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Satuka

Cha Bachos

Introduction (Angkor)

Title of Folk and Classical Dance

Satuka is song being used all opening ceremonies. Song performs to
invite all dance spirits, stage, hall, and deceased masters to oversea
and witness during opening ceremonies and performances. That is
normally performed at opening event during Khmer ceremonies;
Sampeak Kro, Wedding, Others form of Theaters, and Folk and
Classical performance etc...
Cha Bachos is mother postures song. There are two parts; 15 minutes
and 45 minutes long. Students who entered 1st 4 year is needed to
take and completed study this basic until they past to next stage.
Students who earned degree and graduated from school of Fine Arts
female and male has to have trained and met performance arts
standard academy of mother postures and understand these versions.
Cha is mean slow and Bachos is faster beat, tempo movements.
INTRODUCTION
Dance, Drama, and Music have always been prominent in Khmer
Society, but these cherished traditions were nearly wiped out when
the Khmer Rouge controlled Cambodia in the 1970’s. Artists among
those deliberately targeted. More than 90% perished or fled. Today, as
Cambodians around the world work to rebuild, the people see the
resurrection of their music and dance as testimony of the endurance of
their culture.

Folk Dance

The Angkor Dance Troupe was formed in 1986 in Lowell by two dance
teachers and a handful of dancers who had learned traditional
Cambodian dance in the Thai refugee camps. When they came to live
in Lowell, they brought a passion to continue these cherished
traditions, to practice and perform, to teach others, and to see the art
form preserved for future generations. It was a way to keep part of
their heritage alive, to remember their homeland and to teach their
children.
Cambodian Folk Dance
Cambodian folk dance is rooted in rituals of everyday village life. The
dancers honor skills that are typically undervalued in the rush towards
to westernization, such as fishing and rice farming. Dance motifs are
commonly based on local legends and inspired by themes of nature as
well as ceremonies and customs that shape the lives of the Khmer
people. Just as classical dance is ruled by a strict form and prescribed
language of movement, folk dance is spontaneous, created for
emotional expressions. Costumes are very colorful and reflect the
traditional dress of the particular province or ethnic group within
Cambodia where the dances originate.

�Classical Dance

Cambodian Classical Dance

Blessing Dance

Classical Cambodian dance has been connected to the sacred rituals
of Cambodia for more than one thousand years. During the great
Angkor civilization, dancers performed blessing ceremonies to bring
prosperity to the Kingdom. More recently, classical dancers lived and
performed in Cambodia’s royal palace. Elegant and refined, Classical
Dance combines highly stylized positions with gentle movements.
Once reserved exclusively for Cambodia’s elite, Classical dance is
now performed for audiences around the world and has become a
central symbol of the beauty and spirituality of Cambodian Culture.
The Blessing Dance
Classical Dance

Sovann Machha or
Golden Mermaid and
White Monkey Dance

The Blessing Dance was first performed in Cambodia to rid the palace
of bad spirits and to bless the kingdom. Today the blessing dance is
performed at the beginning of all types of performances and
ceremonies – special occasions like this one – to bless the event and
welcome honored guests. During the performance, the dancers come
forward and sprinkle flower petals toward the audience. This is done in
the hope of bringing you peace, prosperity, and good health.
Hanuman &amp; Sovann Macha or “The White Monkey and the Golden
Mermaid”

classical Dance

Our next dance is a classical dance called: Hanuman &amp; Sovann
Macha “The White Monkey and the Golden Mermaid”


The dance also depicts a scene from the Reamker,



It is a story involving capture and rescue.



Before this episode begins, the queen was captured, abducted to
the kingdom of Lanka far out at sea. The King calls on a famous
army general named Hanuman to help him rescue the queen.



Hanuman and his army of monkeys set about to build a bridge
across the ocean so the King and his soldiers can march over to
rescue Queen.



But as fast as Hanuman and his army of monkeys pile up stones
for the bridge, the stones mysteriously disappear. They work from
morning to night, but when they go back out the next day, their
work is destroyed.



The monkeys dive into the sea to investigate. What they discover is
that a school of fish, led by a golden mermaid named Sovann
Macha, has been carrying off the stones in an act of playful

�vandalism.

Phoung Neari Dance

Hanuman confronts the beautiful troublesome mermaid Sovann
Macha – at the same time he can’t help but be dazzled by her beauty
and falls in love. And while she initially resists, Hanuman uses a
variety of tactics to get her attention and win her over as his partner in
the fight against evil.
Phuong Neary Dance
classical Dance
Because of Cambodia’s climate, there are beautiful tropical flowers
throughout the countryside. In our next performance, Phuong Neary, a
beautiful classical dance, the dancers symbolize blossoming flowers.

Fan Dance

Through this dance, we seek happiness in a new beginning, just as
the budding flower is about to blossom. We ask for health and peace
for all people, far and near.
The Fan Dance
classical Dance

Apsara Dance

This dance is invented in order to glorify His majesty the King, for all
the glory, peace, security, prosperity, and grace under his royal
governing of the Kingdom of Cambodia. People are singing, praising,
and rejoicing under his reign, praying for the omnipotent Gods to
continually blessing His majesty the King and his reign will be lasted
forever. Fanning out means getting rid off bad spirits and fanning in
means bringing peace, prosperity, and good health to all audiences.
The Apsara Dance
Classical Dance
One of the prominent origin myths in Cambodia suggests the line of
Khmer descended from the union of “Mera,” a celestial dancer, and
“Kambu,” a wise man.
The following is quoted from “Dance in Cambodia” by Toni Samantha
Phim &amp; Ashley Thompson.
“An invocation of the mythical founders of Cambodia is part of a long
Sanskrit poem that was inscribed on a stone temple doorway an
Angkor in the tenth century AD.
“Looking to ancient bas-reliefs for inspiration, court dance masters in
the mid-twentieth century created the Apsara dance. Surrounded by
four or six dancers crowned with elaborate golden headdresses, the
central figure, the Apsara Mera, leads her coterie on an outing to a
selectable garden.
“The Apsara Dance was created for the modern stage out of an
ancient tradition. While it is not overtly ritual in nature, by exploiting the

�deliberate and subtle flow of movement in the classical tradition, the
dance maintains an intense ritual-like atmosphere. The
formalized…poses of classical dance recall the virtuosity of Angkorian
sculptors in representing figures in space. The Apsara Dance, in its
explicit reference to Angkor Vat’s bas-reliefs, gives body to an
association latent in all classical dances, which is the tension between
earthly grounded and ethereal lightness, evinced in a strong vertical
pull, weight low and centered, balanced by movement across a
horizontal plane.

Tep Monorom Dance

Chhoy Chhay Dance

“Queen Sisowath Kossamak Nearyrath Norodom Sihanouk’s mother
was the inspiration behind the genesis of the Apsara Dance in the
1950’s.”
Tep Monorom Dance (The Happiness of God &amp; Goddess Dance)
classical Dance
Cambodian classical dance has been connected to the sacred rituals
of Cambodia for more than 1000 years. Classical dancers used to
perform in Cambodian’s great temples in ceremonies to appease the
Gods and, more recently, for the King and his family in the royal Court
– classical dance is sometimes called court dance or royal ballet.
There was a time classical dances were performed only for royalty but
today these dances are performed for audiences around the world and
have come to be seen as a symbol of the beauty and complexity of
Cambodian culture.
The dance also provides an interesting study in the different dance
roles of Cambodian classical dance. Classical dance has been
historically a women’s art form – even when dances have both male
and female roles. That’s the case here with Tep Menorom. It will be
very clear to you which dancers are playing the Male roles by their
costumes. What’s more subtle is how the gestures and the dance
moves are different depending on the role of the dancer. Please
welcome the Tep Monorom Dance.
Chhouy Chhay Dance
Classical
Dance
Cambodian classical dance is an exquisite art form involving hundreds
of complex gestures and the impossible curving back of fingers and
other joints.
Classical dancers used to perform in Cambodia’s great temples in
ceremonies to appease the Gods and more recently for the King and
his family and special guests in the royal Court.
There was a time when these beautiful dances were reserved
exclusively for royalty and Cambodia’s elite, but today they are

�performed for audiences around the world and are a symbol of the
beauty and spirituality of Khmer culture.
Chhouy Chhay is called the adolescent princess. (*Phoenitic: Choy
(rhymes with Joy) Chai (rhymes with lie))
The choreography for Chhoy Chhay was commissioned by one of
Cambodia’s ruling queens in the early 1960’s for her grand daughter,
the Princess Bopha Devi. Princess Devi, once a world-renowned
classical dancer, is now Cambodia’s minister of culture.

Sentimental
Expressions Dance

It’s interesting to note the choreography was created by Chea Samy,
(CHEE-a – like the pets, sa-MEE) who was the most senior dance
master to have survived the Pol Pot regime. Her story is detailed on
one of the panels in the exhibit in the hall of the Mogan Cultural
Center. Like many dancers, Chea Samy hid her identity in order to
survive in the Khmer Rouge labor camps. She worked as a dish
washer by day. But by night, under the cover of darkness, she would
practice the intricate hand gestures of her art so as not to forget.
The sentimental expressions dance.
Classical Dance
This is a classical dance. Like most Cambodian classical dances, the
Sentimental Expression dance is performed only by young women
(two in this case) one plays the role of a young woman, other plays the
role of a young man




Boung Soung Dance

Costumes are positively regal. This dance is often
performed for special ceremonies and to welcome honored
guests Part of what makes Cambodian classical dance
unique is the gestures. These gestures are the language of
the dance - they tell a story. Cambodian dancers, from a
very young age, Rehearse for countless hours to perfect
hundreds of these gestures work incredibly hard to achieve
remarkable flexibility in their hands and other joints
This dance tells the story of a prince and princess. The
princess enters a garden and picks a flower. The prince
sees hers and falls in love with her. After a time, the
princess has to return to the palace. She is sad and she
cries. The prince comforts her and tells her he will be
returned.

Robam Boung Soung Dance

Classical Dance

The Yorkorn Dance is performing to ask for rain, peace, and
prosperity during war and famine. It can be performed by one person
or as a group as desire. The central dancer, always dressing in white,

�Neang Neak Dance

represents purity. This dance is created by Neak Kru Mam Yinyan.
Neang Neak Dance
Classical Dance

Moni Mekhala &amp; Ream
Eyso Dance

This dance is choreographed according to the legend of the present
Kingdom of Cambodia. Prince Preah Thong, son of the earth
kingdom, met Princess Neang Neak, daughter of the sea kingdom, on
one of the isolated islands during one of his evening promenades.
The dance is selected from the scene where the Princess Neang
Neak visited the island with her servants. At the end, as the legend
continued, the couple married. As a gift for the new couple, the sea
king magically created a new island that is known presently as the
Kingdom of Cambodia.
“Moni Mekhala and Ream Eyso” is the age-old Cambodian fable of
thunder and lightning.
Classical Dance
Moni Mekhala and Ream Eyso were at one time students of the same
teacher and both strived very hard to be his favorite. In the end, the
teacher favored the goddess, Moni Mekhala, and rewarded her with a
beautiful and very powerful crystal made from the morning dew. The
storm demon, Ream Eyso, was given an ax as a consolation prize.

Reamker (Story)

As the dance begins, we see Moni Mekhala preparing to go out
and dance with other gods and goddesses in the heavens. But on
her way, she is accosted by Ream Eyso, who is quite jealous and
craves the powering glittering ball.
A confrontation ensues. Ream Eyso alternates between: force –
knocking her down and persuasion – putting away his ax and
pleading.
Moni Mekhala teases him by holding the ball out very close. Then
she tosses the crystal, momentarily blinding him. This sends
Ream Eyso to his knees, giving her just enough time to glide
away.
Ream Eyso is not down for long though; he gets back up and
eventually will resume this eternal battle with Moni Mekhala.
It is said that the flash of Moni Mekhala’s crystal is what we know
as lightning, and that the crashing of Ream Eyso’s ax is thunder.
This is one of the most sacred dances in the Cambodian classical
repertoire and is still performed in Cambodia in ceremonies to pray for
rain.
FOR IMMEDIATE RELEASE
Classical Dance
November 3, 2015
Angkor Dance Troupe Presents Reamker: The Balance of Good
and Evil
Merrimack Repertory Theatre Hosts This “Epic Story”

�Lowell. Tuesday, November 3, 2015 - The Angkor Dance Troupe is
proud to announce the debut of Reamker: The Balance of Good and
Evil on the Merrimack Repertory Theatre stage, as part of its second
year in residence. This year’s performance is presented by the Richard
K. and Nancy L. Donahue Charitable Foundation and tells the story of
a prince’s epic journey through a series of adventures prior to a
triumphant return home.
Carol Duncan, who sits on the Angkor Dance Troupe’s Advisory Board
remarked, “We are delighted to celebrate the Angkor Dance Troupe’s
annual residency at the Merrimack Repertory Theatre. It’s a wonderful
partnership and the Troupe has a clear vision for Lowell to be known
as a leader in the preservation, education and innovation of
Cambodian performing arts."
Channa Sath, the Artistic Dance Program Manager and a principal
dancer for Angkor Dance Troupe stated, “I am honored to have been a
part of this project! It was a long journey filled with different challenges,
but in the end, the final product continues to amaze me. It has been
challenging to play different roles beside the princess (Neang Seda)
role…as a dancer and actor, I am very honored to be given such
challenges.”
Performances will take place at the Nancy L. Donahue Theater at
Lowell’s Merrimack Repertory Theatre (MRT). Tickets are available at
the MRT Box Office, online at http://www.mrt.org/partnerships/angkordance-troupe, or by calling 978-654-4678.
The public is also invited to attend a VIP Reception on Friday,
November 6 at 6:30 pm. Wine and snacks will be served as a master
teacher and leading artist discuss the performance. Potential sponsors
may visit the sponsorship opportunities page at AngkorDance.org.
Event Details:
Friday, November 6, 2015 - VIP Reception 6:30 pm;
performance 8:00 pm
Saturday, November 7, 2015 - 8:00 pm
Sunday, November 8, 2015 - 3:00 pm
Merrimack Repertory Theatre
50 East Merrimack Street, Lowell, MA

�Mokor Dance

Mokor dance

Classical Dance

Mokor, the main female character, is a creature that resides in the
lakes, rivers, and oceans. Moni Mekhala, goddess of the sea,
dances for her entourage. The female choristers wear abundant
jewelry, long skirts, and velvet sashes across their chests while the
male choristers wear an outfit with epaulets on each shoulder. The
decorated fans used by the performers represent the scales of the
Morkor.
ReamLak-Chublak
Story

Ream Lak &amp; Chup Lak Story

Classical Dance

Sita, the princess is living in exile in the forest with her son and hermit,
a wise wizard. She sets out to bathe one morning, leaving her sleeping
son Reamlak with the hermit. On her way to the pond, she spots a
female monkey, and she notices the monkey carried her young with
her where ever she goes. Sita feels guilty about leaving her own son
behind and goes back and gets him.
The hermit is in a deep meditation and doesn’t notice Sita come back
and take Reamlak. When he discovers the child is gone, he panics
and fears Sita’s anger. So he takes Reamlak’s pillow and scrapes off
some remnants of dead skin – some DNA – and fashions a new child
– an identical clone of Reamlak.
Imagine Sita’s surprise when she returns from bathing and finds that
Reamlak now has a twin. The hermit names the new boy Chuplak.
They decide the two boys will study together and for the next seven
years, they study magic with the hermit -As this episode begins, the two boys go off to play in the forest with
their bows and arrows. They each shoot an arrow into a large tree.
The impact makes such a huge sound; it is heard all the way to the
capitol city.
The Prince, Rama, hears it and gets mad. He sends his best army
general, a white monkey named Hanuman, to investigate the source of
this sound, and to capture those responsible for it.
He sends his white horse along with Hanuman but hangs a sign on the
neck of the horse that says “Anyone who plays with this horse will be
executed.”
Eventually Hanuman and the horse catch up with the two boys in the
forest. Ream Lak and Chup Lak are very curious boys. They see the
sign and immediately check out the horse – and take turns riding it.
Hanuman tries to capture them, but he can’t because, with their seven

�Yor Kon Dance or
Boung Soung Dance

Swva Pol

Swva Pol w/American
Break Dance

Sek Sarika Dance
Butterfly Dance
(Classical)

Butterfly Dance (Folk)

years of training in magic, the boys are just too powerful and crafty.
They in fact capture Hanuman, tie him up, and before sending him
back to Rama, they take resin from a tree and write a letter on his face
that says no one, except Hanuman’s master, Prince Rama will be able
to untie the string. You see the Monkey general struggle against the
rope and eventually he gives up and returns to his master, defeated in
his mission.
Robam Boung Soung or Yorkorn Dance is performing to ask for rain,
peace, and prosperity during war and famine. It can be performed by
one person or as a group as desire. The central dancer, always
dressing in white, represents purity. Please welcome the Boung
Soung dance
SWVA POL — The Monkey Dance
Classical Dance
This is an excerpt from a famous Cambodian legend called the
Reamker, (Ree-um-KAY) which is a long story that would take three
days to tell. Many Cambodian classical dances come from this tale.
In Cambodian legend, monkeys always fight evil, in fact they are army
soldiers. And these soldiers are celebrating a big win. They’re
gathering food for a feast. The monkey dance is lively and acrobatic,
always performed by young boys, who you will see also capture the
spirits and quick mannerisms of monkeys.
The Swva Pol w/ American Dance
Classical Dance
In Cambodian legend, monkeys always fight evil; in fact they are army
soldiers. And
these soldiers are celebrating a win. They’re
gathering food for a feast. The dance is lively and acrobatic, always
performed by young boys, who you will see capture the spirit and
quick mannerisms of monkeys.
Following the original dance, the Troupe will feature some new
choreography with elements of modern dance. But if you watch
carefully, you will see the dancers remain, throughout it all, Swva Pol,
the monkeys.
No description found in file
The Butterfly Dance-Classical
Classical Dance
Butterfly is one of the most graceful creatures that is spending time
flying and roaming around garden with beautiful flowers. This
choreographic dance represents the play and courtship of butterflies
during a beautiful afternoon.
The Butterfly Dance
Folk Dance
This dance starts on a beautiful sunny day in Cambodia, when a group
of young boys set out to hunt for butterflies. Anyone ever caught a
butterfly with a net?

�Coconut Dance

Well these boys captured some in their nets. But when the poor
creatures, trapped in the boys’ nets, beg for mercy –– they let them
go. And so, the Butterfly Dance symbolizes both the curiosity and the
compassion of Cambodian people. The boy has graceful gestures and
polite manner. They are willingness and they always help and support
one another. Above all, the desire to live in peace and harmony.
The Coconut Dance
Folk dance
The country of Cambodia is near the equator, and because of this, the
climate is very warm. We never have winters in Cambodia.
In fact, there are just two seasons, the rainy season and the dry
season. Because of this warm climate, you see Coconut trees
throughout Cambodia. After the meat of the coconut is carved out,
Cambodian people often save the shells, polishing them and using
them for many things in their homes.
The dance was inspired by a popular game that used coconut shells.
The game was played during all kind of ceremonies, but most often
during weddings, engagements, and when the groom was escorted in
a procession to the bride’s house.

Bopha Lokei Dance

The Coconut Shell dance is one of the most popular and well known of
the Cambodian folk dance. In its original form, it was a one-man show.
In the modern-day dance, an equal number of male and female
dancers perform the dance, signifying friendship and courtship. The
Khmer-language lyrics to the words that accompany the song, speak
to how the coconut is the heart of the Cambodian people.
BOPHA LOKEY - "Flowers of the World"
Classical
Dance
This next performance is called "Bopha Lokey" (bow-PAH low-KY)
This stands for “Flowers of the World"
This dance was originally performed in Cambodia in honor of National
Children's Day. It's designed specially for young dancers to gain
experience in movement and the rhythm of the classical orchestra.
I'll read some excerpt from the lyrics which accompany the dance –
loosely translated from Khmer:
Naturally the flower of the world
everyone wants to have
to adorn oneself
because of its sweet fragrance
Creates bliss.

�Everyone always admires the flower
the bumblebees in the garden
surrounding all over
to pick the nectar.

Neari Chea Chour
Dance

Phoung Neari Dance

This dance is being performed today by two of the youngest girls in the
youth program - with a special guest appearance from the youngest
performing member of the Angkor Dance Troupe who is three years
old.
The Neary Chea Chour Dance
Classical Dance
The image of the Cambodian woman has always been compared to
the celestial goddesses on the walls of the great temples Angkor Wat.
The pleasant smile and distant gaze serve as a shining example for
Cambodian women. Neary Chea Chour, as they are called,
symbolizes water, cleanliness and the fluidity of the virtuous females.
“To be an improper woman is to cease to be Khmer, and given Khmer
notions of the centrality of Khmer, to cease to be Khmer is to cease to
be fully human”, as The lyric describe .She is required to speak softly,
walk lightly and be well-mannered at all times.
Phoung Neary Dance

Classical Dance

Because of Cambodia’s climate, there are beautiful tropical flowers
throughout the countryside. In our next performance, Phoung Neary, a
beautiful classical dance, the dancers symbolize blossoming flowers.

The Bird Dance (Dove)

Through this dance, we seek happiness in a new beginning, just as the
budding flower is about to blossom. We ask for health and peace for all
people, far and near.

The White Bird Dance

Classical Dance

Nina Touch, Robin Wilson, Judith Wilson, Krissandra Mai, Celena Mai,
Alexandra Mai, Romni Chum, Vanny Nelson, Isabel Claflin,
Sopheanee Khoeun

Tiva Propey Dance

The Preap or White Bird Dance in Cambodia, the dove represents
peace, as it does in many other parts of the world. White Dove is a
dance to discourage war and the atrocities of war and to celebrate
peace and harmony among all people.
The Tivia Propey Dance
Classical Dance
Tiva Propey was originally performed in Cambodia in honor of National
Children's Day. It is designed to give young dancers experience in
movement and the rhythm of the classical orchestra. The song and
dance describes solidarity, nationalism, and also, the children’s joyous
day.

�Kom Rong Phar Dance The Robam Komrong Phka Dance

Classical Dance

Robam Komrong Phka is a classical dance that had been
choreographed in 1985 by a group of artistic masters from the Royal
University of Fine Arts, Phnom Penh City, Cambodia.

Fishing Dance

The beautiful flowers, turning softly through the rhythmic gestures of
the dancers, represent the prosperity and blossoming growth of the
Cambodian cultures. Moreover, it signifies the wish and desire of the
Cambodians as well as the other nations of the world for the
everlasting peace, freedom, love and solidarity.
Fishing Dance
Folk Dance
There’s saying in Cambodia “where there is water, there are fish.” In
this dance you will see two traditional methods of catching fish, using
braided bamboo baskets called Chhneang. In this dance you’ll see
young women scoop up water from the river into their Chhneang. The
baskets act as strainers—the water drains out through the bamboo
leaving small fish in the basket. And the guys use bell-shaped traps
called Angkut for catching large fish in shallow water.
Love and romance are favorite themes in Khmer stories and dance. In
traditional Cambodian society, young people are careful watched and
don’t have many opportunities to get to know one another. But the
fishing quarter is one place they had the chance to meet.

Khen Dance or
Mouth Organ Dance

Good Crops Dance

At the beginning of the dance, you’ll see young men coming down to
the river from one side and women from other. You’ll notice how happy
and excited they are when they see each other. As they fish, they flirt
with each other. The boys playfully snatch the girls’ fishing baskets.
When the other leave, one young couple stays behind and falls in love.
At the end the dance, the others return to tease and congratulate
them.
The Khen Dance

Folk Dance

The Khen (mouth organ) Dance is originated from one of Cambodian
provinces, locating in the northeastern part on the Cambodia-Laotian
borders. It has begun as young men from that part of the country are
playing a musical instrument, a mouth organ known as Khen, which is
made of bamboo and decorated with garland flowers. Men are playing
their Khen to attract passing by young and beautiful women. The
women cannot resist the seductive sound of the Khen and they are
reaching to touch the flowers. As they are doing so, the magical
flowers cause to fall in love.
The Good Crops Dance
Folk Dance

�Picking Krovann
Dance

Magic Scarf Dance

Throughout Cambodia, after the harvest, it is a time for song and
dance. The good crops dance, celebrates the hope for a good rice
harvest. The dance shows a scene where farmers are choosing the
fields for their crops. The dance is using poles to make holes for the
rice plants.
Picking Krovann Dance
Folk Dance
Picking Krovann dance is a traditional folk dance of the Por tribe,
which lived in the Pursat Province of Cambodia. The dance
demonstrates the tradition of farmers who each year would embark on
a long journey - 3 to 6 months long - to pick Krovann, which is a spice
or a medicinal herb found in the distant mountains. Before the journey,
the Por villagers gathered for a big ceremony to pray and offer foods
to the spirits – in the hopes of good weather for their harvest journey
and protection from evil spirits.
The Magic Scarf Dance
Folk Dance
Our last dance for this evening is called “The Magic Scarf Dance.”
There was a kingdom in Southeast Asia known as Champa. After the
Cham civilization was overrun, some of the people resettled in small
communities in Cambodia. The Cham are Muslim people, where most
of Cambodia s Buddhist. This dance is performed as a way to
remember and honor the Cham people. The Magic Scarf dance
depicts the Cham custom of Courtship between men and women.
Cham women are shy so they wear scarves to cover over their heads.
They believe in magic and spells, especially for choosing their
partners. The girls in the dance use their magic scarves to magically
their lovers.

Harvest Dance

Peacock of Porsat
Dance

The Harvest Dance

Folk Dance

The harvest dance is performed to reflect Khmer peasant activities
from planting rice to harvesting it and showing joyfulness after all the
hard work has been completed.
The movements are soft and slow.
The dance is composed of graceful bending, swaying, and turning and
is accented by stamping feet.
The movements show the actual process of planting and harvesting
rice as well as the happiness the people get from their productive
crops.
The dance is said to reflect the Khmer peasants’ lives by means of
music and song, agricultural tools, national dress, ad movements and
gestures that can immediately be recognized.
The Peacock of Porsat Dance
Folk Dance

�Our next dance the Peacock of Porsat, originated in the Porsat
province of Cambodia. The people of the Cardamom Mountain region
would perform dances for the spirits before going on trips to pick
cardamom, which is a spice from the ginger family.
This part of Cambodia has lush tropical forests that are home to a
large variety of animals and birds, including numerous peacocks and
peahens.

Peacock of Pailin
Dance

The birds’ green and black tail feathers bear the stamp of nobility.
During the dance, performers wearing headgear of peacock feathers
represent pairs of peafowl as they play in the forests and mountains.
Peacock of Pailin Dance or Ka-ngaok Pailin
(Pailin Peacock) Folk Dance

Tbal Kdoeung Dance

This traditional dance comes from the Kola ethnic group, who live in
the region of Pailin in the west of Cambodia. The dancer relates to a
Pailinian legend about a magic peacock that goes to preach to the
King. The lively dance is about commemorating this peacock which is
a symbol of happiness. The dance imitates the peacock with lively
colors of beautiful wings, and suggests a courting scene between a
peacock and a peahen. The dance is said to bring happiness and
prosperity to villagers, and is often performed during the New Year
and ritual ceremonies in times of drought to pray for rain.
Tbal Kdoeung – The Rice Harvesting Dance
Folk Dance

Kroma Dance

Tbal Kdoeung is a dance about harvesting rice that comes from the
northern part of Cambodia. It demonstrates how Khmer farmers
processed rice after it was brought in from the fields. The dancers
show how farmers break the rice chaff with wooden mallets and
winnow, or separate, the rice from the chaff by rotating it in baskets. In
a comic scene near the end, a peace-loving palm juice vendor
happens on the scene to offer juice to the thirsty workers, creating
lighthearted tension between the male and female workers.
The Krama or Kromar Dance
Folk Dance
It is too hard to understand how this Cambodian scarf became a real
symbol over generations and a major part of the Khmer identity.
Nowadays, whatever his social status may be, every Cambodian uses
Krama everyday whether it is as a scarf, as a hammock for babies, or
as a bandana. So, as you can see, Krama is a symbol
in Cambodia and represents its legacy. Krama (Kromar) is engaged in
continuing this legacy for generations all over the world.

Phloy Souy Dance

Phloy Souy Dance

Folk Dance

�Mrs. Phousita Serey Huy

Kimhan Meas

The exciting and fast-paced Phloy Suoy folkdance belongs to the Suoy
ethnic group who live near the Oral Mountain in Kampong Speu
province. The Suoy perform this dance annually in dedication to the
Cave Spirit and other gods who are believed to protect their
community.
Phousita Huy (Traditional Consultant and Classical Dancer), is an
internationally recognized master performer and instructor of Cambodian
classical dance. Phousita was among the first group of post-war graduates of
the University of Fine Arts in 1988 and went on to teach and perform for
many years. She toured internationally, performing in Japan, China, North
and South Korea, and India. In addition to her work at the University,
Phousita served as Cambodia’s Assistant Minister of Culture and as Festival
Coordinator for the International Dance Festival at Angkor Wat in December
1995. She authored and presented papers on Cambodian classical dance at
the international World Dance Alliance Conference in Korea in 1995. Since
the early 1990s, Phousita served as the Artistic Director for the Angkor
Dance Troupe in Lowell, MA.

Biography: Mr. Kimhan Meas, Master Teacher
Angkor Dance Troupe, Inc
Current Lowell resident Kimhan Meas is an internationally recognized master
performer and instructor of Cambodian classical dance. He was classically
trained at the University of Fine Arts in Phnom Penh, which is considered as
the world’s cultural source and artistic standard bearer for traditional
Cambodian dance.
Master Kimhan graduated from the University in 1989 and went on to teach
and perform for many years. He toured internationally, performing in
Philippines, Japan, Malaysia, China, and Thailand. In 2011 and 2012, he
worked with Angkor Dance Troupe under the Parker Foundation to teach
dancers folk and monkey dance, along with monkey mask making. He toured
throughout the world until 2013. During this time, he applied to become a
teacher of Folk and Monkey with Angkor Dance Troupe.
Since 2013 until the present day, Master Kimhan teaches not only folk and
monkey dance but developed, implemented, and oversee Angkor’s first
Traditional Cambodian Music Program. Outside of Angkor Dance Troupe, he
provides expertise on Traditional Cambodian Music development at Lowell
Community Charter Public School’s afterschool music program and the
University of Massachusetts Lowell’s Music Department.

Tim Thou

Mr. Tim Chan Thou, Troupe Founder and currently Operation Director of
Angkor Dance Troupe

Tim Chan Thou learned Cambodian folk dance and became certified as a folk
dance instructor in a refugee camp along the Thai-Cambodian border. He was
21 when he arrived at Khao-I-Dang, traumatized by his wartime experiences
in Khmer Rouge-controlled work camps and by the deaths of his parents and

�four siblings. For Tim, teaching traditional Cambodian folk dance became a
way to keep part of his heritage alive. He went on to teach and dance at the
Philippine Refugee Center before immigrating to the U.S. in 1982.
Tim brought to the U.S. a passion to carry on and develop traditional
Cambodian dance, to perform, to teach others, and to see the traditions
preserved for future generations of people of all cultures. In 1986, he and
another teacher founded the Angkor Dance Troupe. Today, the Troupe is one
of the most respected Cambodian dance ensembles in the country, with
several highly qualified master teachers and more than forty students.
Tim’s vision and dedication have brought the troupe to its present level of
recognition. His many roles in managing the troupe include instruction,
bookkeeping, management of the dance wardrobe, and directing
performances. In recognition of his untiring commitment to improve the
community and his willingness to devote his life to preserving Cambodian
culture, Community Teamwork honored Tim with its prestigious Local Hero
award in 1997. And he also received a individual ward winner from (MCC)
Massachusetts Cultural Council in May 2005.
Achievements/Recognitions:


Angkor Dance Troupe Inc.
Lowell, MA
Co-founded non-profit
1986



Community Teamwork Inc.
Lowell, MA
Local Hero Award
1997



Massachusetts Cultural Council
Boston, MA
Individual Achievement Award
2005



Eastern Bank
Boston, MA
Good Things Happen Award
2015



Angkor Dance Troupe Inc.
Lowell, MA

Lifetime Achievement Award
2016
All Dances history resources from master Fine Arts; Mrs. Phousita Serey Huy Artistic
Director, Kimhan Meas Master folk dance, Former Dean Mr. Chhieng Proeung, Mrs.
Yom Penh Master from Fine Arts, And Tim Thou 2001-2012

�</text>
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      <tag tagId="25">
        <name>2010-2019</name>
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        <name>Apsara Dance</name>
      </tag>
      <tag tagId="97">
        <name>Blessing Dance</name>
      </tag>
      <tag tagId="180">
        <name>Bopha Lokey Dance</name>
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        <name>Chhoy Chhay Dance</name>
      </tag>
      <tag tagId="114">
        <name>Coconut Dance</name>
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      <tag tagId="107">
        <name>Fan Dance</name>
      </tag>
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      <tag tagId="191">
        <name>Krama Dance</name>
      </tag>
      <tag tagId="185">
        <name>Magic Scarf Dance</name>
      </tag>
      <tag tagId="177">
        <name>Mokor Dance</name>
      </tag>
      <tag tagId="151">
        <name>Moni Mekhala and Ream Eyso Dance</name>
      </tag>
      <tag tagId="118">
        <name>Monkey Dance</name>
      </tag>
      <tag tagId="117">
        <name>Neang Neak Dance</name>
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                    <text>Organizational Chart
Board
Board of Directors

Senior Staff

Junior Staff
Assoc. Administrator

Presenter

Instructors

Assoc. Program Director

Costumers 11

Cleaning

Assoc. Artistic Director

11 Newsletter 11

Gardener

Consultants
ABC Payroll I

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Anna: Web Dev 11 Costume cleaning

�Doey (Fund Raising)
Hours: 40 hrs/ month

Financial
•

Grant writing: Research &amp; write grants

•

Grant writing: Submit grant reports

•

Sponsors: identify &amp; contact individual &amp; corporate sponsor

•

Donors: organize VIP events (dinners, etc) for donors

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Fundraising: coordinate with board for fundraising table at performances

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Public relations &amp; press releases to media

�George (Co-Executive Director)
Hours: 40 hrs/month

Financial
•
•
•
•
•
•

Bookkeeping: bills &amp; deposits; maintaining Qbooks file with Anstiss
Budget: work with board &amp; staff to create &amp; present annual budget to board
Payroll: submitting monthly payroll, stipends &amp; reimbursement with ABC
Financials: Work with Anstiss and ABC to ensure submission of IRS, PC, etc.
Grant writing: Assist Doey with grant writing &amp; reporting
Sponsors: Assist Doey &amp; board with individual &amp; corporate sponsor development

Organizational
•
•
•
•
•
•
•
•

Vision &amp; Mission: overview of all operations
Board: meetings, agendas &amp; communications
Staff: overview of junior staff postings, tasks, etc
Visas: prepare &amp; overview visas for masters
Office work: collect &amp; distribute mail, phone &amp; email, maintain files
Web site: work with Anna &amp; staff to update, improve &amp; revise Angkor Web site
Community: meetings, collaborations with other organizations (UML, City,
Revolving Museum, Boys &amp; Girls Club, BBBS, etc)
Miscellaneous administration: Mogan space, etc

Dance/ Youth Program
•
•
•

Bookings: assist Tim with presenter negotiations &amp; contact
Performances: assist Tim &amp; Phousita with performance logistics, etc.
Outings: organize troupe outings with Tim &amp; Phousita

�Phousita (Artistic Director)
Hours: 40 hours/ month
•

Performance: making dance program with Tim

•

Performance: coordinate performance logistics with Tim

•

Rehearsals: supervise dance instructors &amp; sign time sheets

•

Choreography: create new dance choreography

•

Costumes: coordinate costumes with Tim &amp; Peter

�Tim (Co-Executive Director)
Hours: 40/ month

Dance/ Youth Program
•

Booking: negotiate &amp; contract performances with presenters

•

Schedule: maintain, update &amp; post booking schedule

•

Performance: create budget for performance &amp; send to Geo for payroll

•

Performance: make dance program with Phousita

•

Performance: coordinate transportation, food &amp; hotel with Assoc. Program Dir.

•

Performance: coordinate music with Assoc. Program Dir.

•

Performance: coordinate props &amp; costumes with Assoc. Program Dir.

•

Costumes: clean, store &amp; maintain props &amp; costumes with consultant

•

Costumes: purchase new props &amp; costumes with Phousita

•

Rehearsals: coordinate rehearsals with Phousita

•

Rehearsals: notify members of cancelled rehearsals

•

Master: coordinate with RUF A, etc

•

Outings: organize troupe outings with Geo &amp; Phousita

Organizational
•

Members: Process new members &amp; input information

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                    <text>Graduating Into the Wider World
Al&amp;IOI DAICE TIOIPE
PO IOI ISSJ
41 IIEICH STIEET
LOWELL, NA

1115 3

In auditoriums, courtyards and
on street corners, young graduates in their black robes show
their exuberant joy at having
stepped into the next phase of
their lives.
This graduation season
got us thinking. How does learning the delicate hand gestures of
the Apsara dance prepare a person for the rest of their life?
How does mastery of the rollicking rhythms of the coconut dance
help with mastering the art of
making a living?

INSIDE
THIS ISSUE:
Follow the

3

Fibre:
Mip-ating Silk
MerrimackMekong
Bridge is
Strengthened

2

Empowermend South-

We asked people in
their early 20s who had danced
with the Troupe for a number of
years to reflect on how their
time with the Troupe shaped
who they are now. Here is what
one of them said:

Troupe. I am now the Di rector
of Youth Development for the
Lowell Community Health Center. I'm also the Assistant Program Director for Angkor Dance
Troupe. And I am attending full
time graduate school at the
Springfield College School of
Human Services in Boston, studying for a Master of Science in
Human Services.

Old Traditions and New
Technologies prepare Angkor dancers like Linda Sou
for their futures
" I am Sopheap (Linda) Sou.

I'm

24 years of age, 20 of which I
spent with the Angkor Dance

My time with the
Troupe shaped me by supporting
my leadership in both fields . The
dance discipline has taught me
dedication and commitment to
what is near to my heart - culture, dance and community organizing. I am very pleased with
where I am in my life. I would
like to continue the work that I
am doing.

2

Over 2000 Lowell students enjoy NEA-funded workshops

east Asian

Women and
Girls Get a
Boost

NEW
3
Pins and Folds

Rapt faces followed every gesture made by Monica Veth, as
the crowd of over 600 middle
schoolers sat unusually still and
silent, absorbing the graceful
demonstration of Cambodian
dance. Linda Sou spoke with
quiet authority and humor about
dance, how it is learned and her
own experiences as a child, as
she gradually came to master
over I 500 of the 5000 gestures
that make up Cambodian classical
dance.

This compelling workshop was
part of a joint endeavor between
Angkor Dance Troupe and the
middle schools of Lowell, facilitated by a $10,000 grant from
the National Endowment for the
Arts.

More than 2,000 students were
treated to a lesson in Cambodian
culture and a classical or monkey
dance performance by the
Troupe in the spring of 2008.
All students completed a questionnaire about their experience
- I00% positive! - and about 25%
expressed an interest in learning
Cambodian dance. Fifteen students in the Fine Arts Academy
at Lowell High School participated in a 5-day residency where
they learned the history of Cambodia and Cambodian dance.

�PAGE

------------------------- '

2

Merrimacl(-Mel(ong Bridge Strengthened '

I'

,._____' .,
i

-Willi

••
=~r-

.

__ .. ·--·- .

~ Tl
John Burt and Samkhann Khoeun with
framed poster of the
show

The Mekong-Merrimack bridge
becomes more solid, connecting our communities across
many kinds of distances, not
only geographical.
The partners that
put on the Cambodian rockopera Where Elephants Weep
in Lowell last year met this
June for the one-year anniversary of that event. The overwhelmingly enthusiastic response to the opera shocked
even its producers, who
watched the Lowell High
School auditorium fill up night
after night with people from
many parts of New England

and many walks of life.
A year later, at Tep
Thida restaurant on Chelmsford Street, producers, actors,
dancers, and others met to
revisit the wonder of last
year's collaboration, and to
talk about the future. The
Cambodian Arts Alliance unveiled a program of cultural
production goals for the next
three years.
Angkor
Dance
Troupe is delighted to play a
pivotal role in continuing artistic creation, across the Mekong-Merrimack bridge. We

are instrumental in commissioning a new work, the Apsara
Dancing Stones, a dance-drama
that brings the Apsara figure
out of the ancient Cambodian
past, and into the light of our
own time. This new work
shows her relevance today as
an icon that embodies peace
and beauty, harmony between
opposing forces and a respect
for the forces of nature and
humanity alike. We look forward to sharing this creative
process with many of last
year's partners and with new
artists and supporters along
the way.

_____ ,,,,

----------Empowerment for Southeast Asian Women and Girls

·.-,
--•

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.

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-

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In our drive to support our
young dancers on their own
paths to success, the Angkor
Dance Troupe are participating
in a community-wide effort to
empower Southeast Asian
women and girls. The first
step is a pleasure - working on
a Special Event that draws
professional women not only
with networking opportunities,

but with Asian-fusion beauty
products, design , cuisine and
cocktails. Proceeds benefit a
one-day conference on matching Southeast Asian girls in
Lowell with professional
women mentors as part of
building up job skills, contacts
and readiness. Board President Sophy Suon leads this
exciting initiative

Girls at 2008 New Year Celebration

Sticky Summer Heat Calls for Cambodian Grilling Secrets
Spend This Summer At
Home with Cambodian
Culture
Spend the steamy months of
August learning about the
food , culture, and customs of
this beautiful Southeast Asian
country. After sampling the
tastes, smells, sights and
sounds of Cambodian dishes,

ANGKOR

DANCE

TROUPE

holidays and "at-home" customs, you 'll feel like you 've
traveled I0,000 miles and seen
the wonders of the world.
These workshops are also a
great way for families to spend
time together during the summer, learning skills that you
can share with others.

Chef/owner Sophy Suon of
Modern Catering brings her indepth knowledge of Cambodian ingredients, cooking, culture and customs to you,
through workshops that you
can take a la carte, or as a
prix-fixe menu.
Workshops
will take place in Lowell, location TBA.

I

�VOLUME

I ,

ISSUE

2

PAGE

Follow the Fibre: Migrating Silk
Recent
talks bet ween
Angkor
Dance
Troupe
and
the
American
Textile
History
Museum
reveal
common
threads and bold new designs. The
Troupe and Museum have collaborated in the past and now plan a

joint workshop and exhibit featuring the brilliant golds, blues, purples
and greens of classical and folk
dance cos tu mes.
The beauty and the learning don 't
stop there - the two institutions
will invite audiences to engage with
the dramatic stories behind the
costumes, and with the silken
threads that literally constitute
them. The ATHM deepens our
understanding of how plants and
other fibres become the textiles we
use in our daily lives - this collaboration will be no exception . By
working together, we hope to in-

troduce our audiences to the silk-making villages
that produce the fabrics and the dyes, and to the
people whose technical skill turns them into the
garments you'll recognize in the dramatic legends
brought to life by Khmer dance.

---------------------------- -,
Parents and Friends Learn Ancient Costuming Techniques
...

This spring, parents and friends of
the Troupe took part in our firstever workshops on Cambodian
cloth and costuming techniques.
Knowledgeable instructors, led by
Phousita Huy, rolled and squeezed
the cloth into the shapes that make
up the k'ben, one of the basic elements of the dance costume.
Parents and friends also
learned about different grades of

silk, how to care for the cloth, and
the kinds of performances associated with certain silks and patterns.
In another workshop, our presenters showed many examples of traditional Cambodian clothing and
spoke about cultural meanings of
certain colors and fashions.
Our participants
deepened their knowledge of
Cambodian culture and
spruced up their appearance

at the Cambodian New Year festivities. See page 2 for our next workshop series - this one on Cambodian cuisine. What better way to
bring your family closer to what is
beautiful (and delicious) in Cambodian culture?

'---------------Pins and Folds
Especially
for
parents
and
friends of the
Troupe ,
this
section
keeps
you up to date
on the shows, the events and the
in-house business of the Troupe.
This spring we want to let you
know about the following:

Performances:

Registration:

•

Now is the time to send in your registration for
next session, which starts in August 2008.
Please look for forms sent home with dancers or
write to request one (timthou@yahoo.com). An
annual fee of $25 per dancer should accompany
each registration. These fees cover the costs of
food and drink for dancers during the year's
worth of rehearsals and performances.

August 6th, 11 am, Boot Mill, Lowell
National Historical Park. Open to the
public.

•

August 16th, Water Festival, Lowell.
Portions of the Ramayana epic.
to the public.

Open

3

�I

.,,..

-------------

-------------,

OUk HEARTFELT THANKS...
to our many supporters including the Theodore Edson Parker Foundation, the Massachusetts
Cultural Council, the National Endowment for the Arts, the Lowell National Historical Park,
the City of Lowell, Butler Bank, Enterprise Bank,, the Catalogue of Philanthropy, the Elephant
Walk Restaurant, Minuteman Press, and our Board, Staff and Troupe members.
Last but by no means least, we thank YOU , the Friends of the Angkor Dance Troupe.

11El1BEkSHIP !
The Troupe is delighted to announce t hat as of April 2008, we have a brandnew, thriving and supportive membership network.
The members of the Friends of Angkor Dance Troupe make it possible for our

Angkor Dance Troupe
PO Box 1553

young dancers to keep learning and to keep Cambodian fine arts alive and well in
the 21 st century.
Recent members include: Khanh Dinh, Elaine McKinnon, Toni Shapiro Phim,
Linda and Steven Myers-Tierney, Alison Miller, Steve Katz, Paul and Rosemarie

40 French Street

Krenitsky, Susan McCombs, Eleanor Rizzo and family, Brown and Lois Pulliam,

Tel: (978) 275-1823

Nancy Donahue, Jim and Joan Ross, Charley Todd, Julie Malozzi, Stephen and

Fax: (978) 275-1824
Email: TimThou@yahoo.com
Website: www.angkordance.org

Elizabeth Fitzgerald, Sokhanarith Moeur Tung, Frank and Joan Gendron, Samkhann Khoeun , Nancy Colburn, Kevin, Arthur, Mao and Chet Patton-Hock, Lester Lloyd, Joanne and lain Goddard, Duncan Smith, and Tim Thou and family.
JOIN today. You can strengthen the fine art of Cambodian dance, as it strengthens youth and the wider community in which it flourishes. See enclosed membership materials.

'--------Angkor Dance Troupe

PO Box 1553

40 French Street,
Lowell, MA O1853

------------------

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                    <text>DANCE HOUP

E
lephants Weep on the Banks of the Merrimack

BOX 1553

FHNCH SHEET
0 18 5 J

INSIDE:

Apsaras
Come to Life

2

Prestigious
Honor for
Troupe:
Listing in
2007 Catalogue for
Philanthropy

2

National
Endowment
for the Arts
Grant

2

Our Dancers 3
in Virginia
and Colorado

Paris, Phnom Penh, New York
City - these seemed likely venues to premiere the first Cambodian-American Opera ever to be
produced.
The production's
international team included Arn
Chorn-Pond, founder of Cambodian Living Arts, John Burt and
Catherine Filloux, both based in
New York City, Him Sophy of
the Royal University of Fine Arts
in Phnom Penh, and other performers and choreographers
from Cambodia, the US and
Europe. The opera ran from
April 27th-29th, not in any of
those global cities but rather in
Lowell.
An extensive team
worked for over a year to stage
the production at Lowell High
School. Angkor Dance Troupe
was a vital part of bringing this
show to Lowell , and to the thousands of people who saw it.
For those Lowell residents of
Cambodian heritage the opera
was particularly poignant.
It
melded old and new art forms, it
told the story of suffering and

survival
that so

m a n y
h a v e
experienced,
and
it
offered
an examA scene from Elephants
pie of new life, in the form of this
artistic production.
Angkor
Dance Troupe trained performers in classical dance techniques,
and worked with musicians from
Cambodia and the US.
Four
Troupe dancers performed in the
show.
Phousita Huy led the
Troupe's dancers. Her deeply
moving performance reminded
the Troupe of why she is so
valuable to us; Ms. Huy's dancing
mixed immense reserves of innate talent and grace with skill
born of discipline and training.

Peter Veth , Monica
Veth and Sophy Leng joined Ms.
Huy onstage. Monica Veth of
Angkor Dance, said of "usually
we dance to traditional music.
Now we had to dance to music
for the opera. The most memorable moment for me was the
speech that Mr. Burt made backstage, before the play, using such
nice words. I became very emotional." Sophy Leng said, "We
were the only four dancers.
Everyone eise was acting or rapping. The day of the show, before it started, we were preparing, getting dressed. The traditional Khmae band was setting up
their instruments. We did a
quick blessing ceremony. We
knelt with our hands in a praying
position and prayed that the
opera would go well. The incense was burning-it was a
special moment.
I loved the
feeling, and I hope that others
can have this experience too."

After 21 Years, An Endowment
On October 31st, 2007, a dream
came true:
Angkor Dance
Toupe established an endowment with the Greater Lowell
Community Foundation. Thanks
to generous and timely donations
by our friends and supporters,
the Troupe was able to meet the
$5,000 minimum required by the
Foundation to qualify for an additional $2,500 match .

An Endowment is a
fund that will last as long as the
Troupe does, and will pay the
Troupe a dividend every year,
based on interest earned. All of
this is to say that Tim Thou and
Phousita Huy and the dedicated
and talented dancers of the
Troupe will have some guaranteed income every year. At this
point it is small - perhaps only

enough for a costume upgrade,
or to pay for a Master Teach er
workshop - but with the generosity we have seen from our
dono rs and with the goodwill and
guidance of the GLCF, we are
confident that it will only grow
with time. This is a true investment in the Troupe's future and
in Lowell's cultural treasure.

�PAGE

2

/

- ------------------------ '
Apsaras Come to Life After 1,000 Years
While this may seem like a
headline from the National
Enquirer (Cambodian Version), in reality it speaks to the
artistic talent of the Troupe's
Phousita Huy and Phnom-Penh
based musician Him Sophy. It
is through their combined
talents that the Apsaras will
come to life, stepping off the
walls of the ancient temples
an d speaking of modern-day
suffering, need for compassion,
and appealing to the international community for censer-

vation of all things precious.
This includes not only the
welfare of those in distress or
in need, but also the expres-

production of this work is
bringing together the artistic
team and creating the music
and dance that will anchor the

sions of culture and humanity
that are embodied in ancient
artifacts in Cambodia, and
elsewhere in the world.

story.

Returning from
Phnom Penh th is summer, Ms.
Huy returns to work on this
new piece Her collaborators
include musicians, dancers and
writers on both sides of the
globe., Their first step in the

of the

Coming on the heels
Cambodian -American

opera this past spring, Where
Elephants Weep, this new piece
signals deep growth for Cambodian arts in the 21st century.

-------------------------Troupe Chosen for 2007 Catalogue for Philanthropy
Angkor Dance Troupe has
been selected for listing in the
2007 prest1g1ous Massachusetts Catalogue for Philanthropy. This year 390 charities
applied for new listings, and 54
were selected, as "examples of
excellence" in all fields of Massachusetts philanthropy- the
environment, culture (arts and
education), human services
and international.

The purpose of the
C atalogue, now in its I I th
year of ann ual publicati on, is
"to strengthen the culture of
philanthropy in Massachusetts ... through donor education .... " "The Catalogue is
designed as a showcase for
Massachusetts philanthropy,"
McCully said,
According
to
George McCully, President of

the C atalogue, "Angkor Dance
Troupe, Inc. was chosen because they are a great example
of 'private initiatives for public
good, focusing on quality of
life' in Massachusetts, and because they are both excellent
and cost-effective. We urge
donors , especially in the
Lowell area, to consider adding Angkor Dance Troupe, Inc.
to their giving list this year."

National Endowment for the Arts Grant
The National Endowment for
the Arts recognized Angkor
Dance Troupe through a
$10,000 grant this year.

ANGKOR

grant will provide for performances and workshops in Lowell
Public Schools. Look for news
an d pictures from these work-

DANCE

TROUPE

The

shops in the next issue of our
newsletter.

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�VOLUME

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ISSUE

PAGE

Ancient Meets Nouveau at Fall Fundraiser

"Let the dresses talk," said Peter
Veth, Assistant Artistic Director
and talk they did in ancient Khmer
idioms as well as through the sleekest fashions of today. By combining
classical and folk dance with fashion, Artistic Director Phousita Huy
and her staff engaged the attention

/

of each of the 300 people in the
room at the fall Fundraiser on November I 0th . The Sampao Meas
Hall of the Sunnyda Restaurant on
Chelmsford Street echoed with the
sounds of thousand year old Khme r
melod ies and rythym, accompanied
by the graceful and polished gestures of the Troupe's young dancers, and also with the sounds of the
more contemporary Nasty Band all of this punctuated by applause

ago is rare enough, but to
have them aligned with
present-day aesthetics, is
truly unusual.
A

five-course

Cambodian Banquet and
delicious appetizers, complemented the show, and
the Silent Auction of varied items
offered our guests a chance to do
some holiday shopping for beautiful
artifacts made in Cambod ia.

from the appreciative audience.
To experience the rich
detai ls of ancient arts, created and
first performed thousands of years

If you missed
show, loo k for
next year!

the
us

~----------------------Cambodian Culture in Colorado

Recent stages on wh ich Angkor
Dance Troupe has performed include one in the shadow of the
great Rocky Mountains, in the
western part of the Un ited States.

\

In August of thi s year,
three T roupe dancers t ravelled to
Colorado for the annual Cambodian Culture Camp, sponsored by
Families w ith Cambodian Children .
By performing for this group of
families, Troupe members brought
a taste of the Cambodian arts to an
audience with a great appreciation
for things Khmer.
Linda Sou , th e Troupe's

Assistant Program Directo r, said "It
was a very rewarding experience.
When we began to dance the
younger ki ds all stopped tal king.
They became quiet and watched,
sitting absolutely still."
Board
Member Deborah Nelson, who
attended the Camp with her family,
reflected on how meaningful it was
to those gathered there to connect
with ancient Cambodian trad itions
and to each other.

~-----------------------------

I
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National Parl( Service Performance

This September we added Williamsburg, Virginia to the growing
list of venues, near and far , where
Angkor Dance Troupe has performed . Th is time the occasion
was a special one: the annual conference of the National Leadership
Council of the National Park Service (NPS) . Lowell Natio nal Historical Park Superintendent, Mi chael Creasy, invited the Troupe to

perform not only as a treat for the
attendees, but also as a way to
model cutting edge private-public
partnership, and exploration of
cultural resources. Among those
who enjoyed the performance were
the NPS Director Mary Bomar, and
the Secretary of the Interior, Dirk
Kempthorne. Lowell N PS's Duey
Kol remarked that "the dancers
who represented the T roupe on

this special day were
magical, and we received many compliments. Their professionalism and passion
for thei r heritage and
trad itional arts really
Troupe Members, NPS's Duey
came through . To be
recognized formally by Kol and Michael Creasy, w ith
Mary Bomar is a great Dirk Kempthorne and Mary
achievement."

Bomar.

3

�·---------------------- -,

,. .

The Angkor Dance Troupe, Inc is a 50 I (c)3 nonprofit organization dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for our young members.

Through a generous arrangement with the Lowell National Historical Park,
Angkor has offices and rehearsal space on the third floor of the Mogan Cultural
Center.
The Massachusetts Cultural Council, the Parker Foundation and the National
Endowment for the Humanities generously support the work of the Troupe.
We thank the many individuals, businesses and charitable groups that make our
work possible. We would like to especially mention the following people and
businesses to thank them for their support this season :

Angkor Dance Troupe
PO Box 1553

40 French Street,
Lowell, MA O1853
Tel: (978) 275-1823
Fax: (978) 275-1824
Email: timthou@yahoo.com
Website: www.angkordance.org

Raymond Anstiss and Company, David Blair, Paul Borgasand, Claire Breckon,
Eleanor Briggs, Karla Brooks-Baehr, Casey Family Services, Jim Cooney and the
Arbella Foundation, Nancy Donahue, the Elephant Walk Restaurant, Enterprise
Bank, Maryalice Foley, Khemara Restaurant, Bonna Mai and family, Sokhanarith
Moeun, Deb Nelson and family, Louis Pinn Insurance, Jonathan Pulliam, Samuel
Pulliam, the Lowell Sun, Tim Thou and family, Unwrapped, Inc., Geoffery and
Chenda Wilson, and many others.
We also thank our Board, Staff and troupe members, as well as the merchants
and vendors who provided items Annual Fundraiser's Silent Auction. We particularly thank Phousita Huy and Chhaan Touch and their family for all that they
do for the Troupe.
Last but not least, we thank you, the Friends of Angkor Dance Troupe!

'---------- ------------------ - Angkor Dance Troupe
PO Box 1553
Lowell, MA O1853

_,

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                    <text>The Angkor Dance Troupe Presents the World Premiere of

APSARA DANCING STONES
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www.angkordance.org

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MoniMekali

A Century of Strength. A Generation ofTrust.
A Lifetime of Support.
Since that day long ago when children gathered their nickels and pennies
to save for a better future, the mission of Jeanne D'Arc was put into action.
For 100 years, we have been fully involved in this community and in helping the people
who live, work and go to school here, pursue opportunities and fulfill dreams.
It is our past It is our present. And it is our future.

JOIN US AND BE A PART OF THE NEXT 100 YEARS.

WeShareACommonThread.org

As a community partner, Jeanne D'Arc Credit Union is
proud to support the Angkor Dance Troupe.

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Nancy &amp; Richard
Donohue
Foundation

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�Thank You
We are delighted you have joined us for the world premiere of Apsara
Dancing Stones. 25 years ago, we began the Angkor Dance Troupe with the
vision to preserve and develop the traditions of Cambodian performing arts,
that was almost completely wiped out during the Khmer Rouge genocide. As a
community struggling to put down roots in a new homeland, Cambodian dance
provides a poignant reminder of the beauty and spirituality of our culture and
helps us build a more stable foundation for our children.
As the heart and soul of the Cambodian American community in Lowell, the
Troupe has served as a foundation and voice of our cherished cultural traditions.
We are nationally recognized as one of the most accomplished and experienced
of the U.S. - based Cambodian traditional arts ensembles and have received
recognition from the Massachusetts Cultural Council, the National Endowment
of the Arts, and the White House.
Apsara Dancing Stones represents a monumental achievement in the artistic
development and innovation of the Troupe. The story of Apsara Dancing Stones
uses the traditions and techniques of the classical Khmer dance blended with
contemporary dance drama elements. This interpretive dance allows the Angkor
Dance Troupe to honor Cambodian history and culture while advancing the art
form to a new level.
As we debut this performance we look forward to all the opportunities that lie
ahead the next 25 years.
We hope you enjoy the show!

Tim Thou
Founder &amp; Director

Phousita Huy
Artistic Director

Linda Sou
President of the Board

�Story
The Angkor Dance Troupe presents the premiere of Apsara Dancing Stones, a
contemporary dance drama that embodies the beauty and culture of Cambodia.
With Eastern and Western influences, this visual narrative combines an
unparalleled performance of dance and music from modern and classical
Cambodian styles.
A young Cambodian/ American architectural student, Khemra, travels to
Cambodia with a group of students to study the UNESCO world heritage site,
Angkor Wat. He is unaware that the spirits inhabiting the stones of Angkor have
a story to tell.
Through the eyes of the Apsara, Khemera is about to embark on a magical
journey into Cambodia's golden era of Gods and Goddesses.

Evening Program
General Audience Admission
Apsara Dancing Stones ACT I
Intermission
Apsara Dancing Stones ACT II
VIP Meet &amp; Greet with Classical Dance
Master, Artistic Director &amp; Principal Dancers

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Greater Merrimack Valley
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�Cast&amp;
Artistic Stage &amp; Crew:
Mrs. Phousita S. Huy, Artistic Director
Mr. Higgins, Jim, Flying Orb Productions Director
Mr. Touch, Chhan, Asst. Artistic Director
Mr. Proeung, Chhieng, Writer
Mrs. Soth, Somaly, Assistant Advisor
Mr. Tim C. Thou, Program Director
Mrs. Khakhada Horn, Asstistant Manager
Mrs. Kolab Thou, Costumer/Dresser
Mrs. Chenda Wilson, Assistant Costumer/Dresser
Mrs. Akara Mao, Assistant Costumer

Principal Dancers of the Angkor Dance Troupe:
Kim Allen
Pech Heung
EmalyHorn
Sophy Leng
Brianna Mai
Phirum Meas

Sovannthida Morn
Sophorl Ngin
RanciaPhin
Virginia Prak
Mary Prum

Channa Sath
Sokhoeun Sok
Krisna Thou
Monica Veth
Peter Veth

�&amp;Crew
Performers &amp; Dancers:
Caitlyn Chan
Nova Chenda
Charlie Chhor
Tanromni Chum
Isabel Clafin
Nicky C. Fennell
Sopaul Hem
Malia Keo
RandyKeung
Johnny Khat
Samantha Lehouillier
Kalya Iek
Sovann-Malis Loeung
Kelly Salida Ly

Alexandra S. Mai
Celena Mai
Curtis Mai
Krissandra Mai
Salena Mam
Athenna Mao
Anton Mao
Bunkeath Meng
Vanny Nelson
Melissa Ouk
Jefferson Phan
Victoria Phan
John Phim
Nina Touch

Vituu Touch
Kevin Searth
Phalida Sok-Soth
Anita Srey
Rotanna Srey
Chummeng Suon
Sopeeda Suy
Paulina Tran
Daisy Var
Jasmin Tauvari Udomsay
Judith S. Wilson
Robin S. Wilson
Reaksmey Yan

Soundtrack Production:
Mrs. Hieng, Nayto, Folk Dance
Master from RUFA
Miss. Heung, Pech
Mr. Chun, Sokdavin, Studio Mixer/
Owner
Mr. Ek, Side, Guitar, Keyboard ,
Music &amp; Lyric Composer, and Singer
Mr. Chau, Sopharith, Asst. Studio
Sound Track Recording

Mr. Preung Proun, Musicians Leader
Mr. Nou, Vandy, Musician
Mr. Se, Phalla, Roneat Thung
Mr. Nol, Kol, Salai-Kloy
Mr. Ven, Phirum, Violin
Mr. Yun, Theara, Tro
Mr. Meas, Kimhan, Sampo
Mr. Rus, Sokunthear, Kong Thom
Chun, Sokdavin, Studio Coordinator

Artists from Royal University of Fine Arts in Phnom Penh
Cambodia:
Miss. Sin, Sakada (Apsara)
Miss. Um, Chanthida
(Seven Color Dancer)
Miss. Sith, Chanvoleak, Dancer
Miss. Chhoan, Nirothanak, Apsara
Miss. Sok,.Lyna, Dancer

Miss. Mom, Vanvotei, Dancer
Miss. Sam, Limsothea, Menop
Miss. Sam, Savin,
(Seven Color Dancer)
Miss, Chhoan, Niboran, Krot

.

�Characters and Scenes
In order of Appearance
Welcoming Dance - Mary Prum, Pech Heung, Kim Allen, Virgina Prak,
Brianna Mai, Thida Morn, Phirum Meas
Khemra - Chantha Krouch
A young architectural student traveling to Siem Reap to study the temples of
Angkor.

Student Dancers - Tim Sokhoeun, Sophy Leng, Sophorl Ngin
The students explore the temples and dance amusingly among one another
bringing with them western influences in their style of dance as they imitate the
gestures of the Apsara carvings.

Apsara Dancer - Monica Veth
An Apsara dancer within the palace walls of Angkor which symbolizes
Cambodia's beauty and culture.

Prince Mearnup - Sokhoeun Sok
A Prince who lives within the palace walls encounters the Apsara dancer. They
fall in love with one another gazing at stars and moon in the night sky.

Warriors in Training - Bunkeath Meng, Charles Chhor, Cheymony
Fennell, Chummeng Suon, Randy Keung, Johnny Khat, John Phim,
Kalya Iek, Sopaul Hem, Reaksmey Yan
Young warriors train in preparation to protect the Angkor kingdom from intruders.

Garuda - Peter Veth
A mythical half man half bird creature is depicted destroying the Apsara stones.
This animal is used to symbolize those who show disregard for others' culture,
and Cambodia's period ·of strife and destruction with the looting of precious
temple artifacts and art forms.

Flashlight Search - Poutda Pech, Tim Sokhoeun, Charles Chhor,
Johnny Khat
Broken Apsara Stones - Krisna Thou, Rancia Phin, Channa Sath, Robin
Wilson, Monica Veth
The broken Apsara stones weep from the vandalism by Garuda.

�Tep Apsara - Sophorl Ngin, Sophy Leng, Brianna Mai, Virgina Prak,
Emaly Horn, Ihida Morn, Mary Prum, Phirum Meas, Pech Heung
The finale is a dance of rebirth as young dancers rise to dance once again.
The song is an appeal for protection and preservation of this beloved icon
of Cambodian people. The Apsara's power as a symbol of peace and
reverence lies in the hands of future generations.

Angkor Sponsors

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LOWELL COMMU NITY

CARBON
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LOUIS L. PINN

INSURANCE AGENCY

m1emmmrn9'ln919
211ChelmsfordSt.
'.owell.MA0 18Sl

Phone:(978)452-4748
Fax: (978)452-4754

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Staff &amp; Administration

Host Committee:
Melissa Carino
George Chigas
Suzzanne Cromwell
Carol Duncan
Jenny Fichera
David Grenier
Stacies Hargis

Vanna Howard
Richard Howe Jr.
Sovann-Malis Loeung
Paul Marion
Rosemary Noon
James Ostis
Dara Pinn

Louis Soares
Sopheap Theam
Sophy Theam
Aileen Tran
Ani Vong
Jessica Wilson

Volunteers:
Vandara Chum
Emil Kuruvilla

Visa! Lim
Linda Uch

Performers and Crew from Flying Orb Productions:
Tim Sokhoen
Poutda Pech
Sara Thanongsinh

Paula Em
London Long
RickyOrng

�Board of Directors:
Linda Sopheap Sou, President
Sochenda Uch, 1st Vice President
Deborah Nelson, 2nd Vice President
Vyrik Eng, Treasurer
Sovanna Pouv, Secretary

Program Staff:
Tim Thou, Program Director
Khakhada Horn, Assistant to Director
Phousita Huy, Artistic Director
Peter Veth, Assistant Artistic Director
Liz Clafin, Sales Coordinator
Shaun McCarthy, Grant Writer

Joan Gendron
John Phim
Lianna Kushi
Lydia Breckon
Narin Sinuon
Walter Wright

�Mission
The Angkor Dance Troupe, a 501 (c) 3 nonprofit, is a unique organization
that provides an essential service to the community. The Troupe is the only
nonprofit cultural group in Lowell, MA, whose sole mission is to preserve
the traditions of Cambodian performing arts.
The Angkor Dance Troupe develops and teaches Cambodian dance,
promotes an understanding and appreciation of Cambodian culture, and
provides a positive social and educational outlet for Cambodian youth.

History
The Angkor Dance Troupe was formed in 1986 by Cambodian refugees of the
Khmer Rouge holocaust. Lowell's Cambodian American community, estimated
at more than 35,000 people, is the second largest in the country. When we
resettled here, we brought a passion to carry on our cherished cultural traditions
to practice and perform, to teach our children, and to see our art preserved for
future generations of all cultures.
We take our name from the great Angkor civilization, between 802 and 1432 AD
when Cambodia was a dominant empire in Southeast Asia. Dance and music
have always been prominent in Khmer society, but these ancient traditions were
nearly eliminated when the Khmer Rouge controlled Cambodia in the 1970s.
Artists were among those deliberately targeted for execution. More than 90% of
the country's tradition bearers perished. Today, as Cambodians around the world
struggle to emerge from decades of war and poverty, our people look to the
rebirth and re-creation of dance as testimony to the endurance of our culture.
"The Angkor Dance Troupe is a gem in the Commonwealth. The Massachusetts
Cultural Council is proud to be a longtime supporter of Angkor for its beauty,
value, and impact in preserving this rich cultural art form for the Lowell
community and beyond" says Anita Walker, the Executive Director for the
Mass Cultural Council. "The Angkor Dance Troupe is not only an organization
promoting dance, it's an inspiration to all those who survived the Cambodian
Genocide three decades ago, and a testament to the enduring power of the arts:'

�Contributor Sponsors.

,.w,m

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Engineering a Sustainable Future

Dorcas Grigg

St. Onge

Saito

Supply, Co. Inc

Paul Marion
&amp;Rosemary
Noon

Friend
Brew'd Awakening
Dance This Way
Humanity

Korde &amp; Associates
Mealea Chan Polcari
The Old Court

Sopheap Theam
Sara's Serendipity
Floral Design

Supporters
Socheat Chan
Dr. George Chigas
Vandara Chum
Kent Davis
Jim Higgins
Phousita Huy

DatASIAN, Inc.
Samkhann Khoeun
Lyla Chea Khut
Chenda Korn
Sophy Leng
Bonna Mai

Rath Mam
Leang Sambuth
Tim &amp; Kolab Thou
Neary Touch
Dorothy Varon

�NATIONAL
HISTORICAL PARK

In Celebration of the 25th Anniversary, we would like to extend sincere gratitude to the Lowell National Historic Park for their continuous support and partnership, which made this milestone possible.

www.angkordance.org

�</text>
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LOWELL MASSACHUSETTS 0 1852
(978) 970-221 1

�TABLE OF CONTENTS
3 - 24
About the Angkor Dance Troupe
39
How to Contact Us
II. The Year in Pictures -The White House &amp; All America City 26 - 33
38 - 39
Ill. Funders &amp; Credits
39
IV. Special Thanks - Staff, Board of Directors, Collaborators
V. Directory of Advertisers
ABC Financial Network
2
Paul A. Balakin, Attorney
12
Ann Bartholomew &amp; Ron Micheels
40
Jane Benfey &amp; Linda Silka
38
Lyla Chea &amp; Family
25
Community Teamwork, Inc.
29
Nina Coppens, UMass Lowell
33
Nancy &amp; Richard Donahue
27
Eno, Boulay &amp; Martin, LLP, Attorneys
11
Enterprise Bank &amp; Trust Co.
23
First Essex Bank
19
35
Friends of the Ankgor Dance Troupe
Thomas D. Haggard, Attorney
25
Jeanne D'Arc Credit Union
31
Dr. Lee S. Knight, Chiropractor
13
Loom Pres,(
27
Paul Maridn and Rosemary Noon
5
11
MassBank
Armand P. Mercier, Lowell City Councilor
15
Inside Back Cover
Mom's Therapy
Steve Moses, UMass Lowell
24
Law Offices of Mona T. Movafaghi
33
Neak Pean Real Estate
11
Page One Productions
37
Pailin Jewelry
7
Palma Law Offices
Inside Front Cover
Steve Panagiotakos, State Senator
17
Don Pierson, Dean, UMass Lowell
31
Louis L. Pinn Insurance
7
Jonathan &amp; Diane Pulliam
18
Smart Tax Solutions
17
Saints Memorial Medical Center
9
17
Janice M. Stecchi, Dean, UMass Lowell
Thomas Stylianos, Law Offices
Outside Back Cover
Tim Chan Thou Family - In Memory of Mrs. Peou Khatna
20-21
Trinity Ambulance
36
Andeth Vann &amp; Family - In Memory of our Dad
34
I.

�America Bankers Companies
Financial Network, Ltd.

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Headquarter:
174 Central Street
Lowell, MA 01852
Phone (978) 452-2973
Fax (978) 452-7653

---~

FINANCIAL
NEfWORK

Boston Office:
1391 Dorchester Ave.
Dorchester, MA 02122
Phone (617) 282-5454
Fax (617) 282-5522

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�The Power of Art &amp; Culture: A Commuttit'1 Heals ltsdf
The Angkor Dance was formed in 1986 by Cambodian refugees
of the Khmer Rouge genocide. When we resettled in Lowell,
we brought a passion to carry on our cherished traditions - to
practice and perform, to teach others, and to see the art form
preserved for future generations of all cultures.
The Angkor Dance Troupe is nationally recognized as one of
the most accomplished Cambodian traditional arts ensembles
performing today. The Troupe is directed by world-renowned
master teachers and performs a body of work developed in
concert with the Royal University of Fine Arts in Phnom Penh,
Cambodia, considered the premier standard bearer for tradi tional Cambodian arts. The Angkor Dance Troupe is listed on the
Massachusetts and New England States Touring Rosters and has
performed at venues including the White House, First Night
Boston, the National and Lowell Folk Festivals, the Berkshire
Museum, Yale University, and Jacob's Pillow.

3

�A classical dancer performs a ceremony at Angkor Wat.

The Troupe takes its name from the great Angkor Civilization,
between 802 and 1432 AD, when Cambodia was a dominant
empire in Southeast Asia . Dance, music, and drama have always
been prominent in Khmer society, but these ancient traditions
were nearly eliminated when the Khmer Rouge controlled
Cambodia in the 1970's. Artists were among those deliberately
targeted for execution and more than 90% of the country's
tradition bearers perished. Today as Cambodians in Lowell and
elsewhere struggle to emerge from decades of war and poverty,
our people look to the rebirth and re-creation of dance as
testimony to the endurance of Cambodian culture. 1

4

�Greater Lowell is home to the second-largest community of
Cambodian Americans in the country. Cambodian dance
performances provide a poignant reminder of the beauty and
spirituality of Cambodian culture and help us develop a sense
of home and community in a new homeland .
While working in refugee camps during the 1980's, anthropologist Toni Shapiro observed that despite adverse conditions
there was a passion to dance. "People who know only the
rudiments of Khmer classical or folk dance movements taught
others, and they staged small shows ... Wherever the Khmer
were, some were dancing. In the camps along the ThaiCambodian border, a war zone in 1983, dancers dodged
artillery shells on the way to practice or even during performances. Still they danced ... And thousands showed up to
watch, sometimes perching on bunkers to get a better view."

Congratulations to the
"Coming Up Taller" award winners
who were honored at the

White House

in 1999!

from Paul Marion &amp; Rosemary Noon
5

2

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lassical dance is considered by some to be the "proleung"

(soul) of the Khmer people. It has been connected to the

sacred rituals of Cambodia for more than one thousand years.
During the great Angkor civilization, dancers performed blessing

ceremonies in temples to bring prosperity to the kingdom.
Bas relief carvings at Angkor Wat depict heavenly dancers called
Apsaras which were believed to connect the human world to the
gods. Classical dance is sometimes called 'court dance' or
Cambodia's 'royal ballet.' At one time, classical dance was the
exclusive domain of royalty. Today this cherished art is enjoyed
by audiences around the world. Classical dance combines highlystylized positions and gentle movements. Gestures are strictly
defined and distinguished by intricate hand positions.

6

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1319 Middlesex Street
Lowell, MA 01851
(9781 452-4748

Diamond-Gem Stones-Fine Jewelry
Wholesales, Retail, Exchange
Repair &amp; Custom Design

716 Middlesex Street, #9
Lowell, MA 01851

Bus. Tel: (978) 937-2402
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Open 7 Days A Week I 0:00 AM to 6:00 PM

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music, song, and dance. Folk dance is rooted in rural

Cambodia and depicts rituals of everyday village life. The dances
honor skills that are typically undervalued in the rush toward
westernization, such as fishing and rice farming.
Dance motifs are commonly based on local legends and inspired
by themes of nature as well as the ceremonies, and customs that
shape the lives of Cambodian people. Distinctive, colorful
costumes represent the traditional dress and cloth from the
various regions and ethnic groups within Cambodia.
Just as classical dance is ruled by a strict form and a prescribed
language of movement, folk dance is spontaneous, created for
emotional expressions.

8

�Best Wishes to the
Angkor Dance Troupe
and the
Greater Lowell
Cambodian Community
Saints Memorial Medical Center
Quality Care You Can Count On,
Close To Home!

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SAINTS
MEMORIAL
MEDICAL
CENTER

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Yours for life
One Hospital Drive, Lowell, MA
www.saints-memorial.org

9

�A National Leader in Traditional Cambodian Dance
Troupe Artistic Director Phousita S. Huy is one of the world's mostrespected master teachers of Cambodian dance. Before joining the
Troupe, she was a faculty member with the Royal University of
Fine Arts in Phnom Penh, and she toured internationally as a
principal with the Classical Dance Company of Cambodia. Troupe
Coordinator and Founder Tim Chan Thou was certified as a
teacher of Cambodian traditional dance at the Khao-1-Dang and
Philippine Refugee Centers.
During 1998 and

1999, the Troupe
presented 66
performances,
workshops, and
educational
residencies for more
than 20,000 people.
Highlights include
performances for the
City of Lowell at the
All America City
competition in
Philadelphia in June

1999 and, in October
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Fax. 978-453-2585

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660 Middlesex Street
Lowell, MA 01851
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11

�An Extensive Collection of Richly Detailed Costumes
The Angkor Dance Troupe has assembled an extensive collection
of richly-detailed, authentic costumes, dance materials, and
artifacts. Much of the collection was created by master dancers
and costumers from the University of Fine Arts in Phnom Penh.
Preparing for a performance can take several hours. Many
costumes are so intricate and close-fitting that dancers must be
sewn into them before performances.

INSURANCE AGENCY
Auto • Home • Life • Business
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81 Plain Street • Lowell, MA 01851
(978) 441-3003
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12

�Dr. Lee S. Knight
Chiropractor
Our clinic has been serving the Cambodian community for more than 10
years. If you ever have any injury, accident, or any neck or back pain,
we can help because:
• We have Khmer speaking staff

• Dr. Knight was just chosen as the best chiropractor in Greater Lowell.
•We have therapy and X-ray equipment in our office.
• We accept most health insurances and will submit the bills for you.
• If you have MassHealth, your regular doctor can refer you to us.
• If you are hurt in a car accident or at work, we will submit the bills to
your lawyer and insurance company directly. We keep the best records
which will help your lawyer get the best settlement for you quickly.
• We will make an appointment for you immediately because we want to
help relieve your pain as soon as possible.

So Please Call and Let Us Help You!

453-3408
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or a lawyer first if you have been in an accident.

173 Pine Street • Lowell, MA 01851
13

�A. VNtQ.VE. WA.Y TO J?:E.A.CH YOUTH
A central component of the Troupe's mission is to provide
positive cultural. recreational, and educational opportunities
for Lowell youth. Since 1986, the Troupe has served approximately 300 young people, ranging in age from 4 to 18, who
rigorously rehearse and participate in Troupe performances and
events. Youth apprentices typically stay involved with the Troupe
for at least 4 to 5 years. In 1999, the Angkor Dance Troupe was
selected for the prestigious Coming Up Taller award from the
President's Committee on the Arts and the Humanities and the
National Endowment for the Arts. The awards were presented
to a select group of ten organizations across the nation to honor
exemplary arts programs serving at-risk youth.

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Samnang Hor, 15, and Sopheap Sou, 16, with Harriet
Mayor Fullbright, Chair of the President's Committee on
t he Arts and Humanities, and Actor William Baldwin at
the " Coming Up Taller" White House awards ceremony.

14

�To the Performers...

Continued Success
To the Angkor Dance Troupe, Inc ....

Best Wishes

Armand P. Mercier
City Councilor
15

�Angkor Youth Dance - A Community Partnership Reaps Rewards
In October 1998, the Troupe launched Angkor Youth Dance, a
very successful afterschool and summer program for at-risk
youth with major funding from the Massachusetts Cultural
Council YouthReach Initiative. We operate the program with a
number of community partners including the ADAM project of
Big Brother/Big Sister of Greater Lowell, the UMass Lowell
College of Health Professions, the Lowell Community Schools
Program, Community Teamwork, Inc., the Lowell office of DSS,
the Lowell Police Department, and others.
The Troupe helps Cambodian American young people make
constructive choices in their lives by immersing them in the rich
cultural heritage from which they come. Over the years, we have
witnessed firsthand the value of cultural-based arts programming
for yo uth. We have had several apprentices, for example, who
were involved in gang activities when they joined the Troupe
and who have since left their street life behind and are making
re markable progress in their academic and personal lives. Through
Angkor Dance Troupe, they develop a sense of discipl ine, self
esteem, and pride in their Cambodian heritage.

�Best Wishes to the

Cambodian Community
from

STATE

SENATOR

Steven C. Panagiotakos

We specialize in income SMART TAX SOl..UTIONS
tax preparations for . . . . . . ; . - - - - - - - - s Individuals
sFamilies
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TAX SP ECIALIST
s Partnerships

English, Khmer, Lao, and
Thai speaking staff.

174 Central Street, Suite 234
Lowell, MA 01852
Phone: (978) 452-9344

Best Wishes from

Dean Janice M. Stecchi
College of Health Professions &amp;
Center for Health Promotion
University of Massachusetts Lowell
in anticipation ofcontinued partnerships.
17

�ANGKOR:
THE NEXT GENERATION

Two of the Troupe's Rising Young Apprentices:
Diane Pulliam and Krisna Thou

Bringing Cambodian
Classical and Folk Dance to Lowell
Best Wishes to the Cambodian Community
from Jonathan and Diane Pulliam

18

�10-year-old Tony Oeung joined Angkor Youth Dance in 1999.

"The first reason I joined the
Angkor Dance Troupe is
because I want to be a
dancer, also an artist in
music. Second, I want to be a
role model. Third, I'm
energetic and dancing is fun.
Finally, I want to be a famous
dancer among the
Cambodian people and also
learn a lot of Khm er history."

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We work with you to help meet all your
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If you want this kind of relationship
with your bank, give us a call today at
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19

�In Loving Memory of Mrs. Peou Khatna
With appreciation and respect for her many contributions
to the world of Cambodian Dance

Ny Sin and Chamroeun Yin of the Khmer Traditional Arts Ensemble, under the artistic direction
of Mrs. Peou Khatna, performing at the National Folk Festival in Lowell, Massachusetts, July 1987.
Photo by Robert Trippet, courtesy of the National Council for the Traditional Arts.

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20

�Mrs. Peou Khatna
Mrs. Peou Khatna was born in 1914 in
Srok Samrong Torng of Kampong Speu province,
Cambodia. She was the daughter of Mr. Peou Ee
and Mrs. Thou Yin .
At the age of eight, she was adopted by
her aunt, Mrs. Khat, who was a royal dancer in
the reign of King Norodom (Sovanakot). Ms.
Khatna was specially gifted in the Cambodian
classical art. She learned from her Aunt until she
was 15, when she was chosen to be a dancer at
the royal palace. She continued to study dance with the best teachers in the royal palace
including Masters Learn and Dok Peay. As a young woman, Peou Khatna lived in the palace
through the reign of King Sisowath (Rajanukot) until the end of the reign of King Manivong
(Khatiyakot). She then left the palace and married Mr. Nuth Sin in 1944. She had two daughters,
Sin Ny and Nuth Kantya. She was called to return to work with the Royal Dance Troupe by his
Majesty, the King Norodom Sihanouk. She was in the royal Pleng Pin Peat (royal classical music
group). As a member of Royal Dance Troupe, Mrs. Peou Khatna performed at many different
official functions. She performed 55 times throughout various provinces in Cambodia, three times
each in China and Indonesia, and once each India, France, Czechoslovakia, and Russia. The last
performance was in 1970 when she accompanied the Cambodian Classical Dance Co. to the U.S.
Surviving the 1975-1979 atrocities of the Khmer Rouge regime, she and her family went to
Kao-I-Dang Refugee camp in Thailand in 1980, where she organized a Cambodian classical ballet
ensemble. In 1981, the Troupe was resettled in the Washington D.C. area - the first Cambodian
dance Troupe in the U.S. In 1983, Mrs. Khatna led the Troupe, known as the Khmer Traditional
Arts Ensemble, in a U.S. tour funded by the National Endowment for the Arts. The Troupe
performed throughout the U.S including California, Tennessee, Ohio, Florida, Rhode Island, and
.
Massachusetts. She directed performances at prestigious venues including the Kennedy Center,
National Geographic, the Library of Congress, Museum of Natural History, Capitol Hill, and Wolf
Trap. She received a Fellowship Award from the National Endowment for the Arts and a
certificate of appreciation from President Ronald Reagan in 1986.
In 1991, Venerable Preah Sumedhavansa Oung Mean Candavanno invited her to organize a
cultural class at the Cambodian Buddhist Temple. She served as the Artistic Director for the Temple's
dance programs until she passed away on Thursday, March 25, 1999 at Frederick Memorial Hospital,
Washington D.C. (Interviewed by Mrs. Raci Say, Vice President of Cultural Committee.)
Grandma,
Your dedication and great commitment
to the preservation and development
of Cambodian culture will never be
forgotten. May your soul and spirit be
always with us and forever protect our
heritage and traditional dance.
Love always from your Grandson,
Tim Chan Thou &amp; Family

21

�LocalNews

Mofff 's Story
For three years, Mony Srey was a hard-core member of a
notorious street gang . Mony was only thirteen when he joined
the gang. He carried a gun, was arrested more than once, and
served time at a DYS facility for assault and battery.
In November 1999, Mony
stepped up to a podium at
the Massachusetts State
House and spoke about his
hope for the future .
Now 16, Mony is a rising star
with the Angkor Dance
Troupe and an active member
of the Big Brother Big Sister
ADAM project and "Teens
Reaching Out. "
Mony Srey, seated with City Councilor
Rithy Uong, waits to speak at a
State House awards ceremony.

22

�~~

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ENTERPRISE G:t
BANK AND TRUST COMPANY

~~!!:
FDIC

A Certified SBA Lender

222 Merrimack Street • Lowell, MA 01852 • 978-459-9000
Maria Lobao, Assistant Vice President I Branch Manager

Today, Mony Srey is
a shining example
of a young person
destined for success.
He celebrates his
ethnic heritage by
performing tradi tional Cambodian
dances for audiences
around the region .
He volunteers to
speak at conferences
about his experiences. He is even
exploring ways to
have his gang
tattoo removed.

23

�17-year-old Rathana Yok is a member
of the Angkor Dance Troupe Board of
Directors, a Troupe role model, and an
assistant instructor.
"I have been in the Troupe for several years.
I joined because I wanted to learn about my
heritage. In my years in the Troupe, I have seen
fun times and sad times, and I've been in
many performances.
Rathana rehearsing the Fishing Dance
before a performance at the All America
City Competition in Philadelphia.

"I have learned a lot since I joined the
Troupe. I learned respect, self-discipline,
confidence, self-esteem, and leadership.
The afterschool youth program that I
teach at has many memories for me elementary, middle, and high school
students who learn to respect one

Rathana, right, before a performance at
FirstNight Boston in December 1996.

another and set goals in their lives. They work together as a team and learn about
many important issues like drugs, violence, abuse, and nutrition."

AJYt.0Aig1uimaniAJwauillg11a1u111'Dl11
Steve Moses &amp;
The Center for Health Promotion
University of Massachusetts Lowell
Extend Sincere Best Wishes and Good Luck to
The Angkor Dance Troupe,
and Wish Board Members
Jane Benfey and Nina Coppens the very best
on their new directions and pursuits.
24

�Thomas D. Haggard
23 Central Ave., Suite 205
Lynn, MA 01901
(781) 598-5333
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Apprentice dancer Calida Chea

*
*
*

learns Bopha Lokei from

*
*

Angkor Dance Troupe Artistic

*

Director Phousita Huy during a

*

Sunday afternoon rehearsal.

*

11

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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
25

�1999 ALL AMERICA CITY COMPETITION -A WINNING PERFORMANCE
The Troupe was a central player
in the City of Lowell's winning
presentation at the 1999 All
America City competition in
Philadelphia in June. The City
invited a dozen dancers to
accompany the delegation.
Troupe member Samnang Hor
was chosen to speak in the
City's official presentation for
the judges, which also included
two Troupe performances.

Above, Channa Sath performs a blessing dance
for the judges. Below, Troupe members cheer
during Mayor Eileen Donoghue's speech at the
awards ceremony.

" Our time in Philadelphia was
very exciting," said Troupe
Coordinator Tim Chan Thou,
pictured above with Rithy
Uong. "One of the most
memorable experiences was
meeting the delegations from
all of the different cities."

Taary Ram shows
her spirit during
All America City
festivities.

"The best moment of the experience for
me was when we performed for the states
at the Civic Action Fair," said Sopheap
Sou. " The feeling was wonderful having
everyone cheer us on. I was really proud ."
"The best thing about the trip for me was
having the chance to represent a city
where I was born and have lived all my
life," said Sochenda Uch. "It was great
being part of a crowd that was cheering
for our city's pride."

�Loom Press
The Best in Regional Literature
Congratulations
to the
Angkor Dance Troupe.

Loom Press• P.O. Box 1394 •Lowell, MA 01853

Tlrankyouforyour C()~ _good work.
Yoevmake-our C()~
a-better ptau,to live, a.std, work.

27

�WHITE HOUSE HONORS
In 1999, members of the
Troupe were invited to the
White House to receive the
prestigious "Coming Up Taller"
award from the President's
Committee on the Arts and the
Humanities and the National
Endowment for the Arts.
The Troupe was one of ten
organizations chosen from
more than 350 nominations
from across the nation. The
award was presented at a
White House ceremony in
October, during which four
troupe members performed
"Swva Pol," the Monkey
Dance, above right. The threeday trip also included a visit
with U.S. Senator Ted Kennedy.

Above left, Troupe members
Samnang Hor, Sopheap Sou, Bory
Sours, Ruth Page, and Vyrik Eng on
Capitol Hill. (Not pictured: David
Noeuk) Above, Ruth Page with Actor
William Baldwin, President of the
Creative Coalition. Left, the Troupe
w as honored at the State House in a
ceremony by t he Mass. Cult ural
Council, whi ch nominated the Troupe
for the Coming Up Taller award.

�1965 ~ 2000
eo11111111Hifg ?:ealllWOfk~ JHC.
eetebrating 35 Vears of
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16 7 :Dutton St. ,&amp;Jwell. ;14,assacltusetts
(978) 459-0551
Jax (978) 453-9128
WJl!W. cg_111tea111. urg

Jlapp!f New Vear
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Rest Wishes
Angkor :Dance &lt;:roupe
29

o1852

�Highlights of Recent Performances

The "Butterfly Dance" at Boarding House Park

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~

During 1998 and
1999, the Angkor
Dance Troupe
presented 66
performances,
workshops, and
educational
residencies for
more than
20,000 people.

Four-year old Krisna
Thou performs the
Golden Mermaid role in
the challenging classical
dance "Hanuman &amp;
Sovann Macha" at
Boarding House Park in
August 1999.

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Left: "The Coconut Shell Dance " at the Massachusetts State House.
Right: Rotana Thou and Sophy Leng perform the "Apsara Dance " during a Youth
Dance Performance at the Smith Baker Center.

30

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" Swva Pol," Angkor Youth Dance Performance, Smith Baker Center, November 1999

Donald E. Pierson
Dean, College of Education
UMass Lowell
31

�Masters of Cambodian Dance - Learning from the Best
Members of the Troupe rehearse for several hours each week. The
method of teaching is based on the traditional model - apprentices
learn by watching, imitation, and hands-on assistance from teachers.

In 1999, renowned master
teachers Sokhanarith Meour
and Phan Phoung of
Connecticut held a series of
workshops on the "Chhay
Yam" and other dances,
through a project sponsored
by the Lila Wallace Reader's
Digest Community Folklife
Program .

�Angkor Dance Troupe
Thank you for sharing the beauty of your culture!

Nina Coppens, PhD, RN
University of Massachusetts Lowell

Rathana Yok, Sochenda Uch,
Tola Sok, Channa Sath, Tim
Chan Thou, Sopheap Sou,
Sophy Leng, Taary Ram,
Samnang Hor, Vyrik Eng, David
Noeuk, and Bory Sours at the
All America City Competition in
Philadelphia in June 1999.

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34

�2000 FRIENDS OF THE ANGKOR DANCE TROUPE
I

''The Friends of the Angkor Dance Troupe" is a
fund-raising membership drive to support the
Troupe's award-winning youth programs.

Thank you
to the many concerned community members
and organizations who have joined the
"Friends of the Angkor Dance Troupe."

Contributing Sponsors in 2000
Eleanor Briggs
The Edward &amp; Elizabeth
Gardner Foundation
Jane &amp; Tom Benfey
Community Leaders in 2000
Jonathan and Diane Pulliam
Nancy and Richard Donahue
Ann Bartholomew &amp; Ron Micheels
Louis L. Pinn Insurance Agency
Rosemary Noon &amp; Paul Marion

Citizens for Youth in 2000
Attorney John E. Leggat
To find out more about the
Friends of the Angkor Dance Troupe, please call or write us at
Angkor Dance Troupe, P.O. Box 1553, Lowell, MA 01853
(978) 441-9277

35

�Compliments of

Lowell's Emergency Service
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Trinity E.M.S., Inc.
1221 Westford Street• Lowell, MA 01851
(978) 44 1-9999
36

�PAGE ONE

PRODUCTIONS

Film &amp;Video • /\dvert isin g • Multimedia • Design
(978) 251 -3832 • FAX (978) 251-8039 • pageone @mediaone.net

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The Fan Dance at the 1998 Lowell Folk Festival. Photo by Andrew Page, Portland Maine.

PAGE ONE PR ODUCTIONS, offering project management
and public relations services, is proud to be part of the
ongoing success story of the ANGKOR DANCE TROUPE.

37

�The Angkor Dance Troupe is funded in part by:

MASSACHUSETTS CULTURAL COUNCIL
A state agency that supports public programs in the arts, humanities, and sciences

Massachusetts Cultural Council YouthReach Initiative
THEODORE EDSON PARKER FOUNDATION
The President's Committee on the Arts and the Humanities
The National Endowment for the Arts
The Lila Wallace-Reader's Digest Community Folklife Program,
administered by the Fund for Folk Culture and underwritten
by the Lila Wallace-Reader's Digest Fund.

Lowell Cultural Council
Lowell Community Development Block Grant Program
Friends of the Angkor Dance Troupe
Greater Lowell Community Foundation

VVe congratulate tfie youtfi of tfie
Angkor Vance Trouye
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1Uver .J'lmfJassadOrs 'Program
for enricfiing tfie frves of a{{ in our community.
Linda Silka, Director,
Center for Family, Work, and Community at UMass Lowell

Jane Benfey, Co-Chair
Board of Directors, Angkor Dance Troupe

38

�Special Thanks
To Our Dedicated Staff &amp; Board of Directors
Chhan D. Touch, Co-Chair
Jane Benfey, Co-Chair
Phousita S. Huy, Artistic Director
Nissay Liek, Treasurer
Tim Chan Thou, Troupe Coordinator
Carole Mathews, Co-Secretary
Ruth Page, General Manager
Gloria Polites, Co-Secretary
James Conlon
Dr. Nina Coppens, RN
Saovary En
Lynne Faust, LNP
Samnang Hor
Akara V. Savun
Dr. Laurie Beth Kalb
Cassandra Keirstead
Thida Loeung
Bonna Mai
Paul Marion
Rady Mom
Khoeun Pring
Jonathan Pulliam
Taary Ram
Sopheap Sou
Sochenda Uch
Rithy Uong
Rathana Yok
Kolab Yin, Costumer
Toni Shapiro, Ph.D., Troupe Advisor
Panha Yuk, Instructor

And to our Partners and Collaborators:
H. Mark Smith, Massachusetts Cultural Council YouthReach Initiative
Jim Conlon, Big Brother/Big Sister of Greater Lowell ADAM project
Jay Lange, Lowell Community Schools Program
Carole Mathews, Lowell Area Dept. of Social Services
Brenda Bond, Lowell Police Department
Nina Coppens, University of Massachusetts Lowell
Jim Canavan, Donna Welch, and Marco Cancel, Community Teamwork, Inc.
Andrea Laskey and Erica McNamara, Lowell Teen Coalition

Publication produced by Page One Productions
Printing: Thurman Prints
Photo Credits: Andrew Page, Rady Mom, Kevin Harkins, Tim Chan Thou,
Toni Shapiro, Eileen Blumenthal, Eleanor Briggs, Love Photos, Jocelyn Augustino
Translation Services: Nissay Liek
Sources: Dance and the Spirit of Cambodia, Toni Shapiro, Ph.D., Cornell University, 1994
"Cambodia's Royal Dance," Eileen Blumenthal, Natural History, 4/89
"The Dancer in Cambodia," Toni Shapiro, Ph .D., Asian Art &amp; Culture, Arthur M. Sack/er
Gallery, Smithsonian Institution, Winter 1995 Southeast Asia Today, Oxford University Press

1

2

"Dance and the Spirit of Cambodia," Toni Shapiro, Ph .D. diss. Cornell University, 1994

For more information about the Angkor Dance Troupe,
please call or write us at:
P.O. Box 1553, Lowell, MA 01853
(978) 441-9277 FAX: (978) 251-8039
http://civic.uml.edu/angkor
39

�Congratulations to our Role Models!
Pov Sath, 1996 &amp; Khoeun Pring, 1998
Andeth Vann, 1995 &amp; Sopor Vann, 1994
Rothana Yok, 1998 &amp; Akara V. Savun 1997
Samnang Hor &amp; Sopheap Sou 1999
Taary Ram, 2000 &amp; Sochenda Uch, 2000

Best Wishes from Ann Bartholomew &amp; Ron Micheels

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                    <text>�THilnH YOU
The Board of Directors and Staff of the Angkor Dance Troupe
welcome you to this performance of Pin Panhchapor. Tonight's
event marks the kickoff of our 30th Anniversary Series of events,
culminating in a celebration that will take place on April 7, 2017 at
the Sompao Meas Hall.
The Angkor Dance Troupe was formed thirty years ago with the
vision to preserve and develop the Cambodian performing arts,
traditions that were almost completely wiped out during the
Khmer Rouge genocide. For a community struggling to put down
roots in a new homeland, Cambodian dance provides a poignant
reminder of the beauty and spirituality of our culture and helps us
build a more stable foundation for our children.
As the heart and soul of the Cambodian American community in
Lowell, the Angkor Dance Troupe has served as a foundation and
voice of its cherished cultural traditions. The Troupe is nationally
recognized as one of the most accomplished and experienced
traditional Cambodian arts ensembles in the United States and has
received recognition from the Massachusetts Cultural Council, the
National Endowment of the Arts, and the White House.
Enjoy the show, and we hope to see you at other 30th anniversary
events to come!

Tim Thou
Co-Founder

Phousita Huy
Artistic Director

DahvyTran
Executive Director

2

Michael Conway
President

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Dr. Hang Rithyravuth
Mr. Hang Rithyravuth was born on April 21, 1967 in Phnom
Penh, Cambodia. In 1979, he started learning Classical Cambodian
Dance at the of School of Fine Arts in Phnom Penh and in 1981
began his study in piano, where he realized his passion for music.
This led to him receiving a scholarship in 1985 to study music in
Russia. He graduated in 1990 with a degree in Choir Conducting
from the Tchaikovsky's College of Music, in Moscow. Then
received his Master Degree in Orchestra Conducting from the
Gnesin Academy of Music in 1995 and his Ph.Din Philology
from the Institute ofWorld Literature in Moscow, in 1999. He
returned to Cambodia in 2000 and has been working for the Royal
University of Fine Arts (RUFA), and became a Acting Dean of
the Faculty of Music in 2016. He is a conductor of the Cambodia
Chamber Orchestra, professor of music history for various
universities including the Royal Academy of Cambodia and other
3

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private universities in Phnom Penh, Director of Mozart Music
Center. In addition to his professional work, Mr. Hang Rithyravuth
spends his free time creating Cambodian robam and lakon (plays),
and have successfully completed four works: Piano Peanor (Piano
and Monkey), Pin Panhchapor (Harp and 5 colors), Snaeng
(Horn), Mom ChangKran (Triangle Store).
Pin Panhchapor was created with the support of:
Mrs. Him Nala, Vice Dean of Faculty of Choreography at RUFA
Mrs. Sam Sathsa, Classical Dance Master at RUFA
Mr. Proeung Chhieng, Advisor of Ministry of Culture/Fine Arts
Mrs. Phousita S. Huy, Angkor Dance Troupe's Artistic Director

4

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Pre Show:
Ream Leak Chup Leak - classical
In the story Reamker, Neang Seda, the princess is living in exile in
the forest with her son and the hermit, a magic wizard. She sets out
to bathe one morning, leaving her sleeping son Ream Leak with
the hermit. On her way to the pond, she spots a female monkey,
and she notices the monkey carrying her young with her wherever
she goes. Neang Seda feels guilty about leaving her own son behind
and goes back and gets him.
The hermit is in deep meditation and doesn't notice Neang Seda's
return or her taking Ream Leak. When he wakes to find the child
missing, he panics and fears Neang Seda anger. He takes Ream
Leak's pillow and scrapes off some remnants of his skin cell - and
fashions a new child - an identical clone of Ream Leak.
Imagine Sita's surprise when she returns from bathing and finds
that Ream Leak now has a twin. The hermit names the new boy
Chup Leak. They decide the two boys will study together and for
the next seven years, they study magic with the hermit.

In this scene, the two boys go off to play in the forest with their
bows and arrows. They each shoot an arrow into a large tree. The
impact makes such a huge sound; it is heard all the way to the
capital city.
The Prince, Preah Ream, hears it and gets mad. He sends his best
army general, a white monkey named Hanuman, to investigate the
source of this sound, and to capture those responsible for it. He
sends his white horse along with Hanuman but hangs a sign on the
neck of the horse that says "Anyone who plays with this horse will
be executed."

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Eventually Hanuman and the horse catches up with the two boys
in the forest. Ream Lak and Chup Lak are very curious boys. They
see the sign and immediately check out the horse - and take turns
riding it. Hanuman tries to capture them, but he can't because,
with their seven years of training in magic have made the boys very
powerful and crafty. Instead they capture Hanuman, tie him up,
and before sending him back to Preah Ream, they take resin from a
tree and write a letter on his face that says only Hanuman's master,
Preah Ream will be able to untie the string. You see the Monkey
general struggle against the rope and eventually he gives up and
returns to his master, defeated in his mission.

Krama Dance - folk
The Krama, a Cambodian scarf woven from silk or cotton, has been
a fashion staple since Ancient times and even to this day is still
used by Khmer people throughout the country from rural areas
to major cities. Over the years, the Krama became a symbol and
a major part of the Khmer identity. In today's society, regardless
of their position in life, every Cambodian uses Krama everyday
whether as a scarf, a hammock, a fan, or to carry their lunch.
Khmer people for generations have tied kramas around their waists
to work and play in cool comfort. While some claim the thin
cloth, wrapped around one's head or neck, is used primarily to wipe
the sweat from a hot face, others say wearing a krama is as 'Khmer'
as wearing a necktie is American. The Krama dance was depicted
and symbolic of everyday Khmer people life

6

�PROGRAM

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Pin Panhchapor Program:
The Angkor Dance Troupe is proud to present Pin Panhchapor, a
play inspired by the wall carvings on Angkor Wat and Bayon. It
mixes traditional with contemporary to create an original work that
focuses on the idea of love, war, and peace.
Scene I: Churning of the Sea of Milk
Scene II: Apsaras in the

Garden of Paradise
Scene III: Arun and Soriya

Fall in Love with White Apsara
Scene IV: Destruction of the

Garden of Paradise
Scene V: Summoning Panhchapor

(Five Gods of Color)
Scene VI: Peace and Harmony Returns

Post-show talk with Dr. Hang Rithyravuth

7

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Inspired by the 1,000 year old bas-relief or wall carvings on
Angkor Wat and Bayon in Cambodia, Dr. Hang Rithyravuth,
wrote the play of Pin Panhchapor along with composing the music
accompaniment. As the Acting Dean of the Faculty of Music
at the Royal University of Fine Arts (RUFA) in Phnom Penh,
Dr. Rithyravuth was able to bring together talented musicians
and performers to showcase the carvings of the Apsara, music
instruments accompanying the Apsara, circ (circus performers), and
the musical instruments accompanying the battle scenes.

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Sampoh, standard drum

Chhing, small cymbal

Sko Thom, large drum
Pin, harp and is a string instrument

Tro, two string instrument

Kong Peat, nine intersecting gongs

Srolai, wind instrument

Kong Nhy, big female gongs

Ksae Diev, one stri ng instrument
9

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The whole play only uses 5 hand gestures:

Pin Lok - grow

Triuy- bud

Slek - leaf

Phka - flower

Phlae - fruit

The word Pin means harp, Panhcha means 5, Por means color
There are 5 elements (water, earth, fire, wind, space )
The play is about PEACE
There are 5 apsaras: 1 white and her 4 attendants
There are 5 main notes for the Pin (CD EGA)
The 5 colors (red, yellow, black, white, and blue) were inspired by the
5 rings of the Olympics
Reference: h ttp://jeffmassni ck. b logspot. com/2008/07I meaning-of-h and-gestures-in-clasical. html

10

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11

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Scene I: Churning of the Sea of Milk
Based on a tale over a thousand years ago, during the time of
Brahmanism. It tells about a battle of good and evil between
the Monkey General and Giant King over the Neak (Naga
snake). The Neak was used to churn the sea of milk to extract
the amrit (water of immortality). This liquid brings immortality
to whomever possesses it. Over the course of 1,000 years they
continued to churn the sea until one day within the foam of the
sea, appeared an Apsara.

Scene II: Apsaras in the Garden of Paradise
Due to the churning of the sea, the White Apsara raised to the
surface of the ocean. The White Apsara accompanied by her
other Apsaras friends, entered the garden of paradise.
Inspired by the beautiful flowers, the White Apsara began to sing
and play her harp.
12

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Scene Ill: Arun and Soriya Falls in Love with White Apsara
Arun (meaning sunrise) walks into the garden and sees the White
Apsara and immediately falls in love. He picks a lotus flower and
hands it to her to declare his love. The White Apsara takes the
flower as a sign of friendship and thought the lotus was meant to
be given as an offering at the temple.
As Arun offers the the lotus, Soriya (meaning sunset) enters the
garden and sees this. Soriya, also in love with the White Apsara,
offers her a bouquet of orchids. The White Apsara also accepts the
flowers as a sign of friendship and as she reaches for the orchids,
Arun becomes angry and pushes the orchids out of Soriya's hands.
This was the start of the conflict between Arun and Soriya.

Scene IV: Destruction of the Garden of Paradise
Arun and Soriya each called their army and began to battle and
destroyed the garden. The White Apsara and her friends tried to
clean up the garden but the battle continued on, which caused the
war between Soriya and Arun to get worse.
13

�Angkor Dance Trowpc. Inc.

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Scene V: Summoning Panhchapor (Five Gods of Color)
The never ending battle between Arnn and Soriya does not stop, so
the White Apsara calls for help. She picks up her Pin (Harp) and
starts to play the music, which summons the Panchapor (Five Gods
of Color)

Scene VI: Peace and Harmony Returns
The Panhchapor came to save the heavenly garden by helping all
sides to communicate and work together. Due to the White Apsara's
effort she brought everyone including the Panchapor together.
The End.

PRESERVE• EDUCATE • INNOVATE

14

�APSilRil SPDrtSDR

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�INSURANCE AGENCY

Carol &amp; George Duncan
"We are delighted to support and celebrate
the Angkor Dance Troupe as it debuts
their annual residency at the Merrimack
Repertory Theatre and continues to connect
communities with the preservation and
innovation of their rich culture."

�Lowell General Hospital is a proud supporter of the

Angkor Dance Troupe, Inc ..
We applaude their mission to connect communities
through the preservation , education and innovation
of Cambodian Performing Arts.
" Best wi shes to Angkor Dance Troupe on
your performance of Pin Panhchapor" .

~
Lowell .General Hospital

~
C om p le t e connected careSM

www.lowellgeneraI.org

�18

�MUT PEilH (FRIErtDS)

Af15kor D"'"'c~ TrowfJ'?. h1c.

1's.mi!"~'

2017 SOUTHEAST ASIAN AMERICAN STUD IES CONFERENCE

Community Engagement, Research, &amp; Policy in Action
University of Massachusetts Lowell
July 27-29, 2017 Abstract Admission Deadline: February I, 2017
UMass Lowell Center for Asian American Studies announces
the fifi:h triennial Southeast Asian American Studies conference, open to
scholars, anises, a~-tivists, org.mizers, and conummity members from all fields
and backgrounds.
The 2017 confuence will highlight Southeast Asian American conumm.ities in
New England and will seek to build bridges across disciplines, policymakers,
and community members.

Thursday &amp; Friday, July 27-28: Traditional panels/ poster sessions
Saturda~ July 29: Conununity Building Day devoted to srrengthening
coal itions regionally and nationally.
Please submit abstracts to CAAS@uml.edu. Please direct questions to the
conference co-chairs: Phitsamay Uy (phitsamay_uy@uml.edu), Ivy Ho
(ivy_ho@uml.edu), and/or Sue). Kim (sue_kim@uml.edu).

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20

�ARTiSTS

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PERFORMERS

Masters and Teachers
Artistic Director and Master Teacher - Phousita Huy
Master Teacher Nayto Hieng
Master Teacher Kimhan Meas
Dance Program Manager - Channa Sath
Master Teacher Sophea Chamreounnop
Master Teacher Pech Heung
Supporting Teachers
Contemporary Choreographer - Peter Veth

Music Ensemble
Dr. Hang Rithyravuth, Pin
Dr. Alan William, Pin
Kimhan Meas, Sampoh
Sovann Khon, Tro so
Jeff Dyer, Ksae Diev
Peter Tham, Sko Thom
Andrew Cornish, Kong Peat
Sopaul Cheam - singer

21

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ARTiSTS ;;no PERFORMERS

Performers (Friday)
Rerun Leak Chup Leak:
Channa Sath
Nina Touch
Johnny Khat
Peter Chea
Kroma Dance:
Alexandra M ai
Daisy Var
Isabel Clafin
Judith Wilson
Stephanie Seng
Salena Mam
Alvin Teng
Jaren Kong
Kevin Searth
Peter Chham
Viseth Loeung Coleman
VituuTouch

Apsara:
Celena Mai
Ranica Phin
Sophy Leng
Sophea Chamroeunnop
Virginia Prak

5 Colors
Felicity Moon
Kelly Ly
Khakhada Horn
Robin Wilson
Stephanie Seng
Arnn: Chummeng Soun
Soriya: Kevin Vann

Neak:
Alvin Teng
Chad Mai
Jaren Kong
Kevin Searth
Peter Chham
Viseth Loeung Coleman
Vituu Touch
Yeak:
Chummeng Soun
Chad Mai
Johnny Khat
Viseth Loeung Coleman
Monkey:
Kevin Vann
Jaren Kong
Peter Chea
Vituu Touch

Performers (Saturday)
Ream Leak Chup Leak:
Nina Touch
Victoria Phan
Johnny Khat
Peter Chea
Kroma Dance:
Alexandra Mai
Daisy Var
Jasmine Odomsay
Judith Wilson
Salena Mam
Alvin Teng
Kevin Searth
Kyle
Peter Chham
Viseth Loeung Coleman
VituuTouch

Apsara:
Celena Mai
Rancia Phin
Sophy Leng
Sophea Chamroeunnop
Virginia Prak

5 Colors
Felicity Moon
Kelly Ly
Khakhada Horn
Robin Wilson
Stephanie Seng
Arnn: Chummeng Soun
Soriya: Kevin Vann

22

Neak:
Alvin Teng
Chad Mai
Jaren Kong
Kevin Searth
Peter Chham
Viseth Loeung Coleman
Vituu Touch
Yeak:
Chummeng Soun
Chad Mai
Johnny Khat
Viseth Loeung Coleman
Monkey:
Kevin Vann
Jaren Kong
Peter Chea
Vituu Touch

�ARTISTS

t1rtr.J

PERFORMERS

Stage/Production Support

Emaly Horn
Roselynn Soung
Lee Viliesis - MRT
Brendan Conroy - MRT
Costume/Makeup/Hair Support

Kolablhou
Chenda Wilson
Peter Veth
Korry Voeun

Multimedia Support

Jim Higgins
Tim Thou
Dr. Hang Rithyravuth
Carter Miller - MRT
Original Music

Dr. Hang Rithyravuth
Program Design &amp; Support

Sochenda Uch
Isidro

23

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STilFF

Advisory Board

Celeste Bernardo
Adrien Bisson
Jim Conlon
Nancy Donahue
Carol Duncan
Robert Farrant
Michael Gallagher
Vanna Howard
Joe Hungler
Felicia Sullivan
Sophy Theam
Jim Wilde

24

11tH1

LERDERSHiP

�STAFF

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LEilDERSHIP

Att5kor D41ttce Troupe. IYic.

1.f1~HU$$~f

Board ofDirectors

Program Staff

Michael Conway, President
Karen McManimon, Vice President
Sovanna Pouv, Treasurer
Linda Uch, Clerk
Jay Lee
Chummeng Soun
Narin Sinuon
Nary Tith
Sheila Kirschbaum
Virginia Prak

Dahvy Tran, Executive Director
Tim Chan Thou, Operations Director
Khakhada Horn, Program Coordinator
Emaly Horn, Program Intern
Shaun McCarthy, Grant Writer

Left to right: Sheila K., Chummeng S., Linda U., Nary T., Karen M., Michael C., Paul Marion (special
guest), Jay L. , Sovanna P., Tim T., Narin S.

25

�An5lwr Dance

Troi~rf'.

Inc,

1.11~.mu $f~f

SUPPORTERS

lill

Massachusetts Cultural Council

C Parker Foundation)
1be
Great Individuals

Chhan Touch
BonnaMai
Linda Sopheap Sou
Sochenda Uch
Malis Loeung
Chenda Wilson
Liz Claflin

WEARE PROUD
TO PARTNER WITH
ANGKOR DANCE
TROUPE!

Contact Soben For
Advertising Opportunities
Email: sobenpin@khmerpost.us
978-677-7163

www.khmerpostus

�UISIDrt
We envision Lowell Massachusetts to be the epicenter for innovative
Cambodian performing arts with the Angkor Dance Troupe at the core.

MISSIDrt
The Angkor Dance Troupe connects communities through the preservation,
education and innovation of Cambodian performing arts.

HISTORY
The Angkor Dance Troupe was formed in 1986 by Cambodian refugees of the
Khmer Rouge holocaust. Lowell's Cambodian American community, estimated at
more than 35,000 people, is the second largest in the country. When we
resettled here, we brought a passion to carry on our cherished cultural traditions
to practice and perform, to teach our children, and to see our art preserved for
future generations of all cultures.
We take our name from the great Angkor civilization, between 802 and 1432 AD
when Cambodia was a dominant empire in Southeast Asia. Dance and music
have always been prominent in Khmer society, but these ancient traditions were
nearly eliminated when the Khmer Rouge controlled Cambodia in the 1970s.
Artists were among those deliberately targeted for execution. More than 90% of
the country's tradition bearers perished. Today, as Cambodians around the world
struggle to emerge from decades of war and poverty, our people look to the rebirth
and re-creation of dance as testimony to the endurance of our culture.
"The Angkor Dance Troupe is a gem in the Commonwealth. The Massachusetts
Cultural Council is proud to be a longtime supporter of Angkor for its beauty,
value, and impact in preserving this rich cultural art form for the Lowell
community and beyond" says Anita Walker, the Executive Director for the
Mass Cultural Council. "The Angkor Dance Troupe is not only an organization
promoting dance, it's an inspiration to all those who survived the Cambodian
Genocide three decades ago, and a testament to the enduring power of the arts."

27

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Congratulations
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for sixteen marvelous years of
great performances.

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Office: (978) 459-8359
16 Pine Street, Lowell, MA 01851

�TABLE OF CONTENTS
I.
II.
Ill.
IV.

v.

About the Angkor Dance Troupe
3 - 45
How to Contact the Angkor Dance Troupe
46
Angkor Dance Troupe Grant Support &amp; Funders
2
How to Make a Donation
48
Directory of Advertisers
Mehmed Ali &amp; Family
36
Anstiss &amp; Co., P.C
17
Banknorth
39
Law Office of Karen Bolton
32
Casey Family Services
4
Lila Chea &amp; Family
21
Children's Museum Lowell
19
James L. Cooney Agencies
35
Dolan Funeral Home, Inc.
33
Nancy &amp; Richard Donahue
5
The Edge Group, Inc.
12
Eno, Boulay, Martin, &amp; Donahue, LLP
25
Enterprise Bank and Trust Company
13
Fineberg/Gray Tax Service
4
Friends of the Angkor Dance Troupe
48
Law Office of Louis S Haskell
.
Inside Front Cover
John J. Honan Insurance Agency
21
Sambath Keo, D.M.D.
27
Landmark Video World
30
Daniel P Leahy, Esq.
.
29
Loom Press
3
Lowell Community Charter School
41
Lowell Community Health Center
31
Lowell Memorial Auditorium
22
Marcotte Law Firm
37
Paul Marion &amp; Rosemary Noon
9
Massbank
23
Armand Mercier, Lowell City Councilor
7
Rita Mercier, Mayor of Lowell
14
Steve Moses
6
Navy Yard Liquors
28
Andrew Page, Photographer
38
Page One Productions
28
Palma Law Offices, P.C.
15
Louis L. Pinn Insurance
2
Jonathan &amp; Diane Pulliam
20
Saints Memorial Medical Center
Inside Back Cover
Saturn of Lowell
43
The Sharing Foundation
24
Law Offices of Clark H. Siddiqui
22
34
Sir Speedy
Sovereign Bank
47
Thomas Stylianos, Attorney at Law
Back Cover
Tim Thou &amp; Kolab Yin
20
Trinity E.M.S, Inc.
26
UTEC - United Teen Equality Center
16

On our cover - "Hanuman," a mystical, magical white monkey and legendary army general, leader of
the "Swva Pol" (monkey soldiers). Hanuman is a prominent character in the Reamker. Cambodia's version
of the epic Indian Ramayana. Illustration by (and special thanks to) Phallina Chea, an artist with the
Department of Culture at the Royal University of F Arts, Phnom Penh, Cambodia.
ine
© 2002 Angkor Dance Troupe, Inc. No reproduction of any images in this publication without written
permission from the Angkor Dance Troupe.

�The Angkor Dance Troupe receives the generous support of the:

THEODORE EDSON PARKER FOUNDATION

IiiII

MAsSACHUSETTS CULTURAL COUNCIL
A state a~ncy 11\at suppons publie programs in the ans, llumanities, and sciences

Massachusetts Cultural Council YouthReach Initiative
Lowell Enterprise Community
Lowell Community Development Block Grant Program
An Anonymous Donor
Lowell Cultural Council
Friends of the Angkor Dance Troupe
Greater Lowell Community Foundation
So. N.E. Folk &amp; Traditional Arts Apprenticeship Program
Significant In-kind support comes from the:
Lowell National Historical Park
University of Massachusetts Lowell
College of Arts &amp; Sciences, Psychology Department
Big Brother Big Sister of G.L. ADAM Project

LOUIS L. PINN

INSURANCE AGENCY

1519 Middlesex Street

2nd Floor

PHONE: (978) 452-4748·
FAX:
(978) 452-4754

Lowell, MA 01851

2

�tfJUfs5H~f
Att5kor Dattce Tro~pe

From One Generation to the Next
The Angkor Dance was formed in 1986 by Cambodian refugees
of the Khmer Rouge genocide. When we resettled in Lowell,
Massachusetts we brought a passion to carry on our cherished
traditions - to practice and perform, to teach others, and to see
our art preserved for future generations of all cultures.
Greater Lowell is home to the second-largest community of
Cambodian Americans in the country. Cambodian dance
performances provide a poignant reminder of the beauty and
spirituality of Khmer culture and help us develop a sense of home
and community in a new homeland.

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- uni Byron-

Loom Press • PO Box 1394 • Lowell, MA 01853
3

�Classical dance has been connected to
Cambodia's sacred rituals for more than
one thousand years. During the great
Angkor Era, dancers performed in temples
to bring prosperity to the kingdom . Bas
relief carvings at many of Cambodia's vast
temple complexes depict celestial dancers
-Apsaras - who linked the human world
to the gods. Classical dance is sometimes
called court dance or royal ballet. At one
time, it was the exclusive domain of
royalty. Today this cherished art is enjoyed
by audiences around the world and is a
universal symbol of Khmer culture.

FINEBERG • GRAY ASSOCIATES
345 Westford Street• Lowell, MA 01851
Tel: (978) 452-5003 - Fax: (978) 970-0076
TAX PREPARATION &amp; CONSULTING

Coneratu(ations &amp;' 'Best Wishes in the 'lfew Year
• DOCUMENT TRANSLATION
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KHMER • LAOTIAN • VIETNAMESE

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Members: National Society of Tax Professionals

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4

SERVICES
18 Palmer Street
Lowell, MA 01852

Call today! 800-883-8836
978-937-1877
•Top quality training &amp; support
• Excellent compensation

�THANK YOU FOR PRESENTING AND SHARING
YOUR BEAUTIFUL DANCE WITH ALL OF US.

NANCY &amp; RICHARD DONAHUE

~roughout Cambodia,
after the harvest, it is time
for music, song, and dance.
Folk dance is rooted in rural Cambodia and depicts rituals of
everyday village life. The dances honor skills that are typically
undervalued in the rush toward westernization, such as fishing
and rice farming. Dance motifs are commonly based on local
legends and inspired by themes of nature as well as the ceremonies, and customs that shape the lives of Cambodian people.
Distinctive, colorful costumes represent the traditional dress of
the various regions and ethnic groups within Cambodia.
5

�A National Leader in Traditional Cambodian Dance
The Troupe takes its name
from the great Angkor
Civilization, between 802
and 1432 AD, when
Cambodia was a dominant
empire in Southeast Asia.
Dance, music, and drama
have always been promi nent in Khmer society, but
these ancient traditions
were nearly eliminated
when the Khmer Rouge
controlled Cambodia in the
1970's. Artists were among
those del iberately targeted
for execution and more
A dancer rehearses at the Royal University of F Arts,
ine
Phnom P
enh, Cambodia. March 2002

than 90% of the country's
tradition bearers perished.

The Angkor Dance Troupe is nationally recognized as one of the
most experienced and accomplished of the U.S. based Cambodian
dance ensembles. Angkor is directed by world-renowned master
teachers and performs a repertoire developed in concert with the
Royal University of Fine Arts (RUFA) in Phnom Penh, Cambodia,
considered the global standard bearer for Khmer traditional arts.
Angkor has an active program of educational exchange with RUFA,

'.IJ'-

Best Wishes to All Those Involved
with Lowell's Own Jewel
The Angkor Dance Troupe

. Congratulations from Steve Moses
of the UMass Lowell Center for
Public Health, Research, and Health Promotion
6

�which allows us to continually improve and expand our repertoire
of classical and folk dance traditions.
We routinely host visiting master teachers from RUFA, as well as U.S.
based master dancers, for extended artists' residencies and workshops. Between 1999 and 2002, for example, we were honored to
work closely with esteemed master
teachers Phan Phoung and
Sokhanarith Moeur, through
projects funded by the Lila Wallace/
Readers Digest Fund for Folk
Culture and the Southern N.E. Folk
and Traditional Arts Apprenticeship
program, funded by the NEA,
Institute for Community Research,
R.I. State Council on the Arts, and
the Mass. Cultural Council.
At Right - Master Teacher Phan Phoung
appeared with Angkor at Jacob's Pillow
in June 2001.

To the Peiformers .. .

Continued Success
To the
'Angkor 'Dance Trouye ...

'Best Wishes
Armand P. Mercier
Ci Councilor
7

�Masters of Cambodian Dance - Learning from the Best
In 1998 and 2001 , Angkor was able to
secure educational visas for a number
of RUFA masters through a partnership with Middlesex Community
College. These important dance
masters spent several months in Lowell
teaching Angkor apprentices as well as
dance students in Providence, R.I. and
Portland, ME. They also conducted
residencies with public school students
at the Lowell Community Charter
School and the Peterborough, NH
Regional Educational System .
Left - Master dancer
Sophea Sek, an
artist-in-residence
from the Royal
University of Fine
Arts, Phnom Penh,
performs with
Angkor at Jacob's
Pillow in 2001 .
Right - Sophea Sek,
assists Vyrik Eng
with his costume
before a
performance of
Swva Pol at the
Boston Center for
the Arts ·ere-Asian•
Festival in 2001 .

Master teacher Yorn Peng, is an artist-inresidence from the Royal University of
Fine Arts, Phnom Penh. A master of the
" Giant" dance role, she instructs Kuntaer
Eng before a performance at First Night
Boston 2002 .

Left -Angkor Founder Tim Chan Thou, who was
certified as a folk dance teacher in the Khao-1Dang refugee camp, teaches the Fishing Dance
during a troupe rehearsal at the Lowell
Community Charter School in 2001 .

8

�Congratulations
for another successfu I year!

Paul Marion, Rosemary Noon,
and Joe Marion
9

�Masters of Cambodian Dance - Learning from the Best
In the 16-year history of the Angkor Dance Troupe, we have
had the honor to work with a number of the world's best
dance masters from the University of Fine Arts, Phnom Penh
and around the U.S. For their invaluable contribution to the
preservation of Cambodian dance, we give them our thanks.

The Esteemed Chea Samv
Master of Classical Dance

Chhieng Proeung, Dean

Dr. Sam Ang Sam
Master of Cambodian Music

Chan Moly Sam
Master of Court Dance

Choreographic Arts, RUFA

Ros Kong &amp; Tes Sam Oeun
Masters of Classical Dance

Malis Keo
Royal University of Fine Arts

Sokhanarith Moeur (left), Master of Folk Dance &amp; Drama
Phan Phoung, (Below) Master of Folk Dance
Choreographer. Coconut Shell

10

�Savath Roeung (Center)
Folk Dance Instructor
with Tim Chan Thou (left)
&amp; Sokhoeum Sim

.., ,..
..
~...

Phousita Serey Huy
Master of Classical Dance
Artistic Director.
Angkor Dance Troupe

('

Sam On Soth
Master of Classical
Dance Drama

NeitoHeang
Folk Dance Master
Phalla Lak Morris
Folk Instructor

Song Heng
Master Musician

Thavro Phim
Folk/Giant/Monkey
Instructor

Khatna Peou
Master of Classical Dance
(With Grandson Tim Chan Thou &amp; Family)

Yorn Peng
Master of
Classical Dance &amp;
Giant Role
Sophea Sek
Master of
Folk Dance &amp;
Giant (Lakhon Kowl)

11

Say Souer
Monkey Master

Tath Sum
Master Musician

Not Pictured: Rachana Khiev,
Tonara Hing

�"Dance, the Spirit of Cambodia" 2001 U.S. Tour
Lowell was one of 12 cities to host the first
major tour out of Cambodia by the Royal
University of Fine Arts in more than 10 years.
Produced by the New England Foundation for
the Arts and Lisa Booth Management, the tour
included spectacular performances and handson workshops. (Andrew Page Photos)

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12

�"Dance, the Spirit of Cambodia" 2001 U.S. Tour
"Dance, the Spirit of
Cambodia" included
performances by more
than 40 master artists.
As part of the Lowell
leg of the 12-city
national tour, masters
conducted workshops
with apprentices from
the Angkor Dance
Troupe at our newly
opened rehearsal
facility in the Mogan
Cultural Center.
Above Right - Sathya
Sam demonstrates
classical postures.
Right - Master Thavarak
Soeur works with Sam
Hor and other young men
on their monkey dance
moves.

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13

�"Dance, the Spirit of Cambodia" 2001 U.S. Tour

Thanks for sharing your
talent and love for the
dance with us.
Happy New Year
Angkor Dance Troupe!

- Mayor Rita Mercier
14

�PERSONAL INJURY

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A Unique Way to Serve Youth
A central component of Angkor's mission is to provide positive cultural,
and recreational opportunities for Lowell youth. Since 1986, we have
served more than 500 young people, ranging in age from 4 to 18, who
rigorously rehearse, participate in performances, and attend outings.
Youth typically stay involved with Angkor for at least 4 to 5 years, many
even longer. In 1999, our work with youth was honored at the White
House with a prestigious "Coming Up Taller" award from the President's
Committee on the Arts and the Humanities and the National Endowment
for the Arts.
Since 1998, the Troupe has operated Angkor Youth Dance, an
afterschool and summer program for at-risk youth, with major funding
from the Massachusetts Cultural Council YouthReach Initiative. The
program benefits from the involvement of a number of community

UTEC
congratulates the youth
of the Angkor Dance Troupe.
United Teen Equality Center
10 l&lt;irk Street, Lowell • 978-441-9949

16

�partners, including the ADAM project of Big Brother/Big Sister of
Greater Lowell, UMass Lowell College of Arts and Sciences, and Lowell
National Historical Park, and others. In addition to MCC funding,
supporters include the Lowell Enterprise Community, Lowell Community
Development Block Grant, and Friends of the Angkor Dance Troupe.
Over the years, we have witnessed firsthand the value of high quality, indepth arts programming for youth . We have had several apprentices, for
example, who were involved in gangs when they joined the troupe and
have since left their street lives behind . Angkor's success with at-risk
youth was featured on the WCVB-TV Chronicle program in October 2001 .
Below Left- Peter Mehegan and Mary Richardson introduce the segment on the
Angkor Dance Troupe.
Right - Lowell High School student Roeun Chan is interviewed.

Anstiss &amp; Co., P.C.
Certified Public Accountants
21 George Street
Lowell, MA 01852

Raymond L. Anstiss, CPA, MBA
Richard B. Dionne, CPA, MST

Raymond L. Anstiss, Jr., CPA, MBA

Telephone: (978) 452-2500
Fax: (978) 458-0425

17

�At Last - A Home of our Own!

On September 16, 2001, the Angkor Dance
Troupe and the Lowell National Historical Park celebrated the opening
of Angkor's new rehearsal and office space on the third floor of the
Patrick J. Mogan Cultural Center. Angkor set up operations in the
former boardinghouse and will
offer public programming through
a cooperative agreement with the
Lowell National Historical Park
(LNHP). Our heartfelt thanks to
LNHP Superintendent Patrick
Mccrary. Special thanks also to
Memhed Ali, Jim Corless, Erin
Sheehan, Todd Pappas, Patrick
Laffey, Ted Davis, Paul Fontaine, and the staff
of the Tsongas Industrial History Center.
Top Left - Ribbon-cutting ceremony and
Blessing dancers.
Top Right - Angkor President Sovann-Thida Loeung
and Jim Corless, of the LNHP cut a ribbon to open
Angkor's new space.
Middle Right - Sam Hor leads monkey dancers
in a rehearsal in the new facility.
Right - The ribbon-cutting ceremony also served
as the opening for two exhibits on traditional
dance. "Dance Traditions of Southeast Asia Enduring Symbols of Cambodia and Laos" and "Ancient Steps on American Soil.
Cambodian Dance in Lowell" are open to the public through August 2002 at the
Mogan Cultural Center, 40 French Street, Lowell. Admission is free.

18

�19

�Two of Angkor's Rising Young Apprentices:
Krisna Thou and Diane Pulliam

The Angkor Dance Troupe - Bringing Cambodian
Classical and Folk Dance to Lowell
7

..

Happy New Year from
Jonathan &amp; Diane Pulliam and
Tim Chan Thou &amp; Kolab Yin
20

�Performances
The Angkor Dance Troupe has
performed at the White
House, First Night Boston,
Lowell Folk Festival, Boston
Dragon Boat Festival, Yale
University, and Jacob's Pillow.
In 2001, Angkor presented 37
performances and workshops
for more than 24,000 people.

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Turn to the Law Offices of Clark. H. Siddiqu i, a comp lete law firm for
all your corporate and persona l legal needs. Offering a wide range of
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.

Best Wishes for a Successful Year!
Your friends at
Lowell Memorial Auditorium
Mill City Management
Tom McKay, Leo Creegan, Terry McCarthy
22

~

.

�During our busy season, leading up to Cambodian New Year in
April, Angkor operates rehearsals seven days a week in five
locations across three states. Rehearsals and workshops are a
central part of our mission. They promote a greater awareness
and appreciation for our cultural traditions, provide s_ pport
u
for our artists, preserve fragile cultural traditions, and help us
inspire a new generation of Cambodian dancers. Angkor has
more than 70 dancers, ranging in age from five to adult. Our
dance rehearsals are free and open to anyone willing to make
a commitment to Cambodian dance
Left - Taary
Ram leads a
workshop on
the Pestle
Dance for
audience
members at
the Lowell
Folk Festival
in July 2001 .

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�Best Wishes for Another Successful Year
to The Angkor Dance Troupe!
From your friends at

The Sharing Foundation
Helping to Care for Cambodia's Children
The mission of The Sharing Foundation is to help meet the physical,
emotional. educational, and medical needs of orphaned and severely
disadvantaged children in Cambodia. Our goal is to prevent some of
the problems associated with poverty by developing, in conjunction
with Cambodian community leaders, programs to improve the social
fabric for these children and their families.

Some of the children from Roteang Village, Kandal province, who benefit from our cooperative farming program.

Visit us on the World Wide Web at

www.sharingfoundation.org
or write to us at:

The Sharing Foundation
P.O. Box399
Woolwich, ME 04579
Sponsorship for this page was donated by members of
The Sharing F
oundation's Board of Director's and the Parent Advisory Council.

24

�Performance Highlights

Taking it to the Streets at the
2001 Lowell Folk Festival
Left - Victoria Chau
performs the Blessing Dance.
Above Right - Young men
demonstrate new choreography
for the Monkey Dance.

First Night Boston 2002
Right - Stephanie Seng in a
performance of the Fan Dance.
(Andrew Page Photos)

ENO, BOULAY, MARTIN &amp; DONAHUE, LLP
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1221 Westford Street• Lowell, MA
(978) 441-9999
email: tems@aol.com
www.trinityems.com

26

�Above - Dancers take a bow at
FirstNight Boston 2002.
Left - A dance of peace at a Lowell
vigil for victims of the September 11
terrorist attacks.
Right - The Monkey Dance at Boarding
House Park
Photos by Andrew Page

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50 Wood Street
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of the ANGKOR DANCE TR OUPE.

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Monday-v.dneaday
10:00 am.-10:00 pm.
Thursday-Saturday
10:00 am.-11 :00 pm.
Sunday
12:00 Noon.-1 0:00 pm.

Yura Thay
Manager
3 Hampson Str.
Phone/Fax.(978) 957-4775

Dracut, MA 01826

28

�Above Left - David Noeuk and Kuntaer Eng
perform the Coconut Dance at Boarding House
Park, September 2001 .
Above Middle - Channa Sath performs the
Blessing Dance at the Littleton Lyceum . (11 /01)
Above Right - Poe Pech and Harlan Hor
perform Peacock of Pursat at the Angkor Youth
Dance Fall 2001 performance at the Smith
Baker Cent~r in Lowell.
Right - Sophy Leng and Sam Hor dazzle a crowd
of more than 2200 with "Peacock of Pailin" at
the Boston Dragon Boat Festival in June 2001 .

Attorney Daniel P. Leahy
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10 Bridge Street • Lowell, MA

978-459-0181

29

�An Extensive Collection of Richly Detailed Costumes

The Angkor Dance Troupe has an extensive collection of richly
detailed, authentic costumes, headdresses and masks. Much of
the collection was crafted by master costumers from Cambodia .
Above Left - Tep Menorom at FirstNight Boston.
Above Right - The legendary Hanuman during a
performance for Quincy FirstNight.
Left - Master Yorn
Peng assists Sodany
Krouch with her
headdress for
"Ream Lak/Chup Lak"
before a performance
at FirstNight Quincy.
Right - Sopheap (Linda)
Sou &amp; Heng Noeuk at
FirstNight Boston .
Andrew Page Photos

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585-597 Merrimack Street, Lowell, MA 01854
Phone (978) 937-9700, Fax (978) 970-0057

•
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31

�Young women perform "Picking
Krovine" at the 2001 Southeast
Asian Water Festival in Lowell.
The dance depicts the spiceharvesting traditions of
villagers from the Cardamom
Mountain region
of Cambodia.

Law Office of Karen M. Bolton
10 Bridge Street
Lowell, MA 01852
(978) 458-0776

32

�DOLAN
FUNERAL HOME, INC.
106 MIDDLESEX STREET

CHELMSFORD
Independently Family Owned &amp; Operated
Serving all faiths

TRADITIONAL OR
CREMATION SERVICES

... .. ..

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DIRECTORS
James F. Dolan
James F. Dolan II

(978) 251-4041
www.dolanfuneralhome.com

33

�Fishing Dance - Littleton, MA, Nov. 2001

Ilt/Q
Dancers share their thoughts

•••••••••••••••

Sopharl Ngin was born in Cambodia but has been
immersed in American culture since she was five.
"When I perform the Fishing Dance, and my
parents are watching,
I feel so happy. It's
like I've gone back in
time and I'm this
Cambodian girl out
fishing in the stream.
Through dancing,
I can connect to my
Khmer side and hold
on to that part of
my heritage. I can
show my parents
that I haven't
forgotten where I
come from."

•••••••••••••••••••••

Tep Menorom - Jacob's Pillow, June 2001
"We're proud to be doing a dance that has been
carried down from generation to generation."
- Monica Veth and Kuntaer Eng

Best Wishes

Sir spiifid,
287 Appleton Street • Lowell, MA 01852
(978) 459-2109 • Fax (978) 452-8879
Printing, Copying and Digital Ntttwork
S~rvina Gr~atrr Lowrll slnctt 1974

XEROX

COLOR COPIES

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As Low As 29' ask for def:QilS
WITH THIS AO

We do it all ...

EX'1R£S 9101

It's no surprise I

34

�James L. Cooney Agencies
32 Church Street
Lowell, Massachusetts 01852
Insurance
Real Estate

978-459-0505
978-452-9952

Small enough to know you.
Large enough to serve you.

35

�0

•

•

•

•

•

•

•

•

•

•

•

•

Sovann-Thida Loeung was 15 when she and
her family left Cambodia for a refugee camp
in Thailand. After resettling in Lowell in the
1980's, Thida joined the Angkor Dance Troupe.
" Being a new arrival to America, regularly
practicing and performing Cambodian dance
gave me a kind of identity that went beyond
that of refugee and newcomer. It confirmed
the value of my Cambodian culture - to others
and to myself. With every performance of the
Angkor Dance Troupe,
I felt more and more that my community
had something important to contribute."
Today, more than 15 years later, Thida
still dances. She also chairs Angkor's
Board of Directors and is a teacher at the
Lowell Demonstration School. She and
her husband, George Chigas, have a
three-year old son, Yianni .

Happ~ New

Year from

Mehmed Ali,

Sokh~ Thim, &amp;
Lorn Thim
36

�MARCOTTE LAW FIRM
GENERAL PRACTICE OF LAW
PERSONAL INJURY
WORKERS COMPENSATION
SOCIAL SECURITY DISABILITY
CRIMINAL DEFENSE
DIVORCE
WILLS &amp; ESTATE
REAL ESTATE

ALBERT J. MARCOTTE
MICHAEL C. NAJJAR
KATHLEENM. O'DONNELL
KENNETH J. BUTTERWORTH
(MASS . &amp; N .H.)
WILLIAM J. HAMILTON
MICHAEL 0 . SMITH

978-458-1229
978-458-7961
978-458-7984
978-452-0430
978-458-1220
978-458-7968
978-453-2329

Paralegals:
Nicholas Rosa
Robert Corso
Juan Feliciano

45 MERRIMACK STREET
LOWELL, MASSACHUSETTS 01852
37

�Andrew Page
Documentary. Commercial. &amp;
Wedding Photography

30 West Street
Portland. Maine 04101
(207) 749-4858
email: apage@maine .rr.com

38

�i:J Banknorth
Massachusetts

(413) 499-3000
BanknorthMA.com
A division of Banknorth, N.A.

MEMBER FDIC

39

�•••••••••••••••••

ff~'rStory
18-year-old Heng Noeuk has been dancing since the seventh grade.
"The Angkor Dance Troupe has changed my life. There are so many th ings
it's done for me, I can't even begin to explain. The teachers are like
parents. When I have problems, they help me. They've really g iven me
confidence. At one time, I wanted to given up - on dancing and on life.
They encouraged me not to and gave me hope. I' ve learned not to give
up so easily. Now, I feel I can do anything."

Dancers share their thoughts
• • • • • • • • • • • • •

Heng performed Moni
Mekhala, Cambodia's
protectress of the waters,
at FirstNight Boston
"/feel honored and very
strong when I perform this
role. Moni Mekhala is a
goddess. When I dance,
I feel I can do anything,
because she is so powerful. "

•••••••••••••••••••••••••
Picking Krovine - Jacob's Pillow, June 2001
"We have a lot of fun performing the folk
dances. The dances are very fast, with lots of
steps. We just have to let it all out. Happiness
and laughter are a big part of the folk dances."
- Sophy Leng and Vyrik Eng

40

�Uniting Voices , Connecting Communities

206 Jackson Street, Lowell, MA 01852
Phone (978) 323-0800 Fax (978) 323-4600
Lowell Community Charter School, grades Kindergarten to 5 (it
will be K-12 by 2009) prepares children for high academic
achievement by providing a supportive, challenging,
multicultural environment that integrates the strengths of
Lowell's diverse communities and cultures.

•

Public Charter School - NO TUITION

•

Full-day kindergarten; Enrollment cut-off: Dec. 31

•

Before and after school programs

•

Computers in every classroom

•

Special attention to learning or maintaining a
second a language (Spanish or Khmer)

•

School-supplied uniform shirts

•

Close working relationships between families and
the community

REGISTRATION AVAILABLE
206Jackson Street, Lowell

Or call us at (978) 323-0800

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41

�"Fear, gangs, hate, violence, drugs, and
poverty - these are some of the words
associated with my childhood. But so are
hope, inspiration, commitment, hard
work, community service, and success.
Through the Angkor Dance Troupe I
discovered my culture and learned
traditions that were almost lost during
Da ncers share their thoug hts

the Khmer Rouge regime. I learned many

•••••••••••••••

dances and performed on stages around
the Northeast. I excelled and was promoted to assistant instructor. Today, I
teach younger kids to dance and help
them understand the importance of
keeping traditions alive. I also serve on
the Troupe's Board of Directors.
Through these programs, I've developed
skills that will help me for the rest of my

"I like all of the teachers
because they're nice.
Sam is a great teacher
and helps me with
monkey.
Being in the Angkor
Dance Troupe is fun
because we go on trips."
- Ricky Hai
Butler Middle School

life, like performing and talking in front

•
•
•
•
•
•
•
•
•
•
•
•
•

•
•

of large groups. I've also become involved
with several other youth groups and have
done many hours of community service .
I took a risk when I dropped my old
friends and took a new direction. But I've
gained so much knowledge and joy.
Through it all, I've learned there are many
ways to make the world a better place."
- Samnang Hor, 17

42

�A Lannon Company

CALL
Davi Sun
(978) 454-9300

Saturn Sales
Consultant
"
~nti 1mmrAJn

.

fSl1T§Anii8
We speak English, Khmer, Spanish, &amp; Portuguese.
Si hablamos Espanol - Preguntas por Delby Colon.
Nos falamos Portugues.

Saturn of Lowell
720 Rogers Street {Rte. 38)
Lowell, MA 01852
978-454-9300
Saturnoflowell .com
43

�Voices of Youth - In Our Own Words
What the Angkor Dance Troupe Means to Us
"/joined the Angkor Dance Troupe because my
Mom is a dancer; and I wanted to be like her.
I also wanted to make new friends."
- Sam Meas 13, Butler Middle School
"/wanted to join because I want to learn how
to dance and to teach my kids."
- Sanny Meas 12, Butler Middle School
"/want to be a good dancer; and I would like
to perform a lot. "
- Thetvibot Som, Butler Middle School

In,, °() l~HA

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"/ wanted to jo in because I wanted to know
about my culture and be able to perform for
different people."
- Sotheat Som, Butler Middle School

Da ncers share their thoughts

•••••••••••••••
"Joining Angkor Dance
Troupe has introduced me to
many aspects of Cambodian
culture and also has taught
me so much of what the
movements of the dances
symbolize."
- Mcfarlance Van

The reason why I like this program is because it is a good way to learn more
dance, as well as stay out of trouble. "
- Sinoun Seng 15, G.L. Vocational Technical High School
" Learning through experiences makes me understand the culture more. It
makes me more knowledgeable, and it's fun to learn through dancing. Th is
is something I keep prestigiously in my head and it plugs in my mind the
elements of Cambodian culture."
- Roeun Chan, 16, Lowell High School
"It's great to see and t o learn what your culture has inspired you to do. That
- Steve Horn, Lowell High School
is why I joined."
"By j oining Angkor Dance Troupe, I learn about many different arts forms
and understand more about culture. I also learn how to dance with friends
my own age."
- Tony Chan 14, Lowell High School

44

�" I joined the Angkor Dance Troupe
because I love dancing. I am so
inspired by my arts and I appreciate
my culture so much. "
- Sarah Soung
G.L. Vocational Technical High School
"I like this program because I like to
perform and because it's boring at
home. We get to go on field trips
sometimes, and I like to do the
monkey dance."
- Alexander Hak
" I joined because I wanted to dance
and because I want to have at least
the talent to dance."
-E. E. Eng
"I like this program because I like to dance and because I like to go on the
field trips."
- Kimmora
"/joined the Angkor Dance Troupe because I wanted to learn the dances
and the stories behind the dances."
- Jimmy Meas, Lowell High School
" I joined the Troupe because I wanted to dance and learn more about my
culture."
- Lisa Vor, Bartlett Middle School
" I joined the Angkor Dance Troupe because I wanted to learn more
about my traditions and culture and wanted to learn how they dance. "
- Retta Xayasane, Bartlett Middle School
"/joined the Angkor Dance Troupe because I wanted to continue my
culture and also to learn more about my traditional arts."
- Lina Bun
" I like the Angkor Dance Troupe because I like to dance. I like all the
teachers who teach us and are very understanding with me."
- Viseth Ka, Bartlett Middle School
" /joined the Angkor Dance Troupe because I want to learn more about
dancing and about my own culture. "
- Christopher Oun 13, Butler School

45

�0

tff~'m"~'

The Angkor Dance Troupe, Inc.,
40 French Street, 3rd Floor, Lowell
Mailing Address: P.O. Box 1553, Lowell, MA 01853
(978) 441-9277 •FAX: (978) 251-8039
email: pageone@attbi.com • web: http://ecommunity.uml.edu/angkor
(Coming Soon: Our new web site - www.angkordance.org)

I, Spec,ial Thank$ To: I
Our Dedicated Staff &amp; Board of Directors
Phousita S. Huy, Artistic Director
Ruth Page, Executive Director
Sakhoeum Sim, Instructor
Sovann Thida Loeung, President
Jonathan Pulliam, Treasurer
Todd Beauregard
Lyla Chea
James Conlon
Dr. Nina Coppens, RN
Vyrik Eng
Lynne Faust, LNP
Samnang Hor
Vichenny Keo-Sam
Cassandra Keirstead
Chamroeun Khat
Sophy Leng

Tim Chan Thou, Manager
Kolab Yin, Costumer
Jane Benfey, Vice President
Gloria Polites, Secretary
Nissay Liek
Bonna Mai
Akara Mao
Paul Marion
Carole Mathews
Rady Mom
Taary Ram
Tim Chan Thou
Chhan D. Touch
Sochenda Uch
Rithy Uong

Artists-in-Residence from the
Royal University of Fine Arts, Phnom Penh
Yorn Peng

Sophea Sek

Nieto Heang

And to our Community Partners and Collaborators:
Pat Mccrary and the Lowell National Historical Park
Big Brother/Big Sister of Greater Lowell ADAM project
UMass Lowell, College of Arts &amp; Sciences
Lowell Community Charter School
Butler Middle School
Photo Credits: Andrew Page, Rady Mom, Ruth Page
Tim Chan Thou, Love Photos, Jocelyn Augustino, Higgins &amp; Ross
Translation Services: Nissay Liek
Sources: Dance and the Spirit of Cambodia, Toni Shapiro, Ph.D., Cornell University, 1994
"Cambodia's Royal Dance," Eileen Blumenthal, Natural History, 4/89
"The Dancer in Cambodia," Toni Shapiro, Ph .D., Asian Art &amp; Culture. Arthur M. Sackler Gallery,
Smithsonian Institution. Winter 1995 Southeast Asia Today, Oxford University Press

46

�overeign Bank
wishes the Cambodian Community
a
Happy, Healthy &amp; Prosperous New Year
Member F.D.l.C

Equal Housing Lender

New work premiered in 2001 !
Paulina Srey, Sodany Krouch, Peter Veth, and
Samnang Hor worked extensively with
master teachers Phousita Huy and Yorn Peng
to perfect an episode from the Reamker,
previously not performed in Lowell. "Ream
Lak/Chup Lak" is a fascinating story about
twin sons of Sita. It chronicles their mischief in
the forest and their encounters with Hanuman
and Prince Rama's prize white horse.

47

�FRIENDS OF THE ANGKOR DANCE TROUPE
The "Friends of the Angkor Dance Troupe" is a membership drive to
support the Troupe's award-winning youth programs. Thank you to
the many concerned community members and organizations who have
contributed to the Friends of the Angkor Dance Troupe.

Major Program Sponsors in 2002
An Anonymous Donor
Jonathan &amp; Diane Pulliam
Contributing Sponsors in 2002
Nancy &amp; Richard Donahue
Eleanor Briggs
Community Leaders in 2002
Saints Memorial Medical Center
Louis L. Pinn Insurance Agency
Citizens for Youth in 2002
Lyla Chea and Holy Khut
Bonna Mai and Family
James Conlon • George C. Eliades, Jr., Esq.
Richard &amp; Mary Noon
Beth Kanter &amp; Walter Halvorsen
David &amp; Elizabeth Dawson
Kristina Niccoli • Karl Dunajski
Dan Tenczar, Lowell City Council

r-------------------------,

I
I

HOW TO DONATE: Every gift is greatly appreciated. Many businesses offer a
matching gift program which can double the size of employees' contributions. Other
I ways to give include memorial gifts, which allow the donor to recognize special
I people in their lives, or gifts of appreciated stock that can reap substantial tax
: benefits for the donor. All gifts are tax-deductible. Thank you for your support!

I

Name:~~~~~~~~~~~~~~~~~~~~~~~-

1

I
!
I
I
I
I
I
1
1

Address:---------------------

I am enclosing: 0$1,000 0$500 Os250 0$100

0$50

0

0

$25

0

Other: - - - - -

My company's matching gift form is enclosed.

Please make checks payable to: Angkor Dance Troupe, PO Box 1553,
Lowell, MA 01853 (Thank You!)

L-------------------------~

�Saints 9rf.emoria{ 9rf.edica{ Center starts
tlie :New &lt;Year 6y eX]Janding our
:Nurse-9rf.idwifery &lt;Program

Vanna Men, Community Outreach, Shelagh Galvin,
CNM,MSN, and Sam Pha/, Medical Technician

7Vurse-!M.Ufwives offer women specia{ s{i/Is antf an utu:ferstantli11fj
of tli.ei.r unUJ.ue pfrysica~ emotiona{ antf spiritua{ needS.
7{urse-!M.Ufwifery care focuses on maintaini11fJ liealtli antf encouragi11fj women to mak,/ informetf tfecisions a6out tli.ei.r liea{tli care.
7{urse-!M.Ufwives wefcome your questions antf tak./ time to {isten
to you antf ta{{ witli you.
'For more infonnation a6out 7Vurse-!M.Ufwijery care at Saints
9t1.emoria{!Metfica{ Center, pfease ca{{Sliefagli qafvin, c:J'f};f.,
9t1.S7V, at 978-446-1628. We spea{ 'l(fimer for a{{ services.

Saints :M.emoria{ :M..etfica{ Center
Ce{e6rates rrhe &lt;Year Of rtlie Jforse
~

ft:tit SAINTS
fJ MEMORIAL
-

~rs

MEDICAL
CENTER

for life

220 Pawtucket Street, Lowell, MA 978-446-1628
www.salnts-memorial.org

�THOMAS STYLiA~OS
ATTORNEY AT LAW

=&gt;

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Auto Accidents*
Social Security*

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Bankruptcy

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Divorce
Child Support
Criminal Defense

*NO FEE unless we collect money for you!

KHMER SPEAKING STAFF
FREE Initial Consultation
Weekend &amp; Evening Hours, Hospital Visits

287 Appleton Street
Lowell, MA 01852
(978) 459-5000
TOLL FREE 1-800-308-3766

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                    <text>��30th Anniversary
Evening Program
Cocktails
Welcome
Recognition of Angkor Dance Troupe by Congresswoman
Niki Tsongas, Senator Eileen Donoghue,
Mayor Edward Kennedy
Past, Present, Future
Dinner
Performance
Special recognition by Angkor Dance Troupe
Lifetime Achievement Award
Raffle announcement

3

�Thank You
On behalf of our Board of Directors, our planning committee, and staff
of Angkor Dance Troupe, we would like to thank you for joining us as we
commemorate "30 Years of Connecting Communities through the Preservation,
Education and Innovation of Cambodian Performing Arts:'
Tonight's anniversary is a true celebration of our past, present, and future. This
celebration is an opportunity to honor those who helped establish Angkor
Dance Troupe in 1986; a chance to acknowledge those who believed in our work,
leading to over 4,500 youth served and 20,000 reached across the Northeast; and
a time to recognize those who continue helping us grow.
We would like to recognize each of you for making this a memorable event for
years to come and extend a special thank you to all our sponsors for this evening.
Your contributions are invaluable to this organization and will be used to ensure
the future growth of Angkor Dance Troupe.
Angkor Dance Troupe could not deliver on our mission without the support of
our donors, community partners, families, friends, staff and board. We look forward to your continued partnership in helping us connect Communities through
the Preservation, Education and Innovation of Cambodian Performing Arts.

~ h,Ctn~

JY.o/-1~

Michael Conway
President- Board of Director

DahvyTran
Executive Director

0

4

�Staff &amp; Leadership
Advisory Board
Celeste Bernardo

Michael Gallagher

Adrien Bisson

Vanna Howard

Jim Conlon

Joe Hungler

Nancy Donahue

Felicia Sullivan

Carol Duncan

Sophy Theam

Robert Farrant

Jim Wilde

Board of Directors
Michael Conway, President

Chummeng Soun

Karen McManimon, Vice President

Narin Sinuon

Savanna Pouv, Treasurer

Nary Tith

Linda Uch, Clerk

Sheila Kirschbaum

Jay Lee

Virginia Prak

Program Staff
Dahvy Tran, Executive Director

Emaly Horn, Program Intern

Tim Chan Thou, Operations Director

Shaun McCarthy, Grant Writer

Khakhada Horn, Program Coordinator

Artistic Staff
Artistic Director and Master Teacher - Phousita Huy
Master Teacher Kimhan Meas
Dance Program Manager - Channa Sath
Master Teacher Sophea Chamroeunnop
Master Teacher Pech Heung

5

�Honoring Our Past
History
The Angkor Dance Troupe was formed in 1986 by a group of
Cambodian refugees of the Khmer Rouge holocaust. Lowell's
Cambodian American community, estimated at more than 35,000
people, is the second largest in the country. When we resettled here,
we brought a passion to carry on our cherished cultural traditions
to practice and perform, to teach our children, and to see our art
preserved for future generations of all cultures.
We take our name
from the great
Angkor civilization,
between 802 and
1432 AD when
Cambodia was a
dominant empire
in Southeast Asia.
Dance and music
have always been
prominent in
Khmer society, but
these ancient traditions were nearly eliminated when the Khmer
Rouge controlled Cambodia in the 1970s. Artists were among those
deliberately targeted for execution. More than 90% of the country's
tradition bearers perished. Today, as Cambodians around the world
struggle to emerge from decades of war and poverty, our people
look to the rebirth and re-creation of dance as testimony to the
endurance of our culture.

6

�Celebrating Our Present
Today
What began as an organization that focused on the preservation
of Cambodian arts and culture quickly became a youth-serving
program. We recognized that, in order to fulfill our mission, we
needed to groom the next generation of leaders. Using performing
arts as the tool, we developed and guided over 4,500 youth over the
years. These young people furthered their education and became
teachers, nurses, and civic leaders within the community. They
pointed to ADT as an integral part of their leadership journey.
Since our 25th anniversary we
have built a passionate Advisory
Board, strengthened our current
Board of Directors, created
a comprehensive strategic
fundraising plan, and we continue
to establish strong partnerships.
The number of youth served has
increased each year, with our
residency reaching an additional
100 youth through a summer
program serving new refugee
groups.
In addition to our expansion in youth programming, our
accomplishments include three "big" annual performances,
two residencies, performance market expansion outside of
Greater Lowell, co-hosting a national Southeast Asian American
Conference with UMass Lowell (summer 2017), Senior Dancer
Certification, (Bi)Annual Master Teacher Residencies, and Senior
Dancer professional development.
7

�Embracing Our Future
Future

The future of Angkor Dance Troupe is to become the epicenter for
innovative Cambodian performing arts. To achieve this vision, our
goal is to have Lowell become home to the following:
Lowell Angkor Arts Academy
10 Certified Master Teachers
Angkor Touring Company
We ask that you help advance this vision by supporting our goal of
raising $30,000 toward establishing an endowment that will ensure
thousands more youth will be served.

8

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9

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is proud to sponsor the

NGKOR
DANCE TROUPE'S

from your friends at...

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10

�11

�Circle Health is a proud
supporter of the

Angkor Dance Troupe, Inc.
We applaud their mission to
connect communities through
the preservation , education
and innovation of Cambodian
Performing Arts.
Happy 3Qth Anniversa ry.

~

circlehealth
~ Complete

connected care ..

www.circle-health.org

INSURANCE AGENCY
12

�Happy 30th Anniversary to Angkor Dance Troupe,
who preserves the traditions of Cambodian performing arts.

Fede rally in sure d by NCUA

I Shares and Deposits in excess of NCUA limits are fully in su red by MS IC.

Jeanne D'Arc Credit Union and the phrase We Share a Common Thread are federally registered trademarks owned by Jeanne D'Arc Credit Union.

Paul Marion &amp;
Rosemary Noon

------

Congratulations, Angkor Dance
Troupe, in celebrating 30 years of
performing arts. We are blessed
to have the dance troupe in our
community preserving Cambodian
traditional dance, art and culture!

13

�We are proud to
support the
.!lngkor Dance Troupe
and congratulate them
on their remarkable
30th .!lnniversarg.

The Gaslight Building
22 Shattuck Street
Lowell, MA 01852
Tel 978.452.0522
Fax 978.452.0482
www.gcattorneys.com

14

�e

1

CREDIT UNION

Connecting all your banking needs

ol &amp; George Duncan

e are delighted to support Angkor
Dance Troupe as they celebrate 30 years
of connecting communities with the
preservation and innovation of their rich
culture.

s

u

t

S c:c s s S a
15

e

�~

UMASS

LOWELL

learning with Purpose

Lianna Kushi &amp;

16

�Raffle and Cocktail Sponsors
Amara Boutique and Trav
Bangkok Market
Brew'd Awakening Coffeehaus
Cultural Shock Apparel
Hong Kong Market
New Asia Restaurant
Pailin Express
Peephuptmei Restaurant
Sorin Sieng
Yummy Express
Washington Savings Bank
Humanities
:l'fUU5fT 3:)0AU J!O&gt;ICJ0A
':))nsO Alo~ i8 '6Ji?zsD l'j{T)r/&gt;f

17

�Mut Peah Sponsor

18

�Dear Angkor Dance Troupe,
You're Getting Old ...

. . . But That's Good!
Happy Anniversary and
Many More Years to Go!
Your friend,
MehmedAli
19

�Mut Peah Sponsors
2017 ASIAN AMERICAN CULTURES FESTIVAL

PIN PANHCHAPOR
THE HARP &amp; FIVE COLORS OF HARMONY

Angkor Dance Troupe
UMass Lowell World Music Ensemble

H

UMASS
LOWELL

Friday, April 21 at 8pm
Durgin Concert Hall
UMass Lowell
35 Wilder Street
Tickets $10 at the door
(cash only please)

Washington
SAVINGS BANK
We give you more

washingtonsavings.com
20

�Supporters
Music Support:
Alan Williams &amp; UMass Lowell
World Music Ensemble Wongpleng Khmer
Kimhan Meas
Sovann Khon &amp; Tepniyum Band
Program Design Support:
Jim Higgins

Joan Ross

Sochenda Uch

30th Planning Committee Members/Supporters:
Angkor Dance Troupe's Board of
Directors
Celena Mai
Channa Sath
Cheymony Fennell
Chummeng Soun
EmalyHorn
Linda Sou

Peter Chea
Phousita Huy
Roselyn Soung
Sochenda Uch
Sodany Krouch -Venue Designer
Tim Thou
Victoria Phan

�Supporters
Organizations:
Center for Asian American Studies
Flying Orb
Lowell National Historical Park
Massachusetts Cultural Council

Parker Foundation
The Flower House

Individuals:
BonnaMai
Chamroeun Sdoeung
Chenda Wilson
Chhan Touch
Christina Prum
Kolab Thou
Linda Sopheap Sou
Liz Claffin
Malis Loeung
Peter Veth
Sarina Choun
Selena Tran
Sochenda Uch
Sue Kim
Tenzin Thoulutsang

22

1

�NANCYL.&amp;
RICHARD K. DONAHUE

In celebration of the Angkor Dance Troupe's 30th
anniversary, we would like to extend sincere gratitude
to NANCY L. &amp; RICHARD K. DONAHUE for their
continuous support, which helps make this event possible.

�GOOD

CELEBRATES

+

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                    <text>�4. Celebr-atiun uf
Cambudian Cla\\ical and f'ulk. uance
ARTIST DIRECTOR

DANCE COORDINATORS GENERAL MANAGER

Mrs. Phousita Serey Huy

Mr. Tim Chan Thou
Mr. Sokheoun Sim

Ms. Ruth Page

ARTISTS/PERFORMERS
Miss Akara Im
Miss Linda C. Thou
Miss Sopharl Ngin
Miss Ratana C. Thou
Miss Vanrotha Im
Miss Choumnith Sath

Miss Chenda Ty
Miss Sophannary Khem
Miss Sophannarin Khem
Mr. Savann Leng
Mr. Retha Yok
Mr. Samnang Hor
Mr. Khoeun Pring

Mrs. Sokhanarith Moeur
Mrs. Somaly Hay
Mrs. Sopheap Sim

Miss Leakhena Moeur
Miss Rachana Khiev
Miss Rith Malay Hay
Ms. Maly Ouk

Mr. Pov Sath
Mr. Samuth Koam
Mr. Boo Ouch
Mr. Rothana Yok
Mr. Sochenda Uch
Mr. Tola Sok

SPECIAL GUESTS
Mr. Phan Phoung
Mr. Tonara Hing
Ms. Sophana Keth

COSTUMERS/ DRESSERS
Ms. Phalik Ting
Mrs. Kolab Thou
STAGE/SOUND/LIGHTING/PRESENTER COORDINATORS
Mr. Nissay Liek
Mr. Chhan D. Touch
Mr. Scott Glidden
Mr. Tim Chan Chou
Ms. Carol Keirstead
Ms. Gloria Polites
THE PROGRAM
Welcoming Remarks
Lowell Mayor Edward Caulfield
State Representative Thomas Golden
1.
2.
3.
4.
5.
6.

7.
8.

9.
10.
11.
12.

Apsara Dance
The Coconut Shell Dance
Expression of Sentiment Dance
The Butterfly Dance
The Good Crops Dance
Mani Mekhala Dance
15-Minute Intermission
Khen Dance
Chhoy Chhay Dance
The Peacock of Pailin Dance
Tep Monorom Dance
Pestle Dance
Chhay Yam Dance

Classical
Folk
Classical
Folk
Folk
Classical
.....

Folk
Classical
Folk
Classical
Folk
Folk

�Table uf Cuntenu
I.

11.

II.

About the Angkor Dance Troupe .
Dance Descriptions
Apsara Dance .
The Coconut Dance .
The Expression of Sentiment Dance
The Good Crops Dance
The Butterfly Dance .
Moni Mekhala Dance .
Khen Dance .
Chhoy Chhay Dance
Peacock of Pailin .
Tep Monorom Dance .
Pestle Dance .
Chhay Yam Dance .
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�le~ ENTERPRISE

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E-mail: MarionPF @aol.com

1

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An~kor' "Dance. Tr'o'-lpe., Inc.
History and Background
/ ike all traditional arts, Cambodian classical and folk dance has
/...!Jen passed down from one generation to the next. Since the
Angkor Era, Cambodian dancers and musicians have preserved,
cherished, and celebrated their art.
The Angkor Dance Troupe was formed

For' Cambodian~,

in 1986 in Lowell, MA by two teachers

ar'f i~ +he cor'e of

and a handful of dancers who learned

life, combining

traditional Cambodian Dance in

enfer'fainmen+,

refugee camps along the Thai-

fr'adifion, r'eligion,

Cambodian border. Between 1975, and

and ~ocial cohe~ion.

1979, when Pol Pot and the Khmer
Rouge controlled Cambodia, many dancers and musicians perished
or fled the country. It was in the camps and later in places like Lowell
and at the University of Fine Arts in Phnom Penh that traditional
Cambodian dance was painstakingly resurrected.
Today, dance has become one of the primary ways that Cambodians,
split by politics and war, identify a common culture. For Cambodians,
art is the core of life, combining entertainment, tradition, religion,
and social cohesion. Wherever Cambodians live, so do the traditions
of practicing, performing, and passing on the culture.
2

�classi&lt;;:
Dan '

C

ambodian classical dance has been associated with the
court of Cambodia for more than one thousand years.

During the great Angkor civilization, the dancers of the Khmer
royal ballet made offerings while performing during rituals and

ceremonies before sacred idols.
In court dance, we see highly-stylized positions in concert with
gentle movements. Gestures are strictly defined and distinguished
by the intricacy of hand positions.
Each of these gestures has a specific meaning, often relating to
nature. For example "Lea" can denote a leaf, but it can also mean
"to open." (See right hand in photo below.) Depending on its
context within the dance, Lea can represent the leaf and its beauty
or the opening of a hand or a piece of paper.
"Cheep" (left hand in photo) can symbolize
a flower or it can mean to fold into
small pleats.

3

�F

olk dance is rooted in rural Cambodia and reflects the life

and spirit of peasants. Throughout Cambodia, after the

harvest is over, it is time for music, song, and dance. Dance motifs
are commonly based on local legends and inspired by themes of
nature as well as the ceremonies, customs, and rituals of everyday
life. Just as court dance is ruled by a strict form and a prescribed
language of movement, folk dance is spontaneous, created for
emotional expressions.
The folk dances performed by the Angkor Dance Troupe were refined
by the University of Fine Arts in Phnom Penh. Researchers collected
dances and music from all over the country and then choreographed
dances that were suited to staged performances.

~alkD11nes

4

�A Leader in Traditional Cambodian Dance
The mission of the Angkor Dance Troupe is to preserve and
develop the traditions of Cambodian performing arts, to promote
an understanding and appreciation of Cambodian culture, and to
provide a positive social, cultural, and recreational outlet for
Cambodian youth.
The Angkor Dance Troupe is recognized throughout New England
as a leading Cambodian folk and classical dance ensemble.
The Troupe's artistic director, Phousita S. Huy is one of the mostrespected master teachers of Cambodian dance in the U.S.
She is a recently-emigrated star performer from the University of
Fine Arts in Phnom Penh, which is considered the cultural source
and artistic standard bearer of Cambodian performing arts. Troupe
coordinator and cofounder Tim Chan Thou was trained and
certified as a teacher of Cambodian traditional dance from
Khao-1-Dang and Philippine Refugee Centers.

�Phalik Ting (left) and
Thida Loeung at a
recent performance
in Boston.

The Angkor Dance Troupe
is recognized througout
New England as a leading
Cambodian Classical and
Folk Dance Ensemble.

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Safeway Insurance
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1es1e~e1mn1~eemsere~e~em•m~nvse
555 Merrimack Street, Lowell, MA 01852
(508) 970-2442 (508) 458-7681 Fax: (508) 441-1611

CoNqRATulATioNs!
THANk you ANkqoR DANCE TRoupE
foR sHARiNq youR cu lTuRE,
bRiNqiNq SUCH bEAUTY ANd yRACE iNTO OUR CiTY.

MARiNA ANd PETER ScHEll
6

�An Extensive Collection of Authentic Costumes
The Dance Troupe has assembled an extensive collection of
authentic costumes, dance materials, artifacts, and documentation.
The Troupe's principal costumer, Phalik Ting, learned Khmer classical dance in Camp Sakeo, Thailand. Costumers from the University of
Fine Arts in Phnom Penh have also made costumes for the Troupe.

Preparing for a performance can
take several hours. Many
Cambodian dance costumes are
so intricate and close-fitting that
dancers have to be sewn into
them before performances.
Above - Angkor Dance Troupe
member Akara Im assists Linda
Thou with her costume.
Right - Vanrotha Im gets help
with her costume before
performing the Coconut Dance.

�~~~rfamily,
your

your

friends,

life.
Lean on Lowell General

LGH
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Lowell General Hospital
295 Varnum Avenue, Lowell, Mass.

www.lowcllgcneral.org
8

�Congratulations
to The Angkor Dance Troupe
from

•

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~~~'!!~~!!!e~
Est.1892

458-7999

Member FDIC/DIF

All Deposits Insured in Full

Plenty of Free Parking

Best Wishes to the Angkor Dance Troupe
from

~mttbtutck's
Restaurant &amp; Tavern

92 - ro4 Middle Street in downtown Lowell
(508) 937-21n

Live Entertainment

Home of 220 Beers

9

�Members of the Angkor Dance T
roupe perform the classical dance"Tep
Monorum " at First Night Boston in Decem ber 1996.

The Angkor Dance Troupe has participated in workshops at the
Jacob's Pillow Dance Festival and is listed on the Touring Roster for
the New England Foundation for the Arts. The Troupe is routinely
invited to perform at prestigious events, such as Boston's First Night
celebration at the Wang Center and the Boston Ballet. Other
performance venues have included the National and Lowell Folk
Festivals, the Boston Public Library, the Peabody Museum, the
Peterborough NH Town House, the University of Massachusetts Lowell and Amherst campuses, the Annual City of Fall River
Cambodian Celebration, and the Children's Museum.

HENRICK

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JOHNSON INSURANCE AGENCY, INC.

"Building For The Future Through Personal Service"

448 Gorham Street, Lowell, Massachusetts 01852 I Telephone 508-458-3458

10

�Carrying on the Tradition
Over a dozen performances and public events have been scheduled
to date in 1997, including workshops and residency programs in
several public schools. Instructor Tim Chan Thou believes teaching in
the schools is vitally important. "This is how we plant the seeds of
interest in traditional culture," said Thou. "This is how we develop in
young people an appreciation for our heritage, and ultimately it's our
best hope to keep Cambodian dance alive."

Members of the Angkor Dance Troupe rehearse at the Madelon
Curtis Dance Studio in downtown Lowell.

The Troupe holds weekly rehearsals. For four hours every Sunday,
members gather to practice. The method of teaching is practiced as
it has been done traditionally, by watching, imitation, and assistaoce
from teachers to achieve the correct postures and movement.
Through the dance instruction, students learn about Cambodian
culture. From the folk dances, they learn about geography and a
daily life in Cambodia that they have never experienced. From the
classical or court dances they experience revered ancient traditions.
11

�Cambodian tradition prescribes
a particular relationship
between student and teacher,
a relationship that is repeated
in the relationships of children
to parents, and young people to
elders. Students are respectful
of teachers and of the knowledge they possess. They appreciate the chance to learn and
understand their responsibility
for carrying on their culture.

Four young members of
the Angkor Dance Troupe
after a performance of
Tivea Propey, a dance
originally performed in
honor of Children's Day
in Cambodia.

Donald E. Pierson, Dean
College of Education
University of Massachusetts Lowell
12

�Members of the Angkor Dance Troupe
at a recent performance.

From left Chhan D. Touch, Khoeun Pring, Phalik Ting, George
Chigas, Thida Loeung, Linda Thou, Sochenda Uch, Vanlina Im,
Rothana Yok, Pov Sath, Boo Ouch, Ratana Thou, Vanrotha Im,
Sophannary Khem, Sophannarin Khem, Harlen Hor, Soparl Ngin,
Samnang Hor, Akara Im, Andeth Vann, Phousita Serey Huy,
Chenda Ty, Sarith Heng, Sokhoeum Sim, Maliny Pen,
Maliny Khem, Elizabeth Yim, Choumnith Sath. Not pictured:
Tim Chan Thou, Savann Leng, Rotha Yok, Tola Sok, Samuth Koam .

•••••••••••••••••••••••••••••••••••••••••••••
•
•
•
•
•
•
•
•
•
•
Happy New Year
•
•
•
•
•
•
to the Cambodian Community
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•••••••••••••••••••••••••••••••••••••••••••••

Carole Matthews
13

�We would like to
honor and thank
Thoeun (Tlnl) Thou
and Kolab Yin
for their dedication to
continuing the tradition
of Canlbodian dance.

Many people have made valuable contributions to the
Angkor Dance Troupe1 but without the sustained
commitment of Thoeun and Kolab over the past decade1
the Troupe would not have survived.
Despite the difficulties and hardships1 they have never
given up in their belief that Cambodian traditional dance
has meaning and value for future generations.
With respect and appreciation1 we give them our thanks.
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Friends of the Angkor Dance Troupe:
Ann Bartholomew
George Chigas • Cecily Cook • Sovann-Thida Loeung
Ron Micheels • Elizabeth Morrish • Saly Pin-Riebe
Bunrith Sath • Vathana and Parady Soch • Nancy Sweezy .
14

�1--IONORING Tl--IE ARTS

Corporate Video • Multimedia
Advertising • Desktop Publishing

PAGE ONE PRODUCTIONS
80 Aberdeen Street, Lowell, MA 01852
(508) 441-1740 • Email: PAGEl PROD@AOL.COM

�Apsara Dance

Apsara is a central symbol of Cambodian culture. In the great Angkor
civilization, the beautiful celestial dancers of the temple represented the
prayers and linked the human world to omnipotent deities. Hundreds of
bas-relief Apsara carvings can still be seen on the walls of Cambodia's
national treasure, the temples of Angkor Wat.
The Apsara Dance is based on the Angkor Wat sculptures. It is a dance
for special occasions, originally performed only for the royal families of
Cambodia. In the dance, we see Mera, dressed in white for purity,
dancing in her garden with her handmaidens, also Apsaras. The
golden flowers they carry symbolize the happiness and well-being of
Cambodian people.

�The Coconut Shell Dance
Coconut trees are a main
agricultural resource in
Cambodia. They provide
sustenance to Khmer farmers
and are abundant in villages.
Inspired by a popular game
called Coconut Shell, the
Coconut Dance originated in
the province of Svay Rieny, the
eastern part of Cambodia. In
its original form, it was a oneman show. In the modern-day
dance, an equal number of male and female dancers performs
the dance, signifying friendship and courtship.

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18

�TROUPE
O. Foll- Dane&lt;'

Good Crops Dance
This folk dance comes from a minority tribe called Phnorng that lives in
the hilly plateaus and forests of the Mundulkiri and Tarankiri provinces
of Cambodia. The Good Crops dance depicts a delightful episode of
choosing the fields for crops. The dance, through its movements and
gesture, celebrates the hope for a productive harvest.

Expression of Sentiment Dance
Choreographed by the late dance master Chea Samy, this dance was
originally created to provide dance students with a wide range of
expressions and sentiments. It has also been performed by professional dancers as an addition to their repertoire of court dances. The
theme depicts courting actions and, as it concludes, the sadness of
two lovers separated.

+- Fred C. Church
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19

�To a 11
in

+he pe.r'for'me.r'~

+he Angkor' "Dance. Tr'o\Jpe.

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20

�The Butterfly Dance

In Cambodia, a young Khmer hunter captures a butterfly, intrigued by its
color and motion. But when the hapless helpless creature begs for mercy,
he lets it go. And so the Butterfly Dance symbolizes both the curiosity and
the compassion of Cambodian people. The graceful gestures and polite
manner. The willingness to always help and support one another. And
above all, the desire to live in peace and harmony.
Moni Mekhala Dance

According to Cambodian legend, thunder and lightning result from the
eternal battle between the Goddess Moni Mekhala and her adversary,
the storm demon Ream Eyso. One of the most sacred dances in the
Cambodian classical repertory, Moni Mekhala is still performed as a
ceremony to pray for rain.

A
tradition in the
community since 1849.
It has always been the goal of Colon ial Gas Company to offer exceptional value
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It is this commitment to excellence, and the desire to see this community prosper,

that will continue the tradition of Colonial Gas into the next century.

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21

�Khen Dance
This is a dance of courtship. In a region of Cambodia along the
border with Lao, people frequently play an instrument called the
khen or mouth organ. In this dance, men play the mouth organs to
serenade women. Not able to resist, the ladies touch the flowers
hanging from the khen and fall in love.
Chhoy Chhay Dance
Chhouy Chhay is the name of an adolescent princess dancer with
perfect beauty in all aspects. Her dance, voice, figure, and attitude are
rare and unmatched in the world. This choreography demonstrates her
delicate and gentle dance during her promenade in the forest.
e peacock is a symbol of
happiness in the region of
Pailin, which borders Thailand.
The dance is thought to bring
prosperity to villagers and for
that reason the dance is performed
during the New Year and at other
Peacock
of Pailin

ceremonies and festivals. The original
performance of this dance was adapted
from a tale involving a peacock and a
hunter and was danced with both
dancing and chasing actions.

When it was brought to the University of Fine Arts in Phnom Penh,
some of the original elements were eliminated and new elements
added. The theme was changed and now the dance embodies courtship.
Tep Monorum Dance
This dance, often considered the most beautiful in the classical
repertory, embodies the well being, friendship, and prosperity of
Cambodian people.

22

�Happy New Year
to the Cambodian Community
from

l(ris Niccoli
The Pestle Dance
The Pestle Dance is a popular Khmer folk dance that originated in
Siem Riep Province. It is a dance that celebrates the harvest. The
pestle and mortar are used in Cambodia as an old-fashioned way to
mill rice paddies. Usually two people, each with a pestle, pound
alternatively in a constant rhythm, an action which provided the
basis for the modern day dance.
Ch hay Yam Dance
Chhayam is a comic country dance. After the harvest, Khmer
peasants and farmers gather in ceremonies and festivals to
celebrate. Chhayam is performed to enliven and add levity to these
celebrations. Its exciting rhythm encourages dancers to improvise
their steps and gestures.

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TEL. 454-0402
23

�••••••••••••••••••••••••••••••••••••••
•
Special Thanks to
Our Dedicated Staff &amp; Board of Directors

•

Chhan D. Touch, President
Carol Keirstead, Vice President
Gloria Polites, Co-Secretary
Carole Matthews, Co-Secretary
Nissay Liek, Treasurer
Phousita S. Huy, Artistic Director
Phalik Ting, Instructor
Sokhoeum Sim, Instructor
Akara Im
Samuth Koam
Arn Chorn Pong
Tim Chan Thou, Troupe Coordinator
Dr. Toni Shapiro, Advisor
Also to:
Lori Kalb, New England Folklife Center
Molly Sheehy, Middlesex Community College
Michelle Ramahlo, Smith Baker Center
Thurman Prints
The Top Half
Publication designed by Page One Productions
Sources: "Cambodia's Royal Dance, " by Eileen Blumenthal, Natural History 4189
Khmer Folk Dance by Sam-Ang Sam &amp; Chan Moly Sam, Khmer Studies Institute Inc., 1987
Khmer Songbook, Forward by Sophiline Cheam Shapiro, 1992
The Classical Dance Company of Cambodia, Sam-Ang Sam, Music Director
"An Introduction to Khmer Traditional Dance" by Huy Serey Phousita, Seoul, 1995

Photo Credits:
Tim Chan Thou, Toni Shapiro, Eileen Blumenthal,
Ann Bartholomew, Eleanor Briggs, Higgins &amp; Ross
Translation Services: Nissay Liek
If you are interested in booking the Angkor Dance Troupe,
please contact: Ruth Page, General Manager (508) 441-1750

••••••••••••••••••••••••• ••• •••••• • ••

�The Angkor Dance Troupe is funded in part by the:
THEODORE EDSON PARKER
FOUNDATION

li111

MASSACHUSEITS CULTURAL COUNCIL
A state agency that supports public programs
in the arts, humanities. and sciences

Lowell Cultural Council
with funds from the Massachusetts
Cultural Council, a state agency

Angkor'

ll:l:HllMc.e. Tr'o'Jpe.
P.O. Box 1553
well, MA 01853

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                    <text>�T'ha11ff You
We are delighted you have joined us for Reamker, 29 years ago we
began the Angkor Dance Troupe with the vision to preserve and
develop the traditions of Cambodian performing arts, that was
almost completely wiped out during the Khmer Rouge genocide.
As a community struggling to put down roots in a new homeland,
Cambodian dance provides a poignant reminder of the beauty and
spirituality of our culture and helps us build a more stable foundation for our children.
As the heart and soul of the Cambodian American community
in Lowell, the Troupe has served as a foundation and voice of our
cherished cultural traditions. We are nationally recognized as one
of the most accomplished and experienced of the U.S. - based Cambodian traditional arts ensembles and have received recognition
from the Massachusetts Cultural Council, the National Endowment
of the Arts, and the White House.
We hope you enjoy the show!

Tim Thou
Co-Founder

~

Phousita Huy
Artistic Director

~

?

DahvyTran
Executive Director

~

�•

Progra,n

Attgkor Oam:~ Troup&lt;, Im:.

1'UfIDH~f

The Angkor Dance Troupe is proud to present Reamker a Cambodian epic poem, based on the Sanskrit's Ramayana epic. It adapts
the Hindu ideas to Buddhist themes and shows the balance of good
and evil in the world.
Reamker Program
Scene I:
Krong Reap sees Preah Ream and
Neang Seda
Scene II:
Preah Ream follows the Golden Deer
Scene III:
The Abduction of Neang Seda
Scene IV:
Preah Ream and Preah Leak calls
for Hanuman
Scene V
Kingdom of Langka
Scene VI
Hanuman and Sovann Macha
Scene VII
Neang Seda and the Test of Fire

�Rea,nter

Att5k or Oa ttc:c TrOl-fpc, lttc:.

w1mrl URS

The classical literature of Cambodia during the 16th and mid-19th
century reflected the cultural influence of India and represented
three major genres: the epic, verse novels, and bap, or "codes of
conduct:'
One of the earliest literary epic stories that was composed in the
Khmer language is the Cambodian version of the Indian Ramayana, Reamker. The evolution of the Indian Ramayana story in Cambodia represents the adaptation of Hindu ideas to Buddhist themes
and shows the balance of good and evil in society. Reamker serves
as an inspiration for various genres of performance in Cambodia.
Classical dance-drama, all-male masked dance-drama, and shadow
puppet plays all include episodes in their repertoire.
The story of Reamker centers on Preah Ream, a Prince who was
exiled to the forest through no fault of his own for fourteen years.
Following many adventures including the abduction of his wife
Neang Seda by the evil giant Krong Reap, Preah Ream eventually
rescues her with the help of an Army of monkeys guided by Hanuman. Preah Ream and Neang Seda return home in triumph and the
Prince reclaims his throne.
The complex interplay of strengths (bravery, foresight) and weaknesses (distrust, trickery) --though couched in episodes lined with
magic -- nonetheless represents aspects of human social behavior.

4

�•

Characters

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Preah Ream, is the main protagonist of the epic. He is believed to be
the reincarnation of the Hinduism deity Vishnu and the husband of
Neang Seda.

Neang Seda, the female protagonist of the epic and wife of Preah
Ream.

Preah lea~, is the brother of Preah Ream and his aid to fight Kong
Reap and rescue Neang Seda.

Krong Reap, is the main antagonist of the story. He captures the
beautiful Neang Seda to his island of Langka.

Preus Meas (G()lden Deer) is the transformation of Maharik, a cousin
of Krong Reap.

T'a rysi (Hermit) - Krong Reap transforms into an old hermit to disguise his true identity in order to capture Neang Seda.

Hanuman (General White M()nhy), helps rescues Neang Seda. While
building the bridge connecting the island of Langka to the mainland, he fells madly in love with Sovann Macha, the Golden Mermaid.
S()Vann Mar;ha (G()lden Mermaid), is the Golden Mermaid who tries to
spoil Hanuman's plans to build a bridge to Langka but fell in love
with him instead.

5

�Rea1nker

Attg:kot' Da.ttcc Trowpc. lttc.

wuH!l$4~1

Scene I: Krong Reap sees Preah Ream and Neang Seda

The story begins with Preah Ream, Neang Seda and Preah Leak venturing off to the forest to gather fruits and flowers. Preah Ream and Neang
Seda falls asleep under a tree. It was there that Krong Reap catches sight
of Neang Seda, he was so awed by her beauty that he commands his
soldier Maharik to transform into Preus Meas - the Golden Deer. Neang
Seda falls in love with Preus Meas and ask Preah Ream to capture it for
her. Neang Seda and Preah Leak waits, while Preah Ream pursues the
Golden Deer.
Scene II: Preah Ream follows the Golden Deer

As Preah Ream pursues Preus Meas, Neang Seda becomes worried that
her husband may have trouble capturing the deer and ask Preah Leak to
assist him. Preah Leak agrees but before leaving he pulls out his magic
bow, shoots it at the ground near Neang Seda, which cast a protective
enchantment around her
Scene III: The Abduction of Nean Seda

Krong Reap's plans to get Neang Seda alone succeeds and attempts to
capture her, but fails. He keeps circling around the enchanted perimeter,
trying to find a way in, but each time gets burnt by the enchantment.
The only way Krong Reap can get to Neang Seda is to trick her out of
the circle, so he transforms into an Ta Eysi - an old Hermit. Neang Seda
sees Ta Eysi and steps out of the protective circle to bow down and pay
her respects. She allows him into the circle, where Ta Eysi tells her she is
destined for Krong Reap and not for Preah Ream. Shocked, Neang Seda
reprimands Ta Eysi by striking him. Angered, Ta Eysi transforms back to
his true form and chases her. The scene ends with Krong Reap capturing
and flying away with Neang Seda.

6

�Rea,nffer

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Scene IV: Preah Ream and Preah Leak calls for Hanuman

Upon returning the brothers realized Neang Seda was abducted. They
seek out Hanuman for help. Preah Ream shoots his magic arrow into the
sky to summon Hanuman and when he arrives, Preah Ream places his
ring preah thomrong in Hanuman's hand. This would be proof to Neang
Seda that she can trust Hanuman to bring her back home.
Scene V: Kin dom of Lan ka

At Krong Reap's palace, the gods cast a protective spell around Neang
Seda's body, which caused intense heat to radiate. Krong Reap is burned
every time he attempts to touch her. Angered, Krong Reap orders two
female servants to punish her, but they are interrupted by Hanuman.
Initially, Neang Seda thinks Hanuman is a fraud, so she places a spell on
him to test him. If he is the real Hanuman, a flower garland would appear around his neck. Hanuman then places the ring from Preah Ream
in Neang Seda's hand.
Scene VI: Hanuman and Sovann Macha

Hanuman attempts to build a bridge to the kingdom of Langka to rescue
Neang Seda, but is thwarted by Krong Reap's daughter, Sovann Macha.
As soon as the monkeys lay down the stone path to cross the ocean,
Sovann Macha's mermaids remove the stones. Hanuman catches Sovann
Macha and decides to seduce her. He succeeds and they end up falling in
love. Sovann Macha allows the completion of the stone path to the kingdom of Langka where a battle ensues between good and evil.
Scene VII: Neang Seda and the Test of Fire
Preah Ream, out of jealousy, assumes that Neang Seda was unfaithful and
no longer pure after being Krong Reap's captive, he puts her through the
test of fire to prove her fertility and purity. Her innocence was proven.
7

�At1$kor Oat1cie: Trowpc. lt1c.

1.!'1UfID$$£f

sova1111 Ma,1ha Spo11sors

Lowell General Hospital is proud to
sponsor the Angkor Dance Troupe, Inc.
~
Lowell General Hospital

'-.,./'
Complete connected care=

GALLAGHER

&amp; CAVANAUGH LLP

COUNSELLORS AT LAW

8

�Sora1111 Ma,;ha Sponsors

Anskor Oa-=&lt; Trow~. lttc.

1.'1SHs.1ff£f

INSURANCE AGENCY

How- can w-e help you?
Imagine a banking experience perfectly in sync with you. The right tools
at your fingertips 24/7. Expert guidance when and where you need it.
At Align Credit Union , it's how we 've been doing things since 1922.

=rrlign.
Con necting all you r banki ng needs

Visit our convenient Lowell locations at:
900 Chelmsford Street (Cross Point)
87 Hale Street
(800) 942-9575
AlignCU.com
+ Personal &amp; Bus in ess Ba nkin g + Mortgages + Finan cial Plannin g + Insu ran ce +

�Sova1111 Ma•;ha Spo11sors

At15ko,- Oa,-,c:e T,-owpc, J,-,c:.

1,fJUffi1$$~f

Carol &amp; George Duncan
"We are delighted to support and celebrate
the Angkor Dance Troupe as it debuts
their annual residency at the Merrimack
Repertory Theatre and continues to connect communities with the preservation
and innovation of their rich culture:'

&lt;

Enterprise Bank
is proud to support the

Angl&lt;or Dance Troupe
/

as they celebrate their heritage and continually bind
the immensely-diverse cultures of our community.

978-459-9000
Member

FDIC

~~ Enterprise

Bank

CREATE SUCCESS

EnterpriseBanking.com

10

�Mo11i Methala Sponsors

Thinking about buying a house?
Do it right.
Project Genesis
Home Buyer Training Seminars
LEARN ABOUT

The Home Buying Process

Mortgages
Legal Aspects
Home Inspections
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Responsible Home Ownership
Down Payment Assistance Programs

Seminars avaiLible in Engish. Spanish &amp; Khmer.
T O REGISTER

v,,;, www.mvhp.org
or call 978-459-8190.
Thank you.

~Washington
~

SAVINGS BANK
We give you more

washingtonsavings.com

11

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Mut Peah (f rie11ds)

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Demoulas Foundation

L&lt;JNELL. MA

juliem~!tyi~~!
creator of
•Monkey Dance• documentary

-

Robert Farrant
Sara Serendipity

Sharing Foundation

12

�13

�Artists and Perf or,ners
Masters and Teachers
Artistic Director and Master Teacher - Phousita Huy
Dance Program Manager - Channa Sath
Master Teacher Pech Heung
Master Teacher Phirum Meas
Master Teacher Kimhan Meas

Supporting Master Tead1ers:
Master Teacher/Choreographer - Proeung Chhieng
Master Teacher - Yorn Peng

14

�Artists and Pert or1ners
Perfcmners
Alexandra Mai
Anita Srey
Brianna Mai
Celena Mai
Chad Mai
Channa Sath
Chummeng Soun
Daisy Var
Emaly Horn
Isabel Clafin
Jaren Kong
Jasmine T. Udomsay
Jefferson Phan
Johnny Khat
Judith Wilson
Kelly Ly

Kevin Searth
Kevin Vann
Krisna Thou
Krissandra Mai
Monica Veth
Nadia Heng Noeuk
Nicky C. Fennell
Nina Touch
Pech Heung
Peter Chea
Peter Veth
Phirum Meas
Poutda Pech
Robin Wilson
Salena Mam
Sambo Yoeun

Costume Support:
KolabThou
Chenda Wilson

Multimedia Support:
James Higgins

Prerecorded music:
Royal University of Fine Arts, Phnom Penh, Cambodia

15

Semnang Kao
Sophy Leng
Sovann-Malis Loeung
Tanromni Chum
Tim Sokhoeun
Victoria Phan
Virginia Prak
Viseth Loeung-Rinehart
Vituu Touch

�Att5kor 0,At1Cl' Trowpe. Jttc:-.

1'UUl'lM~(

Stat f &amp;leadership

Advisory Board:
Celeste Bernardo
Michael Gallagher
Nancy Donahue
Carol Duncan
Felicia Sullivan
Jim Conlon
Adrien Bisson
Sophy Theam
Vanna Howard
Joe Hungler
Jim Wilde
Robert Farrant
Walter Wright

Students practice a scene from Reamker

16

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wsumH~S

Board of Direr.tors:
Lianna Kushi, President
Karen McManimon, Vice President
Linda Uch, Clerk
Chummeng Soun
Michael Conway
Narin Sinuon
Nary Tith
Sheila Kirschbaum
Sochenda Uch
Sovanna Pouv
Virginia Prak

Program Staff:
Dahvy Tran, Executive Director
Tim Chan Thou, Operations Director
Tom Southernton, Program Coordinator
Khakhada Horn, Program Assistant
Shaun McCarthy, Grant Writer

The Angkor Dance Troupe host a traditional Sampeak Gru ceremony to pay their
respects for past Master Teachers to help guide them to a successful performance.

17

�Ans\tor o...nce Trowpe. Inc.

1.fflH£i1ff£S

Vision

We envision Lowell Massachusetts to be the epicenter for innovative Cambodian performing arts with the Angkor Dance Troupe at
the core.

Mission
The Angkor Dance Troupe connects communities through the preservation, education and innovation of Cambodian performing arts.

History
The Angkor Dance Troupe was formed in 1986 by Cambodian refugees of the
Khmer Rouge holocaust. Lowell's Cambodian American community, estimated
at more than 35,000 people, is the second largest in the country. When we
resettled here, we brought a passion to carry on our cherished cultural traditions
to practice and perform, to teach our children, and to see our art preserved for
future gene!ations of all cultures.
We take our name from the great Angkor civilization, between 802 and 1432 AD
when Cambodia was a dominant empire in Southeast Asia. Dance and music
have always been prominent in Khmer society, but these ancient traditions were
nearly eliminated when the Khmer Rouge controlled Cambodia in the 1970s.
Artists were among those deliberately targeted for execution. More than 90% of
the country's tradition bearers perished. Today, as Cambodians around the world
struggle to emerge from decades of war and poverty, our people look to the
rebirth and re-creation of dance as testimony to the endurance of our culture.
"The Angkor Dance Troupe is a gem in the Commonwealth. The Massachusetts
Cultural Council is proud to be a longtime supporter of Angkor for its beauty,
value, and impact in preserving this rich cultural art form for the Lowell
community and beyond" says Anita Walker, the Executive Director for the
Mass Cultural Council. "The Angkor Dance Troupe is not only an organization
promoting dance, it's an inspiration to all those who survived the Cambodian
Genocide three decades ago, and a testament to the enduring power of the arts:'

18

�Supporters

\
National
Endowment

for the Arts

ARTWORKS.

arts.gov

Th Lenny Zakim Fund
1

8A I OG I

G COM

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!TI ES

@Eastern Bani&lt;
charitable foundation
T

The Parker Foundation

19

�PRESERVE• EDUCATE• INNOVATE

www.angkordance.o

�Reamker Cast

2015
Students
PreahReam
Nean Seda
PreahLeak
Giants Army

Golden Deer ·
Tha E si Hermit
Hanuman

Tim Sokhoeun
Poutda Pech
Brianna Mai
Monica Veth

Judith Wilson
Alexandra Mai
Salena Mam
Dais Var
Channa Sath
Kimhan Meas
Nicky Fennell

Gen. White Monkey)

Monkey Army

Swva Pol Army

Sovann Macha

Jaren Kong
Peter Chea
Johnn Khat
Kevin Searth
Vituu Touch
Chad Mai
Viseth Loeung-Rinehart
Jefferson Phan
Semnang Kao
Sambo Youen
Nadia Heng Noeuk

Golden Mermaid

Mermaids

Candle Dance

Nina Touch
Victoria Phan
Jasmine Tauvari Udomsay
Isabel Claflin
Kelly Ly
Anita Sre
Krisna Thou
Emaly Horn
Robin Wilson
Celena Mai
Krissandra Mai
Tamromni Chum

�Jy;;_7

Wr(BfAHAM (c[)

)35 GroDVv1~ S\

�</text>
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~fi'gfmfte;
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Angkor' Dance.

n

Tr'o'-lpe., Inc..

June 30, 1999
Paul Marion &amp; Rosemary Noon
44 Highland Street
Lowell, MA 01852
Dear Paul &amp; Rosemary,
Thank you for purchasing an ad in the Angkor Dance Troupe's annual
commemorative publication. The book was released in May and has been
enthusiastically received by the community. Copies will be distributed throughout
1999 including at area retailers and restaurants, and at the Lowell Folk Festival
and Southeast Asian Water Festival.
Your tax-deductible contribution of $70 will help us continue our important work
in the Cambodian community. The Angkor Dance Troupe preserves and teaches
cherished cultural traditions that were severely threatened by events in
Cambodia's recent history. We also work extensively with at-risk youth in the city
of Lowell.
Our programs are made possible in large part by the generosity of people like
yoi.J. The Troupe's Board of Directors, staff, and dancers are deeply appreciative
of your support.
Thank you again for your support and your commitment to Lowell's Cambodian
community.

Sincerely,

Ruth Page
General Manager

A Nonprofit Cultural Organization
P.O. Box 1553 • Lowell, MA 01853
(978) 441-9277 • FAX: (978) 937-9419 • http://civic.uml.edu/angkor

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                    <text>ANGKOR
DANCE TROUPE
Cambodian Classical &amp; Folk Dance

1999 COMMEMORATIVE BOOK

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�TABLE OF CONTENTS
I.
II.
Ill.
IV.
V.

About the Angkor Dance Troupe
A Unique Way to Reach Youth
The Year in Pictures
Inside Back
Funders &amp; Credits
Directory of Advertisers
Asian American Bank &amp; Trust
Anstiss &amp; Company, P.C., CPA
Ann Bartholomew &amp; Ron Micheels
Jane Benfey, Angkor Dance Troupe
Colonial Gas
Community Teamwork, Inc.
Nina Coppens
Donahue &amp; Donahue, Attorneys, P.C.
Eno, Boulay &amp; Martin, LLP, Attorneys at Law
Enterprise Bank &amp; Trust Co.
Outside Back
Friends of the Ankgor Dance Troupe
Thomas A. Golden, Jr., State Representative
John J. Honan Insurance Agency
Jeanne D'Arc Credit Union
Haskell Law Offices
Inside Front
Harvard Vanguard Medical Associates
Wayne Hayes, Lowell City Council Candidate
John E. Leggat, Counselor at Law
Dick Lepine Real Estate, Inc.
Paul Marion and Rosemary Noon
MassBank
Steve Moses
Kristina Niccoli
Page One Productions
Steve Panagiotakos
Pelletier Brothers Garage
Donald Pierson
Louis L. Pinn Insurance Agency
Jonathan Pulliam
Saints Memorial Medical Center
Nicholas C. Sarris, Inc.
Linda Sllka, Ctr. for Family, Work, &amp; Community
Janice M. Stecchi
Tim Chan Thou &amp; Family
Roland A. Turmaine, Attorney
University of Massachusetts Lowell Bookstores
Washington Savings Bank

1 - 17
20-24
26-34
Cover
17
27
38
35
25
29
32
28
17
5
Cover
9
22
27
Cover
13
25
11
21
3
33
27
32
36
33
23
34
23
37
31
11
35
8
18-19
30
30
11

�Special Thanks
To Our Dedicated Staff &amp; Board of Directors

Chhan D. Touch, President
Phousita S Huy, Artistic Director
.
Nissay Liek, Treasurer
Tim Chan Thou, Troupe Coordinator
Jane Benfey, Vice President
Carole Mathews, Co-Secretary
Ruth Page, General Manager
Gloria Polites, Co-Secretary
Jim Conlon
Paul Marion
Nina Coppens, Ph.D., R.N.
Maureen Martin
Saovary En
Rady Mom
Lynne Faust, LNP
Khoeun Pring
Samnang Hor
Seng S Prum
.
Akara Im
Sokhorn Sem
Laurie Beth Kalb, Ph.D.
Sopheap Sou
Cassandra Keirstead
Sokhoeum Sim, Instructor
Toni Shapiro, Ph.D., Troupe Advisor
Phalla Lak, Instructor
Phallik Ting, Instructor
Sovann Thida Loeung, Instructor
Kolab Yin, Costumer
Also to:
Thurman Prints
Cambodian Women News
UMass Lowell Bookstores I Barnes &amp; Noble Lowell
And to Our Funders:
Massachusetts Cultural Council
Theodore Edson Parker Foundation
Lila Wall-Reader's Digest Community Folklife Program
Lowell Cultural Council
Friends of the Angkor Dance Troupe
Lowell Community Schools
Lowell Police Department
Nathaniel &amp; Elizabeth P. Stevens Foundation
Greater Lowell Community Foundation
For more information regarding the Angkor Dance Troupe,
please call or write:
Angkor Dance Troupe
P.O. Box 1553, Lowell, MA 01853
(978) 441-9277 FAX: (978) 455-2454
http://civic.uml.edu/angkor

�ANGKOR DANCE TROUPE

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THE POWER OF ART &amp; CULTURE:
A COMMUNITY HEALS ITSELF
The Angkor Dance was formed in 1986 by two dance instructors
and a handful of dancers who learned traditional Cambodian
dance in refugee camps along the Thai-Cambodian border. When
we resettled in Lowell, we brought a passion to carry on our
cherished traditions - to practice and perform, to teach others, and
to see the art form preserved for future generations of all cultures.

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A classical dancer performs a ceremony in front of the
Angkor Wat temple complex in the Siem Reap province of Cambodia.

The Troupe takes its name from the great Angkor Civilization,

between 802 and 1432 AD, when Cambodia was a dominant
empire in Southeast Asia . Dance, music, and· drama :have always
been prominent in Khmer society, but these ancient traditions
were nearly wiped out when the Khmer Rouge controlled
Cambodia in the 1970's. Artists were among those deliberately
targeted for execution and more than 90% of the country's
tradition bearers perished. Today as Cambodians in Lowell and
elsewhere struggle to emerg'e from decades of war and poverty,
our people look to the rebirth and re-creation of dance as
testimony to the endurance of Cambodian culture.1
2

�The Angkor Dance Troupe plays an important role in Lowell.

Greater Lowell is home to the second-largest community of
Cambodian Americans in the country. Most residents are refugees
who resettled here in the wake of the Khmer Rouge genocide.
Cambodian dance performances provide a poignant reminder of
the beauty and deep spirituality of Cambodian culture and help us
develop a sense of home and community in our new homeland.
While working in refugee camps during the 1980's, anthropologist
Toni Shapiro observed that despite adverse conditions there was a
passion to dance. "People who know only the rudiments of Khmer
classical or folk dance movements taught others, and they staged
small shows ... Wherever the Khmer were, some were dancing. In the
camps along the Thai -Cambodian border, a war zone in 1983,
dancers dodged artillery shells on the way to practice o r even
during performances. Still they danced .. .And thousands showed up
to watch, sometimes perching on bunkers to get a better view. "

Happy New Year

"!iiFi
from
Paul Marion &amp; Rosemary Noon
3

2

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A National Leader in Traditional Cambodian Dance
The Angkor Dance Troupe is nationally recognized as one of the
most accomplished and experienced Cambodian traditional arts
ensembles performing today. The Troupe has appeared at

numerous prestigious venues throughout the Northeast including
First Night Boston, the National and Lowell Folk Festivals, the
Berkshire Museum, Yale University, and the Merkin Concert Hall
in New York City. The Troupe has participated in workshops at
Jacob's Pillow and is listed on the New England Touring Roster.
During 1998 alone, the Troupe appeared in 33 performances for
combined audiences of more than 13,000 people.
Troupe Artistic Director Phousita S. Huy is one of the world's mostrespected master teachers of Cambodian dance. Before joining the
Troupe, she was a faculty member with the Royal University of Fine
Arts in Phnom Penh, and she toured internationally as a principal
with the Classical Dance Company of Cambodia. Troupe Coordinator and Founder Tim Chan Thou was certified as a teacher of
Cambodian traditional dance at the Khao-1-Dang and Philippine
Refugee Centers.

4

�T

--

ENTERPRISE

Gr

BANK AND TRUST COMPANY

ie~

Member

A

CERTIFIED SBA

LENDER

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Branch Offices
674 Boston Road (Rte 3A) •Billerica, MA 01821 • 978-262-0123
185 Littleton Road (Rte 110) • Chelmsford, MA 01824 • 978-442-5588
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910 Andover Street • Tewksbury, MA 01876 • 978-863-5500
Coming Soon: 23 7 Littleton Road, Westford

Mortgage Lending Center
27 Palmer Street• Lowell, MA 01852 • 978-459-9000

The Troupe takes a bow after a peformance for Yale University in September 1998.

5

�lassical dance has been connected to the sacred rituals of
Cambodia for more than one thousand years. During the
great Angkor civilization, dancers performed blessing ceremonies in temples to bring prosperity to the kingdom. Once the
exclusive domain of royalty, classical dance is now performed for
audiences everywhere.
In classical dance, we see highly-stylized positions in concert with
gentle movements. Gestures are strictly defined and distinguished by the intricacy of hand positions. Each gesture has a
specific meaning, often relating to nature. For example "Lea"
can denote a leaf, but it can also mean "to OP.en." (Right hand in
photo.) Depending on its context within a
can represent the leaf and its beauty or the
opening of a hand or piece of paper. "Cheep"
(left hand in photo) can symbolize a flower ..•
or it can mean to fold into small pleats.
6

�,..,... hroughout Cambodia, after the harvest, it is time for

I.

music, son g, and dance. Folk dance is rooted in rural

Cambod ia and depicts ritua ls of everyday vi ll ag e life. The dances
honor skills that are t ypically undervalued in t he rush towa rd
westernization, such as fishing and rice farming .
Dance motifs are commonly based on local legends and inspired
by themes of nature as well as the ceremonies, and customs that
shape the lives of Cambodian people. Distinctive, colorfu l
costumes represent the traditional dress and cloth worn the
various regions and ethnic groups within Cambodia.
Just as court dance is ruled by a strict form and a prescribed
language of movement, folk dance is spontaneous, created for
emotional expressions.

folk Danell

7

�An Extensive Collection of Richly Detailed Costumes
The Angkor Dance Troupe has assembled an extensive collection
of richly-detailed, authentic costumes, dance materials, and
artifacts. Much of the collection was created by master dancers
and costumers from the University of Fine Arts in Phnom Penh.
Preparing for a performance can take several hours. Many
costumes are so intricate and close-fitting that dancers must be
sewn into them before performances.

Best Wishes from

Dean Janice M. Stecchi
College of Health Professions &amp;
Center for Health Promotion
University of Massachusetts Lowell
in anticipation of continued partnerships.
8

�Thomas A. Golden, Jr.
ST ,\TE

REPRl ·~ SE0:T , \Tl\ ' E
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~·11'.gi~•l~t!m"'~"•'''"e-Sme~&amp;e•
Best Wishes to the
Greater Lowell Cambodian Community
and Congratulations to the
0

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Angkor Dance Troupe!
9

�From One Generation to the Next - Carrying on the Tradition
Members of the Troupe rehearse for several hours each week. The
method of teaching is based on the traditional model - apprentices
learn by watching, imitation, and hands-on assistance from teachers.
At left, Master Phousita Huy helps
apprentice Elizabeth Yim achieve
the correct posture during a
rehearsal in January 1998.
In May, the
8-year old made
her stage debut
as "Sovann
Macha," a
challenging
classical dance
role, during a
performance at
Lowell's Robinson School. Right, Master Yorn
Peng makes adjustments to Elizabeth's
headdress before she takes the stage.
LAST-MINUTE
BACKSTAGE
PREPARATIONS

Ms. Huy gives lastminute instructions
to dancers ready to
perform the
"Blessing Dance"
at the University
of Massachusetts
Lowell in May.
10

�JOHN E. LEGGAT
COUNSELOR AT LAW

(978) 454-5654
FAX: (978) 452-5914

174 CENTRAL STREET
LOWELL, MA 01852

87 Pevey Sueec
Lowell
Massachusetts
01851

Telep/Jone

508·458·9762
Fax
508·970·0717

Custom

Building,
Remodeling
&amp; Historic
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Cabinetry
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Mtne.rsoftk ~

1t'f'j1 CD Mllwrb
11

~MEMBER

tUil FDIC/DF

�Masters of Cambodian Dance - Learning from the Best
The Ang ko r Dance Troupe teaches and performs a body of work
from the Royal Un iversity of Fine Arts in Phnom Penh, Cambodia,
whi ch is con sidered the world 's cultural standard bearer for
Cambodian trad it ional arts.
Part of what distinguishes the Angkor Dance Troupe from other
Cambodian dance ensembles is our ongoing program of cultural
exchange with the international community of professional
dance masters. The Troupe has worked with numerous master
dancers and musicians over the years, most recently hosting three
dance professors from the Royal University during 1998 through
a project funded by the Lila Wallace-Reader's Digest Community
Folklife Program .
Below right, visiting instructor Say
to teach apprentices new
scenes from the
Cambodian Reimkee.

Left, popular University of Fine Arts
Instructor Sophea Sek with Troupe
apprentice Sochenda Uch.

12

�Harvard

Vanguard
Medical Associates
Chelmsford
Serving the Chelmsford area for over 40 years.
Offering the largest and most complete
medical services in the area in one convenient location.
On-site services include adult and pediatric primary care,
surgery, and other specialities.

en;snaiee

Chelmsford ~9~0F&amp;e5'55

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mamdittlfl a~~01 m mrutgna~ MJm riJ, ~a tQ\3,
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228 Billerica Road
Chelmsford, MA 01824
(978) 250-6000

msununltum fi1l t~19 8
On-site Khmer interpreter (978) 244-6667

13

�Masters of Cambodian Dance - Learning from the Best
In the 12-year history of the Troupe, we have had the honor to
work with a number of professional dance masters from the
University of Fine Arts, Phnom Penh and around the world. For
their invaluable contribution to the preservation of Cambodian
dance, we give them our thanks:

The Esteemed Chea Samy
Master, Royal University

Chhieng Proeung
Dean, Univ. of Fine Arts

Ros Kong &amp; Tes Sam Oeun
Masters of Classical Dance

Dr. Sam Ang Sam
Master of Cambodian Music

Chan Moly Sam
Master of Court Dance

Malis Keo
Director, Univ. of Fine Arts

Sokhanarith
Moeur (Left)
Professor of
Folk Dance
&amp; Drama
Phan Phoung
Professor of
Folk Dance
(Choreographer,
Coconut Shell
Dance)

14

�Somaly Hay
Master of Classical Dance

1
Savath Roeung (Center)
Folk Dance Instructor
with Tim Chan Thou (left)
&amp; Sokhoeum Sim

Phousita Serey Huy
Master of Classical Dance

Sam On Soth
Master of Classical
Dance Drama

Heang Nayto
Folk Dance Instructor

Phalla Lak Morris
Folk Instructor

Thavro Phim
Folk/Giant/Monkey
Instructor

Song Heng
Master Musician

Khatna Peou
Master of Classical Dance
(With Grandson Tim Chan Thou &amp; Family)

Yom Peng
Master of
Classical Dance

Sophea Sek
Folk/Giant
Instructor

Say Soeur
Monkey
Instructor

lath Sum
Master Musician
Not Pictured: Rachana Khiev,
15
Tonara Hing

�Masters of Cambodian Dance - Learning from the Best
Over the years, our active
educational exchange with the
Royal University of Fine Arts has
helped us significantly expand our
repertoire of classical and folk
dance traditions.
Today, the Angkor Dance Troupe
performs a number of traditional
dances rarely performed by U.S.based Troupes.
A year-long 1998 residency with
Sophea Sek and Say Soeur, below,
and Yorn Peng, right,
helped the Troupe add a number of
dances to our performance repertoire
including "Tbal Kdoeung," the Rice
Harvesting dance, "Moni Mekhala &amp;
Ream Eyso," the Cambodian fable
of thunder and lightning, "Peacock
of Pursat," the "Preap Dance,"
"Swva Pol," and "Peacock of Pailin."

Above, Royal University
Dance Master Yorn Peng
assists apprentice Kuntear
Eng during a Troupe
rehearsal.

�In 1999, Connecticutbased Master teachers
Sokhanarith Meour
and Phan Phoung will
hold a series of workshops on the "Chhay
Yam" and other
dances, through a
project sponsored by
the Lila Wallace Reader's Digest Community Folklife Program.

ENO, BOULAY &amp;
MARTIN, LLP
ATTORN EYS-:AT-LAW

ARTHUR L. ENO. JR.
SANDRA M. BOULAY
WILLIAM F. MARTIN, JR.
134 Middle

Street-Suite 300 • Lowell, MA 01852-1867

'/el fJlB-452-8902

Fax. fJlB-453-2585

"Congratulations and Best Wishes
for Another Successful Year."

ASIAN AMERICAN

Phone: (617) 695-2800

BANK &amp;. TRUST

Boston • Somerville • Allston
www.asianamericanbank.com

COMPANY

68-Avmae, -....,MA 02111

The Bank That Serves AU Nations

If you lack credit history but exhibit sound financial habits, we may be
able to help you. Ask about our conventional and non-conforming
mortgages. Please contact one of our friendly and knowledgeable ~
Loan Officers for further information.
II
All fo rms a"' in English. Translation assistance is availablt.
MEMBER FDIC
II

17

�~spite of the past tragedies in our homeland,
you worked successfullly to

restore and
promote our treasured cultural arts,
so they may be preserved and passed
down to future generations.

~ct always dreamed that
my daughters would dance
for you, but that time never
seemed right. Now, they are
able to dance, but you are gone.
Grandma, you have been my
inspiration anct,my

source of strength.
- Tim Chan Thou
(Left: Rotana &amp; Linda Thou)

18

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Although you are no longer with us,
we know
your spirit is still alive,
guiding us to
Nuth Kantya, Nou Bun Long
&amp;Family

remember our heritage.

Love &amp; RM~ect alwayg,
From: daughters, Families, Grandsons, and Granddaughters
Sin Ny, Chum Chan Chhavy
Chum Koev Amra
Nuth Kantya &amp; Nou Bun Long
Long, Amrin, Amreth, Amrith, Among
Lang Phann's family
Hom Hun (Gary)'s Family
Tim Chan Thou's Family
19

�A UNIQUE WAY TO REACH YOUTH
A central component of the Troupe's mission is to provide positive
cultural, recreational, and educational programming for youth.
We have more than 40 students, ranging in age from 4 to 18,
who rehearse together every week, perform on stage, and attend
Troupe outings and events. Young people typically remain involved
with the Troupe for at least four or five years, many even longer.
Membership in the Troupe has always been free.
Through interaction with dozens of inner-city youth over the
years, the Angkor Dance Troupe has witnessed firsthand the
value of culture-based arts programming in helping young
people make constructive choices in their lives. We have had
several students, for example, who were involved in gang activities when they first joined and who have since "disengaged" and
are making remarkable progress in their academic and personal
lives. Through their involvement in our program, young people
develop a sense of discipline, self esteem, and a new-found
respect for their heritage.
In 1998, the Troupe launched Angkor Youth Dance, a very successful afterschool and summer youth program, with major funding
from the Massachusetts Cultural Council YouthReach Initiative.
The program is operated in conjunction with community agencies
including: DSS, the ADAM project of Big Brother/Big Sister, UMass
Lowell, the Lowell Police Department, Community Teamwork,
and the Lowell Community Schools.
Angkor Youth Dance
Inaugural Performance
at the E.N. Rogers Community School: Peter Veth
and other youth perform
the Pestle Dance.

�DICK LEPINE REAL ESTATE, INC.
1333 LAKEVIEW AVENUE
DRACUT, MASSACHUSETTS 01826
978-957-8200
RESIDENTIAL

COMMERCIAL

INVESTMENT

LAND

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e)

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HAPPY NEW YEAR
Angkor Dance Troupe, Inc.
Jim Haley, Broker
Voice Mail: 978-442-5831

Gary Caplice, Sales Rep.
Voice Mail: 978-442-5827

Don McMeniman Sales Manager
Voice Mail: 978-442-5829

Dick Morgan, Realtor
Voice Mail: 978-442-5843

Nancy Prud'homme, Sales Rep.
Voice Mail: 978-656-9730

m1nnmm:
-

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Office: 978-957-8200
21

-

�The Angkor Dance Troupe addresses a critical need in Lowell for
programs that provide services to Cambodian youth who are at
high risk of negative outcomes. In a culture that traditionally
reveres elders for their experience and wisdom, the relationship
between youth and parents has been seriously eroded by the
massive cultural shift between life in rural Cambodian and life in
urban America. Lowell's Cambodian-American children often
serve as their parents' interpreters - of culture as well as language. Many young people feel torn between two worlds. Their
elders expect them to demonstrate Cambodian values at home,
while they behave as American teenagers at school. All too often,
these young people seek affirmation and identity not at home or
school - but through gang membership, dropping out of school,
and other high-risk behaviors.
There is growing evidence that in-depth exposure to traditional
culture makes a significant difference in the emotional adjustment of Lowell's Cambodian American youth. In Fractured

Identities: Cambodia's Children of War, a book that chronicles
the lives of Lowell's refugee children, authors Joan Ross and Jim
Higgins write "the search for identity within a new culture has

taken young people in more than one direction. The paths they
have chosen seem to depend on the individual's depth of exposure to traditional Cambodian culture. " 3

f;\lj (•JI: f\IJ :!;1: Ci 3

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INSURANCE AGENCY

421 CHELMSFORD IT., LOWE.L (NEXT TO WENDrl)

TEL. 454-0402
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�louis l. Pinn Insurance Agencv
mut1Ja111ntm0101iiirrtuwb01a1 rttwn g: ib rnruiQ.ntti
tmbtnaq:lgtt\Jb"l Ctinirmnnnn tnu&amp;ib~ wrnmrwngin'l)la
(Registry Services) 9B tfJl l1Hi nft nlg nvrui

1319 Middlesex Street
Lowell, MA 01851

(9181 452-4148

P ELLET I E R BRO S. G ARAG E
BODY &amp; FENDER WORK
USED CAR SALES
PAINTING
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DUCO • DULUX • LUCITE

Insurance Work a Specialty
Brakes ·Aut omatic Transmissions · Tune-ups
453-8292
1516 Middlesex Str e et:, Lowell
(Across from Duncan Donuts)
Mass. License # 1656

23

�Our experi ences with young Cambodian Americans suggest they
are ea ger for opportunities t o learn more about their heritage.
Wh en th e Tro upe presented a 10-week resi dency at t he Butl er
Middle School in 1998, 130 students sign ed up - reli nqu ishing t heir
free peri od fo r an opportu nity t o learn Cambod ian dance and
perform for their school during Cambodian New Year.
Learn ing and performing Cambodian dance gives young people a
chance t o earn both Cambodian and American acclaim . Th eir
parents are pleased and honored by their interest in their heritage.
Our experiences have also shown that participation by students in
Cambodian dance performances is held in high esteem within the
youth community. It is a source of great pride for the young people
involved and generates considerable respect from their peers.
NEW CHOREOGRAPHY
DEVELOPED DURING ANGKOR
YOUTH DANCE PROGRAM
Dancers in the Troupe's
afterschool program experimented w ith new choreography
during the Fall 1998 session of
Angkor Youth Dance. They
combined elements of the
centuries-old "Monkey Dance "
with acrobatic modern dance.

The resulting dance,
debuted at the Rogers
Community School in lat e
1998, has been huge ly
popular with audiences
aro und the regi o n.

�A
tradition in the
community since 1849.
It has alway been the goa l of Colonial Gas Company to offer except iona l \·;1iue
and superior service to our customers. To that end, we continuall y look for ways
to impro\·c the way we do businc!&gt;s - through the innO\·atiH' use of technology,
by focusing on the needs of our customers, and by pa rt icipating in th e economic
growth and welfa re of the communit ies we se r n~.
It is this commitment to rxcelknn&gt;, and the desi re to see this ornm unit y prosper,
that will continue the trad ition of Colonial Gas into the next century.

t·

800- 548-8000 COLONIAL
GAS

COMPANY
The 8 1st Cho1Ce

-1eei:~vsmg&amp;~a~e
Wayne Ba es
To your Lowell City ouncil
.,

c:&gt;

(~~'lu~e"1~me~ss•
... from neighborhood commitment,
to City-wide success.

*

A man of accomplishment,
working hard for our city.

*

Jann91mna~lau11mrdf11fp:r11,fmrtnrirnafvr11

•

25

�Highlights of the Year in Pictures

During 1998, The Angkor Dance Troupe appeared in 33 performances for combined audiences of more than 13,000 people.
Above, Phalla Lak Morris and Thavro Phim perform "The Fishing
Dance" at the Lowell Folk Festival.

26

�LOWELL

w
-

658 MERRIMACK ST

DRACUT
I 345 LAKEVIEW AVE

Anstiss &amp; Co., P.C.
Certified Public Accountants
21 George Street
Lowell, MA 01852

Raymond L. Anstiss, CPA, MBA
Richard B. Dionne, CPA, MST

Raymond L. Anstiss, Jr., CPA, MBA
James G. Heller, CPA

Telephone: (978) 452-2500
Fax: (978) 458-0425

6J"Lur.igo1inr11~A1wauillg1unu1111Gl11
Steve Moses &amp;
The Center for Health Promotion
University of Ma~sachusetts Lowell
extend sincere best wishes to
the Angkor D~ce Troupe
27

�Linda Thou and Sophea Sek perform "Peacock of Pailin"
during a performance for Yale University in September 1998.

Donahue &amp; Donahue
Attorneys, P.C.
Since 1887

Excellence in the Practice of Law
Civil, Commercial and Criminal Trials
Personal Injury, Medical Negligence
and Defective Product Actions
Business and Corporate Law
Real Estate Transactions
Employment Practices
Environmental Law &amp; Land Use Management

978-458-6887
21 George Street
Lowell, MA 01852-2283

28

�Building a Better Community
Every Day

ts~e6'sftue~~-m~1esueru-i.;&amp;~
167 Dutton St.
Lowell, Massachusetts 01852
(978) 459-0551
Visit us at
www.comteam.org
Congratulations
Angkor Dance Troupe, Inc.
"

tl!ll

tl!ll

~Ufd&amp;l9f!9Sild6ftldfifdf
0

t'ffDf~ff~f
29

�In 1998, the Angkor Dance Troupe became one of the first U.S.-based dance
ensembles to perform " Thal Kdoeung," a folk dance about rice harvesting.

COMPETENT SERVICE YOU CAN TRUST
22 Years of Experience

DIVORCE LAW
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ATTORNEY

ROLAND A. TURMAINE
250-4980
University of Massachusetts Lowell
Bookstores
North Campus
South Campus
Downtown

934-2623
934-6908
458-3939

Serving all of your on-campus and
general reading needs throughout Greater Lowell.

Best ofLuck Angkor Dance Troupe!
30

�Best Wishes to the
Angkor Dance Troupe
and the
Greater Lowell
Cambodian Community
Saints Memorial Medical Center
Quality Care You Can Count On!

~ tt~t
fJ

SAINTS
MEMORIAL
_.. MEDICAL
CENTER

Yours for life

31

�Master performers Sokhanarith Moeur (left) and Thavro Phim take flight in the
"Peacock of Pailin" at the Lowell Folk Festival, July 1998. (Andrew Page Photograph)

Angkor Dance Troupe
Thank you for sharing the beauty of your culture!

Nina Coppens, PhD, RN
Director of the Baccalaureate Nursing Program
University of Massachusetts Lowell
32

�Best Wishes to the

Cambodian Community
from
STATE SENATOR

Steven C. Panagiotakos

Heng Noeuk
(right) and
Samnang Hor
perform
"Hanuman &amp;
Sovann Macha"
for Needham
Elementary
School Students
in January 1999.

CALL US FOR A MORTGAGE
978-446-9200

781-662-0100

33

�Sopheap Sou (left) and Chansarim Sreng perform the
"Fan Dance" at the Lowell Folk Festival, July 1998.

&amp;aw~

to #t

A~~T!WUft
Donald E. Pierson
Dean, College of Education
University of Massachusetts Lowell
34

�We sa{ute tfie youtfi of tfie

:Angkor 'Dance Trouye
antf tfie

River :Ambassadors Program
for enricfiing tfie fives
of a{{ in our community.
;
Linda Silka, Director,
Center for Family, Work, and Community
at UMass Lowell
Jane Benfey, Vice President
Boa.rd of Directors, Angkor Dance Troupe

35

�PAGE ONE

PRODUCTIONS

Film &amp; Video · Advertising • Multimedia • Design
80 Aberdeen Street • Lowell, MA 018 50
(978) 441 1750 • FAX (978) 937 9419

E-mail : pageone@mediaone.net

PAGE ONE PRODUCTIONS

is proud to support
the Angkor Dance Troupe.

36

�Two of the Troupe 's Rising Young Apprentices:
Krisna Thou and Diane Pulliam

Bringing Cambodian
Classical and Folk D~nce to Lowell
Best Wishes to the Cambodian Community
from Jonathan A. Pulliam

�Congratulations to our Role Models!
Pov Sath 1996
Khoeun Pring 1998
Andeth Vann 1995
Sopor Vann 1994
Rothana Yok 1998
Akara Im 1997
Samnang Hor &amp; Sopheap Sou Thou 1999
Best Wishes from
Ann Bartholomew &amp; Ron Micheels

�The Angkor Dance Troupe is funded in part by:

MAsSACHUSETTS CULTURAL COUNCIL
A state agency that supports public programs in the arts, humanities. and sciences

THEODORE EDSON PARKER FOUNDATION

Nathaniel and Elizabeth P. Stevens Foundation
The Lila Wallace-Reader's Digest Community Folklife Program.
administered by the Fund for Folk Culture and underwritten
by the Lila Wallace-Reader's Digest Fund.

Lowell Cultural Council
Lowell Community Schools Program
Friends of the Angkor Dance Troupe
Lowell Police Department
Greater Lowell Community Foundation
Publication produced by Page One Productions
Printing by Thurman Prints
Photo Credits: Kevin Harkins, Andrew Page, Higgins &amp; Ross, Tim Chan Thou,
Toni Shapiro, Eileen Blumenthal, Eleanor Briggs, Ruth Page
Translation Services: Nissay Liek
Sources:
Dance and the Spirit of Cambodia. Toni Shapiro, Ph.D., Cornell University, 1994
"Cambodia's Royal Dance," Eileen Blumenthal, Natural History, 4/89
Khmer Folk Dance, Sam-Ang Sam &amp; Chan Moly Sam,
Khmer Studies Institute Inc., 1987
Khmer Songbook, Forward by Sophiline Cheam Shapiro, 1992
Classical Dance Company of Cambodia, 1990 U.S. Tour Book
"An Introduction to Khmer Traditional Dance," Huy Serey Phousita, Seoul, 1995
' "The Dancer in Cambodia," Toni Shapiro, Ph.D., Asian Art &amp; Culture, Arthur M. Sack/er
Gallery, Smithsonian Institution, Winter 1995 Southeast Asia Today, Oxford University Press
2
"Dance and the Spirit of Cambodia, "Toni Shapiro, Ph .D. Cornell University, 1994
.i fractured identities Cambodia's Children of War, James Higgins &amp; Joan Ross, Loom Press, 1997
For more information, please call or write: Angkor Dance Troupe
P.O. Box 1553, Lowell, MA 01853
(978) 441-9277 FAX: (978) 455-2454
http://civic.uml.edu/angkor

�FRIENDS OF THE ANGKOR DANCE TROUPE

The Friends of the Angkor Dance Troupe•• is a
fund-raising membership drive to support the
Troupe•s important work with at-risk youth.
Donations to date have exceeded $4.500!
11

Thank you
to the many concerned citizens and
organizations who have joined the
••friends of the Angkor Dance Troupe:••

Major Program Sponsors
($1000 &amp; above)

Eleanor Briggs
The Edward &amp; Elizabeth
Gardner Foundation

Contributing Sponsors
($500 - 999)

Jane &amp; Tom Benfey

Community Leaders
($150 - 499)

Ann Bartholomew &amp; Ron Micheels
Jonathan and Diane Pullman
Janet Gardner
Nancy Donahue
St. Joseph the Worker Shrine
Louis L. Pinn Insurance Agency

�</text>
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                    <text>Cambodian C:la~~ical and Folk 'Dance.
. 1998 Commemorative Book

�Thomas A. Golden, Jr.
State Representative
0

~~e~~

~•tp,gj,ulwi!mfd~ftUe&amp;!ffe7UJ8~6Sf
Best Wishes to the
Greater Lowell Cambodian Community
and Congratulations to
0

t5ffSf S.'Uf~f

The Angkor Dance Troupe!

�Table of Contents
I.
II.
II.

About the Angkor Dance Troupe
1 - 17
Dance Descriptions
18 - 37
Directory of Advertisers
Asian American Bank &amp; Trust
35
12
Anstiss &amp; Company
Bargain Rent A Car
21
Ann Bartholomew &amp; Ron Micheels
25
Bratton Law Offices
36
28
Eleanor Briggs
10
Cobblestones
23
Colonial Gas
James L. Cooney
16
Nina Coppens
32
Donahue &amp; Donahue, Attorneys, P.C.
27
Dutton Street Auto Works
9
Enterprise Bank &amp; Trust Co.
7
Freedom Auto Sales
Inside back cover
Thomas A. Golden, Jr.
Inside front cover
20
John H. Honan Insurance
Jeanne D'Arc Credit Union
17
Daniel P. Leahy, Esquire
12
Lowell Community Health Center
34
Lowell General Hospital
27
Lowell Telecommunications Corp.
37
Marcotte Law Firm
15 &amp; Back cover
Paul Marion and Rosemary Noon
2
Steve Moses
17
Kevin Murphy
29
Steve Panagiotakos
33
Don Pierson
14
Louis L. Pinn Insurance
18
Safeway Insurance
6
Sagendorf I Taupier Consulting
30
Saints Memorial Hospital
19
Marina &amp; Peter Schell
6
Janice M. Stecchi
3
Trinity Ambulance
31
University of Massachusetts Lowell
11
University of Massachusetts Lowell Bookstores 24
Visiting Nurse Association of Greater Lowell
26
Washington Savings Bank
10
WLLH
37

�Special Thanks
To Our Dedicated Staff &amp; Board of Directors
Chhan D. Touch, President
Phousita S Huy, Artistic Director
.
Nissay Liek, Treasurer
Tim Chan Thou, Troupe Coordinator
Carol Keirstead, Vice President
Carole Matthews, Co-Secretary
Ruth Page, General Manager
Gloria Polites, Co-Secretary
Jane Benfey
Paul Marion
Nina Coppens, Ph.D., R.N.
George Chigas
Maureen Martin
Laurie Beth Kalb, Ph.D.
Lynne Faust, LNP
Sokhorn Sem
Maria Cunha
Rothana Yak, Role Model
Akara Im, Role Model
Sokhoeum Sim, Instructor
Khoeun Pring, Role Model
Phalik Ting, Instructor

Soy Soeur, Artist-in Residence
Sophea Sek, Artist-in-Residence
Yorn Peng, Artist-in-Residence
Also to:
Toni Shapiro, Ph.D., Troupe Advisor
Ann Bartholomew
Pare Kaplov, WLLH
Cambodian Access Television
Thurman Prints
Khmer American Times
Lowell Showcase Cinema
Goodyear Auto Service Center
Cheryl Liebling
UMass Lowell Student Info. Centers and Cambodian Student Assoc.
Pat Desmaris, Middlesex Community College
UMass Lowell Bookstores/ Barnes &amp; Noble Lowell
Publication designed by Page One Productions
Sources: "Cambodia's Royal Dance," by Eileen Blumenthal, Natural History 4/89
Khmer Folk Dance by Sam-Ang S &amp; Chan Moly Sam, Khmer Studies Institute Inc., 1987
am
Khmer Songbook, Forward by Sophiline Cheam Shapiro, 1992
The Classical Dance Company of Cambodia, Sam-Ang Sam, Music Director
"An Introduction to Khmer Traditional Dance" by Huy Serey Phousita, Seoul, 1995

Photo Credits:
Tim Chan Thou, Toni Shapiro, Eileen Blumenthal, Ruth Page, Rothana Yok
Ann Bartholomew, Eleanor Briggs, Carol Bond, Kevin Harkins
Translation Services: Nissay Liek &amp; Tim Chan Thou,
If you are interested in booking the Angkor Dance Troupe,
please call: (978) 441-9277 FAX: (978) 937-9419

�History and Background

Like all traditional arts, Cambodian dance has been been handed
from one generation to the next. Since the great Angkor Era,
Cambodian dancers have preserved, cherished, and celebrated
their art.

S

The Angkor Dance Troupe was
founded in Lowell, MA in 1986 by

ince the
Angkor Era,

Cambodian dancers

two teachers and a handful of

have preserved,

dancers who learned traditional

cherished, and

dance in refugee camps along the

celebrated their art.

Thai-Cambodian border. Between
1975 and 1979, when Pol Pot and the Khmer Rouge controlled
Cambodia, more than 90% of the country's perished or fled. It was
in the camps and later in places like Lowell and at the University of
Fine Arts in Phnom Penh that traditional Cambodian dance was
painstakingly resurrected.
Today, dance has become one of the primary ways that
Cambodians, split by politics and war, identify a common culture.
For the people of Cambodia, art is the core of life, combining
entertainment, tradition, religion, and social cohesion . Wherever
Cambodians live, so do the traditions of practicing, performing,
and passing on the culture.
1

�A Leader in Traditional Cambodian Dance

The Angkor Dance Troupe is nationally recognized as one of the
most accomplished and experienced Cambodian traditional arts
ensembles performing today. The Troupe develops and teaches the
traditions of Cambodian performing arts, promotes an understanding and appreciation of Cambodian cu lture, and provides a positive
social, cu ltural, and recreational outlet for Cambodian youth.
The Angkor Dance Troupe is routinely invited to perform at presti-

'

gious events such as Boston's First Night celebration and the Lowell
Folk Festival. The Troupe has participated in workshops at Jacob's
Pillow and is listed on the New England States Touring Roster

Congratulations to Lowell's
nationally recognized Dance Troupe!
~

~

~

'

0

~ij~G~e~ oG~S~~iG~itruffiiji~ff~i
PAUL MARION
&amp; ROSEMARY NOON
2

�The Angkor Dance Troupe is recognized througout the
country ilS a leading Cambodian Classical. and Folk Dance

Ensemble. Above, members perform in a special ceremony
at the Masuchusetts ~tate House in March 1998.
The Troupe's artistic director, Phousita S. Huy, is one of the mostrespected master teachers of Cambodian dance in the U.S. and is
recognized internationally. She is a recently-emigrated teacher and
star performer from the Royal University of Fine Arts in Phnom Penh,
Cambodia, considered the world's artistic standard bearer for
Cambodian performing arts. Troupe coordinator and cofounder Tim
Chan Thou was trained and certified as a teacher of Cambodian
traditional dance at the Khao-1-Dang and Philippine Refugee Centers.

Best Wishes from

Dean Janice M. Stecchi
College of Health Professions
&amp; Center for Health Promotion
University of Massachusetts Lowell
in anticipation of continued partnerships.
3

�I
/1 lassical dance has been connected to the sacred rituals of
l,; Cambodia for more than one thousand years. During the
great Angkor civilization, dancers performed ceremonies in temples
to bring prosperity to the kingdom. Once the exclusive domain of
royalty, classical dance is now performed for audiences everywhere.
In classical dance, we see highly-stylized positions in concert with
gentle movements. Gestures are strictly defined and distinguished
by the intricacy of hand positions.
Each of these gestures has a specific meaning, often relating to
nature. For example "Lea" can denote a leaf, but it can also mean
•'

"to open." (See right hand in photo below.) Depending on its
context within the dance, Lea can represent
its beauty or the opening of a hand or a
piece of paper. "Cheep" (left hand in photo)
can symbolize a flower or it can mean
to fold into small pleats.
4

the leaf and

�T

hroughout Cambodia, after the harvest, it is time for music,

song, and dance. Folk dance is rooted in rural Cambodia and

depicts rituals of everyday village life, such as fishing and rice farming, that are typically undervalued in the rush toward westernization.
Dance motifs are commonly based on local legends and inspired by
themes of nature as well as the ceremonies and customs that shape
the lives of Cambodian people. Distinctive, colorful costumes represent the traditional dress of peoples from the various regions and
ethnic groups within Cambodia.
Just as court dance is ruled by a strict form and a prescribed
language of movement, folk dance is spontaneous, created for
emotional expressions.

~alkD11nes

5

�G~~
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SAFEWAY INSURANCE AGENCY
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555Merrimack Street, Lowell, MA 01852
1i (978) 970-5567 Fax (978) 441-1611

With smooth step and elegant gesture,
you grace our city and take us to a
wonderful new place.
Thank you Angkor Dance Troupe.

/11atzlna and ~etetz Schell

6

�Visiting Dance
master Say Soeur
(left) is one of the
world's best
teachers and
performers of the
"Monkey Dance"
role. Here, he
accompanies
Troupe Artistic
Director Phousita
Huy in a performance of
Hanuman and
Sovann Macha
(White Monkey &amp;
Golden Mermaid).

~~

'T

--

ENTERPRISE

G:t

BANK AND TR UST COMPANY

Member
FDIC

A

CER T IFIED SBA

LENDER

0

LENDER

'

m~~G\S~j~~
Main Office and Trust Division
222 Merrimack Street • Lowell, MA 01852 • 978-459-9000

Branch Offices
674 Boston Road (Rte 3A) • Billerica, MA 01821 • 978-262-0123
185 Littleton Road (Rte 110) • Chelmsford, MA 01824 • 978-442-5588
1168 Lakeview Avenue • Dracut, MA 01826 • 978-957-5100
4 Central Street • Leominster, MA 01453 • 978-534-7400
910 Andover Street • Tewksbury, MA 01876 • 978-863-5500

Mortgage Lending Center
27 Palmer Street • Lowell, MA 01852 • 978-459-9000

7

�An Extensive Collection of Authentic Costumes

The Angkor Dance Troupe has assembled an extensive collection
of richly-detailed, authentic costumes, dance materials, and
artifacts. Much of the collection was created by master dancers
and costumers from the University of Fine Arts in Phnom Penh.

Preparing for a performance can take several
hours. Many costumes
are so intricate and
close-fitting that
dancers have to be
sewn into them
before performances.

8

�Steve Graham's

Dutton Street
Auto Works

0

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1!11

Complete Frame Straightening
Free Towing
The Best Quality at the Best Price.
115 Rock Street
(978) 937-1823
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MA Reg.# 3231
9

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L f.Js~M!!!!!-5,..1!.!!!."
' ~

Est. 1892

Lowell, MA 01852
(978) 458-7999

0

Dracut, MA 01826
(978) 275-6000

',,

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111menrdi"tnl!3ft181fl'7fitt1rMl'fnl'fl'f"l'i1ti6"1i1sffl':'l,f
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rriitt1tr11!3mf!"81f9J11!3rt11tt1tt1,R1,ltr~1,fi"'1
our web address: http://www.washsavbk.com/
email us at: info@washsavbk.com
MEMBER

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Celebtllfing Lowell'~ culfutlll divet~ity - Welcoming All!
•24171ge5•

,-zu,psvee9Ml96NGiffffles,dim:8SV38&amp;eiqe1fJt'f\jlff
91 Dutton St. Lowell MA
"Btinging ~tyle Downtown•

10

�Carrying on the Tradition
The Troupe holds weekly
rehearsals. The method of
teaching is practiced as it has
been done traditionally, by
watching, imitation, and
assistance from teachers to
achieve the correct postures
and movement. Left, Dance
Master Phousita Huy
instructs apprentice dancer
Elizabeth Yim.

Discover
UMass Lowell
A proud member ofLowell's Multicultural Community.
IPMdli&amp;iiMPi
13CWIIIMIID

LOWeLL

One University Ave., Lowell, MA 01854
(978) 934-4000
www.uml.edu

11

�Free Initial Consultation
Q

"

'

C,

ffii~z1SW6~iS Gi$m~
Daniel P. Leahy, Esq.
Former State Senator
Al

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$i~~~~8~~~~ Massachusetts

mianmwrt:.i~f.flSfJnr:lS1f!JffJIU rSefjdrimnn{!n
!Jid,[Jn'1
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Put His Experience to
Work For You

459-0181
10 Bridge Street, Lowell

Anstiss &amp; Co., P.C.
Certified Public Accountants
2 1 George Street
Lowell, MA 01852

Raymond L. Anstiss, CPA, M BA
Richard B. Dionne, C PA, MST

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]acnes G. Heller, CPA

Telephone: (978) 452-2500
Fax: (978) 458-0425
A FULL SERVICE FIRM
PROUDLY SERVING THE GREATER LOWELL COMMUNITY
FOR MORE THAN 30 YEA RS

12

�Royal Univeristy of Fine Arts Dance Masters Sophea Sek, Yorn Peng,
and Say Soeur arrived in the United States in early 1998 and will teach
and perform with the Angkor Dance Troupe throughout the year.

1998 Masters of Cambodian Dance Project

In 1998, the Angkor Dance
Troupe hosted three internationally-recognized dance
masters from Phnom P
enh,
Cambodia. The th ree will
teach and perform with the
Troupe as part of an

·'

apprenticeship program
funded by the Lila WallaceReader's Digest Community
Folklife Program. Right, Ms.
Yorn Peng instructs apprentice Linda Thou during a
Troupe rehearsal.

13

�1998 Masters of Cambodian Dance Project

Esteemed Dance Master
Yorn Peng demonstrated
the "Giant" classical dance
role during a workshop at
Middlesex Community
College as part of 1998
Lowell Women's Week.
Below, Ms. Yorn taught the
traditional Roam Vong circle
dance to students at the
Lowell Demonstration School
during a Cambodian New
Year celebration.

Donald E. Pierson,
Dean
College of Education
University of
Massachusetts Lowell
14

�Marcotte Law Firm
45 Merrimack Street, 4th Floor
Lowell, MA 01852

.

.

• Workman's Compensation
• Personal Injury .
• Auto Accident
• Divorce
• Business Law
• Wills &amp; Trust
• Real Estate

Ir (978)
15

458-1229

�1998 Masters of Cambodian Dance Project

t/111

,

es 1Jli~ft!!ftUfe&amp;~m
f~m&amp;~ft!ftieu~,J
Small Enough to Know You
Large Enough to Serve You

rn'

James L. Cooney Agencies
Insurance
Real Estate
32 Church Street• Lowell, MA 01852

(978) 459-05, 5 (978) 452-9952
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�0

JEANNE

1

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@
MSIC;NCUA

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Best Wishes For A Successful Yearl
,.
I

6 58 Mer
rimack St,Lowell
1345 L
akeview Ave,Dracut
(978) 452-5001 All Loc,1tions

Left, Dance Master Sophea Sek
assists apprentice Tola Sok, 15,
in perfecting a hand gesture
during a Troupe rehearsal.
Right, Master Say Soeur with
one of his proteges, 13-year old
Samnang Hor. Mr. Say is a
widely-respected teacher of the
Monkey, a spirited and lively
classical dance role that is
hugely popular at performances. Samnang apprenticed
under Say during a 1996
residency and now performs
the role for audiences around
New England.

6JUL
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Steve Moses &amp;
The Center for Health Promotion
University of Massachusetts Lowell
extend sincere best wishes to
the Angkor Dance Troupe
17

�The Blessing Dance

The Blessing Dance was traditionally performed in the Cambodian
royal palace to eliminate bad spirits and bless the royal kingdom.
Today the blessing dance
is performed at the
beginning of performances of all types. It is
a dance of greetings and
good wishes. During the
performance, dancers
come forward and
sprinkle flower petals toward the audience. This is done in the hope
of bringing prosperity, peace, and good health to everyone in attendance in accordance with Cambodian tradition. (Above, Troupe
members perform the Blessing Dance at the 1997 Southeast Asian
Water Festival in Lowell.)

Insurance Agency Louis L. Pinn
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�Saints Memorial Medical Center

Best Wishes
to the Greater Lowell
Cambodian Community

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19

�The Coconut Shell Dance

Coconut trees are a main agricultural resource in Cambodia. They
provide sustenance to Khmer farmers and are abundant in villages.
The dance was inspired by a popular game that used coconut
shells. The game was played during all kinds of ceremonies, but
most often during weddings, engagements, and when the groom
was escorted in a procession to the bride's house. In its original
form, it was a one-man show. In the modern-day dance, an equal
number of male and female dancers performs the dance, signifying
friendship and courtship.

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421 CHELMSFORD IT., LOWELL (NEXT TO WENDrl)

TEL. 454-0402
20

�BARGAIN RENT•A•CAR
DEUVERY SERVICE AVAILABLE

W. IAft YOU IIONEY
RIGHT FRON THE STARTI

tow RATES -STARTING AS tow &amp;i

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.L TRANSPOlffATl)N SEIMCES AVMABU FOR HANDICAPPED, TBIPOIWIL.Y
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EB

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794-9988

BARGAIN RENT•A·CAR
DEUVERY SERVICE AVAILABLE

21

�After countless hours of practice, Angkor Dance Troupe
apprentices Choumnith Sath, 11, and Samnang Hor, 13,
· mastered the skills to perform the challenging classical dance
"Hanuman and Sovann Macha." Above the pair dazzled an
audience in Cambridge during a performance .n January 1998.
i

22

�Hanuman and Sovann Macha
Hanuman &amp; Sovann Macha (The White Monkey and the Golden
Mermaid) depicts a scene from the Reamker, Cambodia's version of
the Hindu epic Ramayana. Before this episode begins, the Queen was
captured and taken to the kingdom of Lanka far out at sea. King Ream
calls on a famous army general named Hanuman to help him rescue
the queen. Hanuman is a white monkey and in Cambodian legend,
white monkey warriors always fight evil. Hanuman sets about to build
a bridge across the ocean to reach the Queen. But as fast as he and
his army of monkeys pile up stones for the bridge, the stones mysteriously disappear.
In the scene depicted in this dance, the white monkey dives into the
sea to investigate. What he discovers is that a school of fish, led by a
golden mermaid named Sovann Macha, has been carrying off the
stones. Hanuman confronts the beautiful troublesome mermaid - at
the same time he can't help but be dazzled by her beauty and falls in
love. And while she initially resists, Hanuman eventually wins her over
as his partner in the fight against evil.

A
tradition in the
community since 1849.
It has alwa ys been the goal of Colonial Gas Compa ny to offer exceptional val ue
and superior sen·ice to our customers. To that end, \\'C' continually look for \\'ays
to irnp rove the way we do business - through th C' innovati ve use of technology,
by focusing on the needs of our customers, and by partici pating in tlw economic
growth anct welfare of the communities we serve.

It is this commitment to exce llence, and the ctesirt• to Sc(' this commun ity pros pt'r,
that will continue the tradition of Co lonial Gas into the next century.

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23

�The Battle at Night

Chambang Pel Yup, the Battle at Night, is a dance from the traditional Lakhan Khol form all-male dance drama, performed to illustrate stories from the Reamker. The Battle at Night depicts a scene in
which monkeys, who always fight evil, fight a group of demons. As
night falls, neither side can tell friend from foe and chaos ensures.
Finally, the monkeys use the weapon of light to prevail over darkness. Cambodians see this episode as an allegory for the battle
against ignorance. (From the Classical Dance Company of Cambodia
1990 Tour)
The Peacock of Pursat

This dance originated in the Pursat provide of Cambodia where
people of the Cardamom Mountain region performed dances for the
spirits before going on trips to pick cardamom (a spice from the
ginger family). Cambodia's lush tropical forests are home to a large
variety of animals and birds, including numerous peacocks and
peahens. Their fabulous green and black tail feathers bear the stamp
of nobility. During the Peacock of Pursat dance, performers wearing
headgear of peacock feathers represent pairs of peafowl as they play
in the forest and float on the mountain breezes.

University of Massachusetts Lowell
Bookstores
934-2623
934-6908
458-3939

North Campus
South Campus
Downtown

Serving all ofyour on-campus and
general reading needs throughout Greater Lowell.

Best ofLuck
Angkor Dance Troupe!
24

�Congratulations to
our Role Models!
Pov Sath 1996
Khoeun Pring 1998
Andeth Vann 1995
Sopor Vann 1994
Rothana Yok 1998
Akara Im 1997
Troupe apprentices who prove through their
attendance, commitment, and contribution that they are
dedicated students of Cambodian dance are awarded the
position of "role models."
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Congratulations and Best Wishes from
Ann Bartholomew &amp; Ron Micheels

25

�The Angkor Dance Troupe at FirstNight Boston, 1997
From left Chhan D. Touch, Khoeun Pring, Phalik Ting, George Chigas,
Thida Loeung, Linda Thou, Sochenda Uch, Vanlina Im, Rothana Yok, Pov
Sath, Boo Ouch,Rotana Thou, Vanrotha Im, Sophannary Khem,
Sophannarin Khem, Harlen Hor, Soparl Ngin, Samnang Hor, Akara Im,
Andeth Vann, Phousita Serey Huy, Chenda Ty, Sarith Heng, Sokhoeum
Sim, Maliny Pen, Maliny Khem, Elizabeth Yim, Choumnith Sath.

Visiting Nurse Association of Greater Lowell, Inc.

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We bring skilled and compassionate health care to you at home.

26

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Donahue &amp; Donahue
Attorneys, P.C.
Since 1887

Excellence in the Practice ofLaw

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Civil, Commercial and Criminal Trials
Personal Injury, Medical Negligence and Defective Product Actions
Business and Corporate Law
Real Estate Transactions
Employment Practices
Environmental Law &amp; Land Use Management

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At Lowell General Hospital we are committed to giving you
the widest range of care. We have the area's newest pediatric
and maternity units, the only Trauma Center in the region, a
cardiology unit with the latest in heart diagnostic equipment
and procedures, and top-notch physicians, nurses, and technicians. If you are looking for a physician, or if you would
like information on any of our services, call (978) 937-6425.
Lowell General Hospital, 295 Varnum Avenue, Lowell, MA • www.lowellgeneral.org

27

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350 King's Highway
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�KEVIN J. MURPHY
ATTORNEY AT LAW

STATE REPRESENTATIVE
(Highlands, Acre, Downtown Lowell)

LAW OFFICE (978) 459-6320
STATE HOUSE (617) 722-2240

63 Newbury Street
Lowell, Massachusetts O18 51

29

�The Fan Dance
The Fan Dance is a classical dance performed to glorify the king - for
prosperitiy and peace. This dance praises the mercy and love of the
king toward ordinary people. It is an elegant and joyful dance that asks

the gods to bless his majesty, the king, with long life and good health.

Sagendorf/ Taupier
Consulting, Inc.
Real Estate
Sales &amp; Consulting
11 East Merrimack Street
lowell, Ill 01852

1918) 931-5000
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31

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�The Fishing Dance

There is a saying in Cambodia "Where there is water, there
are fish. " The Fishing Dance demonstrates two of the traditional methods of catching fish, using bamboo baskets, called
chhneang, and angrut, which are braided bell-shaped traps
for catching larger fish in shallow water.
Love and romance are favorite themes in folk dances. In
traditional Cambodian society, young people are carefully
watched and don't have many opportunities to get to know
one another. But the fishing quarter is one place they had the
chance to meet. The Fishing Dance shows how young people
balance custom and courtship by the river's edge.

Angkor Dance Troupe
thank you for sharing the beauty of your culture!

Nina Coppens, PhD, RN
Director of the Baccalaureate Nursing Program
University of Massachusetts Lowell

32

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Happy New Year
and Best Wishes to the
Cambodian Community
from
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S TATE S EN AT O R
Steven C. Panagiotakos

33

�Lowell Community Health Center
5 8 5 Merrimack Street
Lowell, MA 01854
(978) 937-6100

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34

�TbalKdoeung
Tbal Kdoeung comes from the northern part of Cambodia. It demonstrates how Khmer famrers process rice after it has been brought in from
the fields - breaking the rice chaff with wooden mallets and winnowing
or separating the rice from the chaff by rotating it in flat baskets.

The Preap (White Dove) Dance
In Cambodia, the dove represents peace, as it does in many parts of
the world. Preap is a dance to discourage war and the atrocities of
war and to celebrate peace and harmony among all people.

ASIAN AMERICAN
BANK&amp;. TRUST
COMPANY
68 Harrison Avenue, Boston MA 02111
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35

�In January 1998, Troupe members performed at NewTV in Newton
in a television program for deaf children. Below, visiting Masters
Sophea Sek, Yorn Peng, and Say Souer were interviewed for a Khmer
television show in Lowell.

Bratton La"W" Offices
226 Central Street
Lowell, MA 01852

(978) 452-7100
Personal Injury, Auto Accidents, Criminal Defense
36

�The Troupe presented a spirited "Trod Dance" at the Temple for
Cambodian New Year in 1998, marking the first time the traditional folk procession had ever been performed in Greater Lowell.

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37

�The Chhay Yam

The Ch hay Yam is a comic country dance. After the harvest, Khmer
farmers gather in ceremonies and festivals to celebrate. The Chhay
Yam is performed to enliven and add levity to these celebrations. Its
exciting rhythm and lively "call and response" singing encourages
the dancers to improvise their steps and gestures.
The Angkor Dance Troupe is funded in part by:
The Lila Wallace-Reader's Digest Community Folklife Program,
administered by the Fund for Folk Culture and underwritten by the
Lila Wallace-Reader's Digest Fund.

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MASSACHUSETTS CULTURAL COUNCIL
A state agency that supports public programs
in the arts, humanities, and sciences.

THEODORE EDSON PARKER
FOUNDATION
Nathaniel and Elizabeth P.
Stevens Foundation
Lowell Cultural Council
with funds from the
Massachusetts Cultural Council

�Mike Ballas'

1600 Middlesex Street, Lowell, MA 0 1851
Telephone: 978-934-8855 Fax: 978-934-8866
website: www.ballos.com/freedom

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Lowell's Cambodian Community
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&amp; ~ 0«1r- ~ Olte ~ at a tifflel

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Lowell, MA 01852

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�</text>
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                    <text>1986-2001
15TH ANNIVERSARY
COMMEMORATIVE BOOK

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PALMA LAW OFFICES, P.C.
45 MERRIMACK STREET, SUITE 330
LOWELL, MASSACHUSETTS 01852
(978} 970-2211

�TABLE OF CONTENTS
I.
II.
Ill.
IV.
V.

About the Angkor Dance Troupe
3 - 45
How to Contact the Angkor Dance Troupe
Inside Back Cover
Angkor Dance Troupe Funders
2
How to Make a Donation
48
Directory of Advertisers
41
Anne Sullivan Early Intervention Center
Anstiss &amp; Company, P.C.
29
Asian American Bank
13
Paul A. Balakin Insurance
12
Ann Bartholomew &amp; Ron Micheels
20
Big Brothers Big Sisters of G. L.
18
Casey Family Services
44
Lyla Chea &amp; Family
9
37
Community Teamwork, Inc.
Nina Coppens, UMass Lowell
16
Dolan Funeral Home
26
Nancy &amp; Richard Donahue
4
James Doyle, Esquire
6
Eliot Church
39
Eno, Boulay &amp; Martin, LLP. Attorneys
47
Enterprise Bank &amp; Trust Co.
7
FamCam
14
Friends of the Ankgor Dance Troupe
35
Thomas Golden, State Representative
46
Walter Halvorsen &amp; Beth Kanter
8
Haskell Law Firm
40
Healthland
33
John J. Honan Insurance
39
HRH - One Stop Insurance
8
15
Human Services Corporation
Joseph's Coat
15
Carol &amp; Cassandra Keirstead
5
43
Khemara Restaurant
Dick Lepine Real Estate
29
Loom Press
28
Lowell Community Health Center
38
Lowell Spinners
19
Bonna Mai &amp; Family
3
Paul Marion and Rosemary Noon
2
MassBank
22
Armand P. Mercier, Lowell City Councilor
31
Mill City Management
23
Mom's Therapy
36
Steve Moses, UMass Lowell
32
Navy Yard Liquors
35
Vesna Noun
24
O'Donnell Funeral Home
30
Andrew Page, Photographer
47
Palma Law Offices
Inside Front Cover
Steve Panagiotakos, State Senator
17
Don Pierson, Dean, UMass Lowell
21
Louis L. Pinn Insurance
27
Jonathan &amp; Diane Pulliam
34
Marina &amp; Peter Schell
22
The Sharing Foundation
24
Shaw Real Estate
9
33
Spindle City Corps
Thomas Stylianos, Law Offices
Outside Back Cover
34
Tim Chan Thou &amp; Family
36
Trinity Ambulance
Rithy Uong, Lowell City Councilor
45
UMass Lowell Community Social Psychology Graduate Program
5
UPS
25
YWCA of Lowell - Tobacco Prevention Program
41

�The Angkor Dance Troupe receives the generous support of the:

Massachusetts Cultural Council YouthReach Initiative
Lowell Community Development Block Grant Program
Friends of the Angkor Dance Troupe (see page 40)
Lowell Cultural Council
Lowell Enterprise Community
Greater Lowell Community Foundation
Significant In-kind support comes from the:
University of Massachusetts Lowell
College of Arts &amp; Sciences, Psychology Department
Big Brother Big Sister of G.L. ADAM Project
Lowell Community Charter School
Community Teamwork, Inc. • Massachusetts Dept. of Social Services
Lowell Community Schools Program • E.N. Rogers Community School

Congratulations
to the

Nationally
Recognized
Angkor Dance
Troupe.

from Paul Marion &amp; Rosemary Noon &amp; Joe Marion
2

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Celebrating 15 Years as a Leading Cultural Organization
The Angkor Dance was formed in 1986 by Cambodian refugees
of the Khmer Rouge genocide. When we resettled in Lowell,
Massachusetts we brought a passion to carry on our cherished
t radit ions - to practice and perform, to teach others, and to see
the art fo rm preserved for future generations of all cultures.
Greater Lowell is home to the second-largest community of
Cambodian Americans in the country. Cambodian dance
performances provide a poignant reminder of the beauty and
spirituality of Cambodian culture and help us develop a sense of
home and community in a new homeland.

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(Dance Master Yorn Peng instructs Angkor
Dance Troupe apprentice Brianna Mai.)

3

�Classical dance has been con nected to Cambodia's sacred
rituals for more than one
thousand years. During the
great Angkor civilization,
dancers performed blessing
ceremonies in temples to bring
prosperity to the kingdom . Bas
relief carvings at Angkor Wat
depict heavenly dancers -

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Apsaras - which were believed

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to connect the human world to the gods. Classical dance is sometimes called court dance or royal ballet. At one time, it was the
exclusive domain of roya lty. Today this cherished art is enjoyed by
audiences around the w orld and is considered by many to be a
symbo l of t he beauty and com pl exity of Khmer culture.

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Thank you for your continuing good work.
You make our community a better place to live &amp; work.

Nancy &amp; Richard Donahue
4

�CoN&amp;f~ATVLATtONS ON

15" Yf..A1?.s OF svcass~
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&lt;:;ood LucR. for a successful !:jta rt
from 1h8 Oommlrity Social Ptychology Orwiuat8 ProQnun at UMaaa/l.owell

\'le &amp;hare in 1our c.ommitment to
improving c.ommuni"f \ife in G.reater Lo•e.\\
for more ilformatkln alxiut the Graduate Program contact the Graduate Student office by lim at
978-934-3952 or email at cwadoffrce®yaroo.com or 6ffi Serkowitz at 6ill Serkowitz®umledu.

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hroughout Cambodia, after the harvest, it is time for
music, song, and dance. Folk dance is rooted in rural

Cambodia and depicts rituals of everyday village life. The dances
honor skills that are typically undervalued in the rush toward

westernization, such as fishing and rice farming. Dance motifs
are commonly based on local legends and inspired by themes of
nature as well as the ceremonies, and customs that shape the
lives of Cambodian people. Distinctive, colorful costumes represent the traditional dress and cloth from the various regions and
ethnic groups within Cambodia.
5

�The Troupe takes its name
from the great Angkor
Civilization, between 802
and 1432 AD, when
Cambodia was a dominant
empire in Southeast Asia.
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these ancient traditions

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when the Khmer Rouge

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tradition bearers perished .

A dancer performs a ceremony at Angkor Wat.

A National Leader in Traditional Cambodian Dance
The Angkor Dance Troupe is nationally recognized as one of the
most experienced and accomplished Cambodian dance ensembles
performing today. Angkor is directed by world-renowned master
teachers and performs a repertoi re developed in concert with the
Royal University of Fine Arts in Phnom Penh, Cambodia, considered
the global standard bearer for Khmer traditional arts. The Troupe
has an intensive program of educational exchange with the Royal

JAMES L. DOYLE
Attorney at Law
297 Foster Street
Lowell, MA 01851-3014
(978) 937-9293
Fax (978) 459-3777
jimdoyle@ma.ultranet.com

~ National Academy of

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Elder Law Attorneys

1-800-484-5121 x4690
6

�University of Fine Arts (RUFA),

Angkor Artistic Director Phousita Huy is a
former faculty member from the Royal
University of Fine Arts in Phnom Penh.

which allows us to continually
improve and expand our repertoire
of classical and folk dance traditions.
Angkor Artistic Director Phousita
Huy is a former RUFA faculty member and toured internationally with
the Classical Dance Company of
Cambodia. We routinely host visiting
master teachers from RUFA, as well
as former RUFA faculty living in the
U.S., for extended artists' residencies
and workshop series. Ms. Huy
coordinates these residencies,
selecting master artists with specific
expertise to advance the artistic
development of our dancers.

As a result of our active program of exchange with highlevel master artists, the Angkor Dance Troupe has the most
diverse and developed performance repertoire of any of the
U.S.-based Cambodian dance companies.

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222 Merrimack Street • Lowell, MA 01852 • 978-459-9000
Maria Lobao, Assistant Vice President I Branch Manager

7

�Masters of Cambodian Dance - Learning from the Best
In 2001, with assistance from
Middlesex Community College, we
secured educational visas for two
RUFA masters, Ms. Yorn Peng and Mr.
Sophea Sek. These important dance
teachers arrived in the U.S. in January 2001 and will teach and perform
with us for several months.
In 1999, master teachers
Sokhanarith Meour and Phan
Phoung of Connecticut held a
series of workshops on the "Chhay
Yam " and other dances, through
a project sponsored by the Lila
Wallace Reader's Digest Community Folklife Program .

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978-458-1275
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Lowell , MA 0 1852
Business : 978-441-6224 Fax: 978-44 1-9673
Are you considerin g bu ying a sing le-family, two-family,
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Lyla Chea and Family
9

�Masters of Cambodian Dance - Learning from the Best
In the 15-year history of the Angkor Dance Troupe, we have
had the honor to work with a number of the world's best
dance masters from the University of Fine Arts, Phnom Penh
and around the U.S. For their invaluable contribution to the
preservation of Cambodian dance, we give them our thanks:

The Esteemed Chea Samy
Master, Royal Uni versity

Chhieng Proeung
Dean, Univ. of Fine Arts

Ros Kong &amp; Tes Sam Oeun
Masters of Classical Dance

Dr. Sam Ang Sam
Master of Cambodian Music

Chan Moly Sam
Master of Court Dance

Malis Keo
Director, Univ. of Fine Arts

_.-..,...., Sokhanarith Moeur (left), Master of Folk Dance &amp; Drama
Phan Phoung, (Below) Master of Folk Dance
Choreographer. Coconut Shell

10

�Savath Roeung (Center)
Folk Dance Instructor
with Tim Chan Thou (left)
&amp; Sokhoeum Sim

Phousita Serey Huy
Master of Classical Dance
Artistic Director,
Angkor Dance Troupe

Sam On Soth
Master of Classical
Dance Drama

Heang Nayto
Folk Dance Instructor

Phalla Lak Morris
Folk Instructor

Thavro Phim
Folk/Giant/Monkey
Instructor

Song Heng
Master Musician

Khatna Peou
Master of Classical Dance
(With Grandson Tim Chan Thou &amp; Family)

Yorn Peng
Master of
Classical Dance

Sophea Sek
Folk/Giant
Instructor

Say Soeur
Monkey
Instructor

11

Tath Sum
Master Musician
Not Pictured: Rachana Khiev,
Tonara Hing

�Tep Menorom at a Khmer New Year celebration at Lowell's
Tsongas Arena in April 2000. (Rady Mom Photograph)
RIGHT - Taary Ram performs Picking Krovine at a 2000
Khmer New Year festival. (Andrew Page Photograph)

Performances
The Angkor Dance Troupe is listed on
the Massachusetts and New England
States Touring Rosters and has performed at venues including th·e White
House, First Night Boston, the Lowell
Folk Festival, the Berkshire Museum,
Yale University, and Jacob's Pillow.

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12

�Performances, rehearsa ls, an d works hops are a central part of
our mission. These activities promote a g reater awareness and
appreciation for our cultural tra d itions, provide support for our
artists, preserve fragi le cultura l t ra diti o ns, and he lp us inspi re a
new generation of Ca mbodian dan cers. The Trou pe has mo re
than 70 dancers, includ ing sea so ned performers as w ell as
apprentices ranging in age fro m fi ite to ad ult. Parti cipation in
dance rehea rsa ls is free and open to anyon e willing t o make a
com mitm ent t o Cambodian dance.
Du ring our busy season, leading up to Cambodian New Year in
April, we operate rehearsals seven days a week in five locations.
We run an awa rd-winning afterschool and summer program fo r
at-risk youth and host extended residencies each year with
Lowell 's Butler middle school and the community of Peterb orough, New Hampshire. We perform and p resent works hops an
average of 30 times per year for a var iety of audi ences t hroughout the reg io n. Between 1998 and 2000, An gkor presented 88
performances and w o rksho ps for mo re than 29,450 peop le.

~

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13

Member
FDIC

1

'

�Above - Butler Principal Harry Kouloheras with
student dancers in 1996. Right - Butler students take
the stage in a performance of the Good Crops dance.

The Butler Middle School &amp; Angkor Dance: Partners in
Multicultural Education - Every spring, Lowell 's Butler Middle
School and the Angkor Dance Troupe collaborate on an ambitious
Cambodian New Year dance residency that culminates in two fullscale performances by multi-cultural groups of Butler students.

Artistic Director
Phousita Huy leads
dancers in a performance
of the Apsara Dance at
the Peterborough NH
Town House in 1997.

Peterborough, NH - For the past several years, the community of
Peterborough NH, led by David Blair and Linda Marsella, has
hosted Angkor for performances, classes, and in-school programs.

Fctrn
Carn

Families with Cambodian
Children congratulate the
Angkor Dance Troupe
on their 15th anniversary.

For info on FamCam: www.famcam .org
14

�r.JUHJljMtnnnmunm 1
Peterborough's Satellite Dance Troupe,
Children in the Arts Day, May 19 &amp;
Joseph's Coat Peace Crafts
creating jobs for people in need
with wonderful clothing, toys, and jewelry
10 School Street, Peterborough, NH

Commendations and
thanfs to you for
enhancin3 and enrichin3
the variety and num6er
cherished cufrura(
traditions in the (jreater
Loweff Community.

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Human Services Corporation• P.O. Box 1091 • Lowell , MA 01853

15

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A central component of the Troupe's mission is to provide
positive cultural, recreational, and educational opportunities for
Lowell youth. Since 1986, the Troupe has served approximately
350 young people, ranging in age from 4 to 18, who rigorously
rehearse and participate in Troupe performances and events.
Youth apprentices typically stay involved with the Troupe for at
least 4 to 5 years, many even longer.
In 1999, the Angkor Dance Troupe was selected for the prestigious Coming Up Taller award from the President's Committee
on the Arts and the Humanities and the National Endowment
for the Arts. The awards were presented to a select group of ten
organizations across the nation to honor exemplary arts programs serving at-risk youth.

Angkor Oance Troupe
Thank you for sharing
the beauty of your culture!
Nina Coppens, Ph.D.
Evaluator, Angkor Youth Dance
Professor, Psychology Department
University of Massachusetts Lowell

16

�Angkor Youth Dance - A Community Partnership
In October 1998, the Troupe launched Angkor Youth Dance, a
very successful afterschool and summer program for at-risk
youth with major funding from the Massachusetts Cultural
Council YouthReach Initiative. We operate the program with a
number of community partners including the : ADAM project of
Big Brother/Big Sister of Greater Lowell, Psychology Department
of the UMass Lowell College of Arts and Sciences, Lowell Community Schools Program, E.N. Rogers School, Community Team work, Inc., Lowell office of DSS, and others.
The Troupe helps young people make constructive choices in their
lives by immersing them in rigorous, in-depth arts experiences.
Over the years, we have witnessed firsthand the value of culturalbased arts programming for youth . We have had several
apprentices, for example, who were involved in gang activities
when they joined our program and have since left their street life
behind to make remarkable progress in their academic and
personal lives. Angkor's success with at-risk youth is a vivid
example of the power of the arts to transform lives .

Congratulations to the
Angkor Dance Troupe on your
15th Anniversary
and Best Wishes to the
Cambodian Community.

STATE SENATOR
Steven C. Panagiotakos
17

�Big Brothers Big Sisters
Of Greater Lowell
Congratulates
Angkor Dance Troupe
on
15 wonderful years
Big Brothers Big Sisters I A.D.A.M. Project
is proud of our continued association in helping at-risk
youth develop positive cultural activity. All youth, regardless
of income, need to be able to express themselves.
Angkor Dance Troupe and A.D.A.M. project provide
that outlet.

Angkor Dance Troupe &amp; A.D.A.M. Project

Making a Big Difference, One Child at a Time
Big Brothers Big Sisters
45 Merrimack Street, Suite 227
Lowell, MA 01852
978-453-9339
Web Site - www.becomeabig.com

18

�Highlights from Angkor Youth Dance - our award-winning
Afterschool &amp; Summer Youth Program

Above - Dancers take a bow at a Youth Dance performance.
Right - Peter Veth &amp; Sophy Leng receive achievement awards.
Below Left - Jim Conlon of Big Brothers/Sisters leads a group
discussion as part of an education component.
Below Right - Sam Hor and Shawn Clod in the Fishing Dance

Above - City Councilor Rithy Uong &amp; State
Senator Steve Panagiotakos announce Mass. Cultural Council
and NEA grants. Right -Vyrik Eng speaks at a press conference.
Sam Hor receives an award from Angkor Director Ruth Page.

Lowell Spinners
Class A - Boston Red Sox
"On the Road to Fenway"
For group information,

please call 978-459-1702

19

�Congratulations to our Role Models!
Pov Sath, 1996 &amp; Khoeun Pring, 1998
Andeth Vann, 1995 &amp; Sopor Vann, 1994
Rothana Yok, _
1998 &amp; Akara V. Savun 1997
Samnang Hor &amp; Sopheap Sou 1999
Taary Ram, 2000 &amp; Sochenda Uch, 2000
Sophy Leng &amp; Vyrik Eng, 2001

Best Wishes from Ann Bartholomew &amp; Ron Micheels
20

�An Extensive Collection of Richly Detailed Costumes

The Angko r Dance Troupe has an
ext ensive co llecti on of authe ntic
costu mes, dance mat eria ls, props, and
artifa cts. Most of the costu mes were
crafted by master dancers and
costumers from Cambodia .
Preparing for a performance can take several hours.
Above Left - Shawn Clod,
Jamie Rin, Vyrik Eng, and
David Noeuk help each other
into costumes for Swva Pol.
Above Right - Phousita Huy
and Heng Noeuk sew Linda
Sou into the Giant costume.
Middle Right - Mary Many helps
Stephanie Seng with make up.
Right - Thida Loeung puts
finishing touches on Kuntaer
Eng's costume for Tep Menorom.
Andrew Page Photos.

Don ald E. Pierson
Dean, College of Edu cation
UMass Lowell
21

�2000 Performance Highlights

Above Left - Kuntaer Eng, Rotana Thou, and Taary Ram in
a performance of Tep Menorom at the Bawker
Auditorium as part of the UMass Amherst
Asian Music and Dance series in November.
Above Right - Phalla Lak in the Fan Dance at
Jacob's Pillow in August. (Andrew Page Photos)
Right - Sochenda Uch and Linda Sou in the
Fishing Dance at the Tsongas Arena in April.
(Rady Mom Photo)

Yours~ perfor~

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~caylifr

aJUi e,x~ our worU view:
fA&gt;HjY~M aJUi tlr.a.HJc,you,
AHjkoY Danurs!
MarUta,. &amp; Peeer sckett
Pere Pen
Mortgage Originator

The Bank For Your Dreamsl
50 Central St.
Low•ll, MA 01152
Pag•r(971)159-0664
Vole• Mall (971) 446-9333

22

�CONGRATULATIONS/
C
ongratulations To
The Angkor Dance
Troupe On Their
15th Anniversary
Compliments of the Staff of the
Lowell Memorial Auditorium
And Mill City Management
-Tom McKay, Leo Creegan, Terry McCarthy

23

�2000 Performance Highlights

Left - Thida Loeung in Tep Menorom at the
Tsongas Arena in April. (Rady Mom Photo)
Above &amp; Below - The Butterfly &amp; new
c ho reo~rap hy for Swva Pol at the Smith Baker
Center m November. (Andrew Page Photos)

VesnaNuon
&amp; family wishing you and

yours the best of everything
in the New Year.
Paid by the Committee to Elect Vesna
Nuon to the Lowell School Committee.

Congratulations to the Angkor Dance Troupe for
15 years of hard work!
from your fri ends at

THE SHARING FOUNDATION
Helping to Care for Cambodia's Children
THE SHARI NG FOU DATION is a non-profit organization whose goal is to
help meet the physical , emotional , and medical needs of children in Cambodia .
Visit us on the Web at www.sharingfoundation.org or write to us:
The Sharing Foundation , P.O. Box 399 , Woolwich , ME 04579
*The support for this ad was donated by James Piseth Kelly (Seth), a big fan of both organizations!

24

�I 9t&lt; I

~
Salutes

~
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The Nationally Recognized

I Angkor Dance Troupe I
~
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Trnly a Cultural Gem

.

Happy Cambodian New Year - The Year of the Serpent

We Offer Great Career Opportunities
Full-Time Benefits in a Part-Time Package
• GREAT STARTING WEEKLY PAY • MEDICAL, DENTAL &amp; LIFE INSURANCE
• 401(K) •WEEKENDS &amp; HOLIDAYS OFF
• PAID VACATIONS • AND MUCH MORE!!!

$23,000 * *

Get up to
in College Education Assistance!! !

The UPS
EARN &amp;
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Program

I
25

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~

�DOLAN
FUNERAL HOME, INC.
106 MIDDLESEX STREET

CHELMSFORD
• Serving all faiths
• Advanced Funeral Planning Available
TRADITIONAL OR
CREMATION SERVICES
DIRECTORS
James F. Dolan
James F. Dolan II
Independently Family Owned &amp; Operated

(978) 251-4041
www.dolanfuneralhome.com

O•CEliil
26

�March 2001 Commonwealth Culture Fest - The
Angkor Dance Troupe was one of three leading
performing arts organizations from across the
state invited to perform at the Massachusetts
State House. Above - Elizabeth Yim, Mary Many,
Heng Noeuk, Monica Veth, and Stephanie Seng
perform the Blessing Dance. Right - Mary Many.
Photos by Andrew Page

LOUIS L. PINN

INSURANCE AGENCY

1519 Middlesex Street
2nd Floor
Lowell, MA 01851

PHONE: (978) 452-4748
FAX:
(978) 452-4754

27

�March 2001 Commonwealth Culture
Fest at the State House. Left - State
Senator Steve Panagiotakos lent his
legislative office to the effort.
Artistic Director Phousita Huy puts
finishing touches on Stephanie
Seng's costume. Above - Sam Hor
performs the Coconut Shell Dan ce.
Photos by Andrew Page

Loont Press
Our Region's Best Literature
Fractured Identities: Cambodia's Children of War
by James Higgins and Joan Ross
French Class: French Canadian-American Writings
on Identity, Culture, and Place
by Susan April • Paul Brouillette
Paul Marion • Marie Louise St. Onge
Baptism in the Merrimack: Poems by Hilary Holladay
lost Baggage: Poems by Charles Levenstein

Loom Press• P.O. Box 1394 •Lowell, Mil 01853

28

�March 2001, Concord Academy, Concord, MA - Left: Peter Veth &amp; Heng Noeuk in Hanuman
&amp; Sovann Macha. Right: Tbal Kdoeung. Photos by Coung Ly

DICK LEPINE REAL ESTATE, INC.
Dracut, MA 01826
FAX: 978-957-1528

1333 Lakeview Avenue
Tel: 978-957-8200

CON(jR.ATULATIONS AN(jKOR. DANCE TR.OUPE
Don McMeniman, Sales Manager V/M 978-442-5 829

Anstiss &amp; Co., P.C.
Certified Public Accountants
21 George Street
Lowell, MA 01852

Raymond L. Anstiss, CPA, MBA
Richard B. Dionne, CPA, MST

Raymond L. Anstiss, Jr., CPA, MBA

Telephone: (978) 452-2500
Fax: (978) 458-0425

29

�Above &amp;
Left photos
courtesy:
Ellen
Bullock,
Chelmsford
Independent

December 2000 - Harringt on School, Chelmsford, MA
Above Left: Sam Hor gives a workshop on the pestle
dance. Lef t: Students are entertained during a performance of the Fishing Dance (top). Above - Many Srey
gives 6-year-old Joshua Glidden an autograph.

FUNERAL DIRECTORS SINCE 1884

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JOHN W. CRANE
JAMES F. O'DONNELL, Jr.
Serving all Faiths • Cremation Service
Pre-need Funeral Planning

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276 Pawtucket Street at Fletcher Street, Lowell

978-458-8768

www.odonnellfuneralhome.com
30

�To the Performers ...

Continued Success
To the Angkor Dance Troupe, Inc ....

Best Wishes

Armand P. Mercier
City Councilor
31

�The Angkor Dance Troupe - A Look Back at 15 Years
A key part of the Angkor Dance Troupe success story is the stead fast commitment and passion of co-founder Tim Chan Thou . Many
people have made valuable commitments to the Troupe over the
past 15 years. Among them are Sanara Chea, George Chigas,
Sambath Fennell, Ravuth Yin, Ann Bartholomew, Phallik Ting,
Thida Loeung, Carol Keirstead, Vuthy Chreck, Phousita Huy, and
Sophorn Savunn, to name a few. But without the sustained dedication of Tim and his family, the Troupe would not have survived.

Tim Chan Thou co-founded
the Angkor Dance Troupe in 1986

Tim learned to dance in the Khao-1Dang refugee camp, inspired by his
Grandmother, Peou Khatna, a
former palace dancer. From early on,
he earned a reputation for his
commitment, talent, and ability to
organize. He became certified as a
teacher and emerged as a leader in
the refugee camp dance movement
when he moved to a resettlement
camp in the Philippines.

In Recognition of What My Friends
Jane Benfey, Nina Coppens, Rady Mom, and Ruth Page
do so Selflessly on Behalf of the Wonderful
Angkor Dance Troupe.

Steve Moses
of the
UMass Lowell
Center for Health Sciences, Health Promotion and Public Health
32

�Good luck to the
Angkor Dance Troupe!
Best Wishes
- The Spindle City Corps
(978) 459-9899 X15

When Tim resettled in
Lowell in 1982, community
members sought him out
to perform at Khmer New
Year celebrations. Joined
by fellow dancer Phallik
Ting, Tim performed a few
times a year around the
A 1987 performance of the Fishing Dance.
region. In the mid 1980's
Tim connected with respected dance instructor Sanara Chea, and
together they founded the Angkor Dance Troupe.
"Our idea was to promote the culture
and share our dance traditions with
community," said Thou. "We had a core
group of dancers and felt it was important to continue awareness of the
cu lture. We rehearsed every weekend, w o rking together to
pre pare for performances. The motivation came from the commun ity, whi ch was so ha ppy t o see the dances."
ALTERNATIVE MEDICAL CENTER

H EALTH LAND
SPECIALIZE IN:

•AUTO ACCIDENTS
•WORK RLEATED INJURIES
FR.EE lNlTIAl. CONSULTATION

Open 6 D•ys · Same Day Appointments
Mo t lnsuunces Acee ted

978-970-1212
Fax: 978·970..0800
21 Geor e St., Lowell, MA 01852

33

·
·
·
·
·

Massage Therap
Acupu ncture
Chiropractic
Physical Therapy
Herbal Medicine

�The Angkor Dance Troupe
Bringing Cambodian
Classical and Folk Dance to Lowell

Two of the Troupe's Rising Young Apprentices:
Diane Pulliam and Krisna Thou
with Master Teacher Yorn Peng

from Jonathan &amp; Diane Pulliam
and
Tim Chan Thou &amp; Kolab Yin

34

�The Angkor Dance Troupe
- A Look Back at 15 Years
"As time went on, I
became more and more
interested in teaching the
young kids who were
growing up here and
didn't know anything
about Cambodia and
the traditions," said cofounder Tim Chan Thou .

The Angkor Dance Troupe in 1988.

"It's really important that we pay respect to the traditions, the
proper costuming . We need to preserve the culture - it's very
fragile . So we make sure that we teach the proper way. It makes
my heart happy to see young people today so involved. Now
the children of some of my former students are joining . That
seed that we planted for so many years is now growing and
flourishing. I hope the role models take over in a few years. I
think it's important that the culture doesn't fade out. The kids
need to know our culture, the dignity of it, and understand
where they come from. Even though many of t hem w ere born
here, inside they have the blood of Cambodia" .

NAVY YARD LIQUORS
• Beer •Wine • Spirits • Kegs

~
~
3 Hampson St.
Dracut, MA 01826

978-957-4775

35

�Dance, The Spirit of Cambodia
SAVE THE DATES!
August 31 &amp; September 1
The dance company from
the Royal University of Fine
Arts, Phnom Penh will make
its first U.S. tour in more
than a decade.
The 12-city national tour
stops in Lowell for two exciting
shows at the
Lowell Memorial Auditorium
August 31 &amp; September 1, 2001
Call 978-441 -9277 more information.

Accupressure • Cupping Therapy • Sports Therapy
Back &amp; Neck Therapy • Stress Management
Find out what alternative therapy can do for you.
Call Rady for more information.

Rady Mom,

C. M.T. ,

Certified Therapist

Mom's T herapy • 15 Pine Street• Lowell, MA 01851

978-458-0404
36

�Happy New Year
&amp;
Best Wishes
Angkor Dance Troupe
Community Teamwork, Inc.
167 Dutton St.
Lowell, Massachusetts 01852
(978) 459-0551
FAX: (978) 453-9128
We're on the Web
www.comteam.org

Community Teamwork ...
Building a Better Community
Every Day

37

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Lowell Community Health-Centir, Inc.
585-597 Merrimack Street, Lowell, MA 01854
Phone (978) 937-9700, Fax (978) 970-0057

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273 Summer Street• Lowell, MA 01852
(978) 452-3383

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Angkor Dancers - Then &amp; Now

Above - Now 10, Elizabeth Yim
joined the Troupe when she was
four years old.
Right - Peter Veth will be 14 in
2001 He joined Angkor when he
was 11-years-old.

AUTO INSURANCE
LARGEST

MULTI-CAR
DISCOUNT

Associated With
Over 400 Groups
Whh A Discount
of

10% or more

JOHN J. HONAN
INSURANCE A GENCY
42' CHELMSFORD Sf, LOWELL• NEXT TO WENDY'S

TEL: 9 78-454-0402

39

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Office: (978) 459-8359
16 Pine Street, Lowell, MA 01851

40

�Tr

YWCA
Lowell

The Tobacco Prevention Program (TPP) Peer Leaders
from the Acre Youth Center are working towards a
tobacco-free community. Every day, 3000 children
become regular smokers! Please help keep us healthy.

Do not give or sell cigarettes to minors under age 18. Please volunteer
in your community. For more information, please call 978-458-9983.
For the Angkor Dance Troupe, good luck!
YWCA of Lowell• 206 Rogers Street• Lowell, MA 01852
Left - 6-year old
Rotana Thou receives
a certificate from
RUFA Director Malis
Keo after a workshop
in Lowell in the early
1990's.
Right - Nearly 10
years later, Rotana
performs the Apsara
Dance.

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Is your child developing like other
children his or her age?
If you wonder...
please call

Anne Sullivan Center
Early Intervention Program
978-453-8331

126 Phoenix Avenue, Lowell, MA 01852
41

�Compliments of

Lowell's Emergency Service

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Trinity E.M.S. , Inc.
1221 Westford Street • Lowell, MA 01851
(978) 441-9999

42

�Sam Hor has been dancing since
he was 9. He turns 17 in 2001.

Right - Linda Sou
began dancing at age
four. She turns 18 in
2001.

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Open 6 Days/Week

308 Westford Street
Lowell, MA 01851

(Closed Tuesday)

(978) 452-4431

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future-!JeKeratWIU. You, make, OUJ' CD~ wok!JYeaC!
- Kheuutra, RMf:auranr

43

�Growing Up in the Angkor Dance Troupe
Above Left - Sochenda Uch at FirstNight
Boston in 1996.
Above Right - Sophal Ngin in an
undated photo.
Right - Sochenda and Sopha I at Jacob's Pilliow in August 2000.

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Interested in becoming a foster parent?
You might be able to help provide a supportive family
environment for Cambodian children, ages 11 to 14.
Informational meetings are open to you.
Call us to find out more.
·~'I Services

CAS~ (978) 931-1811

FAMI~
SERVICES

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18 Palmer Street • Lowell, MA 01852

44

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�Lowell City Councilor
Rithy Uong represents a new
generation of leadership ...
for all of Lowell.
"I want to continue to serve you on the
Lowell City Council, to hear your concerns, and work together to make Lowell
the best it can be.
"Housing, decent and affordable, is a
basic right, to which everyone in Lowell
is entitled. As chair of the City Council
Housing Committee, I am working to
help all our citizens.
"Economic development begins in the
neighborhoods and should support
neighborhoods, rather than harm them.
"Elders deserve our respect and support.
As they have supported us, their families ,
and our city, we have an obligation to
stand up for them."

Rithy Uong, 2001
Lowell City Councilor
Paid by the Committee to Re-elect Rithy Uong, Lowell City Councilor.
For more information: 978-452-7158.
45

�Thomas A. Golden, Jr.
STATE REPRESENTATIVE
0

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Best Wishes to the
Greater Lowell Cambodian Community
and Congratulations to the
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Angkor Dance Troupe!
46

�EB

&amp;M

ENO, BOULAY &amp;
MARTIN, LLP
ATTORNEYS - AT - LAW
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ARTHUR L. ENO. JR.
SANDRA M. BOULAY
WlLLIAM F. MARTIN. JR.

134 Middle Street-Suite 300 • LowelL MA 01852-1867

Tel. 978-452-8902

Fax. 978-453-2585

And rew Page
Freelance
Photography

48 Morning Street
Portland , Maine 041 0 l
(207) 775-6678
email:
apage@maine.rr.com

47

�FRIENDS OF THE ANGKOR DANCE TROUPE
The "Friends of the Angkor Dance Troupe" is a membership drive to
support the Troupe's award-winning youth programs. Thank you to
the many concerned community members and organizations who have
contributed to the Friends of the Angkor Dance Troupe.

Major Program Sponsors in 2001
Casey Family Services
Linda Marsella &amp; David Blair
Eleanor Briggs
Dr. Malcolm Hill

Contributing Sponsors in 2001
Nancy L. Donahue
Jonathan &amp; Diane Pulliam

Community Leaders in 2001
Jane and Tom Benfey
Ann Bartholomew &amp; Ron Micheels
Louis L. Pinn Insurance Agency
Citizens for Youth in 2001
Richard &amp; Mary Noon • Elaine Wong
Kristina Nicolli • George C. Eliades, Jr., Esq.
Past Contributors
The Edward &amp; Elizabeth Gardner Foundation • Janet Gardner
St. Joseph the Worker Shrine • John E. Leggat
Rosemary Noon &amp; Paul Marion • Bonna Mai

r-------------------------1
HOW TO DONATE: Every gift is greatly appreciated. Many businesses offer a
matching gift program which can double the size of employees' contributions. Other
ways to give include memorial gifts, which allow the donor to recognize special
people in their lives, or gifts of appreciated stock that can reap substantial tax
benefits for the donor. All gifts are tax-deductible. Thank you for your support!

Address:------------------------

I am enclosing: 0$1,000 0$500 0$250 0$100

0

0

$50

0

$25

0

Other: - - - - -

My company's matching gift form is enclosed.

Please make checks payable to: Angkor Dance Troupe, PO Box 1553,
Lowell, MA 01853 (Thank You!)

L-------------------------~

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The Angkor Dance Troupe, Inc.
P.O. Box 1553, Lowell, MA 01853
(978) 441-9277 • FAX: (978) 251-8039
email: pageone@mediaone.net
http://ecommunity.uml.edu/angkor

I Special Thanks To: I
Our Dedicated Staff &amp; Board of Directors
Phousita S. Huy, Artistic Director
Ruth Page, Executive Director
Sakhoeum Sim, Instructor
Chhan D. Touch, Co-Chair
Nissay Liek, Treasurer
Todd Beauregard
Dr. Nina Coppens
Vyrik Eng
Lynne Faust, LNP
Sophy Leng
Bonna Mai
Rady Mom
Taary Ram
Sopheap Sou
Rithy Uong

Tim Chan Thou, Manager
Panha Yuk, Instructor
Kolab Yin, Costumer
Jane Benfey, Co-Chair
Gloria Polites, Secretary
Jim Conlon
Saovary En
Samnang Hor
Cassandra Keirstead
Thida Loeung
Paul Marion
Jonathan Pulliam
Akara V. Savun
Sochenda Uch

Master Artists in Residency from
Royal University of Fine Arts, Phnom Penh
Yorn Peng

Sophea Sek

And to our Community Partners and Collaborators:
Big Brother/Big Sister of Greater Lowell ADAM project
UMass Lowell, College of Arts &amp; Sciences
Lowell Community Charter School
Pat Mccrary and the Lowell National Historical Park
Jim Canavan, Donna Welch, &amp; Marco Cancel, Community Teamwork, Inc.
Jay Lange &amp; Jen Landry, Lowell Community Schools Program
E.N. Rogers Community School
Carole Mathews, Mass. Dept. of Social Services, Lowell Office
Photo Credits: Andrew Page, Rady Mom, Kevin Harkins, Tim Chan Thou,
Eleanor Briggs, Love Photos, Jocelyn Augustina. David Noeuk, Rachel Cooper
Translation Services: Nissay Liek
Sources: Dance and the Spirit of Cambodia, Toni Shapiro, Ph.D., Cornell University, 1994
"Cambodia's Royal Dance," Eileen Blumenthal, Natural History, 4/89
"The Dancer in Cambodia," Toni Shapiro, Ph .D., Asian Art &amp; Culture. Arthur M. Sackler Gallery.
Smithsonian Institution. Winter 1995 Southeast Asia Today, Oxford University Press

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Child support
Divorce
Wills &amp; estates
School law
Criminal defense
Injuries*
Auto accident*
Medical treatment*
Discrimination law*
Social Security*

Khmer speaking staff
•NO FEE unless we collect money for you!
FREE initial consultation
Weekend &amp; evening hours, hospital visits

226 Central Street
Lowell, MA 01852
tel. (978) 459-5000

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The Quick Center for Arts
Ptesents
Dances anci wotkshops of the Cambociia
March 16-17, 2004
Program:
1. The Blessing Dance
2. The Coconut Dance
3. The Tep Monorom Dance
4. The Khen Dance
5. The Moni Mekhala &amp; Giant
6. Fishing Dance
7. Pestle Dance
8. Swva Pol with DNC

Classical
Folk
Classical
Folk
Classical
Folk
Folk
Classical

Angkor Dance troupe, Inc.
Mrs. Phousita Huy, Artistic Director
Mr. Tim Chan Thou, Dance Program Director
Mr. George Chigas, Troupe Manager

This program is sponsored by the Quick Center for the Arts
With special thanks to
Ms. Deborah Sommers, Director Programming
Ms. Melissa Di Fiore, Assistance Director of Programming

Mr. Russ Nagy, Technical Director and his staff
P.O. Box 1553 • Lowell, MA 01853
(978) 275-1823 • FAX: (978) 275-1824

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1) The Blessing Dance
Dancers: Heng Noeuk, Rancia Phin, Sopharl Ngin, Rathanee Yean, Monica Veth

It is dance of greeting and good wishes. During the performance, the dancers come forward and
sprinkle flower petals toward the audience. This is done in the hope brining prosperity, peace,
and good health to everyone in the audience.

2) The Coconut Shell Dance
Dancers: Povtda Pech, Sodany Krouch, Paulina Srey, Linda Hong, Channa Sath
Samnang Hor, Zenith Rith, Sanny Meas, Rothna Mao, Vyrik Eng
The dance was inspired by a popular game that used coconut shells. The game was played during all kind
of ceremonies, but most often during weddings, engagements, and when the groom was escorted in a
procession to the bride's house. The Coconut Shell dance is one of the most popular and well known on
the Cambodian folk dance. In its original form, it was a one-man show. In the modem-day dance, an
equal number of male and female dancers perform the dance, signifying friendship and courtship. The
Khmer-language lyrics, the words that accompany the song-speak to how the coconut is the heart of the
Cambodian people.

3) Tep Monorom Dance (The Happiness of the Gods)
Dancers: Linda Sou, Sophy Leng, Khakhada Hom, Elizabeth Yim
Monica Veth, Sandra Proeung, Rancia Phin, Sopharl Ngin

This dance, often considered the most beautiful in the classical repertory, embodies the wellbeing, friendship, and prosperity of the Cambodian people.

4) The Khen Dance
Dancers: Rathanee Yean, Paulina Srey, Sodany Krouch, Channa Sath, Povtda Pech

Sanny Meas, Peter Veth, Vyrik Eng, Steve Hom, Vandary Moeun
The Khen Dance from a province of Cambodia located in the northeastern part on the CambodiaLoas border. Many young men from that part of the country play a musical instrument, a mouth
organ called Khen, which is made of bamboo and decorated with a garland flowers. Men play
their Khen to attract young passing by. The women can't resist so they touch the flowers and fall
in love.

5) Mini Mekhala &amp; Giant
Dancers: Heng Noeuk, Linda Sou
Moni Mekhala and Ream Eyso were at one time students of the same teacher and both strived very hard
to be his best favorite. In the end, the teacher favored the goddess, Moni Mekhala, and rewarded her with
a beautiful and very powerful crystal made fro the morning dew. The storm demon, Ream Eyso, was
given an ax as a consolation prize. As the dance begins, we see Moni Mekhala preparing to go out and
dance with other Gods and goddesses in the heavens. But on her way, she is accosted by Ream Eyso,
who is quite jealous and craves the powering glittering ball.
P.O. Box 1553 • Lowell, MA 01853
(978) 275-1823 • FAX: (978) 275-1824

�0

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Mini Mekhala teases him by holding the ball out very close. Then she tosses the crystal, momentarily
blinding him. This ends Ream Eyso to his knees, giving her just enough time to glide away.
It is said that the flash of Moni Mekhala' s crystal is what we know as lighting, and the crashing of Ream
Eyso' s ax is thunder.This is one of the most sacred dances in the Cambodian Classical repertoire and is
still performed in Cambodian in ceremonies to pray for rain.

6) The Fishing Dance
Dancers: Khakhada Hom, Sopharl Ngin, Sophy Leng, Monica Veth , Elizabeth Yim
Samnang Hor, Vyrik Eng, Peter Veth, Jamie Rin, Steve Hom
There' s saying in Cambodia "Where there is water, there are fish."
In this dance you will see two traditional methods of catching fish, using braided bamboo baskets Called
CHHNEANG In this dance you'll see young women scoop up water from the river into their Chhneng.
The baskets act as strainers-the water drains out through the bamboo leaving small fish in the basket.
And the guys use bell-shaped traps called ANGKUT For catching large fish in shallow water. Love and
romance and favorite themes in Khmer stories and dance. In traditional Cambodian society, young
people are careful watched and don't have many opportunities to get to know one another. But the
fishing quarter is one place they had the chance to meet.

7) The PestleDance
Dancers: Sophy Leng, Vyrik Eng, Linda Hong, Paulina Srey, Sokhoeum Khim, Zenith Rith
Povtda Pech , Sandra Proeung, Sodany Krouch, Rathna Mao, Channa Sath , Peter Veth
The pestle dance is depicted that celebrated the hard work of the harvest season.

8) The Swva Pol with DNC Dance
Dancers: Samnang Hor, Vyrik Eng, Jamie Rin, Steve Hom
In Cambodian legend, monkeys always fight evil; in fact they are army solders. And these solders are
celebrating a bid win. They're gathering food for a feast. The monkey dance is lively and acrobatic,
always performed by young boys, who you will see also capture the spirit and quick mannerisms of
monkeys. Following the original dance, the Troupe will feature some new choreography with elements
of modem dance. But if you watch carefully, you will see the dancers remain, throughout it all, Swva
Pol, the monkeys.

P.O. Box 1553 • Lowell, MA 01853
(978) 275-1823 • FAX: (978) 275-1824

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                    <text>0

l!f"'~"R'

A115ltor Datte~ Trol-fp~. lttc.

5und!UWing ~Uuwi
&lt;Jcto8e1t 21, 2005

�·.

Mistress of Ceremonies

·i

7:30 - 7:45pm

7:45 - 8:30pm

Opening Remarks

Sophy Suon

First Performance

·i

Doeun Kol

Tiva Propey

Dinner &amp; Cocktails
Keynote Speaker

Julie Mallozzi

Award Ceremony
Dedicated Volunteer Award
Community Service Award
Students Achievement Awards

Recipients:
Jim Conlon
Mehmed Ali
Sophy Leng
Poutda Pech
Randa Phin
Peter Veth

8:30 - 9:00pm

Dance Performance I

Doeun Kol

9:00 - 9: 15pm

Intermission &amp; Raffle

Joan Gendron
Rosalie Williams

·i

9: 15 - 9:45pm

Dance Performance II

Doeun Kol

9:45 - lO:OOpm

Special Presentation

Doeun Kol

lO:OOpm

Closing Remarks

Sophy Suon

�Tiva Propey Dance
Classical
Tiva Propey was originally performed in Cambodia in honor of
National Children's Day. It is designed to give young dancers
experience in movement and the rhythm of the classical orchestra.

Tep Monorom Dance
Classical
Tep Monorom Dance is often considered the most beautiful in the
classical repertory, embodies the well-being, friendship, and
prosperity of the Cambodian people.
The Coconut Dance
Folk
The Coconut Shell dance is one of the most popular and well-known
folk dances in the Cambodian repertoire.

I

4

Sentimental Expression Dance
Classical
Sentimental Expression like many classical dance is considered by
many to be a universal symbol of Cambodian culture. It is a source
of national pride for Cambodians, representing the beauty and
spirituality of Cambodian people.

INTERMISSION

9Jana [}~II
Picking Krovann Dance
Folk
This is a traditional dance of the Por tribe, which originated from the
Pursat Province of Cambodia.
Neang Neak Dance
Classical
Neang Neak is name for its central character - a mythical female sea
creature associated with the fertility of rivers, lakes and oceans.
Monkey Dance
Classical/Modern
In Cambodian legend, monkeys always fight evil; in fact they
are army soldiers. And these soldiers are celebrating a big win.
Following the original dance, the Troupe will feature some new
choreography with elements of modern dance.
y •

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

v

�sxecuHve "Bo~ r-o!

SeV\-LOY st~ff

Sophy Suon
President

Tim Thou
Program Director

Jonathan Pulliam
Vice President

Phousita Huy
Artistic Director

Joan Gendron
Treasurer

Doeun Kol
Office Manager

Ratana Ty-Riebe
Secretary

Rosalie Williams
Grant Writer

Through a generous arrangement with the Lowell National
Historical Park, Angkor has offices and rehearsal space on
the third floor of the Mogan Cultural Center located at
40 French Street in Lowell, MA.
Our mailing address is:
Angkor Dance Troupe
P.O. Box 1553
Lowell, MA 01853

Tel: 978.275.1823
Fax: 978.275.1824

Email: tim@angkordance.org
Web site: www.angkordance.org
The Angkor Dance Troupe, Inc is a 501 (c) 3 nonprofit
organization dedicated to preserving the traditions of
Cambodian performing arts while providing a positive social
and educational environment for our young members.

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~fit;;ms~ef
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Att5ltor Dattcc Troupe, lttc.
Sell'vLO Y s

tciff

Sophy Suon
President

Tim Thou
Program Director

Jonathan Pulliam
Vice President

Phousita Huy
A rtis tic Director

Joan Gendron
Treasurer

Doeun Kol
Manager

Ratana Ty-Riebe
Secretary

Rosalie Williams
Grant Writer

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Historical Park , Angkor has offices and rehearsal space on
the third floor of the Mogan Cultural Center located at
40 French Street in Lowell, Massachusetts.
Our mailing address is:
Angkor Dance Troupe
P. O. Box 1553
Lowell, MA 01853

Tel: 978.275 .1823
Fax: 978.275.1824

Email: tim@angkordance.org
Web site: www.angkordance.org
The Angkor Dance Troupe, Inc is a 501(c)3 nonprofit
organization dedicated to preserving the traditions of
Cambodian performing arts while providing a positive social
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~=

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Att5ltor Dattcc Troupc, lttc.

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tff'5tm";t

0

1;1~smSt~s

At15kor Dat1ce Troupe, lt1c.

Att5kor Dattce Troupe, lttc.

2011-1 ANNIVER.SARY

20th Anniversary

FUNDRAISING BANQUET , /
NOVEMBER. 3, 2006

Fundraising Banquet
You are cordially invited to the Angkor Dance Troupe's

20 th Anniversary Fundraising Banquet.
With stunning performances from the award-winning
troupe, live band, silent auction, and a five-course meal,
this evening should not be missed!
Date:
Time:
Location:

Cost:

Friday, November 3, 2006
6:00 PM - 12:00 AM
Sunnyda Restaurant
454 Chelmsford Street
Lowell, MA 01851
$45 in advance/$50 at the door

R.S.V.P b y October 27, 2006
For tickets and information: (978) 590-5654 or tim@angkordance.org
If you are not able to attend, but would like to forward a tax-deductible
donation, checks can be made payable to:

Angkor Dance Troupe
PO Box 1553
Lowell, MA 01853
Please be sure to check if your organization has a matching gift program
~ it's a great w ay to increase the value of your donation!
Photo by Higgi,is &amp; Ross
Desig11 a11d Photography

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~~finff~f

Att5kor Dattce Troupe, lttc.

20th Anniversary
Fundraising Event
You are cordially invited to the Angkor Dance Troupe's
20th Anniversary Fundraising Event.

-

With stunning performances from the award-winning
troupe, live band, and a five-course meal,
this evening should not be missed!
Date:
Time:
Location:

Cost:

Friday, November 3, 2006
6:00 PM - 12:00 AM
Sunnyda Restaurant
454 Chelmsford Street
Lowell, MA 01851
$45 in advance/$50 at the door

Please RSVP by October 27, 2006
For tickets and information: (978) 590-5654 or tim@angkordance.org
If you are not able to attend, but would like to forward a
tax-deductible donation, checks can be made payable to:

Angkor Dance Troupe
PO Box 1553
Lowell, MA 01853
Please be sure to check if your organization has a matching gift program
- it's a great way to build on our fundraising efforts!

�SA VE THE mA TE
IOVEM::IJEJ.l J, 2006 .- 6:00 F.M: . .- I.2:00 A.H.
0

tt:~D;S,1$$~!

Att5ltor Dattcc Troupe, lttc.
20th ANNIVERSARY FUNDRAISING EVENT
Sunnyda Restaurant
Tickets $45 in advance/$50 at the door

Look for your invitation in the mail in September
for additional information:
978-275-1823

P.O. Box 1553

Lowell MA 01853

tim@angkordance.org

SAVE THE mATE
IOVEM:EEJ.l J, 2006

_..J

6:00 F.M.

_..J

I2:00 A..M.

�0

1'~smff~s

Attgkor Dattcc Troi.pc. lttc.
2ot Vi AV'vV'vLVers.C{Ykj
Fu VI-cl r et ts. LVl-fj sve V1-t
NOVeVVlber 3 , 200G

Photo by Higgins &amp; Ross
Design and Photography

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UMass Lowell,

Thank you for your generous support to the
Angkor Dance Troupe s 25th Anniversary
premier of Apsara Dancing Stones.
1

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!!f"tm~~f

Att5kor Dattce Troupe, lttc.

2orn ANNNERSARY
FUNDRAISING BANQUET
NOVEMBER. 3, 2006

1'ttx11 ~" Hi?Jt!it1 ~ Rt!i:JS
s

&amp;sH11 Hitt) Pl.11~;/,,t1

�0

l!JUfmHRf
Att5kor Datte~ Tro~p~. lttc.

20th

Anniversa~

Fun~raising

Banquet

You are cordially invited to the Angkor Dance Troupe's
2Qth

Anniversary Fundraising Banquet.

With stunning performances from the award-winning
troupe, live band, silent auction, and a five -course meal,
this evening should not be missed!
Date:
Time:
Location:

Cost:

Friday, November 3, 2006
6:00 PM - 12:00 AM
Sunnyda Restaurant
454 Chelmsford Street
Lowell, MA 01851
$45 in advance/$50 at the door

R.S.V.P by October 27, 2006
For tickets and information: (978) 590-5654 or tim@angkordance.org
If you are not able to attend, but would like to forward a tax-deductible

donation, checks can be made payable to:

Angkor Dance Troupe
PO Boxl553
Lowell, MA 01853
Please be sure to check if your organization has a matching gift program
- it's a great way to increase the value of your donation!

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t11;sn;:at~s

Att5ltor Dattcc Troupc, lttc.
Annual c:fundrais1i13 c;;:yzitner
CW!th live pe!formcmcesjirJm the hi§hlp acclaimed &lt;Yambodicm
&lt;Y!a:ssiccrl &amp;' cfolk c:Bcmce &lt;YrJmpcmp, Angkor c:Bcmce rcroupe
and dinner b~t catered bp the award-winning- &lt;Yambodicm/
cfrench cuisine, "rche C!iiejJhcmt CWcrlk, "this evening- shrJuld nrJt
be missed cU'ark pour ccrhndars!!!
O&lt;!JattJ

dndap, ®cttJber 21, 200S

1JimtJ

?00 pm - 1l00 pm
cM!. ~leastJJl! c2;tJf&lt;Ylub
33 CffJtaple CffJtreet
~well of;[d 0!8Sl
$30 per a-dub, $10 per ch&amp;/
(!ithnic/ dtJrmal CWear

62tJcatitJ11..

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Attire..

12/ease @(GS 07'E bp ®cttJber 13, 200S
GffJr tickets and it!formatifJn, please cal/ 61 l-(}{}3-3.lfOlf
fJr wnte {(}, duepkfJ!@hfJ!mm!CrJm

cf§!!pou are nfJt able to make the cel.ebratifJn and would like tfJ
forward a tca;-deduct1bl.e CrJntnbutitm,
checks can be made papable M
An3kor 00Jance 'Groupe, ~®. ~oz I SS3, 62.owe!I, oU.b\ 0! 8S3
12/ea:se be sure tfJ check !fpfJur fJ'§anization ha:s a
matchin3 gi.Ji pmgr{[/11 - its a great wap M build fJn fJurjimdraisin3 tJorts!

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                    <text>Friday, April 7, 2017
Sompao Meas Hall - 450 Chelmsford Street, Lowell, MA
6:00-9:00pm Program, Performances, Raffles
9:00pm-12:00am Dancing and Celebration

' for tickets and sponsorship information, please visit
www.angkordance.org I info@angkordance.org I 978.275.1823

�Founded in 1986 by a group of Cambodian refugees with a passion for Khmer performing arts came
together in Lowell, Massachusetts, with the sole purpose of reviving a culture once almost lost, Angkor
Dance Troupe (ADT) was formed to preserve and develop the traditions of Cambodian performing
arts. Now, 30 years later, what began as an idea in the basement of a home has grown to an organization
of 10 dedicated staff and over 100 volunteers. Nationally recognized as one of the most accomplished
U.S.-based Cambodian traditional arts ensembles, the Troupe is directed by world-renowned master
teachers and performs a body of work developed by the Royal University of Fine Arts in Phnom Penh,
Cambodia. Cambodian culture continues to thrive here in Lowell through the generations of students
who have been enfolded into the journey ADT has travelled.
Each year over 20,000 people enjoy performances by ADT, which also reaches over 1,000 through a
quarterly newsletter, and in the past 30 years ADT has instructed over 4,500 youth in classical Cambodian dance and arts. We continue to receive national attention, including recognition by the National
Endowment of the Arts, a performance at the White House, a major role in the award-winning documentary Monkey Dance, and television segments on the Travel Channel with Andrew Zimmerman,
WGBH's Neighborhood Kitchens, and Chronicle.
The ADT youth of the past have become today's leaders, and they carry with them the legacy of the
magnificent Cambodian culture of performing arts. To celebrate this milestone, ADT's anniversary
celebration on April 7, 2017 will establish an endowment to ensure that today's youth will become future
leaders of the community, overcoming challenges with creativity and innovation.

�</text>
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Att5ltor Dattce T rol-fpe~ lttc.
Cambodian N1ZW Y1Zar G1Zl1Zbration &amp; Th1Z
23rd '(lnnuat f undraisfl,r

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�~ngkor &lt;Vane~ Troup~
Cordially invites you to the Cambodian New Year Celebration and

23 rd

Annual

Fund raiser to be held on Friday, April 9, 2010 from 6:00 pm to 12:00 Midnight
at Sompov Meas Hall located at 450 Chelmsford Street in Lowell, MA.
We are especially pleased to have two young exceptionally gifted artists from
Cambodia, Ms . Srey Peov Phoeun and Mr. Sinat Nhok, student leaders from
the Cambodian Living Arts , a project of Marion Institute, as our special guests
along with special performances by the nationally acclaimed Angkor Dance
Troupe. Enjoy delicious Southeast Asian food , music and dancing as well as
silent auction special prizes and 50/50 cash raffle.

Thi evining Program
Welcoming guests &amp; Cash Bar ................................. 6:00 PM
"Cambodian Refugee Poetry" Book Signing by Samkhann Khoeun ... 6: 15 PM
Silent Auction for Special Prizes ........................ 6:30 PM
Cambodian &amp; Southeast Asian Dinner................ ... 7:15 PM
Special Presentation by Cambodian Artists, Srey Peov Phoeun &amp;
Sinat Nhok.............................. 7:45 PM
ance by

~ n gkor &lt;F&gt;anciz Troupiz ...8: 10

Performance by

~ngkor

PM

Ballroom ... 8:45 PM

50/50 Cash Raffle .................... 9:10 PM
DJ Music &amp; Social Dancing ...... 9:30 PM
The End ........................... 12:00 AM
RSVP &amp; Info: Angkor Dance Troupe
P.O. Box 1553 - Lowell, MA 01853
.275 . 1823 - Email: Tim@angkordance.org

�~plleial PrllS\Zntation of

Cambodian 'Rllf US\Zll Polltry d3ook &amp; ~mot
The
political
and
military whims of the
superpowers fractured
the gentle land of
Cambodia,
ultimately
claiming the lives of
one-fourth
of
the
population in one of the
worst genocides of the
twentieth
century.
These
tragic stories
have
made
the
dangerous journey from
the Killing Fields of
Cambodia, to the makeshift shelters along the Cambodian-Thai border, to the
Refugee Holding Centers in Thailand, the Philippines and Indonesia, and finally to
communities in countries around the world, where traumatized Cambodian
refugees resettled , seeking freedom and opportunity. The poems were handwritten by the late Venerable Ly Van , who was a survivor of the Cambodian
holocaust and a refugee himself. They are beautifully written , poignant, and
filled with richness of Cambodian culture and history. "O! Maha Mount 'Vangrek:
Poetry of Cambodian 'R.ef ugee experiences" book is a testament to the hardship and
ugliness of war, as well as to the resilience of the survivors who have struggled for
the past thirty years to find peace in their hearts, justice for those lost, and
healing for the Cambodian survivors and refugees themselves.

Special book signing by editor/publisher, Samkhann C. Khoeun , along with special
presentation by two
Cambodian artists,
Ms. Srey Peov
Phoeun and Mr.
Sinat Nhek will be

held on Friday, April
9, 2010 from 6:15
pm at Sompov Meas
Hall in Lowell,
Massachusetts.

�0

1!1gsmf4~t

Att5kor Dattcc Troupc, lttc.
iii&gt;1iUSS:QS~~S~~ &amp; nsji&amp;'\SG~&amp;'\55

KHMER NEW YEAR CELEBRATION &amp; BANQUET
1',.J

llJfi.!Lfi sg 5im1f01 w1:10~0 Ci

0

"'

Friday, April 9, 2010

N

~ : oo~u

-

~l:l : oornunu;

6:00 PM - 12:00 Midnight

SOMPOV MEAS HALL - 450 Chelmsford Street; Lowell, MA.
Please RSVP by Friday, April 2, 2010
I will attend _ _ __

,I will not attend _ _ __

Number of adult(s)._ · _ , · Number of children

Total Cost: $ _ _ _ __

Please print name clearly~---'----------------Contact phone number _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
E-mail _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
KEEPING TRADITIONAL CAMBODIAN PERFORMING ARTS ALIVE
Annual special event covers about 10% of our operating costs. We hope you will consider

a gi~ that will directly benefit hundreds of young children and youth who attend weekly
dance practices and cultural enrichment classes at the Mogan Cultural Center of the
Lowell National Historical Park.
Yes, I would like to make a tax deductible gi~ to ADT in the amount of:
0$250

0$100

0$50

0$25

OOther _ _ _ _ _ _ __

OCheck Enclosed
Please return in the enclosed envelope
Or call (978) 275-1823 and RSVP to Tim Thou, Program Director &amp; Co-founder.
Angkor Dance Troupe, Inc.NP. 0. Box 1553; Lowell, Massachusetts 01853
Email: Tim@angkordance.org

N

visit us at: www.angkordance.org

�0

tr:~smf4Rt.

. ··

A115kor Dattcc T roMpc, lttc.
Preserving &amp; Promoting Cambodian Dance Traditions Since 1986

Deborah Nelson, President
Linda Sou, 1 •t Vice-President
Samkhann C. Khoeun, 2 "dVice-President
Joan Gendron, Treasurer
Margaret Ouellet, Secretary

Doeun "Duey" Kol
Elaine McKinnon
Sochenda Uch

Tim Thou, Co-founder &amp; Program Director
Phousita S. Huy, Artistic Director
Vandara Chun, Ballroom lnstrutor
Rosalie Williams, Assistant Program Director
Samnang Hor, Youth Coordinator/Dance Instructor
Jim Conlon, Performance/Out Rea&lt;;h Assistant
Peter Veth, Assistant Artistic Director
Pech Heung, Classical Dance Master
Bin Phan, Khmer Music Master/Instructor
Kolab Thou, Costume Design Assistant
Eleanor Rizzo, Web Master
Randy Koung, Office Assistant

&lt;Cll.at§§lL&lt;e.atll &amp; lFollk. JDl;aurnoe ll1rn§tt1ructo1
rn
Brendan Vuong

Brianna Mai

Channa Sath

Emily Horn

Kalya lek

Monica Veth

Sopaul Hem

Sophorl Ngin
Sophy Leng

Angkor Dance Troupe NP. 0 . Box 1553
Lowell, Massachusetts 01853
978-275-1823

N

Email: Tim@angkordance.org

Website: www.angkordance.org

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