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                <text>Candles, incense, and figurines placed before the altar. You will also notice five pink lotus blossoms placed before the principal statue. These five closed blossoms arranged in a single line are meant to symbolize a perpetual homage to the Buddha, an offering of lotus blossoms that do not wither. They represent the five lives of the Buddha mentioned in reference to the six-tiered umbrella. &lt;br /&gt;&lt;br /&gt; Consecration of the Buddha Statue, photograph 12 of 45, from Cambodian Traditional Crafts and Religious Ceremonies. &lt;br /&gt;&lt;br /&gt; View the Consecration group of photographs in order on the Internet Archive, &lt;a href="https://archive.org/details/BuddhaConcecration" target="_blank" rel="noreferrer noopener"&gt;https://archive.org/details/BuddhaConcecration&lt;/a&gt;.</text>
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                  <text>This collection includes two series, the Cambodian Traditional Crafts and Religious Ceremonies, 1987, and the Southeast Asian Exhibit Photographs, 1988-1989. The first series includes Chigas’ 84-page paper on Cambodian Traditional Crafts and Religious Ceremonies created in 1987 along with corresponding photographs. The project, funded in part by the Historic Preservation Commission of Lowell, Massachusetts, explores the traditional crafts and religious ceremonies of the Cambodian refugees who settled in the Greater Lowell area in the aftermath of the Cambodian genocide. The second series includes 20 photographs from a Lowell exhibit on Southeast Asians that was coordinated by George Chigas. &lt;br /&gt;&lt;br /&gt;Part of the collection is accessible on this site.&lt;br /&gt;&lt;br /&gt;Part of the collection is also accessible on &lt;a href="https://archive.org/details/seadauml?and%5B%5D=george+chigas&amp;amp;sin=" target="_blank" rel="noreferrer noopener"&gt;the Internet Archive&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;View the collection finding aid for more information, &lt;a href="https://libguides.uml.edu/uml2" target="_blank" rel="noreferrer noopener"&gt;https://libguides.uml.edu/uml2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;--------------------&lt;/span&gt;&lt;br /&gt;&lt;span&gt;SEADA would like to thank the following individuals for their work in making this collection available online: Etsuko Benton, Monita Chea, and Anthony Sampas.&lt;/span&gt;</text>
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                <text>Venerable Sao Khon keeps track of the number of times a chant is repeated using the string of beads. The rosary is called the Phkom and has one hundred and eight beads. Each chant during the night was repeated one hundred and eight times. The chanting, so I was told, serves to "purify the temple" and the minds of the monks; they build up concentration until the last moment when, before the break of dawn the pace of the chanting accelerates before it ends, and the statue is consecrated. Before the chanting ends the presiding monk kneels before the altar with a loaf in each hand, dips the leaves in the holy water, then snuffs the flames of the candles. After the chanting is finished the "purest" monk touches the eyes of the statue or draws the eyes with a pen. &lt;br /&gt;&lt;br /&gt; Consecration of the Buddha Statue, photograph 37 of 45, from Cambodian Traditional Crafts and Religious Ceremonies. &lt;br /&gt;&lt;br /&gt; View the Consecration group of photographs in order on the Internet Archive, &lt;a href="https://archive.org/details/BuddhaConcecration" target="_blank" rel="noreferrer noopener"&gt;https://archive.org/details/BuddhaConcecration&lt;/a&gt;.</text>
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                <text>Tim Sao uses his forearm to measure the length of the kite's spine. He will mark how long the spine should be with a pencil then cut it with the hacksaw to the correct length in proportion with the Top Wing. The design of the Top Wing, by the way, is a different shape from the one that Soeun made previously which had rounded ends; he considers this shape more beautiful. Once the spine is cut to length Tim will shave the end with a file to fit the Tail Piece that he has notched with a chisel, and finally secure the spine to the notched Tail Piece with two small tacks carefully driven in with a hammer. &lt;br /&gt;&lt;br /&gt;Kite Making, photograph 4 of 19, from Cambodian Traditional Crafts and Religious Ceremonies. &lt;br /&gt;&lt;br /&gt;View the Kite Making group of photographs in order on the Internet Archive, &lt;a href="Tim%20Sao%20uses%20his%20forearm%20to%20measure%20the%20length%20of%20the%20kite's%20spine.%20He%20will%20mark%20how%20long%20the%20spine%20should%20be%20with%20a%20pencil%20then%20cut%20it%20with%20the%20hacksaw%20to%20the%20correct%20length%20in%20proportion%20with%20the%20Top%20Wing.%20The%20design%20of%20the%20Top%20Wing,%20by%20the%20way,%20is%20a%20different%20shape%20from%20the%20one%20that%20Soeun%20made%20previously%20which%20had%20rounded%20ends;%20he%20considers%20this%20shape%20more%20beautiful.%20Once%20the%20spine%20is%20cut%20to%20length%20Tim%20will%20shave%20the%20end%20with%20a%20file%20to%20fit%20the%20Tail%20Piece%20that%20he%20has%20notched%20with%20a%20chisel,%20and%20finally%20secure%20the%20spine%20to%20the%20notched%20Tail%20Piece%20with%20two%20small%20tacks%20carefully%20driven%20in%20with%20a%20hammer.%20%C2%A0Kite%20Making,%20photograph%204%20of%2019,%20from%20Cambodian%20Traditional%20Crafts%20and%20Religious%20Ceremonies.%20View%20the%20Kite%20Making%20group%20of%20photographs%20in%20order%20on%20the%20Internet%20Archive,%20https%3A//archive.org/details/CambodianKiteMaking." target="_blank" rel="noreferrer noopener"&gt;https://archive.org/details/CambodianKiteMaking&lt;/a&gt;.</text>
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                  <text>Chigas, George. Southeast Asians in Lowell Collection, 1987-1989</text>
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                  <text>This collection includes two series, the Cambodian Traditional Crafts and Religious Ceremonies, 1987, and the Southeast Asian Exhibit Photographs, 1988-1989. The first series includes Chigas’ 84-page paper on Cambodian Traditional Crafts and Religious Ceremonies created in 1987 along with corresponding photographs. The project, funded in part by the Historic Preservation Commission of Lowell, Massachusetts, explores the traditional crafts and religious ceremonies of the Cambodian refugees who settled in the Greater Lowell area in the aftermath of the Cambodian genocide. The second series includes 20 photographs from a Lowell exhibit on Southeast Asians that was coordinated by George Chigas. &lt;br /&gt;&lt;br /&gt;Part of the collection is accessible on this site.&lt;br /&gt;&lt;br /&gt;Part of the collection is also accessible on &lt;a href="https://archive.org/details/seadauml?and%5B%5D=george+chigas&amp;amp;sin=" target="_blank" rel="noreferrer noopener"&gt;the Internet Archive&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;View the collection finding aid for more information, &lt;a href="https://libguides.uml.edu/uml2" target="_blank" rel="noreferrer noopener"&gt;https://libguides.uml.edu/uml2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;--------------------&lt;/span&gt;&lt;br /&gt;&lt;span&gt;SEADA would like to thank the following individuals for their work in making this collection available online: Etsuko Benton, Monita Chea, and Anthony Sampas.&lt;/span&gt;</text>
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                  <text>Chigas, George. Southeast Asians in Lowell Collection, 1987-1989. UML 2. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.</text>
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                  <text>The collection finding aid, &lt;a href="https://libguides.uml.edu/uml2" target="_blank" rel="noreferrer noopener"&gt;https://libguides.uml.edu/uml2&lt;/a&gt;.</text>
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                <text>Money Tree: People distributing food, 1987</text>
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                <text>People distributing food.&lt;br /&gt;&lt;br /&gt;Money Tree Fund Raising Celebration, photograph 15 of 23, from Cambodian Traditional Crafts and Religious Ceremonies. &lt;br /&gt;&lt;br /&gt;View the Money Tree Fund Raising Celebration group of photographs in order on the Internet Archive, &lt;a href="https://archive.org/details/MoneyTreeCelebration" target="_blank" rel="noreferrer noopener"&gt;https://archive.org/details/MoneyTreeCelebration&lt;/a&gt;.</text>
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                <text>Chigas, George. Southeast Asians in Lowell Collection</text>
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                <text>1 photograph; 8.8 x 12.6</text>
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