that my community
had something important to contribute."
Today, more than 15 years later, Thida
still dances. She also chairs Angkor's
Board of Directors and is a teacher at the
Lowell Demonstration School. She and
her husband, George Chigas, have a
three-year old son, Yianni .
Happ~ New
Year from
Mehmed Ali,
Sokh~ Thim, &
Lorn Thim
36
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LOWELL, MASSACHUSETTS 01852
37
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Documentary. Commercial. &
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30 West Street
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(207) 749-4858
email: apage@maine .rr.com
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A division of Banknorth, N.A.
MEMBER FDIC
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�•••••••••••••••••
ff~'rStory
18-year-old Heng Noeuk has been dancing since the seventh grade.
"The Angkor Dance Troupe has changed my life. There are so many th ings
it's done for me, I can't even begin to explain. The teachers are like
parents. When I have problems, they help me. They've really g iven me
confidence. At one time, I wanted to given up - on dancing and on life.
They encouraged me not to and gave me hope. I' ve learned not to give
up so easily. Now, I feel I can do anything."
Dancers share their thoughts
• • • • • • • • • • • • •
Heng performed Moni
Mekhala, Cambodia's
protectress of the waters,
at FirstNight Boston
"/feel honored and very
strong when I perform this
role. Moni Mekhala is a
goddess. When I dance,
I feel I can do anything,
because she is so powerful. "
•••••••••••••••••••••••••
Picking Krovine - Jacob's Pillow, June 2001
"We have a lot of fun performing the folk
dances. The dances are very fast, with lots of
steps. We just have to let it all out. Happiness
and laughter are a big part of the folk dances."
- Sophy Leng and Vyrik Eng
40
�Uniting Voices , Connecting Communities
206 Jackson Street, Lowell, MA 01852
Phone (978) 323-0800 Fax (978) 323-4600
Lowell Community Charter School, grades Kindergarten to 5 (it
will be K-12 by 2009) prepares children for high academic
achievement by providing a supportive, challenging,
multicultural environment that integrates the strengths of
Lowell's diverse communities and cultures.
•
Public Charter School - NO TUITION
•
Full-day kindergarten; Enrollment cut-off: Dec. 31
•
Before and after school programs
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Computers in every classroom
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second a language (Spanish or Khmer)
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School-supplied uniform shirts
•
Close working relationships between families and
the community
REGISTRATION AVAILABLE
206Jackson Street, Lowell
Or call us at (978) 323-0800
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41
�"Fear, gangs, hate, violence, drugs, and
poverty - these are some of the words
associated with my childhood. But so are
hope, inspiration, commitment, hard
work, community service, and success.
Through the Angkor Dance Troupe I
discovered my culture and learned
traditions that were almost lost during
Da ncers share their thoug hts
the Khmer Rouge regime. I learned many
•••••••••••••••
dances and performed on stages around
the Northeast. I excelled and was promoted to assistant instructor. Today, I
teach younger kids to dance and help
them understand the importance of
keeping traditions alive. I also serve on
the Troupe's Board of Directors.
Through these programs, I've developed
skills that will help me for the rest of my
"I like all of the teachers
because they're nice.
Sam is a great teacher
and helps me with
monkey.
Being in the Angkor
Dance Troupe is fun
because we go on trips."
- Ricky Hai
Butler Middle School
life, like performing and talking in front
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
of large groups. I've also become involved
with several other youth groups and have
done many hours of community service .
I took a risk when I dropped my old
friends and took a new direction. But I've
gained so much knowledge and joy.
Through it all, I've learned there are many
ways to make the world a better place."
- Samnang Hor, 17
42
�A Lannon Company
CALL
Davi Sun
(978) 454-9300
Saturn Sales
Consultant
"
~nti 1mmrAJn
.
fSl1T§Anii8
We speak English, Khmer, Spanish, & Portuguese.
Si hablamos Espanol - Preguntas por Delby Colon.
Nos falamos Portugues.
Saturn of Lowell
720 Rogers Street {Rte. 38)
Lowell, MA 01852
978-454-9300
Saturnoflowell .com
43
�Voices of Youth - In Our Own Words
What the Angkor Dance Troupe Means to Us
"/joined the Angkor Dance Troupe because my
Mom is a dancer; and I wanted to be like her.
I also wanted to make new friends."
- Sam Meas 13, Butler Middle School
"/wanted to join because I want to learn how
to dance and to teach my kids."
- Sanny Meas 12, Butler Middle School
"/want to be a good dancer; and I would like
to perform a lot. "
- Thetvibot Som, Butler Middle School
In,, °() l~HA
L
"' Wdfd.r
"/ wanted to jo in because I wanted to know
about my culture and be able to perform for
different people."
- Sotheat Som, Butler Middle School
Da ncers share their thoughts
•••••••••••••••
"Joining Angkor Dance
Troupe has introduced me to
many aspects of Cambodian
culture and also has taught
me so much of what the
movements of the dances
symbolize."
- Mcfarlance Van
The reason why I like this program is because it is a good way to learn more
dance, as well as stay out of trouble. "
- Sinoun Seng 15, G.L. Vocational Technical High School
" Learning through experiences makes me understand the culture more. It
makes me more knowledgeable, and it's fun to learn through dancing. Th is
is something I keep prestigiously in my head and it plugs in my mind the
elements of Cambodian culture."
- Roeun Chan, 16, Lowell High School
"It's great to see and t o learn what your culture has inspired you to do. That
- Steve Horn, Lowell High School
is why I joined."
"By j oining Angkor Dance Troupe, I learn about many different arts forms
and understand more about culture. I also learn how to dance with friends
my own age."
- Tony Chan 14, Lowell High School
44
�" I joined the Angkor Dance Troupe
because I love dancing. I am so
inspired by my arts and I appreciate
my culture so much. "
- Sarah Soung
G.L. Vocational Technical High School
"I like this program because I like to
perform and because it's boring at
home. We get to go on field trips
sometimes, and I like to do the
monkey dance."
- Alexander Hak
" I joined because I wanted to dance
and because I want to have at least
the talent to dance."
-E. E. Eng
"I like this program because I like to dance and because I like to go on the
field trips."
- Kimmora
"/joined the Angkor Dance Troupe because I wanted to learn the dances
and the stories behind the dances."
- Jimmy Meas, Lowell High School
" I joined the Troupe because I wanted to dance and learn more about my
culture."
- Lisa Vor, Bartlett Middle School
" I joined the Angkor Dance Troupe because I wanted to learn more
about my traditions and culture and wanted to learn how they dance. "
- Retta Xayasane, Bartlett Middle School
"/joined the Angkor Dance Troupe because I wanted to continue my
culture and also to learn more about my traditional arts."
- Lina Bun
" I like the Angkor Dance Troupe because I like to dance. I like all the
teachers who teach us and are very understanding with me."
- Viseth Ka, Bartlett Middle School
" /joined the Angkor Dance Troupe because I want to learn more about
dancing and about my own culture. "
- Christopher Oun 13, Butler School
45
�0
tff~'m"~'
The Angkor Dance Troupe, Inc.,
40 French Street, 3rd Floor, Lowell
Mailing Address: P.O. Box 1553, Lowell, MA 01853
(978) 441-9277 •FAX: (978) 251-8039
email: pageone@attbi.com • web: http://ecommunity.uml.edu/angkor
(Coming Soon: Our new web site - www.angkordance.org)
I, Spec,ial Thank$ To: I
Our Dedicated Staff & Board of Directors
Phousita S. Huy, Artistic Director
Ruth Page, Executive Director
Sakhoeum Sim, Instructor
Sovann Thida Loeung, President
Jonathan Pulliam, Treasurer
Todd Beauregard
Lyla Chea
James Conlon
Dr. Nina Coppens, RN
Vyrik Eng
Lynne Faust, LNP
Samnang Hor
Vichenny Keo-Sam
Cassandra Keirstead
Chamroeun Khat
Sophy Leng
Tim Chan Thou, Manager
Kolab Yin, Costumer
Jane Benfey, Vice President
Gloria Polites, Secretary
Nissay Liek
Bonna Mai
Akara Mao
Paul Marion
Carole Mathews
Rady Mom
Taary Ram
Tim Chan Thou
Chhan D. Touch
Sochenda Uch
Rithy Uong
Artists-in-Residence from the
Royal University of Fine Arts, Phnom Penh
Yorn Peng
Sophea Sek
Nieto Heang
And to our Community Partners and Collaborators:
Pat Mccrary and the Lowell National Historical Park
Big Brother/Big Sister of Greater Lowell ADAM project
UMass Lowell, College of Arts & Sciences
Lowell Community Charter School
Butler Middle School
Photo Credits: Andrew Page, Rady Mom, Ruth Page
Tim Chan Thou, Love Photos, Jocelyn Augustino, Higgins & Ross
Translation Services: Nissay Liek
Sources: Dance and the Spirit of Cambodia, Toni Shapiro, Ph.D., Cornell University, 1994
"Cambodia's Royal Dance," Eileen Blumenthal, Natural History, 4/89
"The Dancer in Cambodia," Toni Shapiro, Ph .D., Asian Art & Culture. Arthur M. Sackler Gallery,
Smithsonian Institution. Winter 1995 Southeast Asia Today, Oxford University Press
46
�overeign Bank
wishes the Cambodian Community
a
Happy, Healthy & Prosperous New Year
Member F.D.l.C
Equal Housing Lender
New work premiered in 2001 !
Paulina Srey, Sodany Krouch, Peter Veth, and
Samnang Hor worked extensively with
master teachers Phousita Huy and Yorn Peng
to perfect an episode from the Reamker,
previously not performed in Lowell. "Ream
Lak/Chup Lak" is a fascinating story about
twin sons of Sita. It chronicles their mischief in
the forest and their encounters with Hanuman
and Prince Rama's prize white horse.
47
�FRIENDS OF THE ANGKOR DANCE TROUPE
The "Friends of the Angkor Dance Troupe" is a membership drive to
support the Troupe's award-winning youth programs. Thank you to
the many concerned community members and organizations who have
contributed to the Friends of the Angkor Dance Troupe.
Major Program Sponsors in 2002
An Anonymous Donor
Jonathan & Diane Pulliam
Contributing Sponsors in 2002
Nancy & Richard Donahue
Eleanor Briggs
Community Leaders in 2002
Saints Memorial Medical Center
Louis L. Pinn Insurance Agency
Citizens for Youth in 2002
Lyla Chea and Holy Khut
Bonna Mai and Family
James Conlon • George C. Eliades, Jr., Esq.
Richard & Mary Noon
Beth Kanter & Walter Halvorsen
David & Elizabeth Dawson
Kristina Niccoli • Karl Dunajski
Dan Tenczar, Lowell City Council
r-------------------------,
I
I
HOW TO DONATE: Every gift is greatly appreciated. Many businesses offer a
matching gift program which can double the size of employees' contributions. Other
I ways to give include memorial gifts, which allow the donor to recognize special
I people in their lives, or gifts of appreciated stock that can reap substantial tax
: benefits for the donor. All gifts are tax-deductible. Thank you for your support!
I
Name:~~~~~~~~~~~~~~~~~~~~~~~-
1
I
!
I
I
I
I
I
1
1
Address:---------------------
I am enclosing: 0$1,000 0$500 Os250 0$100
0$50
0
0
$25
0
Other: - - - - -
My company's matching gift form is enclosed.
Please make checks payable to: Angkor Dance Troupe, PO Box 1553,
Lowell, MA 01853 (Thank You!)
L-------------------------~
�Saints 9rf.emoria{ 9rf.edica{ Center starts
tlie :New <Year 6y eX]Janding our
:Nurse-9rf.idwifery <Program
Vanna Men, Community Outreach, Shelagh Galvin,
CNM,MSN, and Sam Pha/, Medical Technician
7Vurse-!M.Ufwives offer women specia{ s{i/Is antf an utu:ferstantli11fj
of tli.ei.r unUJ.ue pfrysica~ emotiona{ antf spiritua{ needS.
7{urse-!M.Ufwifery care focuses on maintaini11fJ liealtli antf encouragi11fj women to mak,/ informetf tfecisions a6out tli.ei.r liea{tli care.
7{urse-!M.Ufwives wefcome your questions antf tak./ time to {isten
to you antf ta{{ witli you.
'For more infonnation a6out 7Vurse-!M.Ufwijery care at Saints
9t1.emoria{!Metfica{ Center, pfease ca{{Sliefagli qafvin, c:J'f};f.,
9t1.S7V, at 978-446-1628. We spea{ 'l(fimer for a{{ services.
Saints :M.emoria{ :M..etfica{ Center
Ce{e6rates rrhe <Year Of rtlie Jforse
~
ft:tit SAINTS
fJ MEMORIAL
-
~rs
MEDICAL
CENTER
for life
220 Pawtucket Street, Lowell, MA 978-446-1628
www.salnts-memorial.org
�THOMAS STYLiA~OS
ATTORNEY AT LAW
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe Commemorative Book, 2002
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Angkor Dance Troupe 2002 Commemorative Book. Includes a brief description of the organization and descriptions of Classical and Folk dance. There is also information about the masters of Cambodian dance.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2002
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
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52 p.; 21.5 x 14
Language
A language of the resource
English
Khmer
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f10_i004
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Books
Cambodians
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/e5eaef7b92e5976276c07e02c755f6e8.pdf?Expires=1712793600&Signature=rIFEd%7Exmrrm1sfP2Gd0-An9ANHjH6jWgwBgsRxid1LhuwSBA%7E%7En9wGsgEHsqc%7EOZlezUNs07vNyuK56hlO15tBFAnhfD58AeoJbOoCjtXPdhSQMOUa2CsRvMckRgtGbP2mn662NNNw8Ypav5YiNX%7EWiAshmQiJbyR6zXDIPoBg8VYPITnZpkQn0-6eyAilFOTfxvUG42zCrS13BDrAmVyA9Gj9w3M%7EVLxiMkp6yiBSZ3nE3047WlYsRIM3EVLmDdbosIIm0jW1JzD2hVvywfTL6-aaiasmXmlRJJwbbVD8S8Siu3djaKZKoXvvXhdDtrLZLSHyE%7Evu2Khpgun8wfxQ__&Key-Pair-Id=K6UGZS9ZTDSZM
9d4d81712b9d8ad7b28dc71ea1f167bb
PDF Text
Text
�THilnH YOU
The Board of Directors and Staff of the Angkor Dance Troupe
welcome you to this performance of Pin Panhchapor. Tonight's
event marks the kickoff of our 30th Anniversary Series of events,
culminating in a celebration that will take place on April 7, 2017 at
the Sompao Meas Hall.
The Angkor Dance Troupe was formed thirty years ago with the
vision to preserve and develop the Cambodian performing arts,
traditions that were almost completely wiped out during the
Khmer Rouge genocide. For a community struggling to put down
roots in a new homeland, Cambodian dance provides a poignant
reminder of the beauty and spirituality of our culture and helps us
build a more stable foundation for our children.
As the heart and soul of the Cambodian American community in
Lowell, the Angkor Dance Troupe has served as a foundation and
voice of its cherished cultural traditions. The Troupe is nationally
recognized as one of the most accomplished and experienced
traditional Cambodian arts ensembles in the United States and has
received recognition from the Massachusetts Cultural Council, the
National Endowment of the Arts, and the White House.
Enjoy the show, and we hope to see you at other 30th anniversary
events to come!
Tim Thou
Co-Founder
Phousita Huy
Artistic Director
DahvyTran
Executive Director
2
Michael Conway
President
�BIDGRflPHY
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Dr. Hang Rithyravuth
Mr. Hang Rithyravuth was born on April 21, 1967 in Phnom
Penh, Cambodia. In 1979, he started learning Classical Cambodian
Dance at the of School of Fine Arts in Phnom Penh and in 1981
began his study in piano, where he realized his passion for music.
This led to him receiving a scholarship in 1985 to study music in
Russia. He graduated in 1990 with a degree in Choir Conducting
from the Tchaikovsky's College of Music, in Moscow. Then
received his Master Degree in Orchestra Conducting from the
Gnesin Academy of Music in 1995 and his Ph.Din Philology
from the Institute ofWorld Literature in Moscow, in 1999. He
returned to Cambodia in 2000 and has been working for the Royal
University of Fine Arts (RUFA), and became a Acting Dean of
the Faculty of Music in 2016. He is a conductor of the Cambodia
Chamber Orchestra, professor of music history for various
universities including the Royal Academy of Cambodia and other
3
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private universities in Phnom Penh, Director of Mozart Music
Center. In addition to his professional work, Mr. Hang Rithyravuth
spends his free time creating Cambodian robam and lakon (plays),
and have successfully completed four works: Piano Peanor (Piano
and Monkey), Pin Panhchapor (Harp and 5 colors), Snaeng
(Horn), Mom ChangKran (Triangle Store).
Pin Panhchapor was created with the support of:
Mrs. Him Nala, Vice Dean of Faculty of Choreography at RUFA
Mrs. Sam Sathsa, Classical Dance Master at RUFA
Mr. Proeung Chhieng, Advisor of Ministry of Culture/Fine Arts
Mrs. Phousita S. Huy, Angkor Dance Troupe's Artistic Director
4
�PRDGRIM
Att5kor D~"t1cc Tro\jrc. lt1c.
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Pre Show:
Ream Leak Chup Leak - classical
In the story Reamker, Neang Seda, the princess is living in exile in
the forest with her son and the hermit, a magic wizard. She sets out
to bathe one morning, leaving her sleeping son Ream Leak with
the hermit. On her way to the pond, she spots a female monkey,
and she notices the monkey carrying her young with her wherever
she goes. Neang Seda feels guilty about leaving her own son behind
and goes back and gets him.
The hermit is in deep meditation and doesn't notice Neang Seda's
return or her taking Ream Leak. When he wakes to find the child
missing, he panics and fears Neang Seda anger. He takes Ream
Leak's pillow and scrapes off some remnants of his skin cell - and
fashions a new child - an identical clone of Ream Leak.
Imagine Sita's surprise when she returns from bathing and finds
that Ream Leak now has a twin. The hermit names the new boy
Chup Leak. They decide the two boys will study together and for
the next seven years, they study magic with the hermit.
In this scene, the two boys go off to play in the forest with their
bows and arrows. They each shoot an arrow into a large tree. The
impact makes such a huge sound; it is heard all the way to the
capital city.
The Prince, Preah Ream, hears it and gets mad. He sends his best
army general, a white monkey named Hanuman, to investigate the
source of this sound, and to capture those responsible for it. He
sends his white horse along with Hanuman but hangs a sign on the
neck of the horse that says "Anyone who plays with this horse will
be executed."
5
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Eventually Hanuman and the horse catches up with the two boys
in the forest. Ream Lak and Chup Lak are very curious boys. They
see the sign and immediately check out the horse - and take turns
riding it. Hanuman tries to capture them, but he can't because,
with their seven years of training in magic have made the boys very
powerful and crafty. Instead they capture Hanuman, tie him up,
and before sending him back to Preah Ream, they take resin from a
tree and write a letter on his face that says only Hanuman's master,
Preah Ream will be able to untie the string. You see the Monkey
general struggle against the rope and eventually he gives up and
returns to his master, defeated in his mission.
Krama Dance - folk
The Krama, a Cambodian scarf woven from silk or cotton, has been
a fashion staple since Ancient times and even to this day is still
used by Khmer people throughout the country from rural areas
to major cities. Over the years, the Krama became a symbol and
a major part of the Khmer identity. In today's society, regardless
of their position in life, every Cambodian uses Krama everyday
whether as a scarf, a hammock, a fan, or to carry their lunch.
Khmer people for generations have tied kramas around their waists
to work and play in cool comfort. While some claim the thin
cloth, wrapped around one's head or neck, is used primarily to wipe
the sweat from a hot face, others say wearing a krama is as 'Khmer'
as wearing a necktie is American. The Krama dance was depicted
and symbolic of everyday Khmer people life
6
�PROGRAM
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Pin Panhchapor Program:
The Angkor Dance Troupe is proud to present Pin Panhchapor, a
play inspired by the wall carvings on Angkor Wat and Bayon. It
mixes traditional with contemporary to create an original work that
focuses on the idea of love, war, and peace.
Scene I: Churning of the Sea of Milk
Scene II: Apsaras in the
Garden of Paradise
Scene III: Arun and Soriya
Fall in Love with White Apsara
Scene IV: Destruction of the
Garden of Paradise
Scene V: Summoning Panhchapor
(Five Gods of Color)
Scene VI: Peace and Harmony Returns
Post-show talk with Dr. Hang Rithyravuth
7
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Pit! Pilt!HCHilPDR
Inspired by the 1,000 year old bas-relief or wall carvings on
Angkor Wat and Bayon in Cambodia, Dr. Hang Rithyravuth,
wrote the play of Pin Panhchapor along with composing the music
accompaniment. As the Acting Dean of the Faculty of Music
at the Royal University of Fine Arts (RUFA) in Phnom Penh,
Dr. Rithyravuth was able to bring together talented musicians
and performers to showcase the carvings of the Apsara, music
instruments accompanying the Apsara, circ (circus performers), and
the musical instruments accompanying the battle scenes.
�lt!STRUMEt!TS
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Sampoh, standard drum
Chhing, small cymbal
Sko Thom, large drum
Pin, harp and is a string instrument
Tro, two string instrument
Kong Peat, nine intersecting gongs
Srolai, wind instrument
Kong Nhy, big female gongs
Ksae Diev, one stri ng instrument
9
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The whole play only uses 5 hand gestures:
Pin Lok - grow
Triuy- bud
Slek - leaf
Phka - flower
Phlae - fruit
The word Pin means harp, Panhcha means 5, Por means color
There are 5 elements (water, earth, fire, wind, space )
The play is about PEACE
There are 5 apsaras: 1 white and her 4 attendants
There are 5 main notes for the Pin (CD EGA)
The 5 colors (red, yellow, black, white, and blue) were inspired by the
5 rings of the Olympics
Reference: h ttp://jeffmassni ck. b logspot. com/2008/07I meaning-of-h and-gestures-in-clasical. html
10
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11
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Scene I: Churning of the Sea of Milk
Based on a tale over a thousand years ago, during the time of
Brahmanism. It tells about a battle of good and evil between
the Monkey General and Giant King over the Neak (Naga
snake). The Neak was used to churn the sea of milk to extract
the amrit (water of immortality). This liquid brings immortality
to whomever possesses it. Over the course of 1,000 years they
continued to churn the sea until one day within the foam of the
sea, appeared an Apsara.
Scene II: Apsaras in the Garden of Paradise
Due to the churning of the sea, the White Apsara raised to the
surface of the ocean. The White Apsara accompanied by her
other Apsaras friends, entered the garden of paradise.
Inspired by the beautiful flowers, the White Apsara began to sing
and play her harp.
12
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Scene Ill: Arun and Soriya Falls in Love with White Apsara
Arun (meaning sunrise) walks into the garden and sees the White
Apsara and immediately falls in love. He picks a lotus flower and
hands it to her to declare his love. The White Apsara takes the
flower as a sign of friendship and thought the lotus was meant to
be given as an offering at the temple.
As Arun offers the the lotus, Soriya (meaning sunset) enters the
garden and sees this. Soriya, also in love with the White Apsara,
offers her a bouquet of orchids. The White Apsara also accepts the
flowers as a sign of friendship and as she reaches for the orchids,
Arun becomes angry and pushes the orchids out of Soriya's hands.
This was the start of the conflict between Arun and Soriya.
Scene IV: Destruction of the Garden of Paradise
Arun and Soriya each called their army and began to battle and
destroyed the garden. The White Apsara and her friends tried to
clean up the garden but the battle continued on, which caused the
war between Soriya and Arun to get worse.
13
�Angkor Dance Trowpc. Inc.
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Scene V: Summoning Panhchapor (Five Gods of Color)
The never ending battle between Arnn and Soriya does not stop, so
the White Apsara calls for help. She picks up her Pin (Harp) and
starts to play the music, which summons the Panchapor (Five Gods
of Color)
Scene VI: Peace and Harmony Returns
The Panhchapor came to save the heavenly garden by helping all
sides to communicate and work together. Due to the White Apsara's
effort she brought everyone including the Panchapor together.
The End.
PRESERVE• EDUCATE • INNOVATE
14
�APSilRil SPDrtSDR
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�INSURANCE AGENCY
Carol & George Duncan
"We are delighted to support and celebrate
the Angkor Dance Troupe as it debuts
their annual residency at the Merrimack
Repertory Theatre and continues to connect
communities with the preservation and
innovation of their rich culture."
�Lowell General Hospital is a proud supporter of the
Angkor Dance Troupe, Inc ..
We applaude their mission to connect communities
through the preservation , education and innovation
of Cambodian Performing Arts.
" Best wi shes to Angkor Dance Troupe on
your performance of Pin Panhchapor" .
~
Lowell .General Hospital
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C om p le t e connected careSM
www.lowellgeneraI.org
�18
�MUT PEilH (FRIErtDS)
Af15kor D"'"'c~ TrowfJ'?. h1c.
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2017 SOUTHEAST ASIAN AMERICAN STUD IES CONFERENCE
Community Engagement, Research, & Policy in Action
University of Massachusetts Lowell
July 27-29, 2017 Abstract Admission Deadline: February I, 2017
UMass Lowell Center for Asian American Studies announces
the fifi:h triennial Southeast Asian American Studies conference, open to
scholars, anises, a~-tivists, org.mizers, and conummity members from all fields
and backgrounds.
The 2017 confuence will highlight Southeast Asian American conumm.ities in
New England and will seek to build bridges across disciplines, policymakers,
and community members.
Thursday & Friday, July 27-28: Traditional panels/ poster sessions
Saturda~ July 29: Conununity Building Day devoted to srrengthening
coal itions regionally and nationally.
Please submit abstracts to CAAS@uml.edu. Please direct questions to the
conference co-chairs: Phitsamay Uy (phitsamay_uy@uml.edu), Ivy Ho
(ivy_ho@uml.edu), and/or Sue). Kim (sue_kim@uml.edu).
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�ARTiSTS
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PERFORMERS
Masters and Teachers
Artistic Director and Master Teacher - Phousita Huy
Master Teacher Nayto Hieng
Master Teacher Kimhan Meas
Dance Program Manager - Channa Sath
Master Teacher Sophea Chamreounnop
Master Teacher Pech Heung
Supporting Teachers
Contemporary Choreographer - Peter Veth
Music Ensemble
Dr. Hang Rithyravuth, Pin
Dr. Alan William, Pin
Kimhan Meas, Sampoh
Sovann Khon, Tro so
Jeff Dyer, Ksae Diev
Peter Tham, Sko Thom
Andrew Cornish, Kong Peat
Sopaul Cheam - singer
21
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ARTiSTS ;;no PERFORMERS
Performers (Friday)
Rerun Leak Chup Leak:
Channa Sath
Nina Touch
Johnny Khat
Peter Chea
Kroma Dance:
Alexandra M ai
Daisy Var
Isabel Clafin
Judith Wilson
Stephanie Seng
Salena Mam
Alvin Teng
Jaren Kong
Kevin Searth
Peter Chham
Viseth Loeung Coleman
VituuTouch
Apsara:
Celena Mai
Ranica Phin
Sophy Leng
Sophea Chamroeunnop
Virginia Prak
5 Colors
Felicity Moon
Kelly Ly
Khakhada Horn
Robin Wilson
Stephanie Seng
Arnn: Chummeng Soun
Soriya: Kevin Vann
Neak:
Alvin Teng
Chad Mai
Jaren Kong
Kevin Searth
Peter Chham
Viseth Loeung Coleman
Vituu Touch
Yeak:
Chummeng Soun
Chad Mai
Johnny Khat
Viseth Loeung Coleman
Monkey:
Kevin Vann
Jaren Kong
Peter Chea
Vituu Touch
Performers (Saturday)
Ream Leak Chup Leak:
Nina Touch
Victoria Phan
Johnny Khat
Peter Chea
Kroma Dance:
Alexandra Mai
Daisy Var
Jasmine Odomsay
Judith Wilson
Salena Mam
Alvin Teng
Kevin Searth
Kyle
Peter Chham
Viseth Loeung Coleman
VituuTouch
Apsara:
Celena Mai
Rancia Phin
Sophy Leng
Sophea Chamroeunnop
Virginia Prak
5 Colors
Felicity Moon
Kelly Ly
Khakhada Horn
Robin Wilson
Stephanie Seng
Arnn: Chummeng Soun
Soriya: Kevin Vann
22
Neak:
Alvin Teng
Chad Mai
Jaren Kong
Kevin Searth
Peter Chham
Viseth Loeung Coleman
Vituu Touch
Yeak:
Chummeng Soun
Chad Mai
Johnny Khat
Viseth Loeung Coleman
Monkey:
Kevin Vann
Jaren Kong
Peter Chea
Vituu Touch
�ARTISTS
t1rtr.J
PERFORMERS
Stage/Production Support
Emaly Horn
Roselynn Soung
Lee Viliesis - MRT
Brendan Conroy - MRT
Costume/Makeup/Hair Support
Kolablhou
Chenda Wilson
Peter Veth
Korry Voeun
Multimedia Support
Jim Higgins
Tim Thou
Dr. Hang Rithyravuth
Carter Miller - MRT
Original Music
Dr. Hang Rithyravuth
Program Design & Support
Sochenda Uch
Isidro
23
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1,!15Hmff~5
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Advisory Board
Celeste Bernardo
Adrien Bisson
Jim Conlon
Nancy Donahue
Carol Duncan
Robert Farrant
Michael Gallagher
Vanna Howard
Joe Hungler
Felicia Sullivan
Sophy Theam
Jim Wilde
24
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LERDERSHiP
�STAFF
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LEilDERSHIP
Att5kor D41ttce Troupe. IYic.
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Board ofDirectors
Program Staff
Michael Conway, President
Karen McManimon, Vice President
Sovanna Pouv, Treasurer
Linda Uch, Clerk
Jay Lee
Chummeng Soun
Narin Sinuon
Nary Tith
Sheila Kirschbaum
Virginia Prak
Dahvy Tran, Executive Director
Tim Chan Thou, Operations Director
Khakhada Horn, Program Coordinator
Emaly Horn, Program Intern
Shaun McCarthy, Grant Writer
Left to right: Sheila K., Chummeng S., Linda U., Nary T., Karen M., Michael C., Paul Marion (special
guest), Jay L. , Sovanna P., Tim T., Narin S.
25
�An5lwr Dance
Troi~rf'.
Inc,
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SUPPORTERS
lill
Massachusetts Cultural Council
C Parker Foundation)
1be
Great Individuals
Chhan Touch
BonnaMai
Linda Sopheap Sou
Sochenda Uch
Malis Loeung
Chenda Wilson
Liz Claflin
WEARE PROUD
TO PARTNER WITH
ANGKOR DANCE
TROUPE!
Contact Soben For
Advertising Opportunities
Email: sobenpin@khmerpost.us
978-677-7163
www.khmerpostus
�UISIDrt
We envision Lowell Massachusetts to be the epicenter for innovative
Cambodian performing arts with the Angkor Dance Troupe at the core.
MISSIDrt
The Angkor Dance Troupe connects communities through the preservation,
education and innovation of Cambodian performing arts.
HISTORY
The Angkor Dance Troupe was formed in 1986 by Cambodian refugees of the
Khmer Rouge holocaust. Lowell's Cambodian American community, estimated at
more than 35,000 people, is the second largest in the country. When we
resettled here, we brought a passion to carry on our cherished cultural traditions
to practice and perform, to teach our children, and to see our art preserved for
future generations of all cultures.
We take our name from the great Angkor civilization, between 802 and 1432 AD
when Cambodia was a dominant empire in Southeast Asia. Dance and music
have always been prominent in Khmer society, but these ancient traditions were
nearly eliminated when the Khmer Rouge controlled Cambodia in the 1970s.
Artists were among those deliberately targeted for execution. More than 90% of
the country's tradition bearers perished. Today, as Cambodians around the world
struggle to emerge from decades of war and poverty, our people look to the rebirth
and re-creation of dance as testimony to the endurance of our culture.
"The Angkor Dance Troupe is a gem in the Commonwealth. The Massachusetts
Cultural Council is proud to be a longtime supporter of Angkor for its beauty,
value, and impact in preserving this rich cultural art form for the Lowell
community and beyond" says Anita Walker, the Executive Director for the
Mass Cultural Council. "The Angkor Dance Troupe is not only an organization
promoting dance, it's an inspiration to all those who survived the Cambodian
Genocide three decades ago, and a testament to the enduring power of the arts."
27
��
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Program for Angkor Dance Troupe's "Pin Panhchapor," 2016
Description
An account of the resource
Program for Angkor Dance Troupe's "Pin Panhchapor," a play inspired by the wall carvings on Angkor Wat and Bayon. It mixes traditional with contemporary to create an original work that focuses on the idea of love, war, and peace.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
28 p.; 21.5 x 14
Language
A language of the resource
English
Khmer
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f10_i005
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
2010-2019
Books
Cambodians
Pin Panhchapor
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/292adb29769dbbccd6f7dd48b4db93c2.pdf?Expires=1712793600&Signature=fpG0u1u0rcZxuVNsPtUZGllnXWbfXpvApoOLFITFKdtzU6uBDw0fQnOM7A2feTZ8IFvIM4cmnkJfuz5r92-rWB8nQuavXUf66u2hckg-doiAFQ6PxlJSSa56iQIluBrLjiZGdwb-1%7EiWOEKqLmEeQKs6PePzJCnKkpcCTl7emj2vErMbCAcqiATVDzjsDExb-yAHq7bdnJyif5dig-r%7EmPTQiu1V0U891GA4dpVXZJ-VZeOf185TJoZXTH%7E3qXkZtlxBcVab5ui0BlWGMjvpavuEPYJqvZquts9-cbjbK-OJrCpWHcHQXgEe6sweDbQ3PiEaDuKkmdAg1OVf6fu-MQ__&Key-Pair-Id=K6UGZS9ZTDSZM
e67672dbb49ccc6c26756238d025c0ab
PDF Text
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LOWELL MASSACHUSETTS 0 1852
(978) 970-221 1
�TABLE OF CONTENTS
3 - 24
About the Angkor Dance Troupe
39
How to Contact Us
II. The Year in Pictures -The White House & All America City 26 - 33
38 - 39
Ill. Funders & Credits
39
IV. Special Thanks - Staff, Board of Directors, Collaborators
V. Directory of Advertisers
ABC Financial Network
2
Paul A. Balakin, Attorney
12
Ann Bartholomew & Ron Micheels
40
Jane Benfey & Linda Silka
38
Lyla Chea & Family
25
Community Teamwork, Inc.
29
Nina Coppens, UMass Lowell
33
Nancy & Richard Donahue
27
Eno, Boulay & Martin, LLP, Attorneys
11
Enterprise Bank & Trust Co.
23
First Essex Bank
19
35
Friends of the Ankgor Dance Troupe
Thomas D. Haggard, Attorney
25
Jeanne D'Arc Credit Union
31
Dr. Lee S. Knight, Chiropractor
13
Loom Pres,(
27
Paul Maridn and Rosemary Noon
5
11
MassBank
Armand P. Mercier, Lowell City Councilor
15
Inside Back Cover
Mom's Therapy
Steve Moses, UMass Lowell
24
Law Offices of Mona T. Movafaghi
33
Neak Pean Real Estate
11
Page One Productions
37
Pailin Jewelry
7
Palma Law Offices
Inside Front Cover
Steve Panagiotakos, State Senator
17
Don Pierson, Dean, UMass Lowell
31
Louis L. Pinn Insurance
7
Jonathan & Diane Pulliam
18
Smart Tax Solutions
17
Saints Memorial Medical Center
9
17
Janice M. Stecchi, Dean, UMass Lowell
Thomas Stylianos, Law Offices
Outside Back Cover
Tim Chan Thou Family - In Memory of Mrs. Peou Khatna
20-21
Trinity Ambulance
36
Andeth Vann & Family - In Memory of our Dad
34
I.
�America Bankers Companies
Financial Network, Ltd.
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Headquarter:
174 Central Street
Lowell, MA 01852
Phone (978) 452-2973
Fax (978) 452-7653
---~
FINANCIAL
NEfWORK
Boston Office:
1391 Dorchester Ave.
Dorchester, MA 02122
Phone (617) 282-5454
Fax (617) 282-5522
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A.B.C. Financial Network is a diversified financial syndicate.
We offer full lending services as well as investment brokerage.
We put people in homes and build financial security.
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2
�The Power of Art & Culture: A Commuttit'1 Heals ltsdf
The Angkor Dance was formed in 1986 by Cambodian refugees
of the Khmer Rouge genocide. When we resettled in Lowell,
we brought a passion to carry on our cherished traditions - to
practice and perform, to teach others, and to see the art form
preserved for future generations of all cultures.
The Angkor Dance Troupe is nationally recognized as one of
the most accomplished Cambodian traditional arts ensembles
performing today. The Troupe is directed by world-renowned
master teachers and performs a body of work developed in
concert with the Royal University of Fine Arts in Phnom Penh,
Cambodia, considered the premier standard bearer for tradi tional Cambodian arts. The Angkor Dance Troupe is listed on the
Massachusetts and New England States Touring Rosters and has
performed at venues including the White House, First Night
Boston, the National and Lowell Folk Festivals, the Berkshire
Museum, Yale University, and Jacob's Pillow.
3
�A classical dancer performs a ceremony at Angkor Wat.
The Troupe takes its name from the great Angkor Civilization,
between 802 and 1432 AD, when Cambodia was a dominant
empire in Southeast Asia . Dance, music, and drama have always
been prominent in Khmer society, but these ancient traditions
were nearly eliminated when the Khmer Rouge controlled
Cambodia in the 1970's. Artists were among those deliberately
targeted for execution and more than 90% of the country's
tradition bearers perished. Today as Cambodians in Lowell and
elsewhere struggle to emerge from decades of war and poverty,
our people look to the rebirth and re-creation of dance as
testimony to the endurance of Cambodian culture. 1
4
�Greater Lowell is home to the second-largest community of
Cambodian Americans in the country. Cambodian dance
performances provide a poignant reminder of the beauty and
spirituality of Cambodian culture and help us develop a sense
of home and community in a new homeland .
While working in refugee camps during the 1980's, anthropologist Toni Shapiro observed that despite adverse conditions
there was a passion to dance. "People who know only the
rudiments of Khmer classical or folk dance movements taught
others, and they staged small shows ... Wherever the Khmer
were, some were dancing. In the camps along the ThaiCambodian border, a war zone in 1983, dancers dodged
artillery shells on the way to practice or even during performances. Still they danced ... And thousands showed up to
watch, sometimes perching on bunkers to get a better view."
Congratulations to the
"Coming Up Taller" award winners
who were honored at the
White House
in 1999!
from Paul Marion & Rosemary Noon
5
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lassical dance is considered by some to be the "proleung"
(soul) of the Khmer people. It has been connected to the
sacred rituals of Cambodia for more than one thousand years.
During the great Angkor civilization, dancers performed blessing
ceremonies in temples to bring prosperity to the kingdom.
Bas relief carvings at Angkor Wat depict heavenly dancers called
Apsaras which were believed to connect the human world to the
gods. Classical dance is sometimes called 'court dance' or
Cambodia's 'royal ballet.' At one time, classical dance was the
exclusive domain of royalty. Today this cherished art is enjoyed
by audiences around the world. Classical dance combines highlystylized positions and gentle movements. Gestures are strictly
defined and distinguished by intricate hand positions.
6
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1319 Middlesex Street
Lowell, MA 01851
(9781 452-4748
Diamond-Gem Stones-Fine Jewelry
Wholesales, Retail, Exchange
Repair & Custom Design
716 Middlesex Street, #9
Lowell, MA 01851
Bus. Tel: (978) 937-2402
Fax: (978) 937-1446
Open 7 Days A Week I 0:00 AM to 6:00 PM
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music, song, and dance. Folk dance is rooted in rural
Cambodia and depicts rituals of everyday village life. The dances
honor skills that are typically undervalued in the rush toward
westernization, such as fishing and rice farming.
Dance motifs are commonly based on local legends and inspired
by themes of nature as well as the ceremonies, and customs that
shape the lives of Cambodian people. Distinctive, colorful
costumes represent the traditional dress and cloth from the
various regions and ethnic groups within Cambodia.
Just as classical dance is ruled by a strict form and a prescribed
language of movement, folk dance is spontaneous, created for
emotional expressions.
8
�Best Wishes to the
Angkor Dance Troupe
and the
Greater Lowell
Cambodian Community
Saints Memorial Medical Center
Quality Care You Can Count On,
Close To Home!
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SAINTS
MEMORIAL
MEDICAL
CENTER
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Yours for life
One Hospital Drive, Lowell, MA
www.saints-memorial.org
9
�A National Leader in Traditional Cambodian Dance
Troupe Artistic Director Phousita S. Huy is one of the world's mostrespected master teachers of Cambodian dance. Before joining the
Troupe, she was a faculty member with the Royal University of
Fine Arts in Phnom Penh, and she toured internationally as a
principal with the Classical Dance Company of Cambodia. Troupe
Coordinator and Founder Tim Chan Thou was certified as a
teacher of Cambodian traditional dance at the Khao-1-Dang and
Philippine Refugee Centers.
During 1998 and
1999, the Troupe
presented 66
performances,
workshops, and
educational
residencies for more
than 20,000 people.
Highlights include
performances for the
City of Lowell at the
All America City
competition in
Philadelphia in June
1999 and, in October
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ARTHUR L. ENO, JR.
SANDRA M. BOULAY
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134 Middle Street-Suite 300 • Lowell, MA 01852-1867
7el 978-452-8902
Fax. 978-453-2585
t.l NeakPean
Vincent Bona Un
B roker I Owner
)}} Real Estate ~
660 Middlesex Street
Lowell, MA 01851
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(978) 452-7951
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781-662-0100 l'OICIDIF
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11
�An Extensive Collection of Richly Detailed Costumes
The Angkor Dance Troupe has assembled an extensive collection
of richly-detailed, authentic costumes, dance materials, and
artifacts. Much of the collection was created by master dancers
and costumers from the University of Fine Arts in Phnom Penh.
Preparing for a performance can take several hours. Many
costumes are so intricate and close-fitting that dancers must be
sewn into them before performances.
INSURANCE AGENCY
Auto • Home • Life • Business
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81 Plain Street • Lowell, MA 01851
(978) 441-3003
FAX (978) 441-2121
12
�Dr. Lee S. Knight
Chiropractor
Our clinic has been serving the Cambodian community for more than 10
years. If you ever have any injury, accident, or any neck or back pain,
we can help because:
• We have Khmer speaking staff
• Dr. Knight was just chosen as the best chiropractor in Greater Lowell.
•We have therapy and X-ray equipment in our office.
• We accept most health insurances and will submit the bills for you.
• If you have MassHealth, your regular doctor can refer you to us.
• If you are hurt in a car accident or at work, we will submit the bills to
your lawyer and insurance company directly. We keep the best records
which will help your lawyer get the best settlement for you quickly.
• We will make an appointment for you immediately because we want to
help relieve your pain as soon as possible.
So Please Call and Let Us Help You!
453-3408
'
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or a lawyer first if you have been in an accident.
173 Pine Street • Lowell, MA 01851
13
�A. VNtQ.VE. WA.Y TO J?:E.A.CH YOUTH
A central component of the Troupe's mission is to provide
positive cultural. recreational, and educational opportunities
for Lowell youth. Since 1986, the Troupe has served approximately 300 young people, ranging in age from 4 to 18, who
rigorously rehearse and participate in Troupe performances and
events. Youth apprentices typically stay involved with the Troupe
for at least 4 to 5 years. In 1999, the Angkor Dance Troupe was
selected for the prestigious Coming Up Taller award from the
President's Committee on the Arts and the Humanities and the
National Endowment for the Arts. The awards were presented
to a select group of ten organizations across the nation to honor
exemplary arts programs serving at-risk youth.
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Samnang Hor, 15, and Sopheap Sou, 16, with Harriet
Mayor Fullbright, Chair of the President's Committee on
t he Arts and Humanities, and Actor William Baldwin at
the " Coming Up Taller" White House awards ceremony.
14
�To the Performers...
Continued Success
To the Angkor Dance Troupe, Inc ....
Best Wishes
Armand P. Mercier
City Councilor
15
�Angkor Youth Dance - A Community Partnership Reaps Rewards
In October 1998, the Troupe launched Angkor Youth Dance, a
very successful afterschool and summer program for at-risk
youth with major funding from the Massachusetts Cultural
Council YouthReach Initiative. We operate the program with a
number of community partners including the ADAM project of
Big Brother/Big Sister of Greater Lowell, the UMass Lowell
College of Health Professions, the Lowell Community Schools
Program, Community Teamwork, Inc., the Lowell office of DSS,
the Lowell Police Department, and others.
The Troupe helps Cambodian American young people make
constructive choices in their lives by immersing them in the rich
cultural heritage from which they come. Over the years, we have
witnessed firsthand the value of cultural-based arts programming
for yo uth. We have had several apprentices, for example, who
were involved in gang activities when they joined the Troupe
and who have since left their street life behind and are making
re markable progress in their academic and personal lives. Through
Angkor Dance Troupe, they develop a sense of discipl ine, self
esteem, and pride in their Cambodian heritage.
�Best Wishes to the
Cambodian Community
from
STATE
SENATOR
Steven C. Panagiotakos
We specialize in income SMART TAX SOl..UTIONS
tax preparations for . . . . . . ; . - - - - - - - - s Individuals
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English, Khmer, Lao, and
Thai speaking staff.
174 Central Street, Suite 234
Lowell, MA 01852
Phone: (978) 452-9344
Best Wishes from
Dean Janice M. Stecchi
College of Health Professions &
Center for Health Promotion
University of Massachusetts Lowell
in anticipation ofcontinued partnerships.
17
�ANGKOR:
THE NEXT GENERATION
Two of the Troupe's Rising Young Apprentices:
Diane Pulliam and Krisna Thou
Bringing Cambodian
Classical and Folk Dance to Lowell
Best Wishes to the Cambodian Community
from Jonathan and Diane Pulliam
18
�10-year-old Tony Oeung joined Angkor Youth Dance in 1999.
"The first reason I joined the
Angkor Dance Troupe is
because I want to be a
dancer, also an artist in
music. Second, I want to be a
role model. Third, I'm
energetic and dancing is fun.
Finally, I want to be a famous
dancer among the
Cambodian people and also
learn a lot of Khm er history."
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If you want this kind of relationship
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19
�In Loving Memory of Mrs. Peou Khatna
With appreciation and respect for her many contributions
to the world of Cambodian Dance
Ny Sin and Chamroeun Yin of the Khmer Traditional Arts Ensemble, under the artistic direction
of Mrs. Peou Khatna, performing at the National Folk Festival in Lowell, Massachusetts, July 1987.
Photo by Robert Trippet, courtesy of the National Council for the Traditional Arts.
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20
�Mrs. Peou Khatna
Mrs. Peou Khatna was born in 1914 in
Srok Samrong Torng of Kampong Speu province,
Cambodia. She was the daughter of Mr. Peou Ee
and Mrs. Thou Yin .
At the age of eight, she was adopted by
her aunt, Mrs. Khat, who was a royal dancer in
the reign of King Norodom (Sovanakot). Ms.
Khatna was specially gifted in the Cambodian
classical art. She learned from her Aunt until she
was 15, when she was chosen to be a dancer at
the royal palace. She continued to study dance with the best teachers in the royal palace
including Masters Learn and Dok Peay. As a young woman, Peou Khatna lived in the palace
through the reign of King Sisowath (Rajanukot) until the end of the reign of King Manivong
(Khatiyakot). She then left the palace and married Mr. Nuth Sin in 1944. She had two daughters,
Sin Ny and Nuth Kantya. She was called to return to work with the Royal Dance Troupe by his
Majesty, the King Norodom Sihanouk. She was in the royal Pleng Pin Peat (royal classical music
group). As a member of Royal Dance Troupe, Mrs. Peou Khatna performed at many different
official functions. She performed 55 times throughout various provinces in Cambodia, three times
each in China and Indonesia, and once each India, France, Czechoslovakia, and Russia. The last
performance was in 1970 when she accompanied the Cambodian Classical Dance Co. to the U.S.
Surviving the 1975-1979 atrocities of the Khmer Rouge regime, she and her family went to
Kao-I-Dang Refugee camp in Thailand in 1980, where she organized a Cambodian classical ballet
ensemble. In 1981, the Troupe was resettled in the Washington D.C. area - the first Cambodian
dance Troupe in the U.S. In 1983, Mrs. Khatna led the Troupe, known as the Khmer Traditional
Arts Ensemble, in a U.S. tour funded by the National Endowment for the Arts. The Troupe
performed throughout the U.S including California, Tennessee, Ohio, Florida, Rhode Island, and
.
Massachusetts. She directed performances at prestigious venues including the Kennedy Center,
National Geographic, the Library of Congress, Museum of Natural History, Capitol Hill, and Wolf
Trap. She received a Fellowship Award from the National Endowment for the Arts and a
certificate of appreciation from President Ronald Reagan in 1986.
In 1991, Venerable Preah Sumedhavansa Oung Mean Candavanno invited her to organize a
cultural class at the Cambodian Buddhist Temple. She served as the Artistic Director for the Temple's
dance programs until she passed away on Thursday, March 25, 1999 at Frederick Memorial Hospital,
Washington D.C. (Interviewed by Mrs. Raci Say, Vice President of Cultural Committee.)
Grandma,
Your dedication and great commitment
to the preservation and development
of Cambodian culture will never be
forgotten. May your soul and spirit be
always with us and forever protect our
heritage and traditional dance.
Love always from your Grandson,
Tim Chan Thou & Family
21
�LocalNews
Mofff 's Story
For three years, Mony Srey was a hard-core member of a
notorious street gang . Mony was only thirteen when he joined
the gang. He carried a gun, was arrested more than once, and
served time at a DYS facility for assault and battery.
In November 1999, Mony
stepped up to a podium at
the Massachusetts State
House and spoke about his
hope for the future .
Now 16, Mony is a rising star
with the Angkor Dance
Troupe and an active member
of the Big Brother Big Sister
ADAM project and "Teens
Reaching Out. "
Mony Srey, seated with City Councilor
Rithy Uong, waits to speak at a
State House awards ceremony.
22
�~~
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ENTERPRISE G:t
BANK AND TRUST COMPANY
~~!!:
FDIC
A Certified SBA Lender
222 Merrimack Street • Lowell, MA 01852 • 978-459-9000
Maria Lobao, Assistant Vice President I Branch Manager
Today, Mony Srey is
a shining example
of a young person
destined for success.
He celebrates his
ethnic heritage by
performing tradi tional Cambodian
dances for audiences
around the region .
He volunteers to
speak at conferences
about his experiences. He is even
exploring ways to
have his gang
tattoo removed.
23
�17-year-old Rathana Yok is a member
of the Angkor Dance Troupe Board of
Directors, a Troupe role model, and an
assistant instructor.
"I have been in the Troupe for several years.
I joined because I wanted to learn about my
heritage. In my years in the Troupe, I have seen
fun times and sad times, and I've been in
many performances.
Rathana rehearsing the Fishing Dance
before a performance at the All America
City Competition in Philadelphia.
"I have learned a lot since I joined the
Troupe. I learned respect, self-discipline,
confidence, self-esteem, and leadership.
The afterschool youth program that I
teach at has many memories for me elementary, middle, and high school
students who learn to respect one
Rathana, right, before a performance at
FirstNight Boston in December 1996.
another and set goals in their lives. They work together as a team and learn about
many important issues like drugs, violence, abuse, and nutrition."
AJYt.0Aig1uimaniAJwauillg11a1u111'Dl11
Steve Moses &
The Center for Health Promotion
University of Massachusetts Lowell
Extend Sincere Best Wishes and Good Luck to
The Angkor Dance Troupe,
and Wish Board Members
Jane Benfey and Nina Coppens the very best
on their new directions and pursuits.
24
�Thomas D. Haggard
23 Central Ave., Suite 205
Lynn, MA 01901
(781) 598-5333
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Apprentice dancer Calida Chea
*
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learns Bopha Lokei from
*
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Director Phousita Huy during a
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25
�1999 ALL AMERICA CITY COMPETITION -A WINNING PERFORMANCE
The Troupe was a central player
in the City of Lowell's winning
presentation at the 1999 All
America City competition in
Philadelphia in June. The City
invited a dozen dancers to
accompany the delegation.
Troupe member Samnang Hor
was chosen to speak in the
City's official presentation for
the judges, which also included
two Troupe performances.
Above, Channa Sath performs a blessing dance
for the judges. Below, Troupe members cheer
during Mayor Eileen Donoghue's speech at the
awards ceremony.
" Our time in Philadelphia was
very exciting," said Troupe
Coordinator Tim Chan Thou,
pictured above with Rithy
Uong. "One of the most
memorable experiences was
meeting the delegations from
all of the different cities."
Taary Ram shows
her spirit during
All America City
festivities.
"The best moment of the experience for
me was when we performed for the states
at the Civic Action Fair," said Sopheap
Sou. " The feeling was wonderful having
everyone cheer us on. I was really proud ."
"The best thing about the trip for me was
having the chance to represent a city
where I was born and have lived all my
life," said Sochenda Uch. "It was great
being part of a crowd that was cheering
for our city's pride."
�Loom Press
The Best in Regional Literature
Congratulations
to the
Angkor Dance Troupe.
Loom Press• P.O. Box 1394 •Lowell, MA 01853
Tlrankyouforyour C()~ _good work.
Yoevmake-our C()~
a-better ptau,to live, a.std, work.
27
�WHITE HOUSE HONORS
In 1999, members of the
Troupe were invited to the
White House to receive the
prestigious "Coming Up Taller"
award from the President's
Committee on the Arts and the
Humanities and the National
Endowment for the Arts.
The Troupe was one of ten
organizations chosen from
more than 350 nominations
from across the nation. The
award was presented at a
White House ceremony in
October, during which four
troupe members performed
"Swva Pol," the Monkey
Dance, above right. The threeday trip also included a visit
with U.S. Senator Ted Kennedy.
Above left, Troupe members
Samnang Hor, Sopheap Sou, Bory
Sours, Ruth Page, and Vyrik Eng on
Capitol Hill. (Not pictured: David
Noeuk) Above, Ruth Page with Actor
William Baldwin, President of the
Creative Coalition. Left, the Troupe
w as honored at the State House in a
ceremony by t he Mass. Cult ural
Council, whi ch nominated the Troupe
for the Coming Up Taller award.
�1965 ~ 2000
eo11111111Hifg ?:ealllWOfk~ JHC.
eetebrating 35 Vears of
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16 7 :Dutton St. ,&Jwell. ;14,assacltusetts
(978) 459-0551
Jax (978) 453-9128
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Angkor :Dance <:roupe
29
o1852
�Highlights of Recent Performances
The "Butterfly Dance" at Boarding House Park
~
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~
During 1998 and
1999, the Angkor
Dance Troupe
presented 66
performances,
workshops, and
educational
residencies for
more than
20,000 people.
Four-year old Krisna
Thou performs the
Golden Mermaid role in
the challenging classical
dance "Hanuman &
Sovann Macha" at
Boarding House Park in
August 1999.
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Left: "The Coconut Shell Dance " at the Massachusetts State House.
Right: Rotana Thou and Sophy Leng perform the "Apsara Dance " during a Youth
Dance Performance at the Smith Baker Center.
30
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" Swva Pol," Angkor Youth Dance Performance, Smith Baker Center, November 1999
Donald E. Pierson
Dean, College of Education
UMass Lowell
31
�Masters of Cambodian Dance - Learning from the Best
Members of the Troupe rehearse for several hours each week. The
method of teaching is based on the traditional model - apprentices
learn by watching, imitation, and hands-on assistance from teachers.
In 1999, renowned master
teachers Sokhanarith Meour
and Phan Phoung of
Connecticut held a series of
workshops on the "Chhay
Yam" and other dances,
through a project sponsored
by the Lila Wallace Reader's
Digest Community Folklife
Program .
�Angkor Dance Troupe
Thank you for sharing the beauty of your culture!
Nina Coppens, PhD, RN
University of Massachusetts Lowell
Rathana Yok, Sochenda Uch,
Tola Sok, Channa Sath, Tim
Chan Thou, Sopheap Sou,
Sophy Leng, Taary Ram,
Samnang Hor, Vyrik Eng, David
Noeuk, and Bory Sours at the
All America City Competition in
Philadelphia in June 1999.
IMMIGRATION 8c. NATIONALITY LAW
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MONA T. MOVAFAGHI P.C.
(603) 889-7016
"When Experience Counts"
MEMBER: AMERICAN IMMIGRATION
LAWYERS ASSOCIATION SINCE 1988
11 Concord St. Nashua, NH
33
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(Message sponsored with a donation from Tim Chan Thou and Kolab Yin .)
34
�2000 FRIENDS OF THE ANGKOR DANCE TROUPE
I
''The Friends of the Angkor Dance Troupe" is a
fund-raising membership drive to support the
Troupe's award-winning youth programs.
Thank you
to the many concerned community members
and organizations who have joined the
"Friends of the Angkor Dance Troupe."
Contributing Sponsors in 2000
Eleanor Briggs
The Edward & Elizabeth
Gardner Foundation
Jane & Tom Benfey
Community Leaders in 2000
Jonathan and Diane Pulliam
Nancy and Richard Donahue
Ann Bartholomew & Ron Micheels
Louis L. Pinn Insurance Agency
Rosemary Noon & Paul Marion
Citizens for Youth in 2000
Attorney John E. Leggat
To find out more about the
Friends of the Angkor Dance Troupe, please call or write us at
Angkor Dance Troupe, P.O. Box 1553, Lowell, MA 01853
(978) 441-9277
35
�Compliments of
Lowell's Emergency Service
!3Jf:frfjs1:1yfj7Mft[f3iflt:l~~mmfJnfjndi
Trinity E.M.S., Inc.
1221 Westford Street• Lowell, MA 01851
(978) 44 1-9999
36
�PAGE ONE
PRODUCTIONS
Film &Video • /\dvert isin g • Multimedia • Design
(978) 251 -3832 • FAX (978) 251-8039 • pageone @mediaone.net
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The Fan Dance at the 1998 Lowell Folk Festival. Photo by Andrew Page, Portland Maine.
PAGE ONE PR ODUCTIONS, offering project management
and public relations services, is proud to be part of the
ongoing success story of the ANGKOR DANCE TROUPE.
37
�The Angkor Dance Troupe is funded in part by:
MASSACHUSETTS CULTURAL COUNCIL
A state agency that supports public programs in the arts, humanities, and sciences
Massachusetts Cultural Council YouthReach Initiative
THEODORE EDSON PARKER FOUNDATION
The President's Committee on the Arts and the Humanities
The National Endowment for the Arts
The Lila Wallace-Reader's Digest Community Folklife Program,
administered by the Fund for Folk Culture and underwritten
by the Lila Wallace-Reader's Digest Fund.
Lowell Cultural Council
Lowell Community Development Block Grant Program
Friends of the Angkor Dance Troupe
Greater Lowell Community Foundation
VVe congratulate tfie youtfi of tfie
Angkor Vance Trouye
anatfie
1Uver .J'lmfJassadOrs 'Program
for enricfiing tfie frves of a{{ in our community.
Linda Silka, Director,
Center for Family, Work, and Community at UMass Lowell
Jane Benfey, Co-Chair
Board of Directors, Angkor Dance Troupe
38
�Special Thanks
To Our Dedicated Staff & Board of Directors
Chhan D. Touch, Co-Chair
Jane Benfey, Co-Chair
Phousita S. Huy, Artistic Director
Nissay Liek, Treasurer
Tim Chan Thou, Troupe Coordinator
Carole Mathews, Co-Secretary
Ruth Page, General Manager
Gloria Polites, Co-Secretary
James Conlon
Dr. Nina Coppens, RN
Saovary En
Lynne Faust, LNP
Samnang Hor
Akara V. Savun
Dr. Laurie Beth Kalb
Cassandra Keirstead
Thida Loeung
Bonna Mai
Paul Marion
Rady Mom
Khoeun Pring
Jonathan Pulliam
Taary Ram
Sopheap Sou
Sochenda Uch
Rithy Uong
Rathana Yok
Kolab Yin, Costumer
Toni Shapiro, Ph.D., Troupe Advisor
Panha Yuk, Instructor
And to our Partners and Collaborators:
H. Mark Smith, Massachusetts Cultural Council YouthReach Initiative
Jim Conlon, Big Brother/Big Sister of Greater Lowell ADAM project
Jay Lange, Lowell Community Schools Program
Carole Mathews, Lowell Area Dept. of Social Services
Brenda Bond, Lowell Police Department
Nina Coppens, University of Massachusetts Lowell
Jim Canavan, Donna Welch, and Marco Cancel, Community Teamwork, Inc.
Andrea Laskey and Erica McNamara, Lowell Teen Coalition
Publication produced by Page One Productions
Printing: Thurman Prints
Photo Credits: Andrew Page, Rady Mom, Kevin Harkins, Tim Chan Thou,
Toni Shapiro, Eileen Blumenthal, Eleanor Briggs, Love Photos, Jocelyn Augustino
Translation Services: Nissay Liek
Sources: Dance and the Spirit of Cambodia, Toni Shapiro, Ph.D., Cornell University, 1994
"Cambodia's Royal Dance," Eileen Blumenthal, Natural History, 4/89
"The Dancer in Cambodia," Toni Shapiro, Ph .D., Asian Art & Culture, Arthur M. Sack/er
Gallery, Smithsonian Institution, Winter 1995 Southeast Asia Today, Oxford University Press
1
2
"Dance and the Spirit of Cambodia," Toni Shapiro, Ph .D. diss. Cornell University, 1994
For more information about the Angkor Dance Troupe,
please call or write us at:
P.O. Box 1553, Lowell, MA 01853
(978) 441-9277 FAX: (978) 251-8039
http://civic.uml.edu/angkor
39
�Congratulations to our Role Models!
Pov Sath, 1996 & Khoeun Pring, 1998
Andeth Vann, 1995 & Sopor Vann, 1994
Rothana Yok, 1998 & Akara V. Savun 1997
Samnang Hor & Sopheap Sou 1999
Taary Ram, 2000 & Sochenda Uch, 2000
Best Wishes from Ann Bartholomew & Ron Micheels
40
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978-458-0404
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NO FEE unless we collect money for you!
FREE initial consultation
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226 Central Street
Lowell, MA 01852
tel. (978) 459-5000
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Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe Commemorative Book, 2000
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Angkor Dance Troupe 2000 Commemorative Book. Includes description of the organization, Classical and Folk Dances, and youth recruitment. There are also photographs and captions highlighting the members' performance during the year.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2000
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
44 p.; 21.5 x 14
Language
A language of the resource
English
Khmer
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f10_i006
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Books
Cambodians
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/b4c21ec9e5390ca2a218571886c83b93.pdf?Expires=1712793600&Signature=T5RGyz4foS4lCLSlwqlIOCH2I6tNYjthA3-5S13Ccr3BeWrc4n7MWC5eG1cTAB3efAUn67-GpRmNUDtrDmcwLBBUB4a5GVLGomxkKYqzUjPEXKqt8krNzS4Qp6OA2sU6LmB0MuycOJbFQFuV60rFYVVOvx4T7AULiEFyM10zcRIyYaVCMJV2DCJ2%7E7jv6Y%7E7aVy%7E-0sLo2INj43cie0lGLb3uYMwfKLF2LJ8XAhKq79Vyhemqddv2jOC%7EFgPFK-7ldRafx4xvjqyuxuOKi3tanS7FD1BptAaVaGcgs-gKfsZ7%7EcUOp2PudCklEpJcJe5jSnMpQVEqd%7EISnhqEMkxmQ__&Key-Pair-Id=K6UGZS9ZTDSZM
2964dbb1d946cfe3d56009b27b436108
PDF Text
Text
The Angkor Dance Troupe Presents the World Premiere of
APSARA DANCING STONES
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www.angkordance.org
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MoniMekali
A Century of Strength. A Generation ofTrust.
A Lifetime of Support.
Since that day long ago when children gathered their nickels and pennies
to save for a better future, the mission of Jeanne D'Arc was put into action.
For 100 years, we have been fully involved in this community and in helping the people
who live, work and go to school here, pursue opportunities and fulfill dreams.
It is our past It is our present. And it is our future.
JOIN US AND BE A PART OF THE NEXT 100 YEARS.
WeShareACommonThread.org
As a community partner, Jeanne D'Arc Credit Union is
proud to support the Angkor Dance Troupe.
I
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a la Sponsors
Nancy & Richard
Donohue
Foundation
.
�Thank You
We are delighted you have joined us for the world premiere of Apsara
Dancing Stones. 25 years ago, we began the Angkor Dance Troupe with the
vision to preserve and develop the traditions of Cambodian performing arts,
that was almost completely wiped out during the Khmer Rouge genocide. As a
community struggling to put down roots in a new homeland, Cambodian dance
provides a poignant reminder of the beauty and spirituality of our culture and
helps us build a more stable foundation for our children.
As the heart and soul of the Cambodian American community in Lowell, the
Troupe has served as a foundation and voice of our cherished cultural traditions.
We are nationally recognized as one of the most accomplished and experienced
of the U.S. - based Cambodian traditional arts ensembles and have received
recognition from the Massachusetts Cultural Council, the National Endowment
of the Arts, and the White House.
Apsara Dancing Stones represents a monumental achievement in the artistic
development and innovation of the Troupe. The story of Apsara Dancing Stones
uses the traditions and techniques of the classical Khmer dance blended with
contemporary dance drama elements. This interpretive dance allows the Angkor
Dance Troupe to honor Cambodian history and culture while advancing the art
form to a new level.
As we debut this performance we look forward to all the opportunities that lie
ahead the next 25 years.
We hope you enjoy the show!
Tim Thou
Founder & Director
Phousita Huy
Artistic Director
Linda Sou
President of the Board
�Story
The Angkor Dance Troupe presents the premiere of Apsara Dancing Stones, a
contemporary dance drama that embodies the beauty and culture of Cambodia.
With Eastern and Western influences, this visual narrative combines an
unparalleled performance of dance and music from modern and classical
Cambodian styles.
A young Cambodian/ American architectural student, Khemra, travels to
Cambodia with a group of students to study the UNESCO world heritage site,
Angkor Wat. He is unaware that the spirits inhabiting the stones of Angkor have
a story to tell.
Through the eyes of the Apsara, Khemera is about to embark on a magical
journey into Cambodia's golden era of Gods and Goddesses.
Evening Program
General Audience Admission
Apsara Dancing Stones ACT I
Intermission
Apsara Dancing Stones ACT II
VIP Meet & Greet with Classical Dance
Master, Artistic Director & Principal Dancers
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Jim Wilde
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Convention & Visitors Bureau
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�Sovann Macha Sponsors
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�Cast&
Artistic Stage & Crew:
Mrs. Phousita S. Huy, Artistic Director
Mr. Higgins, Jim, Flying Orb Productions Director
Mr. Touch, Chhan, Asst. Artistic Director
Mr. Proeung, Chhieng, Writer
Mrs. Soth, Somaly, Assistant Advisor
Mr. Tim C. Thou, Program Director
Mrs. Khakhada Horn, Asstistant Manager
Mrs. Kolab Thou, Costumer/Dresser
Mrs. Chenda Wilson, Assistant Costumer/Dresser
Mrs. Akara Mao, Assistant Costumer
Principal Dancers of the Angkor Dance Troupe:
Kim Allen
Pech Heung
EmalyHorn
Sophy Leng
Brianna Mai
Phirum Meas
Sovannthida Morn
Sophorl Ngin
RanciaPhin
Virginia Prak
Mary Prum
Channa Sath
Sokhoeun Sok
Krisna Thou
Monica Veth
Peter Veth
�&Crew
Performers & Dancers:
Caitlyn Chan
Nova Chenda
Charlie Chhor
Tanromni Chum
Isabel Clafin
Nicky C. Fennell
Sopaul Hem
Malia Keo
RandyKeung
Johnny Khat
Samantha Lehouillier
Kalya Iek
Sovann-Malis Loeung
Kelly Salida Ly
Alexandra S. Mai
Celena Mai
Curtis Mai
Krissandra Mai
Salena Mam
Athenna Mao
Anton Mao
Bunkeath Meng
Vanny Nelson
Melissa Ouk
Jefferson Phan
Victoria Phan
John Phim
Nina Touch
Vituu Touch
Kevin Searth
Phalida Sok-Soth
Anita Srey
Rotanna Srey
Chummeng Suon
Sopeeda Suy
Paulina Tran
Daisy Var
Jasmin Tauvari Udomsay
Judith S. Wilson
Robin S. Wilson
Reaksmey Yan
Soundtrack Production:
Mrs. Hieng, Nayto, Folk Dance
Master from RUFA
Miss. Heung, Pech
Mr. Chun, Sokdavin, Studio Mixer/
Owner
Mr. Ek, Side, Guitar, Keyboard ,
Music & Lyric Composer, and Singer
Mr. Chau, Sopharith, Asst. Studio
Sound Track Recording
Mr. Preung Proun, Musicians Leader
Mr. Nou, Vandy, Musician
Mr. Se, Phalla, Roneat Thung
Mr. Nol, Kol, Salai-Kloy
Mr. Ven, Phirum, Violin
Mr. Yun, Theara, Tro
Mr. Meas, Kimhan, Sampo
Mr. Rus, Sokunthear, Kong Thom
Chun, Sokdavin, Studio Coordinator
Artists from Royal University of Fine Arts in Phnom Penh
Cambodia:
Miss. Sin, Sakada (Apsara)
Miss. Um, Chanthida
(Seven Color Dancer)
Miss. Sith, Chanvoleak, Dancer
Miss. Chhoan, Nirothanak, Apsara
Miss. Sok,.Lyna, Dancer
Miss. Mom, Vanvotei, Dancer
Miss. Sam, Limsothea, Menop
Miss. Sam, Savin,
(Seven Color Dancer)
Miss, Chhoan, Niboran, Krot
.
�Characters and Scenes
In order of Appearance
Welcoming Dance - Mary Prum, Pech Heung, Kim Allen, Virgina Prak,
Brianna Mai, Thida Morn, Phirum Meas
Khemra - Chantha Krouch
A young architectural student traveling to Siem Reap to study the temples of
Angkor.
Student Dancers - Tim Sokhoeun, Sophy Leng, Sophorl Ngin
The students explore the temples and dance amusingly among one another
bringing with them western influences in their style of dance as they imitate the
gestures of the Apsara carvings.
Apsara Dancer - Monica Veth
An Apsara dancer within the palace walls of Angkor which symbolizes
Cambodia's beauty and culture.
Prince Mearnup - Sokhoeun Sok
A Prince who lives within the palace walls encounters the Apsara dancer. They
fall in love with one another gazing at stars and moon in the night sky.
Warriors in Training - Bunkeath Meng, Charles Chhor, Cheymony
Fennell, Chummeng Suon, Randy Keung, Johnny Khat, John Phim,
Kalya Iek, Sopaul Hem, Reaksmey Yan
Young warriors train in preparation to protect the Angkor kingdom from intruders.
Garuda - Peter Veth
A mythical half man half bird creature is depicted destroying the Apsara stones.
This animal is used to symbolize those who show disregard for others' culture,
and Cambodia's period ·of strife and destruction with the looting of precious
temple artifacts and art forms.
Flashlight Search - Poutda Pech, Tim Sokhoeun, Charles Chhor,
Johnny Khat
Broken Apsara Stones - Krisna Thou, Rancia Phin, Channa Sath, Robin
Wilson, Monica Veth
The broken Apsara stones weep from the vandalism by Garuda.
�Tep Apsara - Sophorl Ngin, Sophy Leng, Brianna Mai, Virgina Prak,
Emaly Horn, Ihida Morn, Mary Prum, Phirum Meas, Pech Heung
The finale is a dance of rebirth as young dancers rise to dance once again.
The song is an appeal for protection and preservation of this beloved icon
of Cambodian people. The Apsara's power as a symbol of peace and
reverence lies in the hands of future generations.
Angkor Sponsors
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LOWELL COMMU NITY
CARBON
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LOUIS L. PINN
INSURANCE AGENCY
m1emmmrn9'ln919
211ChelmsfordSt.
'.owell.MA0 18Sl
Phone:(978)452-4748
Fax: (978)452-4754
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Staff & Administration
Host Committee:
Melissa Carino
George Chigas
Suzzanne Cromwell
Carol Duncan
Jenny Fichera
David Grenier
Stacies Hargis
Vanna Howard
Richard Howe Jr.
Sovann-Malis Loeung
Paul Marion
Rosemary Noon
James Ostis
Dara Pinn
Louis Soares
Sopheap Theam
Sophy Theam
Aileen Tran
Ani Vong
Jessica Wilson
Volunteers:
Vandara Chum
Emil Kuruvilla
Visa! Lim
Linda Uch
Performers and Crew from Flying Orb Productions:
Tim Sokhoen
Poutda Pech
Sara Thanongsinh
Paula Em
London Long
RickyOrng
�Board of Directors:
Linda Sopheap Sou, President
Sochenda Uch, 1st Vice President
Deborah Nelson, 2nd Vice President
Vyrik Eng, Treasurer
Sovanna Pouv, Secretary
Program Staff:
Tim Thou, Program Director
Khakhada Horn, Assistant to Director
Phousita Huy, Artistic Director
Peter Veth, Assistant Artistic Director
Liz Clafin, Sales Coordinator
Shaun McCarthy, Grant Writer
Joan Gendron
John Phim
Lianna Kushi
Lydia Breckon
Narin Sinuon
Walter Wright
�Mission
The Angkor Dance Troupe, a 501 (c) 3 nonprofit, is a unique organization
that provides an essential service to the community. The Troupe is the only
nonprofit cultural group in Lowell, MA, whose sole mission is to preserve
the traditions of Cambodian performing arts.
The Angkor Dance Troupe develops and teaches Cambodian dance,
promotes an understanding and appreciation of Cambodian culture, and
provides a positive social and educational outlet for Cambodian youth.
History
The Angkor Dance Troupe was formed in 1986 by Cambodian refugees of the
Khmer Rouge holocaust. Lowell's Cambodian American community, estimated
at more than 35,000 people, is the second largest in the country. When we
resettled here, we brought a passion to carry on our cherished cultural traditions
to practice and perform, to teach our children, and to see our art preserved for
future generations of all cultures.
We take our name from the great Angkor civilization, between 802 and 1432 AD
when Cambodia was a dominant empire in Southeast Asia. Dance and music
have always been prominent in Khmer society, but these ancient traditions were
nearly eliminated when the Khmer Rouge controlled Cambodia in the 1970s.
Artists were among those deliberately targeted for execution. More than 90% of
the country's tradition bearers perished. Today, as Cambodians around the world
struggle to emerge from decades of war and poverty, our people look to the
rebirth and re-creation of dance as testimony to the endurance of our culture.
"The Angkor Dance Troupe is a gem in the Commonwealth. The Massachusetts
Cultural Council is proud to be a longtime supporter of Angkor for its beauty,
value, and impact in preserving this rich cultural art form for the Lowell
community and beyond" says Anita Walker, the Executive Director for the
Mass Cultural Council. "The Angkor Dance Troupe is not only an organization
promoting dance, it's an inspiration to all those who survived the Cambodian
Genocide three decades ago, and a testament to the enduring power of the arts:'
�Contributor Sponsors.
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Engineering a Sustainable Future
Dorcas Grigg
St. Onge
Saito
Supply, Co. Inc
Paul Marion
&Rosemary
Noon
Friend
Brew'd Awakening
Dance This Way
Humanity
Korde & Associates
Mealea Chan Polcari
The Old Court
Sopheap Theam
Sara's Serendipity
Floral Design
Supporters
Socheat Chan
Dr. George Chigas
Vandara Chum
Kent Davis
Jim Higgins
Phousita Huy
DatASIAN, Inc.
Samkhann Khoeun
Lyla Chea Khut
Chenda Korn
Sophy Leng
Bonna Mai
Rath Mam
Leang Sambuth
Tim & Kolab Thou
Neary Touch
Dorothy Varon
�NATIONAL
HISTORICAL PARK
In Celebration of the 25th Anniversary, we would like to extend sincere gratitude to the Lowell National Historic Park for their continuous support and partnership, which made this milestone possible.
www.angkordance.org
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Program for Angkor Dance Troupe's presentation of "Apsara Dancing Stones," 2012
Description
An account of the resource
Program for Angkor Dance Troupe's presentation of "Apsara Dancing Stones." The story of Apsara Dancing Stones uses the traditions and techniques of the classical Khmer dance blended with contemporary dance drama elements. This interpretive dance allows the Angkor Dance Troupe to honor Cambodian history and culture while advancing the art form to a new level.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2012
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
16 p.; 21.5 x 14
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f10_i007
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
2010-2019
Apsara Dancing Stones
Books
Cambodians
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/be63eeeb259779efa995c7699e38337a.pdf?Expires=1712793600&Signature=DeIHhcOEvKtFKi0J2xL%7EtxnB2emNk5-qEa2arAFxaNjAi7Ce73tO2I9r82UAenCof1bhx6uZU5zKF7vgPDmIN9Nq%7E9FEPNYo32Kk42ytqs8fS8%7EAAHewAcFBM0IF9CDO4D7Q1pm8%7ElN3nVavGIjiguhF33E7cgqD4zJibWjdHDgnyELtV6yS4G8S8keDZmFQD5g29dVy-2ocL8OyCrGfUXCLi18Jnv7UZ2uu3P830mNJ4WtCOOI%7EK9zdWkcVhUqXcoasuzURtwR-tF3Dp6w7nPaTxqDb%7EPZmk0WlrwbXZfLItwtpa3ZeoSwHH3GBFzNEPY8UzDr0l6AK7b5bMXLVKQ__&Key-Pair-Id=K6UGZS9ZTDSZM
70d359e1ca8608a35ab05b8c5e9cfa9f
PDF Text
Text
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Pin Panhchapor performance by Angkor Dance Troupe handout, 2016
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Handout for Angkor Dance Troupe's performance of "Pin Panhchapor" at the Merrimack Repertory Theater.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2016
Rights
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UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
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22.8 x 10.1
Language
A language of the resource
English
Khmer
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b05_f10_008
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2010-2019
Cambodians
Ephemera
Pin Panhchapor
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/7e56e1cb8ab74f8d8dc26555097991be.pdf?Expires=1712793600&Signature=MZypOPKrQfavxRYOc7Ady2hSM47lXXmE-g6JngBSjLgllGF9RgEtYh8-Ck%7EUpZbw4hAR4d31ZYvN3W0Id-uq8uC1Arhf3skZ-qp55uwOQ2SqK7dVXHWt9SBsXsib6mI0L5ODe0IUSSDA3pG7-at%7ELgW45OBY1%7E%7EN0-8Y0owr47HXe4uq5rquLK7QLgYjH7b14pB3uEmzhkKCvQEVD5WJSoR4n2FOlUAEvk6dwQHK07x1rK0trlmeZejCynwGBGlouOidHO7lbFTxtOgjxfbwSaRwJ-lyLB9YI3s823pcBhnPjW7KSJRwJdMVbQbby5SL2lo8PKz6raAMsrUb%7E7jeyw__&Key-Pair-Id=K6UGZS9ZTDSZM
b96bd7273e6d3d26bab2557ff6f89fb3
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DANCE HOUP
E
lephants Weep on the Banks of the Merrimack
BOX 1553
FHNCH SHEET
0 18 5 J
INSIDE:
Apsaras
Come to Life
2
Prestigious
Honor for
Troupe:
Listing in
2007 Catalogue for
Philanthropy
2
National
Endowment
for the Arts
Grant
2
Our Dancers 3
in Virginia
and Colorado
Paris, Phnom Penh, New York
City - these seemed likely venues to premiere the first Cambodian-American Opera ever to be
produced.
The production's
international team included Arn
Chorn-Pond, founder of Cambodian Living Arts, John Burt and
Catherine Filloux, both based in
New York City, Him Sophy of
the Royal University of Fine Arts
in Phnom Penh, and other performers and choreographers
from Cambodia, the US and
Europe. The opera ran from
April 27th-29th, not in any of
those global cities but rather in
Lowell.
An extensive team
worked for over a year to stage
the production at Lowell High
School. Angkor Dance Troupe
was a vital part of bringing this
show to Lowell , and to the thousands of people who saw it.
For those Lowell residents of
Cambodian heritage the opera
was particularly poignant.
It
melded old and new art forms, it
told the story of suffering and
survival
that so
m a n y
h a v e
experienced,
and
it
offered
an examA scene from Elephants
pie of new life, in the form of this
artistic production.
Angkor
Dance Troupe trained performers in classical dance techniques,
and worked with musicians from
Cambodia and the US.
Four
Troupe dancers performed in the
show.
Phousita Huy led the
Troupe's dancers. Her deeply
moving performance reminded
the Troupe of why she is so
valuable to us; Ms. Huy's dancing
mixed immense reserves of innate talent and grace with skill
born of discipline and training.
Peter Veth , Monica
Veth and Sophy Leng joined Ms.
Huy onstage. Monica Veth of
Angkor Dance, said of "usually
we dance to traditional music.
Now we had to dance to music
for the opera. The most memorable moment for me was the
speech that Mr. Burt made backstage, before the play, using such
nice words. I became very emotional." Sophy Leng said, "We
were the only four dancers.
Everyone eise was acting or rapping. The day of the show, before it started, we were preparing, getting dressed. The traditional Khmae band was setting up
their instruments. We did a
quick blessing ceremony. We
knelt with our hands in a praying
position and prayed that the
opera would go well. The incense was burning-it was a
special moment.
I loved the
feeling, and I hope that others
can have this experience too."
After 21 Years, An Endowment
On October 31st, 2007, a dream
came true:
Angkor Dance
Toupe established an endowment with the Greater Lowell
Community Foundation. Thanks
to generous and timely donations
by our friends and supporters,
the Troupe was able to meet the
$5,000 minimum required by the
Foundation to qualify for an additional $2,500 match .
An Endowment is a
fund that will last as long as the
Troupe does, and will pay the
Troupe a dividend every year,
based on interest earned. All of
this is to say that Tim Thou and
Phousita Huy and the dedicated
and talented dancers of the
Troupe will have some guaranteed income every year. At this
point it is small - perhaps only
enough for a costume upgrade,
or to pay for a Master Teach er
workshop - but with the generosity we have seen from our
dono rs and with the goodwill and
guidance of the GLCF, we are
confident that it will only grow
with time. This is a true investment in the Troupe's future and
in Lowell's cultural treasure.
�PAGE
2
/
- ------------------------ '
Apsaras Come to Life After 1,000 Years
While this may seem like a
headline from the National
Enquirer (Cambodian Version), in reality it speaks to the
artistic talent of the Troupe's
Phousita Huy and Phnom-Penh
based musician Him Sophy. It
is through their combined
talents that the Apsaras will
come to life, stepping off the
walls of the ancient temples
an d speaking of modern-day
suffering, need for compassion,
and appealing to the international community for censer-
vation of all things precious.
This includes not only the
welfare of those in distress or
in need, but also the expres-
production of this work is
bringing together the artistic
team and creating the music
and dance that will anchor the
sions of culture and humanity
that are embodied in ancient
artifacts in Cambodia, and
elsewhere in the world.
story.
Returning from
Phnom Penh th is summer, Ms.
Huy returns to work on this
new piece Her collaborators
include musicians, dancers and
writers on both sides of the
globe., Their first step in the
of the
Coming on the heels
Cambodian -American
opera this past spring, Where
Elephants Weep, this new piece
signals deep growth for Cambodian arts in the 21st century.
-------------------------Troupe Chosen for 2007 Catalogue for Philanthropy
Angkor Dance Troupe has
been selected for listing in the
2007 prest1g1ous Massachusetts Catalogue for Philanthropy. This year 390 charities
applied for new listings, and 54
were selected, as "examples of
excellence" in all fields of Massachusetts philanthropy- the
environment, culture (arts and
education), human services
and international.
The purpose of the
C atalogue, now in its I I th
year of ann ual publicati on, is
"to strengthen the culture of
philanthropy in Massachusetts ... through donor education .... " "The Catalogue is
designed as a showcase for
Massachusetts philanthropy,"
McCully said,
According
to
George McCully, President of
the C atalogue, "Angkor Dance
Troupe, Inc. was chosen because they are a great example
of 'private initiatives for public
good, focusing on quality of
life' in Massachusetts, and because they are both excellent
and cost-effective. We urge
donors , especially in the
Lowell area, to consider adding Angkor Dance Troupe, Inc.
to their giving list this year."
National Endowment for the Arts Grant
The National Endowment for
the Arts recognized Angkor
Dance Troupe through a
$10,000 grant this year.
ANGKOR
grant will provide for performances and workshops in Lowell
Public Schools. Look for news
an d pictures from these work-
DANCE
TROUPE
The
shops in the next issue of our
newsletter.
I
�VOLUME
I ,
ISSUE
PAGE
Ancient Meets Nouveau at Fall Fundraiser
"Let the dresses talk," said Peter
Veth, Assistant Artistic Director
and talk they did in ancient Khmer
idioms as well as through the sleekest fashions of today. By combining
classical and folk dance with fashion, Artistic Director Phousita Huy
and her staff engaged the attention
/
of each of the 300 people in the
room at the fall Fundraiser on November I 0th . The Sampao Meas
Hall of the Sunnyda Restaurant on
Chelmsford Street echoed with the
sounds of thousand year old Khme r
melod ies and rythym, accompanied
by the graceful and polished gestures of the Troupe's young dancers, and also with the sounds of the
more contemporary Nasty Band all of this punctuated by applause
ago is rare enough, but to
have them aligned with
present-day aesthetics, is
truly unusual.
A
five-course
Cambodian Banquet and
delicious appetizers, complemented the show, and
the Silent Auction of varied items
offered our guests a chance to do
some holiday shopping for beautiful
artifacts made in Cambod ia.
from the appreciative audience.
To experience the rich
detai ls of ancient arts, created and
first performed thousands of years
If you missed
show, loo k for
next year!
the
us
~----------------------Cambodian Culture in Colorado
Recent stages on wh ich Angkor
Dance Troupe has performed include one in the shadow of the
great Rocky Mountains, in the
western part of the Un ited States.
\
In August of thi s year,
three T roupe dancers t ravelled to
Colorado for the annual Cambodian Culture Camp, sponsored by
Families w ith Cambodian Children .
By performing for this group of
families, Troupe members brought
a taste of the Cambodian arts to an
audience with a great appreciation
for things Khmer.
Linda Sou , th e Troupe's
Assistant Program Directo r, said "It
was a very rewarding experience.
When we began to dance the
younger ki ds all stopped tal king.
They became quiet and watched,
sitting absolutely still."
Board
Member Deborah Nelson, who
attended the Camp with her family,
reflected on how meaningful it was
to those gathered there to connect
with ancient Cambodian trad itions
and to each other.
~-----------------------------
I
I
I
I
I
I
I
I
I
I
I
National Parl( Service Performance
This September we added Williamsburg, Virginia to the growing
list of venues, near and far , where
Angkor Dance Troupe has performed . Th is time the occasion
was a special one: the annual conference of the National Leadership
Council of the National Park Service (NPS) . Lowell Natio nal Historical Park Superintendent, Mi chael Creasy, invited the Troupe to
perform not only as a treat for the
attendees, but also as a way to
model cutting edge private-public
partnership, and exploration of
cultural resources. Among those
who enjoyed the performance were
the NPS Director Mary Bomar, and
the Secretary of the Interior, Dirk
Kempthorne. Lowell N PS's Duey
Kol remarked that "the dancers
who represented the T roupe on
this special day were
magical, and we received many compliments. Their professionalism and passion
for thei r heritage and
trad itional arts really
Troupe Members, NPS's Duey
came through . To be
recognized formally by Kol and Michael Creasy, w ith
Mary Bomar is a great Dirk Kempthorne and Mary
achievement."
Bomar.
3
�·---------------------- -,
,. .
The Angkor Dance Troupe, Inc is a 50 I (c)3 nonprofit organization dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for our young members.
Through a generous arrangement with the Lowell National Historical Park,
Angkor has offices and rehearsal space on the third floor of the Mogan Cultural
Center.
The Massachusetts Cultural Council, the Parker Foundation and the National
Endowment for the Humanities generously support the work of the Troupe.
We thank the many individuals, businesses and charitable groups that make our
work possible. We would like to especially mention the following people and
businesses to thank them for their support this season :
Angkor Dance Troupe
PO Box 1553
40 French Street,
Lowell, MA O1853
Tel: (978) 275-1823
Fax: (978) 275-1824
Email: timthou@yahoo.com
Website: www.angkordance.org
Raymond Anstiss and Company, David Blair, Paul Borgasand, Claire Breckon,
Eleanor Briggs, Karla Brooks-Baehr, Casey Family Services, Jim Cooney and the
Arbella Foundation, Nancy Donahue, the Elephant Walk Restaurant, Enterprise
Bank, Maryalice Foley, Khemara Restaurant, Bonna Mai and family, Sokhanarith
Moeun, Deb Nelson and family, Louis Pinn Insurance, Jonathan Pulliam, Samuel
Pulliam, the Lowell Sun, Tim Thou and family, Unwrapped, Inc., Geoffery and
Chenda Wilson, and many others.
We also thank our Board, Staff and troupe members, as well as the merchants
and vendors who provided items Annual Fundraiser's Silent Auction. We particularly thank Phousita Huy and Chhaan Touch and their family for all that they
do for the Troupe.
Last but not least, we thank you, the Friends of Angkor Dance Troupe!
'---------- ------------------ - Angkor Dance Troupe
PO Box 1553
Lowell, MA O1853
_,
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe Fall 2007 newsletter
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Angkor Dance Troupe Fall 2007 newsletter. Includes news such as summary of performances and grants awarded.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2007
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
4 p.; 28 x 21.5
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b13_f06_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Ephemera
-
https://d1y502jg6fpugt.cloudfront.net/37070/archive/files/3939337f43c6ec20015d0b28d5811f32.pdf?Expires=1712793600&Signature=en-kF6z1fp4cKxgZNV8ggqnoMHWcyc6ibdi-ljuEARQ7ftS70lsul%7EQ6dLwFQRsy7HkkL081P9RlnbaiAfPilNmkUdFw6hBhms1R%7EdC7JzTU7Et7bi8dXtwaR-cHKJCDcKgtyfnn41kaKg9sct2IQW9YGUUxOhFH7lIqFZVDfvUFc-A7GYIBZPya5a-xTXkccnwjPKtcXhV-LaYuNXDqVZpAlzaJkSNbaVKKxD-WxI%7EULL8BKzFvFF%7EIKMqEuzho7MIHNnTQUQpwZxahxmSR-y8q421BogzRJF90zSFZ2G9GDDRhrCm5ndIdBvt6B1iw0zX2EweAdgyp%7EUrSD18itg__&Key-Pair-Id=K6UGZS9ZTDSZM
eade8d37b080d62836f3724ecb3e64bc
PDF Text
Text
Graduating Into the Wider World
Al&IOI DAICE TIOIPE
PO IOI ISSJ
41 IIEICH STIEET
LOWELL, NA
1115 3
In auditoriums, courtyards and
on street corners, young graduates in their black robes show
their exuberant joy at having
stepped into the next phase of
their lives.
This graduation season
got us thinking. How does learning the delicate hand gestures of
the Apsara dance prepare a person for the rest of their life?
How does mastery of the rollicking rhythms of the coconut dance
help with mastering the art of
making a living?
INSIDE
THIS ISSUE:
Follow the
3
Fibre:
Mip-ating Silk
MerrimackMekong
Bridge is
Strengthened
2
Empowermend South-
We asked people in
their early 20s who had danced
with the Troupe for a number of
years to reflect on how their
time with the Troupe shaped
who they are now. Here is what
one of them said:
Troupe. I am now the Di rector
of Youth Development for the
Lowell Community Health Center. I'm also the Assistant Program Director for Angkor Dance
Troupe. And I am attending full
time graduate school at the
Springfield College School of
Human Services in Boston, studying for a Master of Science in
Human Services.
Old Traditions and New
Technologies prepare Angkor dancers like Linda Sou
for their futures
" I am Sopheap (Linda) Sou.
I'm
24 years of age, 20 of which I
spent with the Angkor Dance
My time with the
Troupe shaped me by supporting
my leadership in both fields . The
dance discipline has taught me
dedication and commitment to
what is near to my heart - culture, dance and community organizing. I am very pleased with
where I am in my life. I would
like to continue the work that I
am doing.
2
Over 2000 Lowell students enjoy NEA-funded workshops
east Asian
Women and
Girls Get a
Boost
NEW
3
Pins and Folds
Rapt faces followed every gesture made by Monica Veth, as
the crowd of over 600 middle
schoolers sat unusually still and
silent, absorbing the graceful
demonstration of Cambodian
dance. Linda Sou spoke with
quiet authority and humor about
dance, how it is learned and her
own experiences as a child, as
she gradually came to master
over I 500 of the 5000 gestures
that make up Cambodian classical
dance.
This compelling workshop was
part of a joint endeavor between
Angkor Dance Troupe and the
middle schools of Lowell, facilitated by a $10,000 grant from
the National Endowment for the
Arts.
More than 2,000 students were
treated to a lesson in Cambodian
culture and a classical or monkey
dance performance by the
Troupe in the spring of 2008.
All students completed a questionnaire about their experience
- I00% positive! - and about 25%
expressed an interest in learning
Cambodian dance. Fifteen students in the Fine Arts Academy
at Lowell High School participated in a 5-day residency where
they learned the history of Cambodia and Cambodian dance.
�PAGE
------------------------- '
2
Merrimacl(-Mel(ong Bridge Strengthened '
I'
,._____' .,
i
-Willi
••
=~r-
.
__ .. ·--·- .
~ Tl
John Burt and Samkhann Khoeun with
framed poster of the
show
The Mekong-Merrimack bridge
becomes more solid, connecting our communities across
many kinds of distances, not
only geographical.
The partners that
put on the Cambodian rockopera Where Elephants Weep
in Lowell last year met this
June for the one-year anniversary of that event. The overwhelmingly enthusiastic response to the opera shocked
even its producers, who
watched the Lowell High
School auditorium fill up night
after night with people from
many parts of New England
and many walks of life.
A year later, at Tep
Thida restaurant on Chelmsford Street, producers, actors,
dancers, and others met to
revisit the wonder of last
year's collaboration, and to
talk about the future. The
Cambodian Arts Alliance unveiled a program of cultural
production goals for the next
three years.
Angkor
Dance
Troupe is delighted to play a
pivotal role in continuing artistic creation, across the Mekong-Merrimack bridge. We
are instrumental in commissioning a new work, the Apsara
Dancing Stones, a dance-drama
that brings the Apsara figure
out of the ancient Cambodian
past, and into the light of our
own time. This new work
shows her relevance today as
an icon that embodies peace
and beauty, harmony between
opposing forces and a respect
for the forces of nature and
humanity alike. We look forward to sharing this creative
process with many of last
year's partners and with new
artists and supporters along
the way.
_____ ,,,,
----------Empowerment for Southeast Asian Women and Girls
·.-,
--•
~, 4
.
' ...
.
ti
-
)
-
'
:
•
:,
~ - --.(
~.
In our drive to support our
young dancers on their own
paths to success, the Angkor
Dance Troupe are participating
in a community-wide effort to
empower Southeast Asian
women and girls. The first
step is a pleasure - working on
a Special Event that draws
professional women not only
with networking opportunities,
but with Asian-fusion beauty
products, design , cuisine and
cocktails. Proceeds benefit a
one-day conference on matching Southeast Asian girls in
Lowell with professional
women mentors as part of
building up job skills, contacts
and readiness. Board President Sophy Suon leads this
exciting initiative
Girls at 2008 New Year Celebration
Sticky Summer Heat Calls for Cambodian Grilling Secrets
Spend This Summer At
Home with Cambodian
Culture
Spend the steamy months of
August learning about the
food , culture, and customs of
this beautiful Southeast Asian
country. After sampling the
tastes, smells, sights and
sounds of Cambodian dishes,
ANGKOR
DANCE
TROUPE
holidays and "at-home" customs, you 'll feel like you 've
traveled I0,000 miles and seen
the wonders of the world.
These workshops are also a
great way for families to spend
time together during the summer, learning skills that you
can share with others.
Chef/owner Sophy Suon of
Modern Catering brings her indepth knowledge of Cambodian ingredients, cooking, culture and customs to you,
through workshops that you
can take a la carte, or as a
prix-fixe menu.
Workshops
will take place in Lowell, location TBA.
I
�VOLUME
I ,
ISSUE
2
PAGE
Follow the Fibre: Migrating Silk
Recent
talks bet ween
Angkor
Dance
Troupe
and
the
American
Textile
History
Museum
reveal
common
threads and bold new designs. The
Troupe and Museum have collaborated in the past and now plan a
joint workshop and exhibit featuring the brilliant golds, blues, purples
and greens of classical and folk
dance cos tu mes.
The beauty and the learning don 't
stop there - the two institutions
will invite audiences to engage with
the dramatic stories behind the
costumes, and with the silken
threads that literally constitute
them. The ATHM deepens our
understanding of how plants and
other fibres become the textiles we
use in our daily lives - this collaboration will be no exception . By
working together, we hope to in-
troduce our audiences to the silk-making villages
that produce the fabrics and the dyes, and to the
people whose technical skill turns them into the
garments you'll recognize in the dramatic legends
brought to life by Khmer dance.
---------------------------- -,
Parents and Friends Learn Ancient Costuming Techniques
...
This spring, parents and friends of
the Troupe took part in our firstever workshops on Cambodian
cloth and costuming techniques.
Knowledgeable instructors, led by
Phousita Huy, rolled and squeezed
the cloth into the shapes that make
up the k'ben, one of the basic elements of the dance costume.
Parents and friends also
learned about different grades of
silk, how to care for the cloth, and
the kinds of performances associated with certain silks and patterns.
In another workshop, our presenters showed many examples of traditional Cambodian clothing and
spoke about cultural meanings of
certain colors and fashions.
Our participants
deepened their knowledge of
Cambodian culture and
spruced up their appearance
at the Cambodian New Year festivities. See page 2 for our next workshop series - this one on Cambodian cuisine. What better way to
bring your family closer to what is
beautiful (and delicious) in Cambodian culture?
'---------------Pins and Folds
Especially
for
parents
and
friends of the
Troupe ,
this
section
keeps
you up to date
on the shows, the events and the
in-house business of the Troupe.
This spring we want to let you
know about the following:
Performances:
Registration:
•
Now is the time to send in your registration for
next session, which starts in August 2008.
Please look for forms sent home with dancers or
write to request one (timthou@yahoo.com). An
annual fee of $25 per dancer should accompany
each registration. These fees cover the costs of
food and drink for dancers during the year's
worth of rehearsals and performances.
August 6th, 11 am, Boot Mill, Lowell
National Historical Park. Open to the
public.
•
August 16th, Water Festival, Lowell.
Portions of the Ramayana epic.
to the public.
Open
3
�I
.,,..
-------------
-------------,
OUk HEARTFELT THANKS...
to our many supporters including the Theodore Edson Parker Foundation, the Massachusetts
Cultural Council, the National Endowment for the Arts, the Lowell National Historical Park,
the City of Lowell, Butler Bank, Enterprise Bank,, the Catalogue of Philanthropy, the Elephant
Walk Restaurant, Minuteman Press, and our Board, Staff and Troupe members.
Last but by no means least, we thank YOU , the Friends of the Angkor Dance Troupe.
11El1BEkSHIP !
The Troupe is delighted to announce t hat as of April 2008, we have a brandnew, thriving and supportive membership network.
The members of the Friends of Angkor Dance Troupe make it possible for our
Angkor Dance Troupe
PO Box 1553
young dancers to keep learning and to keep Cambodian fine arts alive and well in
the 21 st century.
Recent members include: Khanh Dinh, Elaine McKinnon, Toni Shapiro Phim,
Linda and Steven Myers-Tierney, Alison Miller, Steve Katz, Paul and Rosemarie
40 French Street
Krenitsky, Susan McCombs, Eleanor Rizzo and family, Brown and Lois Pulliam,
Tel: (978) 275-1823
Nancy Donahue, Jim and Joan Ross, Charley Todd, Julie Malozzi, Stephen and
Fax: (978) 275-1824
Email: TimThou@yahoo.com
Website: www.angkordance.org
Elizabeth Fitzgerald, Sokhanarith Moeur Tung, Frank and Joan Gendron, Samkhann Khoeun , Nancy Colburn, Kevin, Arthur, Mao and Chet Patton-Hock, Lester Lloyd, Joanne and lain Goddard, Duncan Smith, and Tim Thou and family.
JOIN today. You can strengthen the fine art of Cambodian dance, as it strengthens youth and the wider community in which it flourishes. See enclosed membership materials.
'--------Angkor Dance Troupe
PO Box 1553
40 French Street,
Lowell, MA O1853
------------------
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe Spring 2008 newsletter
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Angkor Dance Troupe Spring 2008 newsletter. Includes news such as summary of performances and grants awarded.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2008
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
4 p.; 28 x 21.5
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b13_f06_i002
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Ephemera
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4d26ec68ac2a302a1ac35e761637d2dc
PDF Text
Text
Organizational Chart
Board
Board of Directors
Senior Staff
Junior Staff
Assoc. Administrator
Presenter
Instructors
Assoc. Program Director
Costumers 11
Cleaning
Assoc. Artistic Director
11 Newsletter 11
Gardener
Consultants
ABC Payroll I
I Anstiss CPA 11
Anna: Web Dev 11 Costume cleaning
�Doey (Fund Raising)
Hours: 40 hrs/ month
Financial
•
Grant writing: Research & write grants
•
Grant writing: Submit grant reports
•
Sponsors: identify & contact individual & corporate sponsor
•
Donors: organize VIP events (dinners, etc) for donors
•
Fundraising: coordinate with board for fundraising table at performances
•
Public relations & press releases to media
�George (Co-Executive Director)
Hours: 40 hrs/month
Financial
•
•
•
•
•
•
Bookkeeping: bills & deposits; maintaining Qbooks file with Anstiss
Budget: work with board & staff to create & present annual budget to board
Payroll: submitting monthly payroll, stipends & reimbursement with ABC
Financials: Work with Anstiss and ABC to ensure submission of IRS, PC, etc.
Grant writing: Assist Doey with grant writing & reporting
Sponsors: Assist Doey & board with individual & corporate sponsor development
Organizational
•
•
•
•
•
•
•
•
Vision & Mission: overview of all operations
Board: meetings, agendas & communications
Staff: overview of junior staff postings, tasks, etc
Visas: prepare & overview visas for masters
Office work: collect & distribute mail, phone & email, maintain files
Web site: work with Anna & staff to update, improve & revise Angkor Web site
Community: meetings, collaborations with other organizations (UML, City,
Revolving Museum, Boys & Girls Club, BBBS, etc)
Miscellaneous administration: Mogan space, etc
Dance/ Youth Program
•
•
•
Bookings: assist Tim with presenter negotiations & contact
Performances: assist Tim & Phousita with performance logistics, etc.
Outings: organize troupe outings with Tim & Phousita
�Phousita (Artistic Director)
Hours: 40 hours/ month
•
Performance: making dance program with Tim
•
Performance: coordinate performance logistics with Tim
•
Rehearsals: supervise dance instructors & sign time sheets
•
Choreography: create new dance choreography
•
Costumes: coordinate costumes with Tim & Peter
�Tim (Co-Executive Director)
Hours: 40/ month
Dance/ Youth Program
•
Booking: negotiate & contract performances with presenters
•
Schedule: maintain, update & post booking schedule
•
Performance: create budget for performance & send to Geo for payroll
•
Performance: make dance program with Phousita
•
Performance: coordinate transportation, food & hotel with Assoc. Program Dir.
•
Performance: coordinate music with Assoc. Program Dir.
•
Performance: coordinate props & costumes with Assoc. Program Dir.
•
Costumes: clean, store & maintain props & costumes with consultant
•
Costumes: purchase new props & costumes with Phousita
•
Rehearsals: coordinate rehearsals with Phousita
•
Rehearsals: notify members of cancelled rehearsals
•
Master: coordinate with RUF A, etc
•
Outings: organize troupe outings with Geo & Phousita
Organizational
•
Members: Process new members & input information
�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe organizational chart and staff job descriptions, 2002?
Subject
The topic of the resource
Community organization
Dance--Cambodia
Lowell (Mass.)
Nonprofit organizations
Description
An account of the resource
Angkor Dance Troupe's organizational chart and staff job descriptions. Position descriptions include hours allotted per month, the different duties and responsibilities, and more.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2002?
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
5 p.; 28 x 21.5
Language
A language of the resource
English
Type
The nature or genre of the resource
Text
Identifier
An unambiguous reference to the resource within a given context
uml5_b13_f11_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Documents
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�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photograph of Angkor Dance Troupe performing the Coconut Dance, 2005
Subject
The topic of the resource
Color photography
Cambodian Americans
Dance--Cambodia
Lowell (Mass.)
Description
An account of the resource
Photograph of Angkor Dance Troupe members performing the Coconut Dance (Robam Kuos Traloak) during the Angkor Dance Troupe's annual fundraiser at Mount Pleasant Golf Club. Back row (L - R) are unidentified, Sanny Meas, Alex Hak, Rathna Mao, and unidentified. Front row (L - R) are Calida Khut, Emaly Horn, Phallica Voang, and Vicky Keo. The photograph is printed on a thicker paper or cardstock.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2005
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rights holders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
1 photograph; 21.5 x 28
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
uml5_b13_f22_i001
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Coconut Dance
Mount Pleasant Golf Club
Photographs
Robam Kuos Traloak
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PDF Text
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�
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Angkor Dance Troupe, Inc. Collection, 1991-2017
Creator
An entity primarily responsible for making the resource
Angkor Dance Troupe, Inc.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection, 1991-2017. UML 5. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.
Description
An account of the resource
Angkor Dance Troupe, Inc. is a 501(c)3 nonprofit is dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for their young members. The collection includes financial records, board of directors records, correspondence, program files, and photographs. <br /><br />View the collection finding aid for more information, <a href="https://libguides.uml.edu/uml5">https://libguides.uml.edu/uml5</a>.<br /><br />Part of the collection is accessible on this site. <br /><br />-------------------- <br />SEADA would like to thank the following individuals for their work in making this collection available online: Monita Chea, Soumeng Chea, Julia Huynh, and Vivien Zhuo. <br /><br />SEADA would like to thank the following individuals for their help with describing photographs, dating items, and identifying individuals featured in photographs and other materials: Linda Chan Flynn, Emaly Horn, Khakhada Horn, Channa Sath, and Tim Thou.
Relation
A related resource
The collection finding aid, <a href="https://libguides.uml.edu/uml5" target="_blank" rel="noreferrer noopener">https://libguides.uml.edu/uml5</a>.
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Photograph of Angkor Dance Troupe performing Monkey Dance, 2005
Subject
The topic of the resource
Color photography
Cambodian Americans
Dance--Cambodia
Lowell (Mass.)
Description
An account of the resource
Photograph of Angkor Dance Troupe members performing the Monkey Dance (Swva Pol) during the Angkor Dance Troupe's annual fundraiser at Mount Pleasant Golf Club. The photograph is printed on a thicker paper or cardstock.
Source
A related resource from which the described resource is derived
Angkor Dance Troupe, Inc. Collection
Publisher
An entity responsible for making the resource available
Angkor Dance Troupe, Inc.
Date
A point or period of time associated with an event in the lifecycle of the resource
2005
Rights
Information about rights held in and over the resource
UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information.
Format
The file format, physical medium, or dimensions of the resource
1 photograph; 21.5 x 28
Type
The nature or genre of the resource
Image
Identifier
An unambiguous reference to the resource within a given context
uml5_b13_f22_i002
Coverage
The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant
Lowell, Massachusetts
2000-2009
Cambodians
Monkey Dance
Mount Pleasant Golf Club
Photographs
Swva Pol Dance