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                <text>Using a hacksaw Em Yung cuts notches into the end of the pole used with the Ong Rake (See the full Basket Making chapter). The Ong Rake actually consists of three separate parts: the Dong Rake, the pole that is balanced on the shoulder; the Song Rake, the holder that hangs from the Ong Rake and carries the basket; and the Kon Chharaing, the baskets themselves. &lt;br /&gt;&lt;br /&gt;Basket Making, photograph 19 of 21, from Cambodian Traditional Crafts and Religious Ceremonies. &lt;br /&gt;&lt;br /&gt;View the Basket Making group of photographs in order on the Internet Archive, &lt;a href="https://archive.org/details/CambodianBasketMaking" target="_blank" rel="noreferrer noopener"&gt;https://archive.org/details/CambodianBasketMaking.&lt;/a&gt;</text>
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                <text>The monks continue to chant. The cotton string is unraveled from the statue and passed to include each monk who holds it up between his hands while chanting. It is past midnight and most of the laity have gone home; those remaining include the nuns and achar and those members of the laity who will stay the night. In the small bowls between the monks are empty bottles of Vitamin D drink. The more recently ordained monks are reading from a text of Pali in an effort to memorize the chants. &lt;br /&gt;&lt;br /&gt; Consecration of the Buddha Statue, photograph 36 of 45, from Cambodian Traditional Crafts and Religious Ceremonies. &lt;br /&gt;&lt;br /&gt; View the Consecration group of photographs in order on the Internet Archive, &lt;a href="https://archive.org/details/BuddhaConcecration" target="_blank" rel="noreferrer noopener"&gt;https://archive.org/details/BuddhaConcecration&lt;/a&gt;.</text>
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                  <text>This collection includes two series, the Cambodian Traditional Crafts and Religious Ceremonies, 1987, and the Southeast Asian Exhibit Photographs, 1988-1989. The first series includes Chigas’ 84-page paper on Cambodian Traditional Crafts and Religious Ceremonies created in 1987 along with corresponding photographs. The project, funded in part by the Historic Preservation Commission of Lowell, Massachusetts, explores the traditional crafts and religious ceremonies of the Cambodian refugees who settled in the Greater Lowell area in the aftermath of the Cambodian genocide. The second series includes 20 photographs from a Lowell exhibit on Southeast Asians that was coordinated by George Chigas. &lt;br /&gt;&lt;br /&gt;Part of the collection is accessible on this site.&lt;br /&gt;&lt;br /&gt;Part of the collection is also accessible on &lt;a href="https://archive.org/details/seadauml?and%5B%5D=george+chigas&amp;amp;sin=" target="_blank" rel="noreferrer noopener"&gt;the Internet Archive&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;View the collection finding aid for more information, &lt;a href="https://libguides.uml.edu/uml2" target="_blank" rel="noreferrer noopener"&gt;https://libguides.uml.edu/uml2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;--------------------&lt;/span&gt;&lt;br /&gt;&lt;span&gt;SEADA would like to thank the following individuals for their work in making this collection available online: Etsuko Benton, Monita Chea, and Anthony Sampas.&lt;/span&gt;</text>
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                <text>During the course of the evening a tray of special rice called motu poya is carried out and placed on the floor beside the platform on which the monks sat chanting. The grains of rice were spread out on a yellow cloth by one of the nuns who instructed the young girls present to remove the broken grains from the pile. Meanwhile, a yellow umbrella is held over them by a layman. &lt;br /&gt;&lt;br /&gt; Consecration of the Buddha Statue, photograph 38 of 45, from Cambodian Traditional Crafts and Religious Ceremonies. &lt;br /&gt;&lt;br /&gt; View the Consecration group of photographs in order on the Internet Archive, &lt;a href="https://archive.org/details/BuddhaConcecration" target="_blank" rel="noreferrer noopener"&gt;https://archive.org/details/BuddhaConcecration&lt;/a&gt;.</text>
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                  <text>Chigas, George. Southeast Asians in Lowell Collection, 1987-1989</text>
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                  <text>This collection includes two series, the Cambodian Traditional Crafts and Religious Ceremonies, 1987, and the Southeast Asian Exhibit Photographs, 1988-1989. The first series includes Chigas’ 84-page paper on Cambodian Traditional Crafts and Religious Ceremonies created in 1987 along with corresponding photographs. The project, funded in part by the Historic Preservation Commission of Lowell, Massachusetts, explores the traditional crafts and religious ceremonies of the Cambodian refugees who settled in the Greater Lowell area in the aftermath of the Cambodian genocide. The second series includes 20 photographs from a Lowell exhibit on Southeast Asians that was coordinated by George Chigas. &lt;br /&gt;&lt;br /&gt;Part of the collection is accessible on this site.&lt;br /&gt;&lt;br /&gt;Part of the collection is also accessible on &lt;a href="https://archive.org/details/seadauml?and%5B%5D=george+chigas&amp;amp;sin=" target="_blank" rel="noreferrer noopener"&gt;the Internet Archive&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;View the collection finding aid for more information, &lt;a href="https://libguides.uml.edu/uml2" target="_blank" rel="noreferrer noopener"&gt;https://libguides.uml.edu/uml2&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;span&gt;--------------------&lt;/span&gt;&lt;br /&gt;&lt;span&gt;SEADA would like to thank the following individuals for their work in making this collection available online: Etsuko Benton, Monita Chea, and Anthony Sampas.&lt;/span&gt;</text>
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                  <text>Chigas, George. Southeast Asians in Lowell Collection, 1987-1989. UML 2. Center for Lowell History, University of Massachusetts Lowell, Lowell, MA.</text>
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                  <text>The collection finding aid, &lt;a href="https://libguides.uml.edu/uml2" target="_blank" rel="noreferrer noopener"&gt;https://libguides.uml.edu/uml2&lt;/a&gt;.</text>
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                <text>Consecration: The Bai Si, 1987</text>
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                <text>The Bai Si. This ornament, made of a cylinder divided into three tiers and topped with a cone in which a candle and three sticks of incense are placed, is a symbolic representation of the Buddha, the Dhama, and the Sanghs. There are other versions with more tiers that symbolically brake up the Three Refuges into their components. &lt;br /&gt;&lt;br /&gt; Consecration, photograph 2 of 45, from Cambodian Traditional Crafts and Religious Ceremonies. &lt;br /&gt;&lt;br /&gt; View the Consecration group of photographs in order on the Internet Archive, &lt;a href="https://archive.org/details/BuddhaConcecration" target="_blank" rel="noreferrer noopener"&gt;https://archive.org/details/BuddhaConcecration&lt;/a&gt;.</text>
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                <text>Chigas, George</text>
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                <text>Chigas, George. Southeast Asians in Lowell Collection</text>
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                <text>University of Massachusetts Lowell</text>
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                <text>UMass Lowell Library makes this material available for private, educational, and research use. It is the responsibility of the user to secure any needed permissions from rightsholders, for uses such as commercial reproductions of copyrighted works. Contact host institution for more information. </text>
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                <text>1 photograph; 12.6 x 8.8</text>
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                <text>North Chelmsford, Massachusetts</text>
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        <name>Trairatanaram Buddhist Temple</name>
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