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                    <text>1986-2001
15TH ANNIVERSARY
COMMEMORATIVE BOOK

�AUTO ACCIDENTS
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PALMA LAW OFFICES, P.C.
45 MERRIMACK STREET, SUITE 330
LOWELL, MASSACHUSETTS 01852
(978} 970-2211

�TABLE OF CONTENTS
I.
II.
Ill.
IV.
V.

About the Angkor Dance Troupe
3 - 45
How to Contact the Angkor Dance Troupe
Inside Back Cover
Angkor Dance Troupe Funders
2
How to Make a Donation
48
Directory of Advertisers
41
Anne Sullivan Early Intervention Center
Anstiss &amp; Company, P.C.
29
Asian American Bank
13
Paul A. Balakin Insurance
12
Ann Bartholomew &amp; Ron Micheels
20
Big Brothers Big Sisters of G. L.
18
Casey Family Services
44
Lyla Chea &amp; Family
9
37
Community Teamwork, Inc.
Nina Coppens, UMass Lowell
16
Dolan Funeral Home
26
Nancy &amp; Richard Donahue
4
James Doyle, Esquire
6
Eliot Church
39
Eno, Boulay &amp; Martin, LLP. Attorneys
47
Enterprise Bank &amp; Trust Co.
7
FamCam
14
Friends of the Ankgor Dance Troupe
35
Thomas Golden, State Representative
46
Walter Halvorsen &amp; Beth Kanter
8
Haskell Law Firm
40
Healthland
33
John J. Honan Insurance
39
HRH - One Stop Insurance
8
15
Human Services Corporation
Joseph's Coat
15
Carol &amp; Cassandra Keirstead
5
43
Khemara Restaurant
Dick Lepine Real Estate
29
Loom Press
28
Lowell Community Health Center
38
Lowell Spinners
19
Bonna Mai &amp; Family
3
Paul Marion and Rosemary Noon
2
MassBank
22
Armand P. Mercier, Lowell City Councilor
31
Mill City Management
23
Mom's Therapy
36
Steve Moses, UMass Lowell
32
Navy Yard Liquors
35
Vesna Noun
24
O'Donnell Funeral Home
30
Andrew Page, Photographer
47
Palma Law Offices
Inside Front Cover
Steve Panagiotakos, State Senator
17
Don Pierson, Dean, UMass Lowell
21
Louis L. Pinn Insurance
27
Jonathan &amp; Diane Pulliam
34
Marina &amp; Peter Schell
22
The Sharing Foundation
24
Shaw Real Estate
9
33
Spindle City Corps
Thomas Stylianos, Law Offices
Outside Back Cover
34
Tim Chan Thou &amp; Family
36
Trinity Ambulance
Rithy Uong, Lowell City Councilor
45
UMass Lowell Community Social Psychology Graduate Program
5
UPS
25
YWCA of Lowell - Tobacco Prevention Program
41

�The Angkor Dance Troupe receives the generous support of the:

Massachusetts Cultural Council YouthReach Initiative
Lowell Community Development Block Grant Program
Friends of the Angkor Dance Troupe (see page 40)
Lowell Cultural Council
Lowell Enterprise Community
Greater Lowell Community Foundation
Significant In-kind support comes from the:
University of Massachusetts Lowell
College of Arts &amp; Sciences, Psychology Department
Big Brother Big Sister of G.L. ADAM Project
Lowell Community Charter School
Community Teamwork, Inc. • Massachusetts Dept. of Social Services
Lowell Community Schools Program • E.N. Rogers Community School

Congratulations
to the

Nationally
Recognized
Angkor Dance
Troupe.

from Paul Marion &amp; Rosemary Noon &amp; Joe Marion
2

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Celebrating 15 Years as a Leading Cultural Organization
The Angkor Dance was formed in 1986 by Cambodian refugees
of the Khmer Rouge genocide. When we resettled in Lowell,
Massachusetts we brought a passion to carry on our cherished
t radit ions - to practice and perform, to teach others, and to see
the art fo rm preserved for future generations of all cultures.
Greater Lowell is home to the second-largest community of
Cambodian Americans in the country. Cambodian dance
performances provide a poignant reminder of the beauty and
spirituality of Cambodian culture and help us develop a sense of
home and community in a new homeland.

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(Dance Master Yorn Peng instructs Angkor
Dance Troupe apprentice Brianna Mai.)

3

�Classical dance has been con nected to Cambodia's sacred
rituals for more than one
thousand years. During the
great Angkor civilization,
dancers performed blessing
ceremonies in temples to bring
prosperity to the kingdom . Bas
relief carvings at Angkor Wat
depict heavenly dancers -

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Apsaras - which were believed

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to connect the human world to the gods. Classical dance is sometimes called court dance or royal ballet. At one time, it was the
exclusive domain of roya lty. Today this cherished art is enjoyed by
audiences around the w orld and is considered by many to be a
symbo l of t he beauty and com pl exity of Khmer culture.

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Thank you for your continuing good work.
You make our community a better place to live &amp; work.

Nancy &amp; Richard Donahue
4

�CoN&amp;f~ATVLATtONS ON

15" Yf..A1?.s OF svcass~
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&lt;:;ood LucR. for a successful !:jta rt
from 1h8 Oommlrity Social Ptychology Orwiuat8 ProQnun at UMaaa/l.owell

\'le &amp;hare in 1our c.ommitment to
improving c.ommuni"f \ife in G.reater Lo•e.\\
for more ilformatkln alxiut the Graduate Program contact the Graduate Student office by lim at
978-934-3952 or email at cwadoffrce®yaroo.com or 6ffi Serkowitz at 6ill Serkowitz®umledu.

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hroughout Cambodia, after the harvest, it is time for
music, song, and dance. Folk dance is rooted in rural

Cambodia and depicts rituals of everyday village life. The dances
honor skills that are typically undervalued in the rush toward

westernization, such as fishing and rice farming. Dance motifs
are commonly based on local legends and inspired by themes of
nature as well as the ceremonies, and customs that shape the
lives of Cambodian people. Distinctive, colorful costumes represent the traditional dress and cloth from the various regions and
ethnic groups within Cambodia.
5

�The Troupe takes its name
from the great Angkor
Civilization, between 802
and 1432 AD, when
Cambodia was a dominant
empire in Southeast Asia.
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tradition bearers perished .

A dancer performs a ceremony at Angkor Wat.

A National Leader in Traditional Cambodian Dance
The Angkor Dance Troupe is nationally recognized as one of the
most experienced and accomplished Cambodian dance ensembles
performing today. Angkor is directed by world-renowned master
teachers and performs a repertoi re developed in concert with the
Royal University of Fine Arts in Phnom Penh, Cambodia, considered
the global standard bearer for Khmer traditional arts. The Troupe
has an intensive program of educational exchange with the Royal

JAMES L. DOYLE
Attorney at Law
297 Foster Street
Lowell, MA 01851-3014
(978) 937-9293
Fax (978) 459-3777
jimdoyle@ma.ultranet.com

~ National Academy of

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1-800-484-5121 x4690
6

�University of Fine Arts (RUFA),

Angkor Artistic Director Phousita Huy is a
former faculty member from the Royal
University of Fine Arts in Phnom Penh.

which allows us to continually
improve and expand our repertoire
of classical and folk dance traditions.
Angkor Artistic Director Phousita
Huy is a former RUFA faculty member and toured internationally with
the Classical Dance Company of
Cambodia. We routinely host visiting
master teachers from RUFA, as well
as former RUFA faculty living in the
U.S., for extended artists' residencies
and workshop series. Ms. Huy
coordinates these residencies,
selecting master artists with specific
expertise to advance the artistic
development of our dancers.

As a result of our active program of exchange with highlevel master artists, the Angkor Dance Troupe has the most
diverse and developed performance repertoire of any of the
U.S.-based Cambodian dance companies.

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7

�Masters of Cambodian Dance - Learning from the Best
In 2001, with assistance from
Middlesex Community College, we
secured educational visas for two
RUFA masters, Ms. Yorn Peng and Mr.
Sophea Sek. These important dance
teachers arrived in the U.S. in January 2001 and will teach and perform
with us for several months.
In 1999, master teachers
Sokhanarith Meour and Phan
Phoung of Connecticut held a
series of workshops on the "Chhay
Yam " and other dances, through
a project sponsored by the Lila
Wallace Reader's Digest Community Folklife Program .

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Lowell , MA 0 1852
Business : 978-441-6224 Fax: 978-44 1-9673
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Lyla Chea and Family
9

�Masters of Cambodian Dance - Learning from the Best
In the 15-year history of the Angkor Dance Troupe, we have
had the honor to work with a number of the world's best
dance masters from the University of Fine Arts, Phnom Penh
and around the U.S. For their invaluable contribution to the
preservation of Cambodian dance, we give them our thanks:

The Esteemed Chea Samy
Master, Royal Uni versity

Chhieng Proeung
Dean, Univ. of Fine Arts

Ros Kong &amp; Tes Sam Oeun
Masters of Classical Dance

Dr. Sam Ang Sam
Master of Cambodian Music

Chan Moly Sam
Master of Court Dance

Malis Keo
Director, Univ. of Fine Arts

_.-..,...., Sokhanarith Moeur (left), Master of Folk Dance &amp; Drama
Phan Phoung, (Below) Master of Folk Dance
Choreographer. Coconut Shell

10

�Savath Roeung (Center)
Folk Dance Instructor
with Tim Chan Thou (left)
&amp; Sokhoeum Sim

Phousita Serey Huy
Master of Classical Dance
Artistic Director,
Angkor Dance Troupe

Sam On Soth
Master of Classical
Dance Drama

Heang Nayto
Folk Dance Instructor

Phalla Lak Morris
Folk Instructor

Thavro Phim
Folk/Giant/Monkey
Instructor

Song Heng
Master Musician

Khatna Peou
Master of Classical Dance
(With Grandson Tim Chan Thou &amp; Family)

Yorn Peng
Master of
Classical Dance

Sophea Sek
Folk/Giant
Instructor

Say Soeur
Monkey
Instructor

11

Tath Sum
Master Musician
Not Pictured: Rachana Khiev,
Tonara Hing

�Tep Menorom at a Khmer New Year celebration at Lowell's
Tsongas Arena in April 2000. (Rady Mom Photograph)
RIGHT - Taary Ram performs Picking Krovine at a 2000
Khmer New Year festival. (Andrew Page Photograph)

Performances
The Angkor Dance Troupe is listed on
the Massachusetts and New England
States Touring Rosters and has performed at venues including th·e White
House, First Night Boston, the Lowell
Folk Festival, the Berkshire Museum,
Yale University, and Jacob's Pillow.

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�Performances, rehearsa ls, an d works hops are a central part of
our mission. These activities promote a g reater awareness and
appreciation for our cultural tra d itions, provide support for our
artists, preserve fragi le cultura l t ra diti o ns, and he lp us inspi re a
new generation of Ca mbodian dan cers. The Trou pe has mo re
than 70 dancers, includ ing sea so ned performers as w ell as
apprentices ranging in age fro m fi ite to ad ult. Parti cipation in
dance rehea rsa ls is free and open to anyon e willing t o make a
com mitm ent t o Cambodian dance.
Du ring our busy season, leading up to Cambodian New Year in
April, we operate rehearsals seven days a week in five locations.
We run an awa rd-winning afterschool and summer program fo r
at-risk youth and host extended residencies each year with
Lowell 's Butler middle school and the community of Peterb orough, New Hampshire. We perform and p resent works hops an
average of 30 times per year for a var iety of audi ences t hroughout the reg io n. Between 1998 and 2000, An gkor presented 88
performances and w o rksho ps for mo re than 29,450 peop le.

~

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13

Member
FDIC

1

'

�Above - Butler Principal Harry Kouloheras with
student dancers in 1996. Right - Butler students take
the stage in a performance of the Good Crops dance.

The Butler Middle School &amp; Angkor Dance: Partners in
Multicultural Education - Every spring, Lowell 's Butler Middle
School and the Angkor Dance Troupe collaborate on an ambitious
Cambodian New Year dance residency that culminates in two fullscale performances by multi-cultural groups of Butler students.

Artistic Director
Phousita Huy leads
dancers in a performance
of the Apsara Dance at
the Peterborough NH
Town House in 1997.

Peterborough, NH - For the past several years, the community of
Peterborough NH, led by David Blair and Linda Marsella, has
hosted Angkor for performances, classes, and in-school programs.

Fctrn
Carn

Families with Cambodian
Children congratulate the
Angkor Dance Troupe
on their 15th anniversary.

For info on FamCam: www.famcam .org
14

�r.JUHJljMtnnnmunm 1
Peterborough's Satellite Dance Troupe,
Children in the Arts Day, May 19 &amp;
Joseph's Coat Peace Crafts
creating jobs for people in need
with wonderful clothing, toys, and jewelry
10 School Street, Peterborough, NH

Commendations and
thanfs to you for
enhancin3 and enrichin3
the variety and num6er
cherished cufrura(
traditions in the (jreater
Loweff Community.

ef

Human Services Corporation• P.O. Box 1091 • Lowell , MA 01853

15

�A VNtGtuf.

WA.Y

To

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Youn-1

A central component of the Troupe's mission is to provide
positive cultural, recreational, and educational opportunities for
Lowell youth. Since 1986, the Troupe has served approximately
350 young people, ranging in age from 4 to 18, who rigorously
rehearse and participate in Troupe performances and events.
Youth apprentices typically stay involved with the Troupe for at
least 4 to 5 years, many even longer.
In 1999, the Angkor Dance Troupe was selected for the prestigious Coming Up Taller award from the President's Committee
on the Arts and the Humanities and the National Endowment
for the Arts. The awards were presented to a select group of ten
organizations across the nation to honor exemplary arts programs serving at-risk youth.

Angkor Oance Troupe
Thank you for sharing
the beauty of your culture!
Nina Coppens, Ph.D.
Evaluator, Angkor Youth Dance
Professor, Psychology Department
University of Massachusetts Lowell

16

�Angkor Youth Dance - A Community Partnership
In October 1998, the Troupe launched Angkor Youth Dance, a
very successful afterschool and summer program for at-risk
youth with major funding from the Massachusetts Cultural
Council YouthReach Initiative. We operate the program with a
number of community partners including the : ADAM project of
Big Brother/Big Sister of Greater Lowell, Psychology Department
of the UMass Lowell College of Arts and Sciences, Lowell Community Schools Program, E.N. Rogers School, Community Team work, Inc., Lowell office of DSS, and others.
The Troupe helps young people make constructive choices in their
lives by immersing them in rigorous, in-depth arts experiences.
Over the years, we have witnessed firsthand the value of culturalbased arts programming for youth . We have had several
apprentices, for example, who were involved in gang activities
when they joined our program and have since left their street life
behind to make remarkable progress in their academic and
personal lives. Angkor's success with at-risk youth is a vivid
example of the power of the arts to transform lives .

Congratulations to the
Angkor Dance Troupe on your
15th Anniversary
and Best Wishes to the
Cambodian Community.

STATE SENATOR
Steven C. Panagiotakos
17

�Big Brothers Big Sisters
Of Greater Lowell
Congratulates
Angkor Dance Troupe
on
15 wonderful years
Big Brothers Big Sisters I A.D.A.M. Project
is proud of our continued association in helping at-risk
youth develop positive cultural activity. All youth, regardless
of income, need to be able to express themselves.
Angkor Dance Troupe and A.D.A.M. project provide
that outlet.

Angkor Dance Troupe &amp; A.D.A.M. Project

Making a Big Difference, One Child at a Time
Big Brothers Big Sisters
45 Merrimack Street, Suite 227
Lowell, MA 01852
978-453-9339
Web Site - www.becomeabig.com

18

�Highlights from Angkor Youth Dance - our award-winning
Afterschool &amp; Summer Youth Program

Above - Dancers take a bow at a Youth Dance performance.
Right - Peter Veth &amp; Sophy Leng receive achievement awards.
Below Left - Jim Conlon of Big Brothers/Sisters leads a group
discussion as part of an education component.
Below Right - Sam Hor and Shawn Clod in the Fishing Dance

Above - City Councilor Rithy Uong &amp; State
Senator Steve Panagiotakos announce Mass. Cultural Council
and NEA grants. Right -Vyrik Eng speaks at a press conference.
Sam Hor receives an award from Angkor Director Ruth Page.

Lowell Spinners
Class A - Boston Red Sox
"On the Road to Fenway"
For group information,

please call 978-459-1702

19

�Congratulations to our Role Models!
Pov Sath, 1996 &amp; Khoeun Pring, 1998
Andeth Vann, 1995 &amp; Sopor Vann, 1994
Rothana Yok, _
1998 &amp; Akara V. Savun 1997
Samnang Hor &amp; Sopheap Sou 1999
Taary Ram, 2000 &amp; Sochenda Uch, 2000
Sophy Leng &amp; Vyrik Eng, 2001

Best Wishes from Ann Bartholomew &amp; Ron Micheels
20

�An Extensive Collection of Richly Detailed Costumes

The Angko r Dance Troupe has an
ext ensive co llecti on of authe ntic
costu mes, dance mat eria ls, props, and
artifa cts. Most of the costu mes were
crafted by master dancers and
costumers from Cambodia .
Preparing for a performance can take several hours.
Above Left - Shawn Clod,
Jamie Rin, Vyrik Eng, and
David Noeuk help each other
into costumes for Swva Pol.
Above Right - Phousita Huy
and Heng Noeuk sew Linda
Sou into the Giant costume.
Middle Right - Mary Many helps
Stephanie Seng with make up.
Right - Thida Loeung puts
finishing touches on Kuntaer
Eng's costume for Tep Menorom.
Andrew Page Photos.

Don ald E. Pierson
Dean, College of Edu cation
UMass Lowell
21

�2000 Performance Highlights

Above Left - Kuntaer Eng, Rotana Thou, and Taary Ram in
a performance of Tep Menorom at the Bawker
Auditorium as part of the UMass Amherst
Asian Music and Dance series in November.
Above Right - Phalla Lak in the Fan Dance at
Jacob's Pillow in August. (Andrew Page Photos)
Right - Sochenda Uch and Linda Sou in the
Fishing Dance at the Tsongas Arena in April.
(Rady Mom Photo)

Yours~ perfor~

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fA&gt;HjY~M aJUi tlr.a.HJc,you,
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MarUta,. &amp; Peeer sckett
Pere Pen
Mortgage Originator

The Bank For Your Dreamsl
50 Central St.
Low•ll, MA 01152
Pag•r(971)159-0664
Vole• Mall (971) 446-9333

22

�CONGRATULATIONS/
C
ongratulations To
The Angkor Dance
Troupe On Their
15th Anniversary
Compliments of the Staff of the
Lowell Memorial Auditorium
And Mill City Management
-Tom McKay, Leo Creegan, Terry McCarthy

23

�2000 Performance Highlights

Left - Thida Loeung in Tep Menorom at the
Tsongas Arena in April. (Rady Mom Photo)
Above &amp; Below - The Butterfly &amp; new
c ho reo~rap hy for Swva Pol at the Smith Baker
Center m November. (Andrew Page Photos)

VesnaNuon
&amp; family wishing you and

yours the best of everything
in the New Year.
Paid by the Committee to Elect Vesna
Nuon to the Lowell School Committee.

Congratulations to the Angkor Dance Troupe for
15 years of hard work!
from your fri ends at

THE SHARING FOUNDATION
Helping to Care for Cambodia's Children
THE SHARI NG FOU DATION is a non-profit organization whose goal is to
help meet the physical , emotional , and medical needs of children in Cambodia .
Visit us on the Web at www.sharingfoundation.org or write to us:
The Sharing Foundation , P.O. Box 399 , Woolwich , ME 04579
*The support for this ad was donated by James Piseth Kelly (Seth), a big fan of both organizations!

24

�I 9t&lt; I

~
Salutes

~
~
~
~
~
~

The Nationally Recognized

I Angkor Dance Troupe I
~
I
I
~
~

~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
~
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Trnly a Cultural Gem

.

Happy Cambodian New Year - The Year of the Serpent

We Offer Great Career Opportunities
Full-Time Benefits in a Part-Time Package
• GREAT STARTING WEEKLY PAY • MEDICAL, DENTAL &amp; LIFE INSURANCE
• 401(K) •WEEKENDS &amp; HOLIDAYS OFF
• PAID VACATIONS • AND MUCH MORE!!!

$23,000 * *

Get up to
in College Education Assistance!! !

The UPS
EARN &amp;
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Program

I
25

I
~

�DOLAN
FUNERAL HOME, INC.
106 MIDDLESEX STREET

CHELMSFORD
• Serving all faiths
• Advanced Funeral Planning Available
TRADITIONAL OR
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DIRECTORS
James F. Dolan
James F. Dolan II
Independently Family Owned &amp; Operated

(978) 251-4041
www.dolanfuneralhome.com

O•CEliil
26

�March 2001 Commonwealth Culture Fest - The
Angkor Dance Troupe was one of three leading
performing arts organizations from across the
state invited to perform at the Massachusetts
State House. Above - Elizabeth Yim, Mary Many,
Heng Noeuk, Monica Veth, and Stephanie Seng
perform the Blessing Dance. Right - Mary Many.
Photos by Andrew Page

LOUIS L. PINN

INSURANCE AGENCY

1519 Middlesex Street
2nd Floor
Lowell, MA 01851

PHONE: (978) 452-4748
FAX:
(978) 452-4754

27

�March 2001 Commonwealth Culture
Fest at the State House. Left - State
Senator Steve Panagiotakos lent his
legislative office to the effort.
Artistic Director Phousita Huy puts
finishing touches on Stephanie
Seng's costume. Above - Sam Hor
performs the Coconut Shell Dan ce.
Photos by Andrew Page

Loont Press
Our Region's Best Literature
Fractured Identities: Cambodia's Children of War
by James Higgins and Joan Ross
French Class: French Canadian-American Writings
on Identity, Culture, and Place
by Susan April • Paul Brouillette
Paul Marion • Marie Louise St. Onge
Baptism in the Merrimack: Poems by Hilary Holladay
lost Baggage: Poems by Charles Levenstein

Loom Press• P.O. Box 1394 •Lowell, Mil 01853

28

�March 2001, Concord Academy, Concord, MA - Left: Peter Veth &amp; Heng Noeuk in Hanuman
&amp; Sovann Macha. Right: Tbal Kdoeung. Photos by Coung Ly

DICK LEPINE REAL ESTATE, INC.
Dracut, MA 01826
FAX: 978-957-1528

1333 Lakeview Avenue
Tel: 978-957-8200

CON(jR.ATULATIONS AN(jKOR. DANCE TR.OUPE
Don McMeniman, Sales Manager V/M 978-442-5 829

Anstiss &amp; Co., P.C.
Certified Public Accountants
21 George Street
Lowell, MA 01852

Raymond L. Anstiss, CPA, MBA
Richard B. Dionne, CPA, MST

Raymond L. Anstiss, Jr., CPA, MBA

Telephone: (978) 452-2500
Fax: (978) 458-0425

29

�Above &amp;
Left photos
courtesy:
Ellen
Bullock,
Chelmsford
Independent

December 2000 - Harringt on School, Chelmsford, MA
Above Left: Sam Hor gives a workshop on the pestle
dance. Lef t: Students are entertained during a performance of the Fishing Dance (top). Above - Many Srey
gives 6-year-old Joshua Glidden an autograph.

FUNERAL DIRECTORS SINCE 1884

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JOHN W. CRANE
JAMES F. O'DONNELL, Jr.
Serving all Faiths • Cremation Service
Pre-need Funeral Planning

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•

276 Pawtucket Street at Fletcher Street, Lowell

978-458-8768

www.odonnellfuneralhome.com
30

�To the Performers ...

Continued Success
To the Angkor Dance Troupe, Inc ....

Best Wishes

Armand P. Mercier
City Councilor
31

�The Angkor Dance Troupe - A Look Back at 15 Years
A key part of the Angkor Dance Troupe success story is the stead fast commitment and passion of co-founder Tim Chan Thou . Many
people have made valuable commitments to the Troupe over the
past 15 years. Among them are Sanara Chea, George Chigas,
Sambath Fennell, Ravuth Yin, Ann Bartholomew, Phallik Ting,
Thida Loeung, Carol Keirstead, Vuthy Chreck, Phousita Huy, and
Sophorn Savunn, to name a few. But without the sustained dedication of Tim and his family, the Troupe would not have survived.

Tim Chan Thou co-founded
the Angkor Dance Troupe in 1986

Tim learned to dance in the Khao-1Dang refugee camp, inspired by his
Grandmother, Peou Khatna, a
former palace dancer. From early on,
he earned a reputation for his
commitment, talent, and ability to
organize. He became certified as a
teacher and emerged as a leader in
the refugee camp dance movement
when he moved to a resettlement
camp in the Philippines.

In Recognition of What My Friends
Jane Benfey, Nina Coppens, Rady Mom, and Ruth Page
do so Selflessly on Behalf of the Wonderful
Angkor Dance Troupe.

Steve Moses
of the
UMass Lowell
Center for Health Sciences, Health Promotion and Public Health
32

�Good luck to the
Angkor Dance Troupe!
Best Wishes
- The Spindle City Corps
(978) 459-9899 X15

When Tim resettled in
Lowell in 1982, community
members sought him out
to perform at Khmer New
Year celebrations. Joined
by fellow dancer Phallik
Ting, Tim performed a few
times a year around the
A 1987 performance of the Fishing Dance.
region. In the mid 1980's
Tim connected with respected dance instructor Sanara Chea, and
together they founded the Angkor Dance Troupe.
"Our idea was to promote the culture
and share our dance traditions with
community," said Thou. "We had a core
group of dancers and felt it was important to continue awareness of the
cu lture. We rehearsed every weekend, w o rking together to
pre pare for performances. The motivation came from the commun ity, whi ch was so ha ppy t o see the dances."
ALTERNATIVE MEDICAL CENTER

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Fax: 978·970..0800
21 Geor e St., Lowell, MA 01852

33

·
·
·
·
·

Massage Therap
Acupu ncture
Chiropractic
Physical Therapy
Herbal Medicine

�The Angkor Dance Troupe
Bringing Cambodian
Classical and Folk Dance to Lowell

Two of the Troupe's Rising Young Apprentices:
Diane Pulliam and Krisna Thou
with Master Teacher Yorn Peng

from Jonathan &amp; Diane Pulliam
and
Tim Chan Thou &amp; Kolab Yin

34

�The Angkor Dance Troupe
- A Look Back at 15 Years
"As time went on, I
became more and more
interested in teaching the
young kids who were
growing up here and
didn't know anything
about Cambodia and
the traditions," said cofounder Tim Chan Thou .

The Angkor Dance Troupe in 1988.

"It's really important that we pay respect to the traditions, the
proper costuming . We need to preserve the culture - it's very
fragile . So we make sure that we teach the proper way. It makes
my heart happy to see young people today so involved. Now
the children of some of my former students are joining . That
seed that we planted for so many years is now growing and
flourishing. I hope the role models take over in a few years. I
think it's important that the culture doesn't fade out. The kids
need to know our culture, the dignity of it, and understand
where they come from. Even though many of t hem w ere born
here, inside they have the blood of Cambodia" .

NAVY YARD LIQUORS
• Beer •Wine • Spirits • Kegs

~
~
3 Hampson St.
Dracut, MA 01826

978-957-4775

35

�Dance, The Spirit of Cambodia
SAVE THE DATES!
August 31 &amp; September 1
The dance company from
the Royal University of Fine
Arts, Phnom Penh will make
its first U.S. tour in more
than a decade.
The 12-city national tour
stops in Lowell for two exciting
shows at the
Lowell Memorial Auditorium
August 31 &amp; September 1, 2001
Call 978-441 -9277 more information.

Accupressure • Cupping Therapy • Sports Therapy
Back &amp; Neck Therapy • Stress Management
Find out what alternative therapy can do for you.
Call Rady for more information.

Rady Mom,

C. M.T. ,

Certified Therapist

Mom's T herapy • 15 Pine Street• Lowell, MA 01851

978-458-0404
36

�Happy New Year
&amp;
Best Wishes
Angkor Dance Troupe
Community Teamwork, Inc.
167 Dutton St.
Lowell, Massachusetts 01852
(978) 459-0551
FAX: (978) 453-9128
We're on the Web
www.comteam.org

Community Teamwork ...
Building a Better Community
Every Day

37

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Lowell Community Health-Centir, Inc.
585-597 Merrimack Street, Lowell, MA 01854
Phone (978) 937-9700, Fax (978) 970-0057

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273 Summer Street• Lowell, MA 01852
(978) 452-3383

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Angkor Dancers - Then &amp; Now

Above - Now 10, Elizabeth Yim
joined the Troupe when she was
four years old.
Right - Peter Veth will be 14 in
2001 He joined Angkor when he
was 11-years-old.

AUTO INSURANCE
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TEL: 9 78-454-0402

39

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Office: (978) 459-8359
16 Pine Street, Lowell, MA 01851

40

�Tr

YWCA
Lowell

The Tobacco Prevention Program (TPP) Peer Leaders
from the Acre Youth Center are working towards a
tobacco-free community. Every day, 3000 children
become regular smokers! Please help keep us healthy.

Do not give or sell cigarettes to minors under age 18. Please volunteer
in your community. For more information, please call 978-458-9983.
For the Angkor Dance Troupe, good luck!
YWCA of Lowell• 206 Rogers Street• Lowell, MA 01852
Left - 6-year old
Rotana Thou receives
a certificate from
RUFA Director Malis
Keo after a workshop
in Lowell in the early
1990's.
Right - Nearly 10
years later, Rotana
performs the Apsara
Dance.

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Is your child developing like other
children his or her age?
If you wonder...
please call

Anne Sullivan Center
Early Intervention Program
978-453-8331

126 Phoenix Avenue, Lowell, MA 01852
41

�Compliments of

Lowell's Emergency Service

LFff:1rfJsqpfllmtt[3mr7sl5mmSnfJnf1a

Trinity E.M.S. , Inc.
1221 Westford Street • Lowell, MA 01851
(978) 441-9999

42

�Sam Hor has been dancing since
he was 9. He turns 17 in 2001.

Right - Linda Sou
began dancing at age
four. She turns 18 in
2001.

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Open 6 Days/Week

308 Westford Street
Lowell, MA 01851

(Closed Tuesday)

(978) 452-4431

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future-!JeKeratWIU. You, make, OUJ' CD~ wok!JYeaC!
- Kheuutra, RMf:auranr

43

�Growing Up in the Angkor Dance Troupe
Above Left - Sochenda Uch at FirstNight
Boston in 1996.
Above Right - Sophal Ngin in an
undated photo.
Right - Sochenda and Sopha I at Jacob's Pilliow in August 2000.

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Interested in becoming a foster parent?
You might be able to help provide a supportive family
environment for Cambodian children, ages 11 to 14.
Informational meetings are open to you.
Call us to find out more.
·~'I Services

CAS~ (978) 931-1811

FAMI~
SERVICES

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�Lowell City Councilor
Rithy Uong represents a new
generation of leadership ...
for all of Lowell.
"I want to continue to serve you on the
Lowell City Council, to hear your concerns, and work together to make Lowell
the best it can be.
"Housing, decent and affordable, is a
basic right, to which everyone in Lowell
is entitled. As chair of the City Council
Housing Committee, I am working to
help all our citizens.
"Economic development begins in the
neighborhoods and should support
neighborhoods, rather than harm them.
"Elders deserve our respect and support.
As they have supported us, their families ,
and our city, we have an obligation to
stand up for them."

Rithy Uong, 2001
Lowell City Councilor
Paid by the Committee to Re-elect Rithy Uong, Lowell City Councilor.
For more information: 978-452-7158.
45

�Thomas A. Golden, Jr.
STATE REPRESENTATIVE
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Best Wishes to the
Greater Lowell Cambodian Community
and Congratulations to the
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ENO, BOULAY &amp;
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ATTORNEYS - AT - LAW
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ARTHUR L. ENO. JR.
SANDRA M. BOULAY
WlLLIAM F. MARTIN. JR.

134 Middle Street-Suite 300 • LowelL MA 01852-1867

Tel. 978-452-8902

Fax. 978-453-2585

And rew Page
Freelance
Photography

48 Morning Street
Portland , Maine 041 0 l
(207) 775-6678
email:
apage@maine.rr.com

47

�FRIENDS OF THE ANGKOR DANCE TROUPE
The "Friends of the Angkor Dance Troupe" is a membership drive to
support the Troupe's award-winning youth programs. Thank you to
the many concerned community members and organizations who have
contributed to the Friends of the Angkor Dance Troupe.

Major Program Sponsors in 2001
Casey Family Services
Linda Marsella &amp; David Blair
Eleanor Briggs
Dr. Malcolm Hill

Contributing Sponsors in 2001
Nancy L. Donahue
Jonathan &amp; Diane Pulliam

Community Leaders in 2001
Jane and Tom Benfey
Ann Bartholomew &amp; Ron Micheels
Louis L. Pinn Insurance Agency
Citizens for Youth in 2001
Richard &amp; Mary Noon • Elaine Wong
Kristina Nicolli • George C. Eliades, Jr., Esq.
Past Contributors
The Edward &amp; Elizabeth Gardner Foundation • Janet Gardner
St. Joseph the Worker Shrine • John E. Leggat
Rosemary Noon &amp; Paul Marion • Bonna Mai

r-------------------------1
HOW TO DONATE: Every gift is greatly appreciated. Many businesses offer a
matching gift program which can double the size of employees' contributions. Other
ways to give include memorial gifts, which allow the donor to recognize special
people in their lives, or gifts of appreciated stock that can reap substantial tax
benefits for the donor. All gifts are tax-deductible. Thank you for your support!

Address:------------------------

I am enclosing: 0$1,000 0$500 0$250 0$100

0

0

$50

0

$25

0

Other: - - - - -

My company's matching gift form is enclosed.

Please make checks payable to: Angkor Dance Troupe, PO Box 1553,
Lowell, MA 01853 (Thank You!)

L-------------------------~

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The Angkor Dance Troupe, Inc.
P.O. Box 1553, Lowell, MA 01853
(978) 441-9277 • FAX: (978) 251-8039
email: pageone@mediaone.net
http://ecommunity.uml.edu/angkor

I Special Thanks To: I
Our Dedicated Staff &amp; Board of Directors
Phousita S. Huy, Artistic Director
Ruth Page, Executive Director
Sakhoeum Sim, Instructor
Chhan D. Touch, Co-Chair
Nissay Liek, Treasurer
Todd Beauregard
Dr. Nina Coppens
Vyrik Eng
Lynne Faust, LNP
Sophy Leng
Bonna Mai
Rady Mom
Taary Ram
Sopheap Sou
Rithy Uong

Tim Chan Thou, Manager
Panha Yuk, Instructor
Kolab Yin, Costumer
Jane Benfey, Co-Chair
Gloria Polites, Secretary
Jim Conlon
Saovary En
Samnang Hor
Cassandra Keirstead
Thida Loeung
Paul Marion
Jonathan Pulliam
Akara V. Savun
Sochenda Uch

Master Artists in Residency from
Royal University of Fine Arts, Phnom Penh
Yorn Peng

Sophea Sek

And to our Community Partners and Collaborators:
Big Brother/Big Sister of Greater Lowell ADAM project
UMass Lowell, College of Arts &amp; Sciences
Lowell Community Charter School
Pat Mccrary and the Lowell National Historical Park
Jim Canavan, Donna Welch, &amp; Marco Cancel, Community Teamwork, Inc.
Jay Lange &amp; Jen Landry, Lowell Community Schools Program
E.N. Rogers Community School
Carole Mathews, Mass. Dept. of Social Services, Lowell Office
Photo Credits: Andrew Page, Rady Mom, Kevin Harkins, Tim Chan Thou,
Eleanor Briggs, Love Photos, Jocelyn Augustina. David Noeuk, Rachel Cooper
Translation Services: Nissay Liek
Sources: Dance and the Spirit of Cambodia, Toni Shapiro, Ph.D., Cornell University, 1994
"Cambodia's Royal Dance," Eileen Blumenthal, Natural History, 4/89
"The Dancer in Cambodia," Toni Shapiro, Ph .D., Asian Art &amp; Culture. Arthur M. Sackler Gallery.
Smithsonian Institution. Winter 1995 Southeast Asia Today, Oxford University Press

�THOMAS ITYLiA~05
ATTORNEY AT LAW

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Child support
Divorce
Wills &amp; estates
School law
Criminal defense
Injuries*
Auto accident*
Medical treatment*
Discrimination law*
Social Security*

Khmer speaking staff
•NO FEE unless we collect money for you!
FREE initial consultation
Weekend &amp; evening hours, hospital visits

226 Central Street
Lowell, MA 01852
tel. (978) 459-5000

�</text>
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l!f"'~"R'

A115ltor Datte~ Trol-fp~. lttc.

5und!UWing ~Uuwi
&lt;Jcto8e1t 21, 2005

�·.

Mistress of Ceremonies

·i

7:30 - 7:45pm

7:45 - 8:30pm

Opening Remarks

Sophy Suon

First Performance

·i

Doeun Kol

Tiva Propey

Dinner &amp; Cocktails
Keynote Speaker

Julie Mallozzi

Award Ceremony
Dedicated Volunteer Award
Community Service Award
Students Achievement Awards

Recipients:
Jim Conlon
Mehmed Ali
Sophy Leng
Poutda Pech
Randa Phin
Peter Veth

8:30 - 9:00pm

Dance Performance I

Doeun Kol

9:00 - 9: 15pm

Intermission &amp; Raffle

Joan Gendron
Rosalie Williams

·i

9: 15 - 9:45pm

Dance Performance II

Doeun Kol

9:45 - lO:OOpm

Special Presentation

Doeun Kol

lO:OOpm

Closing Remarks

Sophy Suon

�Tiva Propey Dance
Classical
Tiva Propey was originally performed in Cambodia in honor of
National Children's Day. It is designed to give young dancers
experience in movement and the rhythm of the classical orchestra.

Tep Monorom Dance
Classical
Tep Monorom Dance is often considered the most beautiful in the
classical repertory, embodies the well-being, friendship, and
prosperity of the Cambodian people.
The Coconut Dance
Folk
The Coconut Shell dance is one of the most popular and well-known
folk dances in the Cambodian repertoire.

I

4

Sentimental Expression Dance
Classical
Sentimental Expression like many classical dance is considered by
many to be a universal symbol of Cambodian culture. It is a source
of national pride for Cambodians, representing the beauty and
spirituality of Cambodian people.

INTERMISSION

9Jana [}~II
Picking Krovann Dance
Folk
This is a traditional dance of the Por tribe, which originated from the
Pursat Province of Cambodia.
Neang Neak Dance
Classical
Neang Neak is name for its central character - a mythical female sea
creature associated with the fertility of rivers, lakes and oceans.
Monkey Dance
Classical/Modern
In Cambodian legend, monkeys always fight evil; in fact they
are army soldiers. And these soldiers are celebrating a big win.
Following the original dance, the Troupe will feature some new
choreography with elements of modern dance.
y •

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

•

v

�sxecuHve "Bo~ r-o!

SeV\-LOY st~ff

Sophy Suon
President

Tim Thou
Program Director

Jonathan Pulliam
Vice President

Phousita Huy
Artistic Director

Joan Gendron
Treasurer

Doeun Kol
Office Manager

Ratana Ty-Riebe
Secretary

Rosalie Williams
Grant Writer

Through a generous arrangement with the Lowell National
Historical Park, Angkor has offices and rehearsal space on
the third floor of the Mogan Cultural Center located at
40 French Street in Lowell, MA.
Our mailing address is:
Angkor Dance Troupe
P.O. Box 1553
Lowell, MA 01853

Tel: 978.275.1823
Fax: 978.275.1824

Email: tim@angkordance.org
Web site: www.angkordance.org
The Angkor Dance Troupe, Inc is a 501 (c) 3 nonprofit
organization dedicated to preserving the traditions of
Cambodian performing arts while providing a positive social
and educational environment for our young members.

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                    <text>Angkor Dance Trope, Inc.
The Angkor Dance Troupe-Company Biography
The Angkor Dance Troupe is nationally recognized as one of the most experienced and
accomplished Cambodian dance ensembles performing today. The Troupe was formed in 1986 by
refugees of the Khmer Rouge holocaust who resettled in Lowell, Massachusetts. The 70-member
ensemble performs a diverse repertoire of elegant and courtship rituals from rural Cambodian.
The Troupe has a appeared at venues including First Night Boston, Yale University, The national
Folk Festival, The White house, JFK Boston, Long Island New York, Johnson State College, and
Quick Center for the arts in Connecticut.
The company takes its name from the great Angkor civilization, between 802 and 1432Ad, when
Cambodia was a dominant empire in Southeast Asia. Dance, music, and drama have always
prominent in Khmer society, but these ancient traditions were nearly eliminated when the Khmer
Rough controlled Cambodian in the 1970's. Artists were among deliberated targeted for
execution, it is estimated that close to 90% of the country's tradition bearers perished.
Angkor teachers and performs a body of work developed at the Royal University of Fine Arts
(RUF A) in Phnom Penh, Cambodia, considered the world's cultural source and standard bearer
for traditional Cambodian arts. Angkor Artistic Director Mrs. Phousita Huy is master teacher and
former faculty member of the Royal University of Cambodia and toured internationally as a
principal dancer with the Classical Dance Company of Cambodia. Angkor is hosting two masters
from RUF A, Mr. Sophea Sek and Mrs. Y om Peng, for extended residencies in 2001. These
important teachers will appear with the Angkor Dance Troupe at performances throughout the
year.
In 1999, the Angkor Dance Troupe was among a select group of 10 organizations from across the
country to receive the prestigious" Coming Up Taller" award from the President's Committee on
the Arts and Humanities and the National Endowment for the Arts. The award is the nation's top
honor for exemplary arts programs that serve at-risk youth. Angkor's artistic excellence was
again recognized by the NEA in 2000 with a grant from the" Creative Links: Positive Alternative
for Youth" initiative.
Cambodian Classical Dance
Classical Cambodian dance has been connected to the sacred rituals of Cambodia for more than
one thousand years. During the great Angkor civilization, dancers performed blessing ceremonies
to bring prosperity to the Kingdom. More recently, classical dancers lived and performed in
Cambodia's royal palace. Elegant and refined, Classical Dance combines highly stylized
positions with gentle movements. Once reserved exclusively for Cambodia's elite, Classical
dance is now performed for audiences around the world and has become a central symbol of the
beauty and spirituality of Cambodian Culture.
Cambodian Folk Dance
Cambodian folk dance is rooted Cambodian and depicts rituals of everyday village life. The
dancers honor skills are typically undervalued in the rush to westernization, such as fishing and
rice farming. Dance motifs are commonly based on local legends and inspired by themes of
natures as well as ceremonies and customs that shape the lives of the Khmer people. Just as
classical dance is rules by a strict form and prescribed language of movement, folk dance is
spontaneous, created for emotional expressions. Costumes are very colorful and reflect the
traditional dress of the particular province or ethnic group within Cambodia where the dance s
originate.

�Angkor Dance Troupe, Inc.
The Angkor Dance Troupe provides an essential service to the community not met by any other
organizations. The Troupe is the only nonprofit cultural group in Lowell, MA, whose soul mission
is to preserve the traditions of Cambodian performing arts. The Angkor Dance Troupe develops
and teaches Cambodian dance, promotes an understanding and appreciation of Cambodian culture,
and provides a positive social and educational outlet for Cambodian youth.
The Drive to Preserve Traditions
The Angkor Dance Troupe was formed in 1986, in Lowell, MA, by Mr. Tim Chan Thou, Angkor's
Program Director, along with a small group of dancers who learned traditional Cambodian dance in
refugee camps along the Thai-Cambodian border. They brought with them to the United States a
strong desire to practice and perform Cambodian dance and a passion to teach others.
Dance and its associated rituals and beliefs have become a way for Cambodian people to
reconstruct a sense of community and culture, particularly for refugees who have resettled in other
countries. Between 1975 and 1979, when Pol Pot and the Khmer Rouge controlled Cambodia, more
than 90% of the country's artists perished or fled. Today as Cambodia struggles to emerge from
decades of war and poverty, the people look to the rebirth and recreation of dance as testimony to
the endurance of their culture.
Classical Dance - A Treasured Symbol of Cambodian Culture
Classical or court dance is considered by many to be a universal symbol of Cambodian culture. It is
a source of national pride for Cambodians, representing the beauty and spirituality of Cambodian
people. The dance form is particularly meaningful for postwar Cambodians as they work to reclaim
and rebuild a treasured heritage. Many first practiced or saw the art form in the refugee camps. For
children born and raised in the camps or in other countries, it has become a connection to the past
and a way to experience revered ancient traditions.
Folk Dance - A Celebration of Traditional Ways of Life
Folk dances are a way for displaced Cambodians to remember their homeland and to teach their
children about the regional, agricultural, and social forces that shape the lives of Cambodia s rural
population. From folk dances, young Cambodian-Americans learn about geography and a daily life

�in Cambodia that they have never experienced.
Carrying on the Tradition: Engaging our young people
The Troupe holds weekly rehearsals. For four hours every Sunday, members gather to practice. The
method of teaching is practiced as it has been done traditionally, by watching, imitation, and
assistance from teachers to achieve the correct postures and movement.
Cambodian tradition prescribes a particular relationship between student and teacher, a relationship
that is repeated between children and parents, young people and elders. Students are respectful of
teachers and of the knowledge they possess. They appreciate the chance to learn and understand
their responsibility for carrying on their culture.
The young people in the Dance Troupe, most of whom were born here in the U.S., have
increasingly been asking for background on the dances and the history of Cambodia. In the
recently-published book Fractured Identities, Cambodia s Children of War, a young CambodianAmerican man from Lowell suggests his primary source of information about Southeast Asia has
been popular movies:
"I saw Good Morning Vietnam with my uncle two or three times. We don't learn anything about
the history of Cambodia in school here. Just Columbus ... who discovered America ... stuff like that
it just doesn't go in my head."
In response to the clear need for meaningful educational opportunities Angkor's Artistic Director,

Phousita Huy, develops and presents workshops on Cambodian culture as part of her ongoing
instruction. To encourage attendance and participation by the Cambodian community, these
workshops will take place at sites within Lowell's Cambodian-American community. They are
publicized via Khmer-language materials and media as well as through traditional forms of
promotion.
The Need for Master Teachers
The technical mastery involved in Cambodian dance is considerable. Students must perfect an
estimated forty-five hundred basic gestures and movements to perform certain dance pieces.
Because of the losses suffered during the Khmer Rouge, the transmission of traditional knowledge
is a crucial yet challenging process, particularly in communities that have resettled far from their
homeland.

�Dr. Sam-Ang Sam, a master musician and director of the Apsara Ensemble in Arlington, VA,
writes:
"The break in oral tradition has resulted in the loss of more than half of the oldest pieces that had
previously been passed from generation to generation. In the US today there is a shortage of
professional and knowledgeable artists ... this has endangered the preservation of technique, style,
and repertory."
Masters of Cambodian Dance - A Way to Build on Past Successes
Phousita Huy and the other dance masters who work with the Troupe have specialties that allow the
Troupe to develop dance forms not currently being taught to performance level. Say Seuar, for
example, a professor at the University of Fine Arts, is considered one of the best instructors of the
Monkey Dance in the world. The Monkey is a role in the Riemkee, Cambodia's version of the epic
Indian tale, the Ramayana, from which many dances are derived. There is one particular dance
called Swva Pol, which is performed by young boys. Because of its lively acrobatic style, it is a
hugely popular dance at performances. However the lack of students skilled in the dance precludes
its inclusion in many of the Troupes performances. As part of his master residency, Mr. Soy has
held a series of classes on the monkey dance.
Training by dance master Phousita Huy has greatly expanded the Troupe' s technical abilities as
well as the dancers' understanding of the spiritual and ritual functions of dance in Cambodian
culture. The power of the dance is in its cultural connection and the meaning behind the movement
fundamental aspects of the art form which are not always comprehensively taught here in the U.S.
Through her years of experience at the University of Fine Arts, Ms. Huy developed high standards
of training and performance, as well as extensive knowledge ofrepertory, dance history, and
cultural context.
The Angkor Dance Troupe performed in April 1997 for a large multi-ethnic audience at a
Cambodian New Year celebration at the Sheraton in Lowell. Because of the special expertise and
teaching of Phousita Huy, the Troupe was able, for the first time, to present a performance of the
Apsara Dance. The Apsara is a revered classical dance steeped in spiritual tradition and based on
the sculptures that adorn the walls of Angkor Wat. After the performance, Cambodians in the
audience approached members of the Troupe to express how deeply moved and impressed they
were by the Apsara Dance and how grateful they were to be able to experience this type and caliber

�of traditional Cambodian dance.
The responsiveness of the community to the idea of partnering with master dancers is evident in the
reaction to a major public event sponsored by the Lowell Cultural Council presented by the Troupe
in May 1997. The Troupe hosted dance masters from around the U.S. who joined members of
Angkor Dance in an elaborate public performance. The event was enthusiastically received by the
community and is still being re-broadcast on Cambodian cable stations around eastern
Massachusetts. The Troupe experienced a surge in membership after the performance and, for the
first time in its history, had to create a waiting list of young people interested in learning to dance.
For several years, The Angkor Dance Troupe has been selected for inclusion on the New England
States Touring Roster, administered by the New England Foundation for the Arts to help build
support for New England s best performing artists. Additionally, the Troupe was selected for
participation in NEF A's Ford Foundation-funded Newcomers Project on the basis of its artistic
excellence and its potential for acting as a key Cambodian arts organization among the network of
Cambodian communities throughout the region.
Sources
"The Dancer in Cambodia", Toni Shapiro, Ph.D., Asian Art &amp; Culture, Winter 1995.

Fractured Identities, Cambodia 's Children of War, James Higgins and Joan Ross, Loom Press,
Lowell, MA 1997.
"Cambodian Culture and Community in America", Sam-Ang Sam, House Island Project, Portland
Performing Arts, Portland, ME, 1996.

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                    <text>ANGKOR DANCE TROUPE
CONTENTS

MISSION STATEMENT
BYLAWS
Article 1. Name, Purpose, Location, and Fiscal Year.
1.1 Name and purpose
1.2 Location
1.3 Fiscal Year
Article 2. Membership.
2.1 Membership
Article 3. Board of Directors and Meetings
3 .1 Directors
3.2 Staff
3.3 Regular Meetings
3 .4 Special Meetings
3.5 Quorum
3.6 Annual Meeting
Article 4. Board Elections
4.1 Board size and tenure
4.2 Board Nominations
4.3 Term of Office
4.4 Vacancies
4.5 Removal
4.6 Attendance
4.7 Termination of Appointment
4.8 Quorum of the Board
Article 5. Officers
5 .1 Election
5.2 Officers of the Board
5.3 Chief Officer and Spokesperson
5 .4 Duties of the President.
5.5 Duties of the Vice-President
5.6. Duties of the Treasurer
5.7 Duties of the Secretary
Article 6. Amendments
6.1 Amendments
Article 7. Personnel Policies
7.1 Personnel Policies

�Article 8. Use of Earnings
8.1 Use of Earnings
8.2 Political Activities
Article 9. Compensation.
9 .1 Directors and Members
Article 10. Personal Liability.
10.1 Members, Directors and Officers
Article 11. Dissolution of the Organization.
11 .1 Liabilities and Assets

�ANGKOR DANCE TROUPE
MISSION STATEMENT
The MISSION of the Angkor Dance Troupe is:
•

to conserve Cambodian performing arts and traditions;

•

to develop Cambodian performing arts and traditions;

•

to maintain the integrity of Cambodian performing arts and traditions while adapting to the changing
cultural orientation of its members;

•

to celebrate and promote awareness of Cambodian dance, culture, and history through public
performances and workshops;

•

to provide its members a context for positive recreational activities; and

•

to guide the personal growth of its members through positive peer role models and adult mentors.

BYLAWS
The Angkor Dance Troupe is organized and will operate according to the following BYLAWS.
Article 1. Name, Purpose, Location, and Fiscal Year.
1. 1 Name and plll])ose
The name of the Organization shall be The Angkor Dance Troupe, Inc and the purpose as set forth in the Mission
Statement.
1.2 Location
The principal office of the Organization is to be located in the City of Lowell.

1.3 Fiscal Year
The Fiscal Year of the Organization, unless otherwise decided by the directors, shall end on June 30 of each year.
(Amended 2001)
Article 2. Membership .
2.1 Membership
The membership of this Organization shall consist of active regular members. Active, regular, annual membership in
the Organization shall be open to all persons who support the non-profit, artistic goals, purposes, objectives and policies of the
Organization.

�Article 3. Board of Directors and Meetings
3 .1 Directors
The Board of Directors shall consist ofat least seven Members as approved through voting by a majority of the Board
of Directors.
3 .11 At lease one of the members of the Board may be a dancer selected by the members of the Organization.
3.2 Staff
The Board of Directors shall have the authority to hire an Executive Director who in turn shall hire other staff
members, with the approval of the Board.
3.3 Regular Meetings
Regular meetings of the Directors shall be no less than quarterly.
3.4 Special Meetings
Special meetings shall be called by the Secretary of the Board of Directors at the direction of the President or VicePresident of the Organization.
3.5 Quorum
A quorum is defined by members present, providing:
•
all directors received written notice of the meeting no less· than 10 days prior; and
•
at least one member of the Executive Committee is present.
3.6 Annual Meeting
The Organization shall hold an annual meeting for the election of the Board of Directors. The annual meeting shall be
during the last month of each fiscal year. All members shall be notified at least three weeks in advance of the date of the annual
meeting.

Article 4. Board Elections
4.1 Board size an tenure
The Board of Directors shall consist of at least 7 members. A Board Member can serve for two consecutive terms.
However, after serving for six (6) years, the Board Member shall be placed on Sabbatical for one year before serving again.
4.2 Board Nominations
All members of the Board shall be elected by the General Membership. The Board may, from time to time, fill
vacancies of elected members who resign or for some reason are unable to complete their term, to serve the balance of the
unexpired term until the next general elections. Nominations shall be submitted to the General Membership one week prior to
the Annual Meeting.
4.3 Term of Office
Reccommended terms are as follows:
One third of the current elected Board Members will serve a three-year term; one third will serve a two-year term; and
one third will serve a one-year term effective with the current Board (1993). Subsequently, elections will be held annually for
one third of the elected members for a three year term. A Board Member can serve for a maximum of two consecutive terms
and may be re-elected after a one year absence. These term limits can be overturned by a majority vote of the board.

�4.4 Vacancies
Vacancies shall be filled subject to the approval ofa majority of the Board of Directors until the next regular election.
4.5 Removal
Removal or revocation of any Board Member shall be determined by a majority of the Board of Directors for just
cause. The Board will arrange a hearing before any such action is taken not later than the next regular meeting.
4.6 Attendance
Members who are unable to attend regularly scheduled Board meetings must notify the Secretary of their absence
prior to the meeting.
4.7 Termination of Appointment
Absences from three consecutive meetings of the Board of Directors without previous notification or a valid reason
shall be considered resignation. The Board of Directors shall be vested with the authority to remove any Director from office,
upon one week's written notice of the meeting, and providing a majority of the Directors are present. A majority vote in favor
ofremoval shall effectuate removal of such Director.
4.8 Quorum of the Board
At any meeting of the Board of Directors, a majority of the Directors currently serving on the Board shall constitute a
quorum for the transaction of business. There shall not be voting by proxy at any meeting held by the Organization.
Article 5. Officers

5 .1 Election
Officers shall be elected by a majority vote of the Board of Directors. The term of any one office shall be for one
year, or until successors have been elected, and shall begin immediately following the annual election.
5.2 Officers of the Board
The Officers of the Board shall be: President, Vice-President, Treasurer, Secretary. The Treasurer may not hold two
officer positions simultaneously. All officers shall be elected by the Board from among its members by a majority vote.
5.3 Chief Officer and Spokesperson
The President, as chief officer and spokesperson for the Board, shall, in addition to fulfilling normal duties of the
position, appoint such committees as may be needed. All such appointments shall be approved by a majority vote of the Board
of Directors. In addition, the President, or the President's authorized representative shall sign, on behalf of the Organization, all
deed, contracts, and other formal instruments unless a majority of the Board votes the responsibility to the Artistic Director.
5.4 Duties of the President.
The President shall be the chief elected official of the Organization and shall have, subject to the control of the
Directors, general charge of the affairs of the Organization. The President shall preside at all meetings of the Board.
5.5 Duties of the Vice-President
The Vice-President shall assist the President in the performance of his duties and shall perform the duties of the
President when the latter is unable to perform his duties.
5.6. Duties of the Treasurer
The Treasurer shall be the Chief Accounting Offers of the Organization. He/She shall be in charge of recording its
financial affairs, funds, securities and valuable papers and shall keep full and accurate records thereof. He/ She shall have other
duties and powers as designated by the Members. He/ She shall also be in charge of its books and its accounting procedures
with close contact with the Artistic Director and/or staff member responsible for the Organization's financial accounting.
5.7 Duties of the Secretary
The Secretary shall record and maintain records of all proceedings of the Members and Directors in a book or series
of books kept for that purpose which shall be available at all reasonable times to inspection by any Members. Such book or
books shall also contain records of all meetings of the Organization, By-Laws, names of all Members and Directors, and the
address of each. If the Secretary is absent from any meeting, a temporary Secretary shall be appointed to exercise the duties of
Secretary at the meeting.

�Article 6. Amendments
6.1 Amendments
Amendments to this constitution and By-Laws may be made at any meeting of the Board of Directors by a majority
vote.
Article 7. Personnel Policies
7 .1 Personnel Policies
Amendments and/or revisions to Personnel Policies shall be made by action of the Board and will become effective
upon such action. The Artistic Director shall be responsible for the implementation of Personnel Policies to engage, train and
supervise all personnel subject to Personnel Policies established by the Board of Directors.
Article 8. Use of Earnings
8.1 Use of Earnings
No part of the earnings (net earnings after salaries and expenses) of the Organization shall insure the benefit of, or be
distributed to its Members, Officers, or other private persons, except that the Organization shall be authorized and empowered
to pay reasonable compensation for services rendered by its Members, Officers, or other private persons, and to make
payments and distributions in furtherance of the purposes set forth in the Articles of Organization.
8.2 Political Activities
The Organization shall not participate in or intervene in any political campaign on behalf of any candidate for public
office. Notwithstanding, any other activities are permitted to be carried on as befits:
a) a corporation exempt from federal income tax under section 501 (c) (3) of the Internal Revenue Code of 1954 (or
the corresponding provision of any future United States Internal Revenue Law); or
b) a corporation, contributions to which are deductible under section 170 ( c) (2) of the Internal Revenue Code of
1954 (or the corresponding provisions of any future United States Internal Revenue Law.)

�Article 9. Compensation.
9.1 Directors and Members
Directors and Members shall not be entitled to receive for their services any compensation unless the Directors
determine that such compensation is warranted due to their expenditure of time or money which is not ordinary and usual in the
course of the duties of Directors.
Directors shall not be precluded from serving the Organization in any other capacity and receiving compensation for
any such services.
Article 10. Personal Liability.
10.1 Members, Directors and Officers
The Members, Directors, and Officers of the Organization shall not be personally liable for any debt, liability,
obligation of the Organization. All persons, corporations or other entities extending credit to, contracting with, or having any
claim against the Organization may look to any of the funds and property of the Organization for the payment of any such
contract or claim, or for the payment of debt, damages, judgement or decree, or of any money that may otherwise become due
or payable from the Organization.

Article 11. Dissolution of the Organization.
11.1 Liabilities and Assets

Upon dissolution of the Organization, the Board of Directors shall, after paying or making provisions for payment of
all of the liabilities of the Organization, dispose of all of the assets of the Organization in such manner, or to such
Organizations organized and operated exclusively for charitable, educational religious or scientific purposes as shall at the time
qualify as an exempt Organization or Organizations under 501 (c) (3) of the Internal Revenue Code of 1954 (or corresponding
portion of any future United States Internal Revenue Law), as the Board of Directors shall determine. Any such assets not so
disposed of shall be disposed ofby the court of jurisdiction in which the Organization is then located, exclusively for such
purposes or to such Organization or Organizations, as said court shall determine, which are organized and operated exclusively
for such purposes.

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                    <text>D

:!l r1 ~§51 ~1 J 1-1 ~ 1
-J

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ci \J

Khmet' C:la&gt;&gt;ical and Folk Dance

�Like all traditional arts, Cambodian classical and folk dance has been handed from one
generation to the next. Since the Angkor Era, Cambodian dancers have preserved,
cherished, and celebrated their art.
The Angkor Dance Troupe develops and teaches the traditions of Cambodian performing
arts, promotes an understanding and appreciation of Cambodian culture, and provides a
positive social and educational outlet for Cambodian youth.
The Troupe was founded in Lowell, MA, in 1986, by

8

incethe

two teachers and a handful of dancers who learned

Angkor Era,

traditional dance in refugee camps along the Thai-

Cambodian dancers

Cambodian border. Between 1975 and 1979, when Pol

have preserved,

Pot and the Khmer Rouge controlled Cambodia, most

cherished, and

artists perished or fled the country. It was in the camps

celebrated their art.

and later in places like Lowell that Cambodian dance
was painstakingly resurrected.

Today, dance is one of the primary ways that Cambodian-Americans,
split by politics and war, identify a common culture. For the
people of Cambodia, art is the core of life, combining
entertainment, tradition, religion, and social cohesion.

�C

lassical dance has
been connected to the

sacred rituals of Cambodia

for more than 1000 years.
During the great Angkor civilization, dancers performed blessing ceremonies in
temples to bring prosperity to the kingdom. Once the exclusive domain of royalty,
classical dance is now performed for audiences everywhere and has taken on new
meaning for postwar Cambodians as they work to reclaim a treasured heritage.
In classical dance, we see highly-stylized gestures
in concert with gentle movements. Dancers spend
countless hours perfecting the intricate hand
positions and controlled postures that create the
elegant Khmer classical dance aesthetic.

�F

olk dance is rooted in rural Cambodia and reflects the life and spirit of peasants.

Throughout Cambodia, after the harvest, it is time for music, song, and dance.

Dance motifs, commonly based

· G!'..OR l )A
r r r(

&amp;

\: TROUPE
Foll Dane&lt;'

on local legends, are inspired
by themes of nature and the
rituals of everyday village life.
Distinctive, colorful costumes
represent the traditional dress
of peoples from the various
regions within Cambodia.
Just as Court Dance is ruled by a strict form and a prescribed
language of movement, folk dance is lively and spontaneous,
created for emotional expressions.
The folk dances performed by the Angkor Dance Troupe were
refined by the University of Fine Arts in Phnom Penh. Researchers

L
.r

JL

collected dances and music
from the countryside and
choreographed dances
that were suited to
stage performances.

�History and culture come alive through modern
interpretations of lively folk dance from rural Cambodia
and dazzling renditions of classical court dance, an
ancient tradition dating to the ninth century A.D.
Based in Massachusetts, the Angkor Dance Troupe is
recognized throughout New England as a leading
Cambodian traditional arts ensemble.
The organization comprises
several master teachers and
more than forty students. The
Troupe's repertoire is drawn from a body of work developed at
the University of Fine Arts in Phnom Penh, Cambodia, considered
the artistic standard bearer of Cambodian performing arts.
The Troupe owns an extensive collection of richly-detailed,
authentic costumes and dance materials. Angkor Dance has
participated in workshops at Jacob's Pillow and has performed
at numerous venues including First Night Boston, the Peabody
Museum, and the National Folk Festival.

�The Angkor Dance Troupe
P.O. Box 1553
Lowell, MA 01853

The Angkor Dance Troupe receives the generous support of the:

Theodore Edson Parker
Foundation

liill

Lowell Cultural Council

NEW ENGLAND

with funds from the
Massachusetts Cultural Council

f o u n d a t i o n for th e

A state agency that supports public programs
in the arts , humanities, and sciences

Design: Page One Productions • Photography: Toni Shapiro, Eileen Blumenthal, Eleanor Briggs, Ann Bartholomew, Ruth Page, Tim Chan Thou
Sources: Khmer Folk Dance, Sam-Ang Sam &amp; Chan Moly Sam, Khmer Studies Institute, Inc., 1987; "The Dancer in Cambodia," Toni Shapiro, Asian Art &amp; Culture,
Winter 1995; "An Introduction to Khmer Traditional Dance," Phousita S. Huy, Seoul, 1995; "Cambodia's Royal Dance" E
ileen Blumenthal, Natural History, 4/89;
Khmer Songbook, Foreward by Sophiline Cheam Shapiro, 1992; DanceandtheSpirit ofCambodia, Toni Shapiro, Ph.D. diss., Cornell University, 1994

arts

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                    <text>Cambodian C:la~~ical and Folk 'Dance.
. 1998 Commemorative Book

�Thomas A. Golden, Jr.
State Representative
0

~~e~~

~•tp,gj,ulwi!mfd~ftUe&amp;!ffe7UJ8~6Sf
Best Wishes to the
Greater Lowell Cambodian Community
and Congratulations to
0

t5ffSf S.'Uf~f

The Angkor Dance Troupe!

�Table of Contents
I.
II.
II.

About the Angkor Dance Troupe
1 - 17
Dance Descriptions
18 - 37
Directory of Advertisers
Asian American Bank &amp; Trust
35
12
Anstiss &amp; Company
Bargain Rent A Car
21
Ann Bartholomew &amp; Ron Micheels
25
Bratton Law Offices
36
28
Eleanor Briggs
10
Cobblestones
23
Colonial Gas
James L. Cooney
16
Nina Coppens
32
Donahue &amp; Donahue, Attorneys, P.C.
27
Dutton Street Auto Works
9
Enterprise Bank &amp; Trust Co.
7
Freedom Auto Sales
Inside back cover
Thomas A. Golden, Jr.
Inside front cover
20
John H. Honan Insurance
Jeanne D'Arc Credit Union
17
Daniel P. Leahy, Esquire
12
Lowell Community Health Center
34
Lowell General Hospital
27
Lowell Telecommunications Corp.
37
Marcotte Law Firm
15 &amp; Back cover
Paul Marion and Rosemary Noon
2
Steve Moses
17
Kevin Murphy
29
Steve Panagiotakos
33
Don Pierson
14
Louis L. Pinn Insurance
18
Safeway Insurance
6
Sagendorf I Taupier Consulting
30
Saints Memorial Hospital
19
Marina &amp; Peter Schell
6
Janice M. Stecchi
3
Trinity Ambulance
31
University of Massachusetts Lowell
11
University of Massachusetts Lowell Bookstores 24
Visiting Nurse Association of Greater Lowell
26
Washington Savings Bank
10
WLLH
37

�Special Thanks
To Our Dedicated Staff &amp; Board of Directors
Chhan D. Touch, President
Phousita S Huy, Artistic Director
.
Nissay Liek, Treasurer
Tim Chan Thou, Troupe Coordinator
Carol Keirstead, Vice President
Carole Matthews, Co-Secretary
Ruth Page, General Manager
Gloria Polites, Co-Secretary
Jane Benfey
Paul Marion
Nina Coppens, Ph.D., R.N.
George Chigas
Maureen Martin
Laurie Beth Kalb, Ph.D.
Lynne Faust, LNP
Sokhorn Sem
Maria Cunha
Rothana Yak, Role Model
Akara Im, Role Model
Sokhoeum Sim, Instructor
Khoeun Pring, Role Model
Phalik Ting, Instructor

Soy Soeur, Artist-in Residence
Sophea Sek, Artist-in-Residence
Yorn Peng, Artist-in-Residence
Also to:
Toni Shapiro, Ph.D., Troupe Advisor
Ann Bartholomew
Pare Kaplov, WLLH
Cambodian Access Television
Thurman Prints
Khmer American Times
Lowell Showcase Cinema
Goodyear Auto Service Center
Cheryl Liebling
UMass Lowell Student Info. Centers and Cambodian Student Assoc.
Pat Desmaris, Middlesex Community College
UMass Lowell Bookstores/ Barnes &amp; Noble Lowell
Publication designed by Page One Productions
Sources: "Cambodia's Royal Dance," by Eileen Blumenthal, Natural History 4/89
Khmer Folk Dance by Sam-Ang S &amp; Chan Moly Sam, Khmer Studies Institute Inc., 1987
am
Khmer Songbook, Forward by Sophiline Cheam Shapiro, 1992
The Classical Dance Company of Cambodia, Sam-Ang Sam, Music Director
"An Introduction to Khmer Traditional Dance" by Huy Serey Phousita, Seoul, 1995

Photo Credits:
Tim Chan Thou, Toni Shapiro, Eileen Blumenthal, Ruth Page, Rothana Yok
Ann Bartholomew, Eleanor Briggs, Carol Bond, Kevin Harkins
Translation Services: Nissay Liek &amp; Tim Chan Thou,
If you are interested in booking the Angkor Dance Troupe,
please call: (978) 441-9277 FAX: (978) 937-9419

�History and Background

Like all traditional arts, Cambodian dance has been been handed
from one generation to the next. Since the great Angkor Era,
Cambodian dancers have preserved, cherished, and celebrated
their art.

S

The Angkor Dance Troupe was
founded in Lowell, MA in 1986 by

ince the
Angkor Era,

Cambodian dancers

two teachers and a handful of

have preserved,

dancers who learned traditional

cherished, and

dance in refugee camps along the

celebrated their art.

Thai-Cambodian border. Between
1975 and 1979, when Pol Pot and the Khmer Rouge controlled
Cambodia, more than 90% of the country's perished or fled. It was
in the camps and later in places like Lowell and at the University of
Fine Arts in Phnom Penh that traditional Cambodian dance was
painstakingly resurrected.
Today, dance has become one of the primary ways that
Cambodians, split by politics and war, identify a common culture.
For the people of Cambodia, art is the core of life, combining
entertainment, tradition, religion, and social cohesion . Wherever
Cambodians live, so do the traditions of practicing, performing,
and passing on the culture.
1

�A Leader in Traditional Cambodian Dance

The Angkor Dance Troupe is nationally recognized as one of the
most accomplished and experienced Cambodian traditional arts
ensembles performing today. The Troupe develops and teaches the
traditions of Cambodian performing arts, promotes an understanding and appreciation of Cambodian cu lture, and provides a positive
social, cu ltural, and recreational outlet for Cambodian youth.
The Angkor Dance Troupe is routinely invited to perform at presti-

'

gious events such as Boston's First Night celebration and the Lowell
Folk Festival. The Troupe has participated in workshops at Jacob's
Pillow and is listed on the New England States Touring Roster

Congratulations to Lowell's
nationally recognized Dance Troupe!
~

~

~

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0

~ij~G~e~ oG~S~~iG~itruffiiji~ff~i
PAUL MARION
&amp; ROSEMARY NOON
2

�The Angkor Dance Troupe is recognized througout the
country ilS a leading Cambodian Classical. and Folk Dance

Ensemble. Above, members perform in a special ceremony
at the Masuchusetts ~tate House in March 1998.
The Troupe's artistic director, Phousita S. Huy, is one of the mostrespected master teachers of Cambodian dance in the U.S. and is
recognized internationally. She is a recently-emigrated teacher and
star performer from the Royal University of Fine Arts in Phnom Penh,
Cambodia, considered the world's artistic standard bearer for
Cambodian performing arts. Troupe coordinator and cofounder Tim
Chan Thou was trained and certified as a teacher of Cambodian
traditional dance at the Khao-1-Dang and Philippine Refugee Centers.

Best Wishes from

Dean Janice M. Stecchi
College of Health Professions
&amp; Center for Health Promotion
University of Massachusetts Lowell
in anticipation of continued partnerships.
3

�I
/1 lassical dance has been connected to the sacred rituals of
l,; Cambodia for more than one thousand years. During the
great Angkor civilization, dancers performed ceremonies in temples
to bring prosperity to the kingdom. Once the exclusive domain of
royalty, classical dance is now performed for audiences everywhere.
In classical dance, we see highly-stylized positions in concert with
gentle movements. Gestures are strictly defined and distinguished
by the intricacy of hand positions.
Each of these gestures has a specific meaning, often relating to
nature. For example "Lea" can denote a leaf, but it can also mean
•'

"to open." (See right hand in photo below.) Depending on its
context within the dance, Lea can represent
its beauty or the opening of a hand or a
piece of paper. "Cheep" (left hand in photo)
can symbolize a flower or it can mean
to fold into small pleats.
4

the leaf and

�T

hroughout Cambodia, after the harvest, it is time for music,

song, and dance. Folk dance is rooted in rural Cambodia and

depicts rituals of everyday village life, such as fishing and rice farming, that are typically undervalued in the rush toward westernization.
Dance motifs are commonly based on local legends and inspired by
themes of nature as well as the ceremonies and customs that shape
the lives of Cambodian people. Distinctive, colorful costumes represent the traditional dress of peoples from the various regions and
ethnic groups within Cambodia.
Just as court dance is ruled by a strict form and a prescribed
language of movement, folk dance is spontaneous, created for
emotional expressions.

~alkD11nes

5

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555Merrimack Street, Lowell, MA 01852
1i (978) 970-5567 Fax (978) 441-1611

With smooth step and elegant gesture,
you grace our city and take us to a
wonderful new place.
Thank you Angkor Dance Troupe.

/11atzlna and ~etetz Schell

6

�Visiting Dance
master Say Soeur
(left) is one of the
world's best
teachers and
performers of the
"Monkey Dance"
role. Here, he
accompanies
Troupe Artistic
Director Phousita
Huy in a performance of
Hanuman and
Sovann Macha
(White Monkey &amp;
Golden Mermaid).

~~

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--

ENTERPRISE

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Mortgage Lending Center
27 Palmer Street • Lowell, MA 01852 • 978-459-9000

7

�An Extensive Collection of Authentic Costumes

The Angkor Dance Troupe has assembled an extensive collection
of richly-detailed, authentic costumes, dance materials, and
artifacts. Much of the collection was created by master dancers
and costumers from the University of Fine Arts in Phnom Penh.

Preparing for a performance can take several
hours. Many costumes
are so intricate and
close-fitting that
dancers have to be
sewn into them
before performances.

8

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Dutton Street
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91 Dutton St. Lowell MA
"Btinging ~tyle Downtown•

10

�Carrying on the Tradition
The Troupe holds weekly
rehearsals. The method of
teaching is practiced as it has
been done traditionally, by
watching, imitation, and
assistance from teachers to
achieve the correct postures
and movement. Left, Dance
Master Phousita Huy
instructs apprentice dancer
Elizabeth Yim.

Discover
UMass Lowell
A proud member ofLowell's Multicultural Community.
IPMdli&amp;iiMPi
13CWIIIMIID

LOWeLL

One University Ave., Lowell, MA 01854
(978) 934-4000
www.uml.edu

11

�Free Initial Consultation
Q

"

'

C,

ffii~z1SW6~iS Gi$m~
Daniel P. Leahy, Esq.
Former State Senator
Al

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$i~~~~8~~~~ Massachusetts

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Work For You

459-0181
10 Bridge Street, Lowell

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Certified Public Accountants
2 1 George Street
Lowell, MA 01852

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Richard B. Dionne, C PA, MST

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]acnes G. Heller, CPA

Telephone: (978) 452-2500
Fax: (978) 458-0425
A FULL SERVICE FIRM
PROUDLY SERVING THE GREATER LOWELL COMMUNITY
FOR MORE THAN 30 YEA RS

12

�Royal Univeristy of Fine Arts Dance Masters Sophea Sek, Yorn Peng,
and Say Soeur arrived in the United States in early 1998 and will teach
and perform with the Angkor Dance Troupe throughout the year.

1998 Masters of Cambodian Dance Project

In 1998, the Angkor Dance
Troupe hosted three internationally-recognized dance
masters from Phnom P
enh,
Cambodia. The th ree will
teach and perform with the
Troupe as part of an

·'

apprenticeship program
funded by the Lila WallaceReader's Digest Community
Folklife Program. Right, Ms.
Yorn Peng instructs apprentice Linda Thou during a
Troupe rehearsal.

13

�1998 Masters of Cambodian Dance Project

Esteemed Dance Master
Yorn Peng demonstrated
the "Giant" classical dance
role during a workshop at
Middlesex Community
College as part of 1998
Lowell Women's Week.
Below, Ms. Yorn taught the
traditional Roam Vong circle
dance to students at the
Lowell Demonstration School
during a Cambodian New
Year celebration.

Donald E. Pierson,
Dean
College of Education
University of
Massachusetts Lowell
14

�Marcotte Law Firm
45 Merrimack Street, 4th Floor
Lowell, MA 01852

.

.

• Workman's Compensation
• Personal Injury .
• Auto Accident
• Divorce
• Business Law
• Wills &amp; Trust
• Real Estate

Ir (978)
15

458-1229

�1998 Masters of Cambodian Dance Project

t/111

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f~m&amp;~ft!ftieu~,J
Small Enough to Know You
Large Enough to Serve You

rn'

James L. Cooney Agencies
Insurance
Real Estate
32 Church Street• Lowell, MA 01852

(978) 459-05, 5 (978) 452-9952
0

16

.

�0

JEANNE

1

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@
MSIC;NCUA

LOWELL • BILLERICA • CHELMSFORD • DRACUT
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Best Wishes For A Successful Yearl
,.
I

6 58 Mer
rimack St,Lowell
1345 L
akeview Ave,Dracut
(978) 452-5001 All Loc,1tions

Left, Dance Master Sophea Sek
assists apprentice Tola Sok, 15,
in perfecting a hand gesture
during a Troupe rehearsal.
Right, Master Say Soeur with
one of his proteges, 13-year old
Samnang Hor. Mr. Say is a
widely-respected teacher of the
Monkey, a spirited and lively
classical dance role that is
hugely popular at performances. Samnang apprenticed
under Say during a 1996
residency and now performs
the role for audiences around
New England.

6JUL
UM§a1inHl&amp;UtdtJJflUa1fg1,siu111-vr1,
Steve Moses &amp;
The Center for Health Promotion
University of Massachusetts Lowell
extend sincere best wishes to
the Angkor Dance Troupe
17

�The Blessing Dance

The Blessing Dance was traditionally performed in the Cambodian
royal palace to eliminate bad spirits and bless the royal kingdom.
Today the blessing dance
is performed at the
beginning of performances of all types. It is
a dance of greetings and
good wishes. During the
performance, dancers
come forward and
sprinkle flower petals toward the audience. This is done in the hope
of bringing prosperity, peace, and good health to everyone in attendance in accordance with Cambodian tradition. (Above, Troupe
members perform the Blessing Dance at the 1997 Southeast Asian
Water Festival in Lowell.)

Insurance Agency Louis L. Pinn
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1319 Middlesex Street
Lowell, MA O1851
~ (978) 452 -4748

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Fax (978) 452-4754
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18

�Saints Memorial Medical Center

Best Wishes
to the Greater Lowell
Cambodian Community

"U1J5Nij~ffWf!mN~BSUe6§f6eifflS5\16@H

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SAINTS
MEMORIAL
MEDICAL
CENTER

Yours for life

'
19

�The Coconut Shell Dance

Coconut trees are a main agricultural resource in Cambodia. They
provide sustenance to Khmer farmers and are abundant in villages.
The dance was inspired by a popular game that used coconut
shells. The game was played during all kinds of ceremonies, but
most often during weddings, engagements, and when the groom
was escorted in a procession to the bride's house. In its original
form, it was a one-man show. In the modern-day dance, an equal
number of male and female dancers performs the dance, signifying
friendship and courtship.

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421 CHELMSFORD IT., LOWELL (NEXT TO WENDrl)

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20

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21

�After countless hours of practice, Angkor Dance Troupe
apprentices Choumnith Sath, 11, and Samnang Hor, 13,
· mastered the skills to perform the challenging classical dance
"Hanuman and Sovann Macha." Above the pair dazzled an
audience in Cambridge during a performance .n January 1998.
i

22

�Hanuman and Sovann Macha
Hanuman &amp; Sovann Macha (The White Monkey and the Golden
Mermaid) depicts a scene from the Reamker, Cambodia's version of
the Hindu epic Ramayana. Before this episode begins, the Queen was
captured and taken to the kingdom of Lanka far out at sea. King Ream
calls on a famous army general named Hanuman to help him rescue
the queen. Hanuman is a white monkey and in Cambodian legend,
white monkey warriors always fight evil. Hanuman sets about to build
a bridge across the ocean to reach the Queen. But as fast as he and
his army of monkeys pile up stones for the bridge, the stones mysteriously disappear.
In the scene depicted in this dance, the white monkey dives into the
sea to investigate. What he discovers is that a school of fish, led by a
golden mermaid named Sovann Macha, has been carrying off the
stones. Hanuman confronts the beautiful troublesome mermaid - at
the same time he can't help but be dazzled by her beauty and falls in
love. And while she initially resists, Hanuman eventually wins her over
as his partner in the fight against evil.

A
tradition in the
community since 1849.
It has alwa ys been the goal of Colonial Gas Compa ny to offer exceptional val ue
and superior sen·ice to our customers. To that end, \\'C' continually look for \\'ays
to irnp rove the way we do business - through th C' innovati ve use of technology,
by focusing on the needs of our customers, and by partici pating in tlw economic
growth anct welfare of the communities we serve.

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that will continue the tradition of Co lonial Gas into the next century.

800- 548-8000

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23

�The Battle at Night

Chambang Pel Yup, the Battle at Night, is a dance from the traditional Lakhan Khol form all-male dance drama, performed to illustrate stories from the Reamker. The Battle at Night depicts a scene in
which monkeys, who always fight evil, fight a group of demons. As
night falls, neither side can tell friend from foe and chaos ensures.
Finally, the monkeys use the weapon of light to prevail over darkness. Cambodians see this episode as an allegory for the battle
against ignorance. (From the Classical Dance Company of Cambodia
1990 Tour)
The Peacock of Pursat

This dance originated in the Pursat provide of Cambodia where
people of the Cardamom Mountain region performed dances for the
spirits before going on trips to pick cardamom (a spice from the
ginger family). Cambodia's lush tropical forests are home to a large
variety of animals and birds, including numerous peacocks and
peahens. Their fabulous green and black tail feathers bear the stamp
of nobility. During the Peacock of Pursat dance, performers wearing
headgear of peacock feathers represent pairs of peafowl as they play
in the forest and float on the mountain breezes.

University of Massachusetts Lowell
Bookstores
934-2623
934-6908
458-3939

North Campus
South Campus
Downtown

Serving all ofyour on-campus and
general reading needs throughout Greater Lowell.

Best ofLuck
Angkor Dance Troupe!
24

�Congratulations to
our Role Models!
Pov Sath 1996
Khoeun Pring 1998
Andeth Vann 1995
Sopor Vann 1994
Rothana Yok 1998
Akara Im 1997
Troupe apprentices who prove through their
attendance, commitment, and contribution that they are
dedicated students of Cambodian dance are awarded the
position of "role models."
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Congratulations and Best Wishes from
Ann Bartholomew &amp; Ron Micheels

25

�The Angkor Dance Troupe at FirstNight Boston, 1997
From left Chhan D. Touch, Khoeun Pring, Phalik Ting, George Chigas,
Thida Loeung, Linda Thou, Sochenda Uch, Vanlina Im, Rothana Yok, Pov
Sath, Boo Ouch,Rotana Thou, Vanrotha Im, Sophannary Khem,
Sophannarin Khem, Harlen Hor, Soparl Ngin, Samnang Hor, Akara Im,
Andeth Vann, Phousita Serey Huy, Chenda Ty, Sarith Heng, Sokhoeum
Sim, Maliny Pen, Maliny Khem, Elizabeth Yim, Choumnith Sath.

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Donahue &amp; Donahue
Attorneys, P.C.
Since 1887

Excellence in the Practice ofLaw

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the widest range of care. We have the area's newest pediatric
and maternity units, the only Trauma Center in the region, a
cardiology unit with the latest in heart diagnostic equipment
and procedures, and top-notch physicians, nurses, and technicians. If you are looking for a physician, or if you would
like information on any of our services, call (978) 937-6425.
Lowell General Hospital, 295 Varnum Avenue, Lowell, MA • www.lowellgeneral.org

27

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�KEVIN J. MURPHY
ATTORNEY AT LAW

STATE REPRESENTATIVE
(Highlands, Acre, Downtown Lowell)

LAW OFFICE (978) 459-6320
STATE HOUSE (617) 722-2240

63 Newbury Street
Lowell, Massachusetts O18 51

29

�The Fan Dance
The Fan Dance is a classical dance performed to glorify the king - for
prosperitiy and peace. This dance praises the mercy and love of the
king toward ordinary people. It is an elegant and joyful dance that asks

the gods to bless his majesty, the king, with long life and good health.

Sagendorf/ Taupier
Consulting, Inc.
Real Estate
Sales &amp; Consulting
11 East Merrimack Street
lowell, Ill 01852

1918) 931-5000
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�The Fishing Dance

There is a saying in Cambodia "Where there is water, there
are fish. " The Fishing Dance demonstrates two of the traditional methods of catching fish, using bamboo baskets, called
chhneang, and angrut, which are braided bell-shaped traps
for catching larger fish in shallow water.
Love and romance are favorite themes in folk dances. In
traditional Cambodian society, young people are carefully
watched and don't have many opportunities to get to know
one another. But the fishing quarter is one place they had the
chance to meet. The Fishing Dance shows how young people
balance custom and courtship by the river's edge.

Angkor Dance Troupe
thank you for sharing the beauty of your culture!

Nina Coppens, PhD, RN
Director of the Baccalaureate Nursing Program
University of Massachusetts Lowell

32

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Happy New Year
and Best Wishes to the
Cambodian Community
from
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S TATE S EN AT O R
Steven C. Panagiotakos

33

�Lowell Community Health Center
5 8 5 Merrimack Street
Lowell, MA 01854
(978) 937-6100

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�TbalKdoeung
Tbal Kdoeung comes from the northern part of Cambodia. It demonstrates how Khmer famrers process rice after it has been brought in from
the fields - breaking the rice chaff with wooden mallets and winnowing
or separating the rice from the chaff by rotating it in flat baskets.

The Preap (White Dove) Dance
In Cambodia, the dove represents peace, as it does in many parts of
the world. Preap is a dance to discourage war and the atrocities of
war and to celebrate peace and harmony among all people.

ASIAN AMERICAN
BANK&amp;. TRUST
COMPANY
68 Harrison Avenue, Boston MA 02111
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35

�In January 1998, Troupe members performed at NewTV in Newton
in a television program for deaf children. Below, visiting Masters
Sophea Sek, Yorn Peng, and Say Souer were interviewed for a Khmer
television show in Lowell.

Bratton La"W" Offices
226 Central Street
Lowell, MA 01852

(978) 452-7100
Personal Injury, Auto Accidents, Criminal Defense
36

�The Troupe presented a spirited "Trod Dance" at the Temple for
Cambodian New Year in 1998, marking the first time the traditional folk procession had ever been performed in Greater Lowell.

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37

�The Chhay Yam

The Ch hay Yam is a comic country dance. After the harvest, Khmer
farmers gather in ceremonies and festivals to celebrate. The Chhay
Yam is performed to enliven and add levity to these celebrations. Its
exciting rhythm and lively "call and response" singing encourages
the dancers to improvise their steps and gestures.
The Angkor Dance Troupe is funded in part by:
The Lila Wallace-Reader's Digest Community Folklife Program,
administered by the Fund for Folk Culture and underwritten by the
Lila Wallace-Reader's Digest Fund.

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MASSACHUSETTS CULTURAL COUNCIL
A state agency that supports public programs
in the arts, humanities, and sciences.

THEODORE EDSON PARKER
FOUNDATION
Nathaniel and Elizabeth P.
Stevens Foundation
Lowell Cultural Council
with funds from the
Massachusetts Cultural Council

�Mike Ballas'

1600 Middlesex Street, Lowell, MA 0 1851
Telephone: 978-934-8855 Fax: 978-934-8866
website: www.ballos.com/freedom

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Lowell's Cambodian Community
&amp; the Angkor Dance Troupe!

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if (978) 458-1229

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                    <text>ANGKOR
DANCE TROUPE
Cambodian Classical &amp; Folk Dance

1999 COMMEMORATIVE BOOK

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978-459-8359

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�TABLE OF CONTENTS
I.
II.
Ill.
IV.
V.

About the Angkor Dance Troupe
A Unique Way to Reach Youth
The Year in Pictures
Inside Back
Funders &amp; Credits
Directory of Advertisers
Asian American Bank &amp; Trust
Anstiss &amp; Company, P.C., CPA
Ann Bartholomew &amp; Ron Micheels
Jane Benfey, Angkor Dance Troupe
Colonial Gas
Community Teamwork, Inc.
Nina Coppens
Donahue &amp; Donahue, Attorneys, P.C.
Eno, Boulay &amp; Martin, LLP, Attorneys at Law
Enterprise Bank &amp; Trust Co.
Outside Back
Friends of the Ankgor Dance Troupe
Thomas A. Golden, Jr., State Representative
John J. Honan Insurance Agency
Jeanne D'Arc Credit Union
Haskell Law Offices
Inside Front
Harvard Vanguard Medical Associates
Wayne Hayes, Lowell City Council Candidate
John E. Leggat, Counselor at Law
Dick Lepine Real Estate, Inc.
Paul Marion and Rosemary Noon
MassBank
Steve Moses
Kristina Niccoli
Page One Productions
Steve Panagiotakos
Pelletier Brothers Garage
Donald Pierson
Louis L. Pinn Insurance Agency
Jonathan Pulliam
Saints Memorial Medical Center
Nicholas C. Sarris, Inc.
Linda Sllka, Ctr. for Family, Work, &amp; Community
Janice M. Stecchi
Tim Chan Thou &amp; Family
Roland A. Turmaine, Attorney
University of Massachusetts Lowell Bookstores
Washington Savings Bank

1 - 17
20-24
26-34
Cover
17
27
38
35
25
29
32
28
17
5
Cover
9
22
27
Cover
13
25
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21
3
33
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11

�Special Thanks
To Our Dedicated Staff &amp; Board of Directors

Chhan D. Touch, President
Phousita S Huy, Artistic Director
.
Nissay Liek, Treasurer
Tim Chan Thou, Troupe Coordinator
Jane Benfey, Vice President
Carole Mathews, Co-Secretary
Ruth Page, General Manager
Gloria Polites, Co-Secretary
Jim Conlon
Paul Marion
Nina Coppens, Ph.D., R.N.
Maureen Martin
Saovary En
Rady Mom
Lynne Faust, LNP
Khoeun Pring
Samnang Hor
Seng S Prum
.
Akara Im
Sokhorn Sem
Laurie Beth Kalb, Ph.D.
Sopheap Sou
Cassandra Keirstead
Sokhoeum Sim, Instructor
Toni Shapiro, Ph.D., Troupe Advisor
Phalla Lak, Instructor
Phallik Ting, Instructor
Sovann Thida Loeung, Instructor
Kolab Yin, Costumer
Also to:
Thurman Prints
Cambodian Women News
UMass Lowell Bookstores I Barnes &amp; Noble Lowell
And to Our Funders:
Massachusetts Cultural Council
Theodore Edson Parker Foundation
Lila Wall-Reader's Digest Community Folklife Program
Lowell Cultural Council
Friends of the Angkor Dance Troupe
Lowell Community Schools
Lowell Police Department
Nathaniel &amp; Elizabeth P. Stevens Foundation
Greater Lowell Community Foundation
For more information regarding the Angkor Dance Troupe,
please call or write:
Angkor Dance Troupe
P.O. Box 1553, Lowell, MA 01853
(978) 441-9277 FAX: (978) 455-2454
http://civic.uml.edu/angkor

�ANGKOR DANCE TROUPE

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THE POWER OF ART &amp; CULTURE:
A COMMUNITY HEALS ITSELF
The Angkor Dance was formed in 1986 by two dance instructors
and a handful of dancers who learned traditional Cambodian
dance in refugee camps along the Thai-Cambodian border. When
we resettled in Lowell, we brought a passion to carry on our
cherished traditions - to practice and perform, to teach others, and
to see the art form preserved for future generations of all cultures.

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A classical dancer performs a ceremony in front of the
Angkor Wat temple complex in the Siem Reap province of Cambodia.

The Troupe takes its name from the great Angkor Civilization,

between 802 and 1432 AD, when Cambodia was a dominant
empire in Southeast Asia . Dance, music, and· drama :have always
been prominent in Khmer society, but these ancient traditions
were nearly wiped out when the Khmer Rouge controlled
Cambodia in the 1970's. Artists were among those deliberately
targeted for execution and more than 90% of the country's
tradition bearers perished. Today as Cambodians in Lowell and
elsewhere struggle to emerg'e from decades of war and poverty,
our people look to the rebirth and re-creation of dance as
testimony to the endurance of Cambodian culture.1
2

�The Angkor Dance Troupe plays an important role in Lowell.

Greater Lowell is home to the second-largest community of
Cambodian Americans in the country. Most residents are refugees
who resettled here in the wake of the Khmer Rouge genocide.
Cambodian dance performances provide a poignant reminder of
the beauty and deep spirituality of Cambodian culture and help us
develop a sense of home and community in our new homeland.
While working in refugee camps during the 1980's, anthropologist
Toni Shapiro observed that despite adverse conditions there was a
passion to dance. "People who know only the rudiments of Khmer
classical or folk dance movements taught others, and they staged
small shows ... Wherever the Khmer were, some were dancing. In the
camps along the Thai -Cambodian border, a war zone in 1983,
dancers dodged artillery shells on the way to practice o r even
during performances. Still they danced .. .And thousands showed up
to watch, sometimes perching on bunkers to get a better view. "

Happy New Year

"!iiFi
from
Paul Marion &amp; Rosemary Noon
3

2

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A National Leader in Traditional Cambodian Dance
The Angkor Dance Troupe is nationally recognized as one of the
most accomplished and experienced Cambodian traditional arts
ensembles performing today. The Troupe has appeared at

numerous prestigious venues throughout the Northeast including
First Night Boston, the National and Lowell Folk Festivals, the
Berkshire Museum, Yale University, and the Merkin Concert Hall
in New York City. The Troupe has participated in workshops at
Jacob's Pillow and is listed on the New England Touring Roster.
During 1998 alone, the Troupe appeared in 33 performances for
combined audiences of more than 13,000 people.
Troupe Artistic Director Phousita S. Huy is one of the world's mostrespected master teachers of Cambodian dance. Before joining the
Troupe, she was a faculty member with the Royal University of Fine
Arts in Phnom Penh, and she toured internationally as a principal
with the Classical Dance Company of Cambodia. Troupe Coordinator and Founder Tim Chan Thou was certified as a teacher of
Cambodian traditional dance at the Khao-1-Dang and Philippine
Refugee Centers.

4

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ENTERPRISE

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BANK AND TRUST COMPANY

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CERTIFIED SBA

LENDER

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Branch Offices
674 Boston Road (Rte 3A) •Billerica, MA 01821 • 978-262-0123
185 Littleton Road (Rte 110) • Chelmsford, MA 01824 • 978-442-5588
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Coming Soon: 23 7 Littleton Road, Westford

Mortgage Lending Center
27 Palmer Street• Lowell, MA 01852 • 978-459-9000

The Troupe takes a bow after a peformance for Yale University in September 1998.

5

�lassical dance has been connected to the sacred rituals of
Cambodia for more than one thousand years. During the
great Angkor civilization, dancers performed blessing ceremonies in temples to bring prosperity to the kingdom. Once the
exclusive domain of royalty, classical dance is now performed for
audiences everywhere.
In classical dance, we see highly-stylized positions in concert with
gentle movements. Gestures are strictly defined and distinguished by the intricacy of hand positions. Each gesture has a
specific meaning, often relating to nature. For example "Lea"
can denote a leaf, but it can also mean "to OP.en." (Right hand in
photo.) Depending on its context within a
can represent the leaf and its beauty or the
opening of a hand or piece of paper. "Cheep"
(left hand in photo) can symbolize a flower ..•
or it can mean to fold into small pleats.
6

�,..,... hroughout Cambodia, after the harvest, it is time for

I.

music, son g, and dance. Folk dance is rooted in rural

Cambod ia and depicts ritua ls of everyday vi ll ag e life. The dances
honor skills that are t ypically undervalued in t he rush towa rd
westernization, such as fishing and rice farming .
Dance motifs are commonly based on local legends and inspired
by themes of nature as well as the ceremonies, and customs that
shape the lives of Cambodian people. Distinctive, colorfu l
costumes represent the traditional dress and cloth worn the
various regions and ethnic groups within Cambodia.
Just as court dance is ruled by a strict form and a prescribed
language of movement, folk dance is spontaneous, created for
emotional expressions.

folk Danell

7

�An Extensive Collection of Richly Detailed Costumes
The Angkor Dance Troupe has assembled an extensive collection
of richly-detailed, authentic costumes, dance materials, and
artifacts. Much of the collection was created by master dancers
and costumers from the University of Fine Arts in Phnom Penh.
Preparing for a performance can take several hours. Many
costumes are so intricate and close-fitting that dancers must be
sewn into them before performances.

Best Wishes from

Dean Janice M. Stecchi
College of Health Professions &amp;
Center for Health Promotion
University of Massachusetts Lowell
in anticipation of continued partnerships.
8

�Thomas A. Golden, Jr.
ST ,\TE

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Best Wishes to the
Greater Lowell Cambodian Community
and Congratulations to the
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Angkor Dance Troupe!
9

�From One Generation to the Next - Carrying on the Tradition
Members of the Troupe rehearse for several hours each week. The
method of teaching is based on the traditional model - apprentices
learn by watching, imitation, and hands-on assistance from teachers.
At left, Master Phousita Huy helps
apprentice Elizabeth Yim achieve
the correct posture during a
rehearsal in January 1998.
In May, the
8-year old made
her stage debut
as "Sovann
Macha," a
challenging
classical dance
role, during a
performance at
Lowell's Robinson School. Right, Master Yorn
Peng makes adjustments to Elizabeth's
headdress before she takes the stage.
LAST-MINUTE
BACKSTAGE
PREPARATIONS

Ms. Huy gives lastminute instructions
to dancers ready to
perform the
"Blessing Dance"
at the University
of Massachusetts
Lowell in May.
10

�JOHN E. LEGGAT
COUNSELOR AT LAW

(978) 454-5654
FAX: (978) 452-5914

174 CENTRAL STREET
LOWELL, MA 01852

87 Pevey Sueec
Lowell
Massachusetts
01851

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508·458·9762
Fax
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Mtne.rsoftk ~

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11

~MEMBER

tUil FDIC/DF

�Masters of Cambodian Dance - Learning from the Best
The Ang ko r Dance Troupe teaches and performs a body of work
from the Royal Un iversity of Fine Arts in Phnom Penh, Cambodia,
whi ch is con sidered the world 's cultural standard bearer for
Cambodian trad it ional arts.
Part of what distinguishes the Angkor Dance Troupe from other
Cambodian dance ensembles is our ongoing program of cultural
exchange with the international community of professional
dance masters. The Troupe has worked with numerous master
dancers and musicians over the years, most recently hosting three
dance professors from the Royal University during 1998 through
a project funded by the Lila Wallace-Reader's Digest Community
Folklife Program .
Below right, visiting instructor Say
to teach apprentices new
scenes from the
Cambodian Reimkee.

Left, popular University of Fine Arts
Instructor Sophea Sek with Troupe
apprentice Sochenda Uch.

12

�Harvard

Vanguard
Medical Associates
Chelmsford
Serving the Chelmsford area for over 40 years.
Offering the largest and most complete
medical services in the area in one convenient location.
On-site services include adult and pediatric primary care,
surgery, and other specialities.

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Chelmsford ~9~0F&amp;e5'55

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228 Billerica Road
Chelmsford, MA 01824
(978) 250-6000

msununltum fi1l t~19 8
On-site Khmer interpreter (978) 244-6667

13

�Masters of Cambodian Dance - Learning from the Best
In the 12-year history of the Troupe, we have had the honor to
work with a number of professional dance masters from the
University of Fine Arts, Phnom Penh and around the world. For
their invaluable contribution to the preservation of Cambodian
dance, we give them our thanks:

The Esteemed Chea Samy
Master, Royal University

Chhieng Proeung
Dean, Univ. of Fine Arts

Ros Kong &amp; Tes Sam Oeun
Masters of Classical Dance

Dr. Sam Ang Sam
Master of Cambodian Music

Chan Moly Sam
Master of Court Dance

Malis Keo
Director, Univ. of Fine Arts

Sokhanarith
Moeur (Left)
Professor of
Folk Dance
&amp; Drama
Phan Phoung
Professor of
Folk Dance
(Choreographer,
Coconut Shell
Dance)

14

�Somaly Hay
Master of Classical Dance

1
Savath Roeung (Center)
Folk Dance Instructor
with Tim Chan Thou (left)
&amp; Sokhoeum Sim

Phousita Serey Huy
Master of Classical Dance

Sam On Soth
Master of Classical
Dance Drama

Heang Nayto
Folk Dance Instructor

Phalla Lak Morris
Folk Instructor

Thavro Phim
Folk/Giant/Monkey
Instructor

Song Heng
Master Musician

Khatna Peou
Master of Classical Dance
(With Grandson Tim Chan Thou &amp; Family)

Yom Peng
Master of
Classical Dance

Sophea Sek
Folk/Giant
Instructor

Say Soeur
Monkey
Instructor

lath Sum
Master Musician
Not Pictured: Rachana Khiev,
15
Tonara Hing

�Masters of Cambodian Dance - Learning from the Best
Over the years, our active
educational exchange with the
Royal University of Fine Arts has
helped us significantly expand our
repertoire of classical and folk
dance traditions.
Today, the Angkor Dance Troupe
performs a number of traditional
dances rarely performed by U.S.based Troupes.
A year-long 1998 residency with
Sophea Sek and Say Soeur, below,
and Yorn Peng, right,
helped the Troupe add a number of
dances to our performance repertoire
including "Tbal Kdoeung," the Rice
Harvesting dance, "Moni Mekhala &amp;
Ream Eyso," the Cambodian fable
of thunder and lightning, "Peacock
of Pursat," the "Preap Dance,"
"Swva Pol," and "Peacock of Pailin."

Above, Royal University
Dance Master Yorn Peng
assists apprentice Kuntear
Eng during a Troupe
rehearsal.

�In 1999, Connecticutbased Master teachers
Sokhanarith Meour
and Phan Phoung will
hold a series of workshops on the "Chhay
Yam" and other
dances, through a
project sponsored by
the Lila Wallace Reader's Digest Community Folklife Program.

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134 Middle

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'/el fJlB-452-8902

Fax. fJlB-453-2585

"Congratulations and Best Wishes
for Another Successful Year."

ASIAN AMERICAN

Phone: (617) 695-2800

BANK &amp;. TRUST

Boston • Somerville • Allston
www.asianamericanbank.com

COMPANY

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All fo rms a"' in English. Translation assistance is availablt.
MEMBER FDIC
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17

�~spite of the past tragedies in our homeland,
you worked successfullly to

restore and
promote our treasured cultural arts,
so they may be preserved and passed
down to future generations.

~ct always dreamed that
my daughters would dance
for you, but that time never
seemed right. Now, they are
able to dance, but you are gone.
Grandma, you have been my
inspiration anct,my

source of strength.
- Tim Chan Thou
(Left: Rotana &amp; Linda Thou)

18

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Although you are no longer with us,
we know
your spirit is still alive,
guiding us to
Nuth Kantya, Nou Bun Long
&amp;Family

remember our heritage.

Love &amp; RM~ect alwayg,
From: daughters, Families, Grandsons, and Granddaughters
Sin Ny, Chum Chan Chhavy
Chum Koev Amra
Nuth Kantya &amp; Nou Bun Long
Long, Amrin, Amreth, Amrith, Among
Lang Phann's family
Hom Hun (Gary)'s Family
Tim Chan Thou's Family
19

�A UNIQUE WAY TO REACH YOUTH
A central component of the Troupe's mission is to provide positive
cultural, recreational, and educational programming for youth.
We have more than 40 students, ranging in age from 4 to 18,
who rehearse together every week, perform on stage, and attend
Troupe outings and events. Young people typically remain involved
with the Troupe for at least four or five years, many even longer.
Membership in the Troupe has always been free.
Through interaction with dozens of inner-city youth over the
years, the Angkor Dance Troupe has witnessed firsthand the
value of culture-based arts programming in helping young
people make constructive choices in their lives. We have had
several students, for example, who were involved in gang activities when they first joined and who have since "disengaged" and
are making remarkable progress in their academic and personal
lives. Through their involvement in our program, young people
develop a sense of discipline, self esteem, and a new-found
respect for their heritage.
In 1998, the Troupe launched Angkor Youth Dance, a very successful afterschool and summer youth program, with major funding
from the Massachusetts Cultural Council YouthReach Initiative.
The program is operated in conjunction with community agencies
including: DSS, the ADAM project of Big Brother/Big Sister, UMass
Lowell, the Lowell Police Department, Community Teamwork,
and the Lowell Community Schools.
Angkor Youth Dance
Inaugural Performance
at the E.N. Rogers Community School: Peter Veth
and other youth perform
the Pestle Dance.

�DICK LEPINE REAL ESTATE, INC.
1333 LAKEVIEW AVENUE
DRACUT, MASSACHUSETTS 01826
978-957-8200
RESIDENTIAL

COMMERCIAL

INVESTMENT

LAND

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HAPPY NEW YEAR
Angkor Dance Troupe, Inc.
Jim Haley, Broker
Voice Mail: 978-442-5831

Gary Caplice, Sales Rep.
Voice Mail: 978-442-5827

Don McMeniman Sales Manager
Voice Mail: 978-442-5829

Dick Morgan, Realtor
Voice Mail: 978-442-5843

Nancy Prud'homme, Sales Rep.
Voice Mail: 978-656-9730

m1nnmm:
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Office: 978-957-8200
21

-

�The Angkor Dance Troupe addresses a critical need in Lowell for
programs that provide services to Cambodian youth who are at
high risk of negative outcomes. In a culture that traditionally
reveres elders for their experience and wisdom, the relationship
between youth and parents has been seriously eroded by the
massive cultural shift between life in rural Cambodian and life in
urban America. Lowell's Cambodian-American children often
serve as their parents' interpreters - of culture as well as language. Many young people feel torn between two worlds. Their
elders expect them to demonstrate Cambodian values at home,
while they behave as American teenagers at school. All too often,
these young people seek affirmation and identity not at home or
school - but through gang membership, dropping out of school,
and other high-risk behaviors.
There is growing evidence that in-depth exposure to traditional
culture makes a significant difference in the emotional adjustment of Lowell's Cambodian American youth. In Fractured

Identities: Cambodia's Children of War, a book that chronicles
the lives of Lowell's refugee children, authors Joan Ross and Jim
Higgins write "the search for identity within a new culture has

taken young people in more than one direction. The paths they
have chosen seem to depend on the individual's depth of exposure to traditional Cambodian culture. " 3

f;\lj (•JI: f\IJ :!;1: Ci 3

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INSURANCE AGENCY

421 CHELMSFORD IT., LOWE.L (NEXT TO WENDrl)

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tmbtnaq:lgtt\Jb"l Ctinirmnnnn tnu&amp;ib~ wrnmrwngin'l)la
(Registry Services) 9B tfJl l1Hi nft nlg nvrui

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Lowell, MA 01851

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(Across from Duncan Donuts)
Mass. License # 1656

23

�Our experi ences with young Cambodian Americans suggest they
are ea ger for opportunities t o learn more about their heritage.
Wh en th e Tro upe presented a 10-week resi dency at t he Butl er
Middle School in 1998, 130 students sign ed up - reli nqu ishing t heir
free peri od fo r an opportu nity t o learn Cambod ian dance and
perform for their school during Cambodian New Year.
Learn ing and performing Cambodian dance gives young people a
chance t o earn both Cambodian and American acclaim . Th eir
parents are pleased and honored by their interest in their heritage.
Our experiences have also shown that participation by students in
Cambodian dance performances is held in high esteem within the
youth community. It is a source of great pride for the young people
involved and generates considerable respect from their peers.
NEW CHOREOGRAPHY
DEVELOPED DURING ANGKOR
YOUTH DANCE PROGRAM
Dancers in the Troupe's
afterschool program experimented w ith new choreography
during the Fall 1998 session of
Angkor Youth Dance. They
combined elements of the
centuries-old "Monkey Dance "
with acrobatic modern dance.

The resulting dance,
debuted at the Rogers
Community School in lat e
1998, has been huge ly
popular with audiences
aro und the regi o n.

�A
tradition in the
community since 1849.
It has alway been the goa l of Colonial Gas Company to offer except iona l \·;1iue
and superior service to our customers. To that end, we continuall y look for ways
to impro\·c the way we do businc!&gt;s - through the innO\·atiH' use of technology,
by focusing on the needs of our customers, and by pa rt icipating in th e economic
growth and welfa re of the communit ies we se r n~.
It is this commitment to rxcelknn&gt;, and the desi re to see this ornm unit y prosper,
that will continue the trad ition of Colonial Gas into the next century.

t·

800- 548-8000 COLONIAL
GAS

COMPANY
The 8 1st Cho1Ce

-1eei:~vsmg&amp;~a~e
Wayne Ba es
To your Lowell City ouncil
.,

c:&gt;

(~~'lu~e"1~me~ss•
... from neighborhood commitment,
to City-wide success.

*

A man of accomplishment,
working hard for our city.

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Jann91mna~lau11mrdf11fp:r11,fmrtnrirnafvr11

•

25

�Highlights of the Year in Pictures

During 1998, The Angkor Dance Troupe appeared in 33 performances for combined audiences of more than 13,000 people.
Above, Phalla Lak Morris and Thavro Phim perform "The Fishing
Dance" at the Lowell Folk Festival.

26

�LOWELL

w
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658 MERRIMACK ST

DRACUT
I 345 LAKEVIEW AVE

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Certified Public Accountants
21 George Street
Lowell, MA 01852

Raymond L. Anstiss, CPA, MBA
Richard B. Dionne, CPA, MST

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Telephone: (978) 452-2500
Fax: (978) 458-0425

6J"Lur.igo1inr11~A1wauillg1unu1111Gl11
Steve Moses &amp;
The Center for Health Promotion
University of Ma~sachusetts Lowell
extend sincere best wishes to
the Angkor D~ce Troupe
27

�Linda Thou and Sophea Sek perform "Peacock of Pailin"
during a performance for Yale University in September 1998.

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Since 1887

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21 George Street
Lowell, MA 01852-2283

28

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Every Day

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167 Dutton St.
Lowell, Massachusetts 01852
(978) 459-0551
Visit us at
www.comteam.org
Congratulations
Angkor Dance Troupe, Inc.
"

tl!ll

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�In 1998, the Angkor Dance Troupe became one of the first U.S.-based dance
ensembles to perform " Thal Kdoeung," a folk dance about rice harvesting.

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Best ofLuck Angkor Dance Troupe!
30

�Best Wishes to the
Angkor Dance Troupe
and the
Greater Lowell
Cambodian Community
Saints Memorial Medical Center
Quality Care You Can Count On!

~ tt~t
fJ

SAINTS
MEMORIAL
_.. MEDICAL
CENTER

Yours for life

31

�Master performers Sokhanarith Moeur (left) and Thavro Phim take flight in the
"Peacock of Pailin" at the Lowell Folk Festival, July 1998. (Andrew Page Photograph)

Angkor Dance Troupe
Thank you for sharing the beauty of your culture!

Nina Coppens, PhD, RN
Director of the Baccalaureate Nursing Program
University of Massachusetts Lowell
32

�Best Wishes to the

Cambodian Community
from
STATE SENATOR

Steven C. Panagiotakos

Heng Noeuk
(right) and
Samnang Hor
perform
"Hanuman &amp;
Sovann Macha"
for Needham
Elementary
School Students
in January 1999.

CALL US FOR A MORTGAGE
978-446-9200

781-662-0100

33

�Sopheap Sou (left) and Chansarim Sreng perform the
"Fan Dance" at the Lowell Folk Festival, July 1998.

&amp;aw~

to #t

A~~T!WUft
Donald E. Pierson
Dean, College of Education
University of Massachusetts Lowell
34

�We sa{ute tfie youtfi of tfie

:Angkor 'Dance Trouye
antf tfie

River :Ambassadors Program
for enricfiing tfie fives
of a{{ in our community.
;
Linda Silka, Director,
Center for Family, Work, and Community
at UMass Lowell
Jane Benfey, Vice President
Boa.rd of Directors, Angkor Dance Troupe

35

�PAGE ONE

PRODUCTIONS

Film &amp; Video · Advertising • Multimedia • Design
80 Aberdeen Street • Lowell, MA 018 50
(978) 441 1750 • FAX (978) 937 9419

E-mail : pageone@mediaone.net

PAGE ONE PRODUCTIONS

is proud to support
the Angkor Dance Troupe.

36

�Two of the Troupe 's Rising Young Apprentices:
Krisna Thou and Diane Pulliam

Bringing Cambodian
Classical and Folk D~nce to Lowell
Best Wishes to the Cambodian Community
from Jonathan A. Pulliam

�Congratulations to our Role Models!
Pov Sath 1996
Khoeun Pring 1998
Andeth Vann 1995
Sopor Vann 1994
Rothana Yok 1998
Akara Im 1997
Samnang Hor &amp; Sopheap Sou Thou 1999
Best Wishes from
Ann Bartholomew &amp; Ron Micheels

�The Angkor Dance Troupe is funded in part by:

MAsSACHUSETTS CULTURAL COUNCIL
A state agency that supports public programs in the arts, humanities. and sciences

THEODORE EDSON PARKER FOUNDATION

Nathaniel and Elizabeth P. Stevens Foundation
The Lila Wallace-Reader's Digest Community Folklife Program.
administered by the Fund for Folk Culture and underwritten
by the Lila Wallace-Reader's Digest Fund.

Lowell Cultural Council
Lowell Community Schools Program
Friends of the Angkor Dance Troupe
Lowell Police Department
Greater Lowell Community Foundation
Publication produced by Page One Productions
Printing by Thurman Prints
Photo Credits: Kevin Harkins, Andrew Page, Higgins &amp; Ross, Tim Chan Thou,
Toni Shapiro, Eileen Blumenthal, Eleanor Briggs, Ruth Page
Translation Services: Nissay Liek
Sources:
Dance and the Spirit of Cambodia. Toni Shapiro, Ph.D., Cornell University, 1994
"Cambodia's Royal Dance," Eileen Blumenthal, Natural History, 4/89
Khmer Folk Dance, Sam-Ang Sam &amp; Chan Moly Sam,
Khmer Studies Institute Inc., 1987
Khmer Songbook, Forward by Sophiline Cheam Shapiro, 1992
Classical Dance Company of Cambodia, 1990 U.S. Tour Book
"An Introduction to Khmer Traditional Dance," Huy Serey Phousita, Seoul, 1995
' "The Dancer in Cambodia," Toni Shapiro, Ph.D., Asian Art &amp; Culture, Arthur M. Sack/er
Gallery, Smithsonian Institution, Winter 1995 Southeast Asia Today, Oxford University Press
2
"Dance and the Spirit of Cambodia, "Toni Shapiro, Ph .D. Cornell University, 1994
.i fractured identities Cambodia's Children of War, James Higgins &amp; Joan Ross, Loom Press, 1997
For more information, please call or write: Angkor Dance Troupe
P.O. Box 1553, Lowell, MA 01853
(978) 441-9277 FAX: (978) 455-2454
http://civic.uml.edu/angkor

�FRIENDS OF THE ANGKOR DANCE TROUPE

The Friends of the Angkor Dance Troupe•• is a
fund-raising membership drive to support the
Troupe•s important work with at-risk youth.
Donations to date have exceeded $4.500!
11

Thank you
to the many concerned citizens and
organizations who have joined the
••friends of the Angkor Dance Troupe:••

Major Program Sponsors
($1000 &amp; above)

Eleanor Briggs
The Edward &amp; Elizabeth
Gardner Foundation

Contributing Sponsors
($500 - 999)

Jane &amp; Tom Benfey

Community Leaders
($150 - 499)

Ann Bartholomew &amp; Ron Micheels
Jonathan and Diane Pullman
Janet Gardner
Nancy Donahue
St. Joseph the Worker Shrine
Louis L. Pinn Insurance Agency

�</text>
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LOWELL MASSACHUSETTS 0 1852
(978) 970-221 1

�TABLE OF CONTENTS
3 - 24
About the Angkor Dance Troupe
39
How to Contact Us
II. The Year in Pictures -The White House &amp; All America City 26 - 33
38 - 39
Ill. Funders &amp; Credits
39
IV. Special Thanks - Staff, Board of Directors, Collaborators
V. Directory of Advertisers
ABC Financial Network
2
Paul A. Balakin, Attorney
12
Ann Bartholomew &amp; Ron Micheels
40
Jane Benfey &amp; Linda Silka
38
Lyla Chea &amp; Family
25
Community Teamwork, Inc.
29
Nina Coppens, UMass Lowell
33
Nancy &amp; Richard Donahue
27
Eno, Boulay &amp; Martin, LLP, Attorneys
11
Enterprise Bank &amp; Trust Co.
23
First Essex Bank
19
35
Friends of the Ankgor Dance Troupe
Thomas D. Haggard, Attorney
25
Jeanne D'Arc Credit Union
31
Dr. Lee S. Knight, Chiropractor
13
Loom Pres,(
27
Paul Maridn and Rosemary Noon
5
11
MassBank
Armand P. Mercier, Lowell City Councilor
15
Inside Back Cover
Mom's Therapy
Steve Moses, UMass Lowell
24
Law Offices of Mona T. Movafaghi
33
Neak Pean Real Estate
11
Page One Productions
37
Pailin Jewelry
7
Palma Law Offices
Inside Front Cover
Steve Panagiotakos, State Senator
17
Don Pierson, Dean, UMass Lowell
31
Louis L. Pinn Insurance
7
Jonathan &amp; Diane Pulliam
18
Smart Tax Solutions
17
Saints Memorial Medical Center
9
17
Janice M. Stecchi, Dean, UMass Lowell
Thomas Stylianos, Law Offices
Outside Back Cover
Tim Chan Thou Family - In Memory of Mrs. Peou Khatna
20-21
Trinity Ambulance
36
Andeth Vann &amp; Family - In Memory of our Dad
34
I.

�America Bankers Companies
Financial Network, Ltd.

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Headquarter:
174 Central Street
Lowell, MA 01852
Phone (978) 452-2973
Fax (978) 452-7653

---~

FINANCIAL
NEfWORK

Boston Office:
1391 Dorchester Ave.
Dorchester, MA 02122
Phone (617) 282-5454
Fax (617) 282-5522

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2

�The Power of Art &amp; Culture: A Commuttit'1 Heals ltsdf
The Angkor Dance was formed in 1986 by Cambodian refugees
of the Khmer Rouge genocide. When we resettled in Lowell,
we brought a passion to carry on our cherished traditions - to
practice and perform, to teach others, and to see the art form
preserved for future generations of all cultures.
The Angkor Dance Troupe is nationally recognized as one of
the most accomplished Cambodian traditional arts ensembles
performing today. The Troupe is directed by world-renowned
master teachers and performs a body of work developed in
concert with the Royal University of Fine Arts in Phnom Penh,
Cambodia, considered the premier standard bearer for tradi tional Cambodian arts. The Angkor Dance Troupe is listed on the
Massachusetts and New England States Touring Rosters and has
performed at venues including the White House, First Night
Boston, the National and Lowell Folk Festivals, the Berkshire
Museum, Yale University, and Jacob's Pillow.

3

�A classical dancer performs a ceremony at Angkor Wat.

The Troupe takes its name from the great Angkor Civilization,
between 802 and 1432 AD, when Cambodia was a dominant
empire in Southeast Asia . Dance, music, and drama have always
been prominent in Khmer society, but these ancient traditions
were nearly eliminated when the Khmer Rouge controlled
Cambodia in the 1970's. Artists were among those deliberately
targeted for execution and more than 90% of the country's
tradition bearers perished. Today as Cambodians in Lowell and
elsewhere struggle to emerge from decades of war and poverty,
our people look to the rebirth and re-creation of dance as
testimony to the endurance of Cambodian culture. 1

4

�Greater Lowell is home to the second-largest community of
Cambodian Americans in the country. Cambodian dance
performances provide a poignant reminder of the beauty and
spirituality of Cambodian culture and help us develop a sense
of home and community in a new homeland .
While working in refugee camps during the 1980's, anthropologist Toni Shapiro observed that despite adverse conditions
there was a passion to dance. "People who know only the
rudiments of Khmer classical or folk dance movements taught
others, and they staged small shows ... Wherever the Khmer
were, some were dancing. In the camps along the ThaiCambodian border, a war zone in 1983, dancers dodged
artillery shells on the way to practice or even during performances. Still they danced ... And thousands showed up to
watch, sometimes perching on bunkers to get a better view."

Congratulations to the
"Coming Up Taller" award winners
who were honored at the

White House

in 1999!

from Paul Marion &amp; Rosemary Noon
5

2

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lassical dance is considered by some to be the "proleung"

(soul) of the Khmer people. It has been connected to the

sacred rituals of Cambodia for more than one thousand years.
During the great Angkor civilization, dancers performed blessing

ceremonies in temples to bring prosperity to the kingdom.
Bas relief carvings at Angkor Wat depict heavenly dancers called
Apsaras which were believed to connect the human world to the
gods. Classical dance is sometimes called 'court dance' or
Cambodia's 'royal ballet.' At one time, classical dance was the
exclusive domain of royalty. Today this cherished art is enjoyed
by audiences around the world. Classical dance combines highlystylized positions and gentle movements. Gestures are strictly
defined and distinguished by intricate hand positions.

6

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1319 Middlesex Street
Lowell, MA 01851
(9781 452-4748

Diamond-Gem Stones-Fine Jewelry
Wholesales, Retail, Exchange
Repair &amp; Custom Design

716 Middlesex Street, #9
Lowell, MA 01851

Bus. Tel: (978) 937-2402
Fax: (978) 937-1446

Open 7 Days A Week I 0:00 AM to 6:00 PM

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music, song, and dance. Folk dance is rooted in rural

Cambodia and depicts rituals of everyday village life. The dances
honor skills that are typically undervalued in the rush toward
westernization, such as fishing and rice farming.
Dance motifs are commonly based on local legends and inspired
by themes of nature as well as the ceremonies, and customs that
shape the lives of Cambodian people. Distinctive, colorful
costumes represent the traditional dress and cloth from the
various regions and ethnic groups within Cambodia.
Just as classical dance is ruled by a strict form and a prescribed
language of movement, folk dance is spontaneous, created for
emotional expressions.

8

�Best Wishes to the
Angkor Dance Troupe
and the
Greater Lowell
Cambodian Community
Saints Memorial Medical Center
Quality Care You Can Count On,
Close To Home!

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SAINTS
MEMORIAL
MEDICAL
CENTER

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One Hospital Drive, Lowell, MA
www.saints-memorial.org

9

�A National Leader in Traditional Cambodian Dance
Troupe Artistic Director Phousita S. Huy is one of the world's mostrespected master teachers of Cambodian dance. Before joining the
Troupe, she was a faculty member with the Royal University of
Fine Arts in Phnom Penh, and she toured internationally as a
principal with the Classical Dance Company of Cambodia. Troupe
Coordinator and Founder Tim Chan Thou was certified as a
teacher of Cambodian traditional dance at the Khao-1-Dang and
Philippine Refugee Centers.
During 1998 and

1999, the Troupe
presented 66
performances,
workshops, and
educational
residencies for more
than 20,000 people.
Highlights include
performances for the
City of Lowell at the
All America City
competition in
Philadelphia in June

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ARTHUR L. ENO, JR.
SANDRA M. BOULAY
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134 Middle Street-Suite 300 • Lowell, MA 01852-1867

7el 978-452-8902

Fax. 978-453-2585

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Vincent Bona Un
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660 Middlesex Street
Lowell, MA 01851
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11

�An Extensive Collection of Richly Detailed Costumes
The Angkor Dance Troupe has assembled an extensive collection
of richly-detailed, authentic costumes, dance materials, and
artifacts. Much of the collection was created by master dancers
and costumers from the University of Fine Arts in Phnom Penh.
Preparing for a performance can take several hours. Many
costumes are so intricate and close-fitting that dancers must be
sewn into them before performances.

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(978) 441-3003
FAX (978) 441-2121
12

�Dr. Lee S. Knight
Chiropractor
Our clinic has been serving the Cambodian community for more than 10
years. If you ever have any injury, accident, or any neck or back pain,
we can help because:
• We have Khmer speaking staff

• Dr. Knight was just chosen as the best chiropractor in Greater Lowell.
•We have therapy and X-ray equipment in our office.
• We accept most health insurances and will submit the bills for you.
• If you have MassHealth, your regular doctor can refer you to us.
• If you are hurt in a car accident or at work, we will submit the bills to
your lawyer and insurance company directly. We keep the best records
which will help your lawyer get the best settlement for you quickly.
• We will make an appointment for you immediately because we want to
help relieve your pain as soon as possible.

So Please Call and Let Us Help You!

453-3408
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or a lawyer first if you have been in an accident.

173 Pine Street • Lowell, MA 01851
13

�A. VNtQ.VE. WA.Y TO J?:E.A.CH YOUTH
A central component of the Troupe's mission is to provide
positive cultural. recreational, and educational opportunities
for Lowell youth. Since 1986, the Troupe has served approximately 300 young people, ranging in age from 4 to 18, who
rigorously rehearse and participate in Troupe performances and
events. Youth apprentices typically stay involved with the Troupe
for at least 4 to 5 years. In 1999, the Angkor Dance Troupe was
selected for the prestigious Coming Up Taller award from the
President's Committee on the Arts and the Humanities and the
National Endowment for the Arts. The awards were presented
to a select group of ten organizations across the nation to honor
exemplary arts programs serving at-risk youth.

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Samnang Hor, 15, and Sopheap Sou, 16, with Harriet
Mayor Fullbright, Chair of the President's Committee on
t he Arts and Humanities, and Actor William Baldwin at
the " Coming Up Taller" White House awards ceremony.

14

�To the Performers...

Continued Success
To the Angkor Dance Troupe, Inc ....

Best Wishes

Armand P. Mercier
City Councilor
15

�Angkor Youth Dance - A Community Partnership Reaps Rewards
In October 1998, the Troupe launched Angkor Youth Dance, a
very successful afterschool and summer program for at-risk
youth with major funding from the Massachusetts Cultural
Council YouthReach Initiative. We operate the program with a
number of community partners including the ADAM project of
Big Brother/Big Sister of Greater Lowell, the UMass Lowell
College of Health Professions, the Lowell Community Schools
Program, Community Teamwork, Inc., the Lowell office of DSS,
the Lowell Police Department, and others.
The Troupe helps Cambodian American young people make
constructive choices in their lives by immersing them in the rich
cultural heritage from which they come. Over the years, we have
witnessed firsthand the value of cultural-based arts programming
for yo uth. We have had several apprentices, for example, who
were involved in gang activities when they joined the Troupe
and who have since left their street life behind and are making
re markable progress in their academic and personal lives. Through
Angkor Dance Troupe, they develop a sense of discipl ine, self
esteem, and pride in their Cambodian heritage.

�Best Wishes to the

Cambodian Community
from

STATE

SENATOR

Steven C. Panagiotakos

We specialize in income SMART TAX SOl..UTIONS
tax preparations for . . . . . . ; . - - - - - - - - s Individuals
sFamilies
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TAX SP ECIALIST
s Partnerships

English, Khmer, Lao, and
Thai speaking staff.

174 Central Street, Suite 234
Lowell, MA 01852
Phone: (978) 452-9344

Best Wishes from

Dean Janice M. Stecchi
College of Health Professions &amp;
Center for Health Promotion
University of Massachusetts Lowell
in anticipation ofcontinued partnerships.
17

�ANGKOR:
THE NEXT GENERATION

Two of the Troupe's Rising Young Apprentices:
Diane Pulliam and Krisna Thou

Bringing Cambodian
Classical and Folk Dance to Lowell
Best Wishes to the Cambodian Community
from Jonathan and Diane Pulliam

18

�10-year-old Tony Oeung joined Angkor Youth Dance in 1999.

"The first reason I joined the
Angkor Dance Troupe is
because I want to be a
dancer, also an artist in
music. Second, I want to be a
role model. Third, I'm
energetic and dancing is fun.
Finally, I want to be a famous
dancer among the
Cambodian people and also
learn a lot of Khm er history."

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19

�In Loving Memory of Mrs. Peou Khatna
With appreciation and respect for her many contributions
to the world of Cambodian Dance

Ny Sin and Chamroeun Yin of the Khmer Traditional Arts Ensemble, under the artistic direction
of Mrs. Peou Khatna, performing at the National Folk Festival in Lowell, Massachusetts, July 1987.
Photo by Robert Trippet, courtesy of the National Council for the Traditional Arts.

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20

�Mrs. Peou Khatna
Mrs. Peou Khatna was born in 1914 in
Srok Samrong Torng of Kampong Speu province,
Cambodia. She was the daughter of Mr. Peou Ee
and Mrs. Thou Yin .
At the age of eight, she was adopted by
her aunt, Mrs. Khat, who was a royal dancer in
the reign of King Norodom (Sovanakot). Ms.
Khatna was specially gifted in the Cambodian
classical art. She learned from her Aunt until she
was 15, when she was chosen to be a dancer at
the royal palace. She continued to study dance with the best teachers in the royal palace
including Masters Learn and Dok Peay. As a young woman, Peou Khatna lived in the palace
through the reign of King Sisowath (Rajanukot) until the end of the reign of King Manivong
(Khatiyakot). She then left the palace and married Mr. Nuth Sin in 1944. She had two daughters,
Sin Ny and Nuth Kantya. She was called to return to work with the Royal Dance Troupe by his
Majesty, the King Norodom Sihanouk. She was in the royal Pleng Pin Peat (royal classical music
group). As a member of Royal Dance Troupe, Mrs. Peou Khatna performed at many different
official functions. She performed 55 times throughout various provinces in Cambodia, three times
each in China and Indonesia, and once each India, France, Czechoslovakia, and Russia. The last
performance was in 1970 when she accompanied the Cambodian Classical Dance Co. to the U.S.
Surviving the 1975-1979 atrocities of the Khmer Rouge regime, she and her family went to
Kao-I-Dang Refugee camp in Thailand in 1980, where she organized a Cambodian classical ballet
ensemble. In 1981, the Troupe was resettled in the Washington D.C. area - the first Cambodian
dance Troupe in the U.S. In 1983, Mrs. Khatna led the Troupe, known as the Khmer Traditional
Arts Ensemble, in a U.S. tour funded by the National Endowment for the Arts. The Troupe
performed throughout the U.S including California, Tennessee, Ohio, Florida, Rhode Island, and
.
Massachusetts. She directed performances at prestigious venues including the Kennedy Center,
National Geographic, the Library of Congress, Museum of Natural History, Capitol Hill, and Wolf
Trap. She received a Fellowship Award from the National Endowment for the Arts and a
certificate of appreciation from President Ronald Reagan in 1986.
In 1991, Venerable Preah Sumedhavansa Oung Mean Candavanno invited her to organize a
cultural class at the Cambodian Buddhist Temple. She served as the Artistic Director for the Temple's
dance programs until she passed away on Thursday, March 25, 1999 at Frederick Memorial Hospital,
Washington D.C. (Interviewed by Mrs. Raci Say, Vice President of Cultural Committee.)
Grandma,
Your dedication and great commitment
to the preservation and development
of Cambodian culture will never be
forgotten. May your soul and spirit be
always with us and forever protect our
heritage and traditional dance.
Love always from your Grandson,
Tim Chan Thou &amp; Family

21

�LocalNews

Mofff 's Story
For three years, Mony Srey was a hard-core member of a
notorious street gang . Mony was only thirteen when he joined
the gang. He carried a gun, was arrested more than once, and
served time at a DYS facility for assault and battery.
In November 1999, Mony
stepped up to a podium at
the Massachusetts State
House and spoke about his
hope for the future .
Now 16, Mony is a rising star
with the Angkor Dance
Troupe and an active member
of the Big Brother Big Sister
ADAM project and "Teens
Reaching Out. "
Mony Srey, seated with City Councilor
Rithy Uong, waits to speak at a
State House awards ceremony.

22

�~~

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ENTERPRISE G:t
BANK AND TRUST COMPANY

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FDIC

A Certified SBA Lender

222 Merrimack Street • Lowell, MA 01852 • 978-459-9000
Maria Lobao, Assistant Vice President I Branch Manager

Today, Mony Srey is
a shining example
of a young person
destined for success.
He celebrates his
ethnic heritage by
performing tradi tional Cambodian
dances for audiences
around the region .
He volunteers to
speak at conferences
about his experiences. He is even
exploring ways to
have his gang
tattoo removed.

23

�17-year-old Rathana Yok is a member
of the Angkor Dance Troupe Board of
Directors, a Troupe role model, and an
assistant instructor.
"I have been in the Troupe for several years.
I joined because I wanted to learn about my
heritage. In my years in the Troupe, I have seen
fun times and sad times, and I've been in
many performances.
Rathana rehearsing the Fishing Dance
before a performance at the All America
City Competition in Philadelphia.

"I have learned a lot since I joined the
Troupe. I learned respect, self-discipline,
confidence, self-esteem, and leadership.
The afterschool youth program that I
teach at has many memories for me elementary, middle, and high school
students who learn to respect one

Rathana, right, before a performance at
FirstNight Boston in December 1996.

another and set goals in their lives. They work together as a team and learn about
many important issues like drugs, violence, abuse, and nutrition."

AJYt.0Aig1uimaniAJwauillg11a1u111'Dl11
Steve Moses &amp;
The Center for Health Promotion
University of Massachusetts Lowell
Extend Sincere Best Wishes and Good Luck to
The Angkor Dance Troupe,
and Wish Board Members
Jane Benfey and Nina Coppens the very best
on their new directions and pursuits.
24

�Thomas D. Haggard
23 Central Ave., Suite 205
Lynn, MA 01901
(781) 598-5333
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Apprentice dancer Calida Chea

*
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learns Bopha Lokei from

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Angkor Dance Troupe Artistic

*

Director Phousita Huy during a

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Sunday afternoon rehearsal.

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* * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
25

�1999 ALL AMERICA CITY COMPETITION -A WINNING PERFORMANCE
The Troupe was a central player
in the City of Lowell's winning
presentation at the 1999 All
America City competition in
Philadelphia in June. The City
invited a dozen dancers to
accompany the delegation.
Troupe member Samnang Hor
was chosen to speak in the
City's official presentation for
the judges, which also included
two Troupe performances.

Above, Channa Sath performs a blessing dance
for the judges. Below, Troupe members cheer
during Mayor Eileen Donoghue's speech at the
awards ceremony.

" Our time in Philadelphia was
very exciting," said Troupe
Coordinator Tim Chan Thou,
pictured above with Rithy
Uong. "One of the most
memorable experiences was
meeting the delegations from
all of the different cities."

Taary Ram shows
her spirit during
All America City
festivities.

"The best moment of the experience for
me was when we performed for the states
at the Civic Action Fair," said Sopheap
Sou. " The feeling was wonderful having
everyone cheer us on. I was really proud ."
"The best thing about the trip for me was
having the chance to represent a city
where I was born and have lived all my
life," said Sochenda Uch. "It was great
being part of a crowd that was cheering
for our city's pride."

�Loom Press
The Best in Regional Literature
Congratulations
to the
Angkor Dance Troupe.

Loom Press• P.O. Box 1394 •Lowell, MA 01853

Tlrankyouforyour C()~ _good work.
Yoevmake-our C()~
a-better ptau,to live, a.std, work.

27

�WHITE HOUSE HONORS
In 1999, members of the
Troupe were invited to the
White House to receive the
prestigious "Coming Up Taller"
award from the President's
Committee on the Arts and the
Humanities and the National
Endowment for the Arts.
The Troupe was one of ten
organizations chosen from
more than 350 nominations
from across the nation. The
award was presented at a
White House ceremony in
October, during which four
troupe members performed
"Swva Pol," the Monkey
Dance, above right. The threeday trip also included a visit
with U.S. Senator Ted Kennedy.

Above left, Troupe members
Samnang Hor, Sopheap Sou, Bory
Sours, Ruth Page, and Vyrik Eng on
Capitol Hill. (Not pictured: David
Noeuk) Above, Ruth Page with Actor
William Baldwin, President of the
Creative Coalition. Left, the Troupe
w as honored at the State House in a
ceremony by t he Mass. Cult ural
Council, whi ch nominated the Troupe
for the Coming Up Taller award.

�1965 ~ 2000
eo11111111Hifg ?:ealllWOfk~ JHC.
eetebrating 35 Vears of
eo11111111Hifg Action
16 7 :Dutton St. ,&amp;Jwell. ;14,assacltusetts
(978) 459-0551
Jax (978) 453-9128
WJl!W. cg_111tea111. urg

Jlapp!f New Vear
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Rest Wishes
Angkor :Dance &lt;:roupe
29

o1852

�Highlights of Recent Performances

The "Butterfly Dance" at Boarding House Park

~

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~

During 1998 and
1999, the Angkor
Dance Troupe
presented 66
performances,
workshops, and
educational
residencies for
more than
20,000 people.

Four-year old Krisna
Thou performs the
Golden Mermaid role in
the challenging classical
dance "Hanuman &amp;
Sovann Macha" at
Boarding House Park in
August 1999.

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Left: "The Coconut Shell Dance " at the Massachusetts State House.
Right: Rotana Thou and Sophy Leng perform the "Apsara Dance " during a Youth
Dance Performance at the Smith Baker Center.

30

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" Swva Pol," Angkor Youth Dance Performance, Smith Baker Center, November 1999

Donald E. Pierson
Dean, College of Education
UMass Lowell
31

�Masters of Cambodian Dance - Learning from the Best
Members of the Troupe rehearse for several hours each week. The
method of teaching is based on the traditional model - apprentices
learn by watching, imitation, and hands-on assistance from teachers.

In 1999, renowned master
teachers Sokhanarith Meour
and Phan Phoung of
Connecticut held a series of
workshops on the "Chhay
Yam" and other dances,
through a project sponsored
by the Lila Wallace Reader's
Digest Community Folklife
Program .

�Angkor Dance Troupe
Thank you for sharing the beauty of your culture!

Nina Coppens, PhD, RN
University of Massachusetts Lowell

Rathana Yok, Sochenda Uch,
Tola Sok, Channa Sath, Tim
Chan Thou, Sopheap Sou,
Sophy Leng, Taary Ram,
Samnang Hor, Vyrik Eng, David
Noeuk, and Bory Sours at the
All America City Competition in
Philadelphia in June 1999.

IMMIGRATION 8c. NATIONALITY LAW
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• Business Visas
• Labor Certification
•Family Visas
• Permanent Resident Visas

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LAW OFFICES OF

MONA T. MOVAFAGHI P.C.
(603) 889-7016
"When Experience Counts"

MEMBER: AMERICAN IMMIGRATION
LAWYERS ASSOCIATION SINCE 1988
11 Concord St. Nashua, NH
33

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(Message sponsored with a donation from Tim Chan Thou and Kolab Yin .)

34

�2000 FRIENDS OF THE ANGKOR DANCE TROUPE
I

''The Friends of the Angkor Dance Troupe" is a
fund-raising membership drive to support the
Troupe's award-winning youth programs.

Thank you
to the many concerned community members
and organizations who have joined the
"Friends of the Angkor Dance Troupe."

Contributing Sponsors in 2000
Eleanor Briggs
The Edward &amp; Elizabeth
Gardner Foundation
Jane &amp; Tom Benfey
Community Leaders in 2000
Jonathan and Diane Pulliam
Nancy and Richard Donahue
Ann Bartholomew &amp; Ron Micheels
Louis L. Pinn Insurance Agency
Rosemary Noon &amp; Paul Marion

Citizens for Youth in 2000
Attorney John E. Leggat
To find out more about the
Friends of the Angkor Dance Troupe, please call or write us at
Angkor Dance Troupe, P.O. Box 1553, Lowell, MA 01853
(978) 441-9277

35

�Compliments of

Lowell's Emergency Service
!3Jf:frfjs1:1yfj7Mft[f3iflt:l~~mmfJnfjndi

Trinity E.M.S., Inc.
1221 Westford Street• Lowell, MA 01851
(978) 44 1-9999
36

�PAGE ONE

PRODUCTIONS

Film &amp;Video • /\dvert isin g • Multimedia • Design
(978) 251 -3832 • FAX (978) 251-8039 • pageone @mediaone.net

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PAGE ONE PR ODUCTIONS, offering project management
and public relations services, is proud to be part of the
ongoing success story of the ANGKOR DANCE TROUPE.

37

�The Angkor Dance Troupe is funded in part by:

MASSACHUSETTS CULTURAL COUNCIL
A state agency that supports public programs in the arts, humanities, and sciences

Massachusetts Cultural Council YouthReach Initiative
THEODORE EDSON PARKER FOUNDATION
The President's Committee on the Arts and the Humanities
The National Endowment for the Arts
The Lila Wallace-Reader's Digest Community Folklife Program,
administered by the Fund for Folk Culture and underwritten
by the Lila Wallace-Reader's Digest Fund.

Lowell Cultural Council
Lowell Community Development Block Grant Program
Friends of the Angkor Dance Troupe
Greater Lowell Community Foundation

VVe congratulate tfie youtfi of tfie
Angkor Vance Trouye
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for enricfiing tfie frves of a{{ in our community.
Linda Silka, Director,
Center for Family, Work, and Community at UMass Lowell

Jane Benfey, Co-Chair
Board of Directors, Angkor Dance Troupe

38

�Special Thanks
To Our Dedicated Staff &amp; Board of Directors
Chhan D. Touch, Co-Chair
Jane Benfey, Co-Chair
Phousita S. Huy, Artistic Director
Nissay Liek, Treasurer
Tim Chan Thou, Troupe Coordinator
Carole Mathews, Co-Secretary
Ruth Page, General Manager
Gloria Polites, Co-Secretary
James Conlon
Dr. Nina Coppens, RN
Saovary En
Lynne Faust, LNP
Samnang Hor
Akara V. Savun
Dr. Laurie Beth Kalb
Cassandra Keirstead
Thida Loeung
Bonna Mai
Paul Marion
Rady Mom
Khoeun Pring
Jonathan Pulliam
Taary Ram
Sopheap Sou
Sochenda Uch
Rithy Uong
Rathana Yok
Kolab Yin, Costumer
Toni Shapiro, Ph.D., Troupe Advisor
Panha Yuk, Instructor

And to our Partners and Collaborators:
H. Mark Smith, Massachusetts Cultural Council YouthReach Initiative
Jim Conlon, Big Brother/Big Sister of Greater Lowell ADAM project
Jay Lange, Lowell Community Schools Program
Carole Mathews, Lowell Area Dept. of Social Services
Brenda Bond, Lowell Police Department
Nina Coppens, University of Massachusetts Lowell
Jim Canavan, Donna Welch, and Marco Cancel, Community Teamwork, Inc.
Andrea Laskey and Erica McNamara, Lowell Teen Coalition

Publication produced by Page One Productions
Printing: Thurman Prints
Photo Credits: Andrew Page, Rady Mom, Kevin Harkins, Tim Chan Thou,
Toni Shapiro, Eileen Blumenthal, Eleanor Briggs, Love Photos, Jocelyn Augustino
Translation Services: Nissay Liek
Sources: Dance and the Spirit of Cambodia, Toni Shapiro, Ph.D., Cornell University, 1994
"Cambodia's Royal Dance," Eileen Blumenthal, Natural History, 4/89
"The Dancer in Cambodia," Toni Shapiro, Ph .D., Asian Art &amp; Culture, Arthur M. Sack/er
Gallery, Smithsonian Institution, Winter 1995 Southeast Asia Today, Oxford University Press

1

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"Dance and the Spirit of Cambodia," Toni Shapiro, Ph .D. diss. Cornell University, 1994

For more information about the Angkor Dance Troupe,
please call or write us at:
P.O. Box 1553, Lowell, MA 01853
(978) 441-9277 FAX: (978) 251-8039
http://civic.uml.edu/angkor
39

�Congratulations to our Role Models!
Pov Sath, 1996 &amp; Khoeun Pring, 1998
Andeth Vann, 1995 &amp; Sopor Vann, 1994
Rothana Yok, 1998 &amp; Akara V. Savun 1997
Samnang Hor &amp; Sopheap Sou 1999
Taary Ram, 2000 &amp; Sochenda Uch, 2000

Best Wishes from Ann Bartholomew &amp; Ron Micheels

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226 Central Street
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978-459-8359

Congratulations
to the Angkor Dance Troupe
for sixteen marvelous years of
great performances.

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Office: (978) 459-8359
16 Pine Street, Lowell, MA 01851

�TABLE OF CONTENTS
I.
II.
Ill.
IV.

v.

About the Angkor Dance Troupe
3 - 45
How to Contact the Angkor Dance Troupe
46
Angkor Dance Troupe Grant Support &amp; Funders
2
How to Make a Donation
48
Directory of Advertisers
Mehmed Ali &amp; Family
36
Anstiss &amp; Co., P.C
17
Banknorth
39
Law Office of Karen Bolton
32
Casey Family Services
4
Lila Chea &amp; Family
21
Children's Museum Lowell
19
James L. Cooney Agencies
35
Dolan Funeral Home, Inc.
33
Nancy &amp; Richard Donahue
5
The Edge Group, Inc.
12
Eno, Boulay, Martin, &amp; Donahue, LLP
25
Enterprise Bank and Trust Company
13
Fineberg/Gray Tax Service
4
Friends of the Angkor Dance Troupe
48
Law Office of Louis S Haskell
.
Inside Front Cover
John J. Honan Insurance Agency
21
Sambath Keo, D.M.D.
27
Landmark Video World
30
Daniel P Leahy, Esq.
.
29
Loom Press
3
Lowell Community Charter School
41
Lowell Community Health Center
31
Lowell Memorial Auditorium
22
Marcotte Law Firm
37
Paul Marion &amp; Rosemary Noon
9
Massbank
23
Armand Mercier, Lowell City Councilor
7
Rita Mercier, Mayor of Lowell
14
Steve Moses
6
Navy Yard Liquors
28
Andrew Page, Photographer
38
Page One Productions
28
Palma Law Offices, P.C.
15
Louis L. Pinn Insurance
2
Jonathan &amp; Diane Pulliam
20
Saints Memorial Medical Center
Inside Back Cover
Saturn of Lowell
43
The Sharing Foundation
24
Law Offices of Clark H. Siddiqui
22
34
Sir Speedy
Sovereign Bank
47
Thomas Stylianos, Attorney at Law
Back Cover
Tim Thou &amp; Kolab Yin
20
Trinity E.M.S, Inc.
26
UTEC - United Teen Equality Center
16

On our cover - "Hanuman," a mystical, magical white monkey and legendary army general, leader of
the "Swva Pol" (monkey soldiers). Hanuman is a prominent character in the Reamker. Cambodia's version
of the epic Indian Ramayana. Illustration by (and special thanks to) Phallina Chea, an artist with the
Department of Culture at the Royal University of F Arts, Phnom Penh, Cambodia.
ine
© 2002 Angkor Dance Troupe, Inc. No reproduction of any images in this publication without written
permission from the Angkor Dance Troupe.

�The Angkor Dance Troupe receives the generous support of the:

THEODORE EDSON PARKER FOUNDATION

IiiII

MAsSACHUSETTS CULTURAL COUNCIL
A state a~ncy 11\at suppons publie programs in the ans, llumanities, and sciences

Massachusetts Cultural Council YouthReach Initiative
Lowell Enterprise Community
Lowell Community Development Block Grant Program
An Anonymous Donor
Lowell Cultural Council
Friends of the Angkor Dance Troupe
Greater Lowell Community Foundation
So. N.E. Folk &amp; Traditional Arts Apprenticeship Program
Significant In-kind support comes from the:
Lowell National Historical Park
University of Massachusetts Lowell
College of Arts &amp; Sciences, Psychology Department
Big Brother Big Sister of G.L. ADAM Project

LOUIS L. PINN

INSURANCE AGENCY

1519 Middlesex Street

2nd Floor

PHONE: (978) 452-4748·
FAX:
(978) 452-4754

Lowell, MA 01851

2

�tfJUfs5H~f
Att5kor Dattce Tro~pe

From One Generation to the Next
The Angkor Dance was formed in 1986 by Cambodian refugees
of the Khmer Rouge genocide. When we resettled in Lowell,
Massachusetts we brought a passion to carry on our cherished
traditions - to practice and perform, to teach others, and to see
our art preserved for future generations of all cultures.
Greater Lowell is home to the second-largest community of
Cambodian Americans in the country. Cambodian dance
performances provide a poignant reminder of the beauty and
spirituality of Khmer culture and help us develop a sense of home
and community in a new homeland.

On, wit:/r,f:he, dtut,u,t Letjoy be- wtCb~j
no rUe.p-tili HWrn-, ~youJ:lr.,
a.ntiplea&amp;ure- meet
to duue-the,!JW~ lwurr wit:/r,fly~ foee·
- uni Byron-

Loom Press • PO Box 1394 • Lowell, MA 01853
3

�Classical dance has been connected to
Cambodia's sacred rituals for more than
one thousand years. During the great
Angkor Era, dancers performed in temples
to bring prosperity to the kingdom . Bas
relief carvings at many of Cambodia's vast
temple complexes depict celestial dancers
-Apsaras - who linked the human world
to the gods. Classical dance is sometimes
called court dance or royal ballet. At one
time, it was the exclusive domain of
royalty. Today this cherished art is enjoyed
by audiences around the world and is a
universal symbol of Khmer culture.

FINEBERG • GRAY ASSOCIATES
345 Westford Street• Lowell, MA 01851
Tel: (978) 452-5003 - Fax: (978) 970-0076
TAX PREPARATION &amp; CONSULTING

Coneratu(ations &amp;' 'Best Wishes in the 'lfew Year
• DOCUMENT TRANSLATION
• COURT INTERPRETATION
KHMER • LAOTIAN • VIETNAMESE

Notary Public

Michael P. Fineberg

F. Gerald Gray

Members: National Society of Tax Professionals

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4

SERVICES
18 Palmer Street
Lowell, MA 01852

Call today! 800-883-8836
978-937-1877
•Top quality training &amp; support
• Excellent compensation

�THANK YOU FOR PRESENTING AND SHARING
YOUR BEAUTIFUL DANCE WITH ALL OF US.

NANCY &amp; RICHARD DONAHUE

~roughout Cambodia,
after the harvest, it is time
for music, song, and dance.
Folk dance is rooted in rural Cambodia and depicts rituals of
everyday village life. The dances honor skills that are typically
undervalued in the rush toward westernization, such as fishing
and rice farming. Dance motifs are commonly based on local
legends and inspired by themes of nature as well as the ceremonies, and customs that shape the lives of Cambodian people.
Distinctive, colorful costumes represent the traditional dress of
the various regions and ethnic groups within Cambodia.
5

�A National Leader in Traditional Cambodian Dance
The Troupe takes its name
from the great Angkor
Civilization, between 802
and 1432 AD, when
Cambodia was a dominant
empire in Southeast Asia.
Dance, music, and drama
have always been promi nent in Khmer society, but
these ancient traditions
were nearly eliminated
when the Khmer Rouge
controlled Cambodia in the
1970's. Artists were among
those del iberately targeted
for execution and more
A dancer rehearses at the Royal University of F Arts,
ine
Phnom P
enh, Cambodia. March 2002

than 90% of the country's
tradition bearers perished.

The Angkor Dance Troupe is nationally recognized as one of the
most experienced and accomplished of the U.S. based Cambodian
dance ensembles. Angkor is directed by world-renowned master
teachers and performs a repertoire developed in concert with the
Royal University of Fine Arts (RUFA) in Phnom Penh, Cambodia,
considered the global standard bearer for Khmer traditional arts.
Angkor has an active program of educational exchange with RUFA,

'.IJ'-

Best Wishes to All Those Involved
with Lowell's Own Jewel
The Angkor Dance Troupe

. Congratulations from Steve Moses
of the UMass Lowell Center for
Public Health, Research, and Health Promotion
6

�which allows us to continually improve and expand our repertoire
of classical and folk dance traditions.
We routinely host visiting master teachers from RUFA, as well as U.S.
based master dancers, for extended artists' residencies and workshops. Between 1999 and 2002, for example, we were honored to
work closely with esteemed master
teachers Phan Phoung and
Sokhanarith Moeur, through
projects funded by the Lila Wallace/
Readers Digest Fund for Folk
Culture and the Southern N.E. Folk
and Traditional Arts Apprenticeship
program, funded by the NEA,
Institute for Community Research,
R.I. State Council on the Arts, and
the Mass. Cultural Council.
At Right - Master Teacher Phan Phoung
appeared with Angkor at Jacob's Pillow
in June 2001.

To the Peiformers .. .

Continued Success
To the
'Angkor 'Dance Trouye ...

'Best Wishes
Armand P. Mercier
Ci Councilor
7

�Masters of Cambodian Dance - Learning from the Best
In 1998 and 2001 , Angkor was able to
secure educational visas for a number
of RUFA masters through a partnership with Middlesex Community
College. These important dance
masters spent several months in Lowell
teaching Angkor apprentices as well as
dance students in Providence, R.I. and
Portland, ME. They also conducted
residencies with public school students
at the Lowell Community Charter
School and the Peterborough, NH
Regional Educational System .
Left - Master dancer
Sophea Sek, an
artist-in-residence
from the Royal
University of Fine
Arts, Phnom Penh,
performs with
Angkor at Jacob's
Pillow in 2001 .
Right - Sophea Sek,
assists Vyrik Eng
with his costume
before a
performance of
Swva Pol at the
Boston Center for
the Arts ·ere-Asian•
Festival in 2001 .

Master teacher Yorn Peng, is an artist-inresidence from the Royal University of
Fine Arts, Phnom Penh. A master of the
" Giant" dance role, she instructs Kuntaer
Eng before a performance at First Night
Boston 2002 .

Left -Angkor Founder Tim Chan Thou, who was
certified as a folk dance teacher in the Khao-1Dang refugee camp, teaches the Fishing Dance
during a troupe rehearsal at the Lowell
Community Charter School in 2001 .

8

�Congratulations
for another successfu I year!

Paul Marion, Rosemary Noon,
and Joe Marion
9

�Masters of Cambodian Dance - Learning from the Best
In the 16-year history of the Angkor Dance Troupe, we have
had the honor to work with a number of the world's best
dance masters from the University of Fine Arts, Phnom Penh
and around the U.S. For their invaluable contribution to the
preservation of Cambodian dance, we give them our thanks.

The Esteemed Chea Samv
Master of Classical Dance

Chhieng Proeung, Dean

Dr. Sam Ang Sam
Master of Cambodian Music

Chan Moly Sam
Master of Court Dance

Choreographic Arts, RUFA

Ros Kong &amp; Tes Sam Oeun
Masters of Classical Dance

Malis Keo
Royal University of Fine Arts

Sokhanarith Moeur (left), Master of Folk Dance &amp; Drama
Phan Phoung, (Below) Master of Folk Dance
Choreographer. Coconut Shell

10

�Savath Roeung (Center)
Folk Dance Instructor
with Tim Chan Thou (left)
&amp; Sokhoeum Sim

.., ,..
..
~...

Phousita Serey Huy
Master of Classical Dance
Artistic Director.
Angkor Dance Troupe

('

Sam On Soth
Master of Classical
Dance Drama

NeitoHeang
Folk Dance Master
Phalla Lak Morris
Folk Instructor

Song Heng
Master Musician

Thavro Phim
Folk/Giant/Monkey
Instructor

Khatna Peou
Master of Classical Dance
(With Grandson Tim Chan Thou &amp; Family)

Yorn Peng
Master of
Classical Dance &amp;
Giant Role
Sophea Sek
Master of
Folk Dance &amp;
Giant (Lakhon Kowl)

11

Say Souer
Monkey Master

Tath Sum
Master Musician

Not Pictured: Rachana Khiev,
Tonara Hing

�"Dance, the Spirit of Cambodia" 2001 U.S. Tour
Lowell was one of 12 cities to host the first
major tour out of Cambodia by the Royal
University of Fine Arts in more than 10 years.
Produced by the New England Foundation for
the Arts and Lisa Booth Management, the tour
included spectacular performances and handson workshops. (Andrew Page Photos)

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12

�"Dance, the Spirit of Cambodia" 2001 U.S. Tour
"Dance, the Spirit of
Cambodia" included
performances by more
than 40 master artists.
As part of the Lowell
leg of the 12-city
national tour, masters
conducted workshops
with apprentices from
the Angkor Dance
Troupe at our newly
opened rehearsal
facility in the Mogan
Cultural Center.
Above Right - Sathya
Sam demonstrates
classical postures.
Right - Master Thavarak
Soeur works with Sam
Hor and other young men
on their monkey dance
moves.

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13

�"Dance, the Spirit of Cambodia" 2001 U.S. Tour

Thanks for sharing your
talent and love for the
dance with us.
Happy New Year
Angkor Dance Troupe!

- Mayor Rita Mercier
14

�PERSONAL INJURY

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A Unique Way to Serve Youth
A central component of Angkor's mission is to provide positive cultural,
and recreational opportunities for Lowell youth. Since 1986, we have
served more than 500 young people, ranging in age from 4 to 18, who
rigorously rehearse, participate in performances, and attend outings.
Youth typically stay involved with Angkor for at least 4 to 5 years, many
even longer. In 1999, our work with youth was honored at the White
House with a prestigious "Coming Up Taller" award from the President's
Committee on the Arts and the Humanities and the National Endowment
for the Arts.
Since 1998, the Troupe has operated Angkor Youth Dance, an
afterschool and summer program for at-risk youth, with major funding
from the Massachusetts Cultural Council YouthReach Initiative. The
program benefits from the involvement of a number of community

UTEC
congratulates the youth
of the Angkor Dance Troupe.
United Teen Equality Center
10 l&lt;irk Street, Lowell • 978-441-9949

16

�partners, including the ADAM project of Big Brother/Big Sister of
Greater Lowell, UMass Lowell College of Arts and Sciences, and Lowell
National Historical Park, and others. In addition to MCC funding,
supporters include the Lowell Enterprise Community, Lowell Community
Development Block Grant, and Friends of the Angkor Dance Troupe.
Over the years, we have witnessed firsthand the value of high quality, indepth arts programming for youth . We have had several apprentices, for
example, who were involved in gangs when they joined the troupe and
have since left their street lives behind . Angkor's success with at-risk
youth was featured on the WCVB-TV Chronicle program in October 2001 .
Below Left- Peter Mehegan and Mary Richardson introduce the segment on the
Angkor Dance Troupe.
Right - Lowell High School student Roeun Chan is interviewed.

Anstiss &amp; Co., P.C.
Certified Public Accountants
21 George Street
Lowell, MA 01852

Raymond L. Anstiss, CPA, MBA
Richard B. Dionne, CPA, MST

Raymond L. Anstiss, Jr., CPA, MBA

Telephone: (978) 452-2500
Fax: (978) 458-0425

17

�At Last - A Home of our Own!

On September 16, 2001, the Angkor Dance
Troupe and the Lowell National Historical Park celebrated the opening
of Angkor's new rehearsal and office space on the third floor of the
Patrick J. Mogan Cultural Center. Angkor set up operations in the
former boardinghouse and will
offer public programming through
a cooperative agreement with the
Lowell National Historical Park
(LNHP). Our heartfelt thanks to
LNHP Superintendent Patrick
Mccrary. Special thanks also to
Memhed Ali, Jim Corless, Erin
Sheehan, Todd Pappas, Patrick
Laffey, Ted Davis, Paul Fontaine, and the staff
of the Tsongas Industrial History Center.
Top Left - Ribbon-cutting ceremony and
Blessing dancers.
Top Right - Angkor President Sovann-Thida Loeung
and Jim Corless, of the LNHP cut a ribbon to open
Angkor's new space.
Middle Right - Sam Hor leads monkey dancers
in a rehearsal in the new facility.
Right - The ribbon-cutting ceremony also served
as the opening for two exhibits on traditional
dance. "Dance Traditions of Southeast Asia Enduring Symbols of Cambodia and Laos" and "Ancient Steps on American Soil.
Cambodian Dance in Lowell" are open to the public through August 2002 at the
Mogan Cultural Center, 40 French Street, Lowell. Admission is free.

18

�19

�Two of Angkor's Rising Young Apprentices:
Krisna Thou and Diane Pulliam

The Angkor Dance Troupe - Bringing Cambodian
Classical and Folk Dance to Lowell
7

..

Happy New Year from
Jonathan &amp; Diane Pulliam and
Tim Chan Thou &amp; Kolab Yin
20

�Performances
The Angkor Dance Troupe has
performed at the White
House, First Night Boston,
Lowell Folk Festival, Boston
Dragon Boat Festival, Yale
University, and Jacob's Pillow.
In 2001, Angkor presented 37
performances and workshops
for more than 24,000 people.

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Turn to the Law Offices of Clark. H. Siddiqu i, a comp lete law firm for
all your corporate and persona l legal needs. Offering a wide range of
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The Lowell Memorial
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Best Wishes for a Successful Year!
Your friends at
Lowell Memorial Auditorium
Mill City Management
Tom McKay, Leo Creegan, Terry McCarthy
22

~

.

�During our busy season, leading up to Cambodian New Year in
April, Angkor operates rehearsals seven days a week in five
locations across three states. Rehearsals and workshops are a
central part of our mission. They promote a greater awareness
and appreciation for our cultural traditions, provide s_ pport
u
for our artists, preserve fragile cultural traditions, and help us
inspire a new generation of Cambodian dancers. Angkor has
more than 70 dancers, ranging in age from five to adult. Our
dance rehearsals are free and open to anyone willing to make
a commitment to Cambodian dance
Left - Taary
Ram leads a
workshop on
the Pestle
Dance for
audience
members at
the Lowell
Folk Festival
in July 2001 .

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23

�Best Wishes for Another Successful Year
to The Angkor Dance Troupe!
From your friends at

The Sharing Foundation
Helping to Care for Cambodia's Children
The mission of The Sharing Foundation is to help meet the physical,
emotional. educational, and medical needs of orphaned and severely
disadvantaged children in Cambodia. Our goal is to prevent some of
the problems associated with poverty by developing, in conjunction
with Cambodian community leaders, programs to improve the social
fabric for these children and their families.

Some of the children from Roteang Village, Kandal province, who benefit from our cooperative farming program.

Visit us on the World Wide Web at

www.sharingfoundation.org
or write to us at:

The Sharing Foundation
P.O. Box399
Woolwich, ME 04579
Sponsorship for this page was donated by members of
The Sharing F
oundation's Board of Director's and the Parent Advisory Council.

24

�Performance Highlights

Taking it to the Streets at the
2001 Lowell Folk Festival
Left - Victoria Chau
performs the Blessing Dance.
Above Right - Young men
demonstrate new choreography
for the Monkey Dance.

First Night Boston 2002
Right - Stephanie Seng in a
performance of the Fan Dance.
(Andrew Page Photos)

ENO, BOULAY, MARTIN &amp; DONAHUE, LLP
Attorneys-at-Law
21 Gc·or&amp;'&lt;' Stret't. Lowd!. M assachusem 01852- 2283
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25

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9 78-441-9999

Good Luck Angkor Dance Troupe!

Trinity E.M.S., Inc.
1221 Westford Street• Lowell, MA
(978) 441-9999
email: tems@aol.com
www.trinityems.com

26

�Above - Dancers take a bow at
FirstNight Boston 2002.
Left - A dance of peace at a Lowell
vigil for victims of the September 11
terrorist attacks.
Right - The Monkey Dance at Boarding
House Park
Photos by Andrew Page

Sambath Keo, D.M.D
50 Wood Street
I.::owell, MA 01851
(978) 441-9991

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for t:he Whole Family

Visit us at our new office at 50 Wood Street near Middlesex Plaza!

27

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of the ANGKOR DANCE TR OUPE.

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Monday-v.dneaday
10:00 am.-10:00 pm.
Thursday-Saturday
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Sunday
12:00 Noon.-1 0:00 pm.

Yura Thay
Manager
3 Hampson Str.
Phone/Fax.(978) 957-4775

Dracut, MA 01826

28

�Above Left - David Noeuk and Kuntaer Eng
perform the Coconut Dance at Boarding House
Park, September 2001 .
Above Middle - Channa Sath performs the
Blessing Dance at the Littleton Lyceum . (11 /01)
Above Right - Poe Pech and Harlan Hor
perform Peacock of Pursat at the Angkor Youth
Dance Fall 2001 performance at the Smith
Baker Cent~r in Lowell.
Right - Sophy Leng and Sam Hor dazzle a crowd
of more than 2200 with "Peacock of Pailin" at
the Boston Dragon Boat Festival in June 2001 .

Attorney Daniel P. Leahy
is here to meet all of
your legal needs.
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10 Bridge Street • Lowell, MA

978-459-0181

29

�An Extensive Collection of Richly Detailed Costumes

The Angkor Dance Troupe has an extensive collection of richly
detailed, authentic costumes, headdresses and masks. Much of
the collection was crafted by master costumers from Cambodia .
Above Left - Tep Menorom at FirstNight Boston.
Above Right - The legendary Hanuman during a
performance for Quincy FirstNight.
Left - Master Yorn
Peng assists Sodany
Krouch with her
headdress for
"Ream Lak/Chup Lak"
before a performance
at FirstNight Quincy.
Right - Sopheap (Linda)
Sou &amp; Heng Noeuk at
FirstNight Boston .
Andrew Page Photos

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Phone (978) 937-9700, Fax (978) 970-0057

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31

�Young women perform "Picking
Krovine" at the 2001 Southeast
Asian Water Festival in Lowell.
The dance depicts the spiceharvesting traditions of
villagers from the Cardamom
Mountain region
of Cambodia.

Law Office of Karen M. Bolton
10 Bridge Street
Lowell, MA 01852
(978) 458-0776

32

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33

�Fishing Dance - Littleton, MA, Nov. 2001

Ilt/Q
Dancers share their thoughts

•••••••••••••••

Sopharl Ngin was born in Cambodia but has been
immersed in American culture since she was five.
"When I perform the Fishing Dance, and my
parents are watching,
I feel so happy. It's
like I've gone back in
time and I'm this
Cambodian girl out
fishing in the stream.
Through dancing,
I can connect to my
Khmer side and hold
on to that part of
my heritage. I can
show my parents
that I haven't
forgotten where I
come from."

•••••••••••••••••••••

Tep Menorom - Jacob's Pillow, June 2001
"We're proud to be doing a dance that has been
carried down from generation to generation."
- Monica Veth and Kuntaer Eng

Best Wishes

Sir spiifid,
287 Appleton Street • Lowell, MA 01852
(978) 459-2109 • Fax (978) 452-8879
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35

�0

•

•

•

•

•

•

•

•

•

•

•

•

Sovann-Thida Loeung was 15 when she and
her family left Cambodia for a refugee camp
in Thailand. After resettling in Lowell in the
1980's, Thida joined the Angkor Dance Troupe.
" Being a new arrival to America, regularly
practicing and performing Cambodian dance
gave me a kind of identity that went beyond
that of refugee and newcomer. It confirmed
the value of my Cambodian culture - to others
and to myself. With every performance of the
Angkor Dance Troupe,
I felt more and more that my community
had something important to contribute."
Today, more than 15 years later, Thida
still dances. She also chairs Angkor's
Board of Directors and is a teacher at the
Lowell Demonstration School. She and
her husband, George Chigas, have a
three-year old son, Yianni .

Happ~ New

Year from

Mehmed Ali,

Sokh~ Thim, &amp;
Lorn Thim
36

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WILLIAM J. HAMILTON
MICHAEL 0 . SMITH

978-458-1229
978-458-7961
978-458-7984
978-452-0430
978-458-1220
978-458-7968
978-453-2329

Paralegals:
Nicholas Rosa
Robert Corso
Juan Feliciano

45 MERRIMACK STREET
LOWELL, MASSACHUSETTS 01852
37

�Andrew Page
Documentary. Commercial. &amp;
Wedding Photography

30 West Street
Portland. Maine 04101
(207) 749-4858
email: apage@maine .rr.com

38

�i:J Banknorth
Massachusetts

(413) 499-3000
BanknorthMA.com
A division of Banknorth, N.A.

MEMBER FDIC

39

�•••••••••••••••••

ff~'rStory
18-year-old Heng Noeuk has been dancing since the seventh grade.
"The Angkor Dance Troupe has changed my life. There are so many th ings
it's done for me, I can't even begin to explain. The teachers are like
parents. When I have problems, they help me. They've really g iven me
confidence. At one time, I wanted to given up - on dancing and on life.
They encouraged me not to and gave me hope. I' ve learned not to give
up so easily. Now, I feel I can do anything."

Dancers share their thoughts
• • • • • • • • • • • • •

Heng performed Moni
Mekhala, Cambodia's
protectress of the waters,
at FirstNight Boston
"/feel honored and very
strong when I perform this
role. Moni Mekhala is a
goddess. When I dance,
I feel I can do anything,
because she is so powerful. "

•••••••••••••••••••••••••
Picking Krovine - Jacob's Pillow, June 2001
"We have a lot of fun performing the folk
dances. The dances are very fast, with lots of
steps. We just have to let it all out. Happiness
and laughter are a big part of the folk dances."
- Sophy Leng and Vyrik Eng

40

�Uniting Voices , Connecting Communities

206 Jackson Street, Lowell, MA 01852
Phone (978) 323-0800 Fax (978) 323-4600
Lowell Community Charter School, grades Kindergarten to 5 (it
will be K-12 by 2009) prepares children for high academic
achievement by providing a supportive, challenging,
multicultural environment that integrates the strengths of
Lowell's diverse communities and cultures.

•

Public Charter School - NO TUITION

•

Full-day kindergarten; Enrollment cut-off: Dec. 31

•

Before and after school programs

•

Computers in every classroom

•

Special attention to learning or maintaining a
second a language (Spanish or Khmer)

•

School-supplied uniform shirts

•

Close working relationships between families and
the community

REGISTRATION AVAILABLE
206Jackson Street, Lowell

Or call us at (978) 323-0800

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41

�"Fear, gangs, hate, violence, drugs, and
poverty - these are some of the words
associated with my childhood. But so are
hope, inspiration, commitment, hard
work, community service, and success.
Through the Angkor Dance Troupe I
discovered my culture and learned
traditions that were almost lost during
Da ncers share their thoug hts

the Khmer Rouge regime. I learned many

•••••••••••••••

dances and performed on stages around
the Northeast. I excelled and was promoted to assistant instructor. Today, I
teach younger kids to dance and help
them understand the importance of
keeping traditions alive. I also serve on
the Troupe's Board of Directors.
Through these programs, I've developed
skills that will help me for the rest of my

"I like all of the teachers
because they're nice.
Sam is a great teacher
and helps me with
monkey.
Being in the Angkor
Dance Troupe is fun
because we go on trips."
- Ricky Hai
Butler Middle School

life, like performing and talking in front

•
•
•
•
•
•
•
•
•
•
•
•
•

•
•

of large groups. I've also become involved
with several other youth groups and have
done many hours of community service .
I took a risk when I dropped my old
friends and took a new direction. But I've
gained so much knowledge and joy.
Through it all, I've learned there are many
ways to make the world a better place."
- Samnang Hor, 17

42

�A Lannon Company

CALL
Davi Sun
(978) 454-9300

Saturn Sales
Consultant
"
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We speak English, Khmer, Spanish, &amp; Portuguese.
Si hablamos Espanol - Preguntas por Delby Colon.
Nos falamos Portugues.

Saturn of Lowell
720 Rogers Street {Rte. 38)
Lowell, MA 01852
978-454-9300
Saturnoflowell .com
43

�Voices of Youth - In Our Own Words
What the Angkor Dance Troupe Means to Us
"/joined the Angkor Dance Troupe because my
Mom is a dancer; and I wanted to be like her.
I also wanted to make new friends."
- Sam Meas 13, Butler Middle School
"/wanted to join because I want to learn how
to dance and to teach my kids."
- Sanny Meas 12, Butler Middle School
"/want to be a good dancer; and I would like
to perform a lot. "
- Thetvibot Som, Butler Middle School

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"/ wanted to jo in because I wanted to know
about my culture and be able to perform for
different people."
- Sotheat Som, Butler Middle School

Da ncers share their thoughts

•••••••••••••••
"Joining Angkor Dance
Troupe has introduced me to
many aspects of Cambodian
culture and also has taught
me so much of what the
movements of the dances
symbolize."
- Mcfarlance Van

The reason why I like this program is because it is a good way to learn more
dance, as well as stay out of trouble. "
- Sinoun Seng 15, G.L. Vocational Technical High School
" Learning through experiences makes me understand the culture more. It
makes me more knowledgeable, and it's fun to learn through dancing. Th is
is something I keep prestigiously in my head and it plugs in my mind the
elements of Cambodian culture."
- Roeun Chan, 16, Lowell High School
"It's great to see and t o learn what your culture has inspired you to do. That
- Steve Horn, Lowell High School
is why I joined."
"By j oining Angkor Dance Troupe, I learn about many different arts forms
and understand more about culture. I also learn how to dance with friends
my own age."
- Tony Chan 14, Lowell High School

44

�" I joined the Angkor Dance Troupe
because I love dancing. I am so
inspired by my arts and I appreciate
my culture so much. "
- Sarah Soung
G.L. Vocational Technical High School
"I like this program because I like to
perform and because it's boring at
home. We get to go on field trips
sometimes, and I like to do the
monkey dance."
- Alexander Hak
" I joined because I wanted to dance
and because I want to have at least
the talent to dance."
-E. E. Eng
"I like this program because I like to dance and because I like to go on the
field trips."
- Kimmora
"/joined the Angkor Dance Troupe because I wanted to learn the dances
and the stories behind the dances."
- Jimmy Meas, Lowell High School
" I joined the Troupe because I wanted to dance and learn more about my
culture."
- Lisa Vor, Bartlett Middle School
" I joined the Angkor Dance Troupe because I wanted to learn more
about my traditions and culture and wanted to learn how they dance. "
- Retta Xayasane, Bartlett Middle School
"/joined the Angkor Dance Troupe because I wanted to continue my
culture and also to learn more about my traditional arts."
- Lina Bun
" I like the Angkor Dance Troupe because I like to dance. I like all the
teachers who teach us and are very understanding with me."
- Viseth Ka, Bartlett Middle School
" /joined the Angkor Dance Troupe because I want to learn more about
dancing and about my own culture. "
- Christopher Oun 13, Butler School

45

�0

tff~'m"~'

The Angkor Dance Troupe, Inc.,
40 French Street, 3rd Floor, Lowell
Mailing Address: P.O. Box 1553, Lowell, MA 01853
(978) 441-9277 •FAX: (978) 251-8039
email: pageone@attbi.com • web: http://ecommunity.uml.edu/angkor
(Coming Soon: Our new web site - www.angkordance.org)

I, Spec,ial Thank$ To: I
Our Dedicated Staff &amp; Board of Directors
Phousita S. Huy, Artistic Director
Ruth Page, Executive Director
Sakhoeum Sim, Instructor
Sovann Thida Loeung, President
Jonathan Pulliam, Treasurer
Todd Beauregard
Lyla Chea
James Conlon
Dr. Nina Coppens, RN
Vyrik Eng
Lynne Faust, LNP
Samnang Hor
Vichenny Keo-Sam
Cassandra Keirstead
Chamroeun Khat
Sophy Leng

Tim Chan Thou, Manager
Kolab Yin, Costumer
Jane Benfey, Vice President
Gloria Polites, Secretary
Nissay Liek
Bonna Mai
Akara Mao
Paul Marion
Carole Mathews
Rady Mom
Taary Ram
Tim Chan Thou
Chhan D. Touch
Sochenda Uch
Rithy Uong

Artists-in-Residence from the
Royal University of Fine Arts, Phnom Penh
Yorn Peng

Sophea Sek

Nieto Heang

And to our Community Partners and Collaborators:
Pat Mccrary and the Lowell National Historical Park
Big Brother/Big Sister of Greater Lowell ADAM project
UMass Lowell, College of Arts &amp; Sciences
Lowell Community Charter School
Butler Middle School
Photo Credits: Andrew Page, Rady Mom, Ruth Page
Tim Chan Thou, Love Photos, Jocelyn Augustino, Higgins &amp; Ross
Translation Services: Nissay Liek
Sources: Dance and the Spirit of Cambodia, Toni Shapiro, Ph.D., Cornell University, 1994
"Cambodia's Royal Dance," Eileen Blumenthal, Natural History, 4/89
"The Dancer in Cambodia," Toni Shapiro, Ph .D., Asian Art &amp; Culture. Arthur M. Sackler Gallery,
Smithsonian Institution. Winter 1995 Southeast Asia Today, Oxford University Press

46

�overeign Bank
wishes the Cambodian Community
a
Happy, Healthy &amp; Prosperous New Year
Member F.D.l.C

Equal Housing Lender

New work premiered in 2001 !
Paulina Srey, Sodany Krouch, Peter Veth, and
Samnang Hor worked extensively with
master teachers Phousita Huy and Yorn Peng
to perfect an episode from the Reamker,
previously not performed in Lowell. "Ream
Lak/Chup Lak" is a fascinating story about
twin sons of Sita. It chronicles their mischief in
the forest and their encounters with Hanuman
and Prince Rama's prize white horse.

47

�FRIENDS OF THE ANGKOR DANCE TROUPE
The "Friends of the Angkor Dance Troupe" is a membership drive to
support the Troupe's award-winning youth programs. Thank you to
the many concerned community members and organizations who have
contributed to the Friends of the Angkor Dance Troupe.

Major Program Sponsors in 2002
An Anonymous Donor
Jonathan &amp; Diane Pulliam
Contributing Sponsors in 2002
Nancy &amp; Richard Donahue
Eleanor Briggs
Community Leaders in 2002
Saints Memorial Medical Center
Louis L. Pinn Insurance Agency
Citizens for Youth in 2002
Lyla Chea and Holy Khut
Bonna Mai and Family
James Conlon • George C. Eliades, Jr., Esq.
Richard &amp; Mary Noon
Beth Kanter &amp; Walter Halvorsen
David &amp; Elizabeth Dawson
Kristina Niccoli • Karl Dunajski
Dan Tenczar, Lowell City Council

r-------------------------,

I
I

HOW TO DONATE: Every gift is greatly appreciated. Many businesses offer a
matching gift program which can double the size of employees' contributions. Other
I ways to give include memorial gifts, which allow the donor to recognize special
I people in their lives, or gifts of appreciated stock that can reap substantial tax
: benefits for the donor. All gifts are tax-deductible. Thank you for your support!

I

Name:~~~~~~~~~~~~~~~~~~~~~~~-

1

I
!
I
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1

Address:---------------------

I am enclosing: 0$1,000 0$500 Os250 0$100

0$50

0

0

$25

0

Other: - - - - -

My company's matching gift form is enclosed.

Please make checks payable to: Angkor Dance Troupe, PO Box 1553,
Lowell, MA 01853 (Thank You!)

L-------------------------~

�Saints 9rf.emoria{ 9rf.edica{ Center starts
tlie :New &lt;Year 6y eX]Janding our
:Nurse-9rf.idwifery &lt;Program

Vanna Men, Community Outreach, Shelagh Galvin,
CNM,MSN, and Sam Pha/, Medical Technician

7Vurse-!M.Ufwives offer women specia{ s{i/Is antf an utu:ferstantli11fj
of tli.ei.r unUJ.ue pfrysica~ emotiona{ antf spiritua{ needS.
7{urse-!M.Ufwifery care focuses on maintaini11fJ liealtli antf encouragi11fj women to mak,/ informetf tfecisions a6out tli.ei.r liea{tli care.
7{urse-!M.Ufwives wefcome your questions antf tak./ time to {isten
to you antf ta{{ witli you.
'For more infonnation a6out 7Vurse-!M.Ufwijery care at Saints
9t1.emoria{!Metfica{ Center, pfease ca{{Sliefagli qafvin, c:J'f};f.,
9t1.S7V, at 978-446-1628. We spea{ 'l(fimer for a{{ services.

Saints :M.emoria{ :M..etfica{ Center
Ce{e6rates rrhe &lt;Year Of rtlie Jforse
~

ft:tit SAINTS
fJ MEMORIAL
-

~rs

MEDICAL
CENTER

for life

220 Pawtucket Street, Lowell, MA 978-446-1628
www.salnts-memorial.org

�THOMAS STYLiA~OS
ATTORNEY AT LAW

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Auto Accidents*
Social Security*

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Bankruptcy

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Personal Injuries*

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Divorce
Child Support
Criminal Defense

*NO FEE unless we collect money for you!

KHMER SPEAKING STAFF
FREE Initial Consultation
Weekend &amp; Evening Hours, Hospital Visits

287 Appleton Street
Lowell, MA 01852
(978) 459-5000
TOLL FREE 1-800-308-3766

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Costuming Procedures
*Neang Role

(Female Role)

1) Needs for preparation
a) Needles
b) Thread or yam
c) Safety pins
d) Scissors

*Note: if there is no yam then wrap thread around your feet three times and use with
bee's wax.
2) Start putting on costumes
a) girls should wear shirts ( ow cheang)
b) take cloth &amp; measure length of legs
• knat of one hand horizantal
c) start folding fabric
• big folds then small folds
• small folds 12 times in &amp; out
• dancers must hold the fabric
• wrap around waist (from the back first) and fix the fold
• safety pins on skirt (3)
• fix folds on bottom and pull top
• wrap under legs
• in the middle, let go of 2 sathop and pin
• pin bottom fabric to back skirt inside
• tie and place but after finishing skirt.
3) Sabaiy Procedure
• In the ld generation, elders would put sabaiy first, however, how
we wear skirts first.
a) wrap around left shoulder
b) sew shirt on back right
c) put pin in middle front and back waist
d) let dancer hold back shirt (sabaiy) when sewing
e) put jewelry
sarong karh
kasai cheang onleft shoulder hanging down by right hip
necklace (chee)
hand and ankle bracelets
4) Neang Jewelry names
Wrist first:
Saluk theh

�Vaen pradap
Koul dai
Kan throm
Kong rek
5) Ankle Jewelry
Kongjeaung
Kouljeaung
*-banh pap on right arm
Headpieces
-Tep Monorom
June Pour
Savan Macha
Chhoy Chhay

-Mokot
-Maklow
-Kabung N ah or Maklow
-Kabung nah, keaw &amp; karah gnour

Female Costumes
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•
•

Measure the length and height
The skirt, measure 2 inches from ankle
Take both jeey from skirt and fold
Fold from one end to the other to keep in place (plnut)
Fold one end of the skirt into small "tnuk" for 12 times
The 12th, fold it half way
Let the other person hold the top of skirt
Fix the "tnuk" in place called "jbud"
Tie a rubber band to the top of skirt for about 4 1/2 inches
Fix the "tnuk" again
Put skirt around the dancer
Put the "tnuk" on the left side of the waist
"Plea" the end of the skirt 12 times
Put the second "plea" in the middle and "jbud" again
Pin another on the bottom of "jeay"
Hold the bottom and pull the top one by onePut the "plea" between the
dancer's legs
Hold the top skirt and make two dent on both side (plea)
Tuck the top inside the skirt
Tie a string around the waist to put the skirt together
Take out the "plea" from the dancer's legs (take pin out)
Unfold the last 2 "plea"
Pin it inside of "plea" in the middle
Pin the inside skirt to the inside of the shirt
Put the bottom "plea" between dancers leg

�• Put the belt around the waist
• Wear the "sbeay'' on upper body
• Measure the back "sbeay'' to make it level
• Sew "Sbeay'' together
• Pin the "sbeay" in front of shirt together (under chest)
• Pin the back "sbeay" together with shirt
Accessories
• Sarong Kor (collar)
• Si-cheing (body chain)
• Je (necklace)
• Kong rek (plain bracelet)
• Kon trum (ball bracelet)
• Kro vel dai (spring bracelet)
• Van produp ( flower bracelet)
• Sluk the (grape-like bracelet)
• Beyn pup on right upper arm (arm bracelet)
• Kong jung (on bottom ankle)
• Ka vol jung ( plain bracelet)
• Kong jung ( spring bracelet)
• Earring
Costume Session
1) Before putting into skirt, measure length the height of a person from waist to
at least 2 inches far from ankle.
2) Pull the fabric from one end to another fold from back to back until end.
3) Fold about 1 V2 into small pieces 12 times. Hold the 12 pieces together with
them and index finger.
4) Slide fingers into folded pieces one by one to bring out the crease.
5) Tie the top crease with elastic. To 4 Yi in.
6) Now fold the bottom crease. All until the end
7) Measure the waste with the pleah and pin the skirt
8) Pleah the front of the other end (fold inside once)
9) Hold plea and then badt plea, hold on to plea with right hand.
10) Measure the robe straight from back feet
11) Sew robe to robe
12) Sew- (day gah cha-guy)
13) Pin the robe in front of the shirt
14) Pin back to (left side) to shirt
Jewelry
• Kasaiy cheing- body chain
• Chea- necklace
• Kong rhea (bracelet)
• Kon throm- (spring bracelet)
• Kraugh vel dia- (grape bracelet)
• Saluck Theyh( leave bracelet upper right arm

�•
•
•
•
•
•
•
•
•
•
•

Bunge pup( arm bracelet)
Kong Jung( ankle bracelet)
Kraugh vel jung(Spring ankle bracelet)
Badt the plea leaf of the folded plea
Level the top plea push the plea into the dancer leg and hold it with the
leg.
Make a dip of each side of the skirt.
Fold the front plea into the skirt tie string around waste-make knat.
Twist the extra string into the tied string.
Remove the plea from legs unfold at least 2 plea from front plea.
Pin inside front plea in middle
Grab 1st plea at the end onto the inside shirt
Bring second plea into leg then left

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tf1~tm!t~t
Att5ltor Dattcc Troi.pc, lttc.
1) The Blessing Dance
Dancers: Heng Noeuk, Rancia Phin, Sopharl Ngin, Rathanee Yean, Monica Veth
It is dance of greeting and good wishes. During the performance, the dancers come forward and
sprinkle flower petals toward the audience. This is done in the hope brining prosperity, peace,
and good health to everyone in the audience.

2) The Coconut Shell Dance
Dancers: Povtda Pech, Sodany Krouch, Paulina Srey, Linda Hong, Channa Sath
Samnang Hor, Zenith Rith, Sanny Meas, Rothna Mao, Vyrik Eng
The dance was inspired by a popular game that used coconut shells. The game was played during all kind
of ceremonies, but most often during weddings, engagements, and when the groom was escorted in a
procession to the bride's house. The Coconut Shell dance is one of the most popular and well known on
the Cambodian folk dance. In its original form, it was a one-man show. In the modem-day dance, an
equal number of male and female dancers perform the dance, signifying friendship and courtship. The
Khmer-language lyrics, the words that accompany the song-speak to how the coconut is the heart of the
Cambodian people.

3) Tep Monorom Dance (The Happiness of the Gods)
Dancers: Linda Sou, Sophy Leng, Khakhada Hom, Elizabeth Yim
Monica Veth, Sandra Proeung, Rancia Phin, Sopharl Ngin
This dance, often considered the most beautiful in the classical repertory, embodies the wellbeing, friendship, and prosperity of the Cambodian people.

4) The Khen Dance
Dancers: Rathanee Yean, Paulina Srey, Sodany Krouch, Channa Sath, Povtda Pech
Sanny Meas, Peter Veth, Vyrik Eng, Steve Hom, Vandary Moeun

The Khen Dance from a province of Cambodia located in the northeastern part on the CambodiaLoas border. Many young men from that part of the country play a musical instrument, a mouth
organ called Khen, which is made of bamboo and decorated with a garland flowers. Men play
their Khen to attract young passing by. The women can't resist so they touch the flowers and fall
in love.

5) Mini Mekhala &amp; Giant
Dancers: Heng Noeuk, Linda Sou
Moni Mekhala and Ream Eyso were at one time students of the same teacher and both strived very hard
to be his best favorite. In the end, the teacher favored the goddess, Moni Mekhala, and rewarded her with
a beautiful and very powerful crystal made fro the morning dew. The storm demon, Ream Eyso, was
given an ax: as a consolation prize. As the dance begins, we see Moni Mekhala preparing to go out and
dance with other Gods and goddesses in the heavens. But on her way, she is accosted by Ream Eyso,
who is quite jealous and craves the powering glittering ball.
P.O. Box 1553 • Lowell, MA
01853
(978) 275-1823 • FAX: (978) 275-1824

�0

tf1~ftt1ft~f
Att5ltor Dattcc Trol-fpc, lttc.
Mini Mekhala teases him by holding the ball out very close. Then she tosses the crystal, momentarily
blinding him. This ends Ream Eyso to his knees, giving her just enough time to glide away.
It is said that the flash of Moni Mekhala' s crystal is what we know as lighting, and the crashing of Ream
Eyso' s ax is thunder. This is one of the most sacred dances in the Cambodian Classical repertoire and is
still performed in Cambodian in ceremonies to pray for rain.

6) The Fishing Dance
Dancers: Khakhada Horn, Sopharl Ngin, Sophy Leng, Monica Veth, Elizabeth Yim
Samnang Hor, Vyrik Eng, Peter Veth, Jamie Rin, Steve Horn
There's saying in Cambodia "Where there is water, there are fish."
In this dance you will see two traditional methods of catching fish, using braided bamboo baskets Called
CIIlINEANG In this dance you'll see young women scoop up water from the river into their Chhneng.
The baskets act as strainers-the water drains out through the bamboo leaving small fish in the basket.
And the guys use bell-shaped traps called ANGKUT For catching large fish in shallow water. Love and
romance and favorite themes in Khmer stories and dance. In traditional Cambodian society, young
people are careful watched and don't have many opportunities to get to know one another. But the
fishing quarter is one place they had the chance to meet.

7) The PestleDance
Dancers: Sophy Leng, Vyrik Eng, Linda Hong, Paulina Srey, Sokhoeum Khim, Zenith Rith
Povtda Pech, Sandra Proeung, Sodany Krouch, Rathna Mao, Channa Sath, Peter Veth
The pestle dance is depicted that celebrated the hard work of the harvest season.

8) The Swva Pol with DNC Dance
Dancers: Samnang Hor, Vyrik Eng, Jamie Rin, Steve Horn
In Cambodian legend, monkeys always fight evil; in fact they are army solders . And these solders are
celebrating a bid win. They're gathering food for a feast. The monkey dance is lively and acrobatic,
always performed by young boys, who you will see also capture the spirit and quick mannerisms of
monkeys. Following the original dance, the Troupe will feature some new choreography with elements
of modem dance. But if you watch carefully, you will see the dancers remain, throughout it all, Swva
Pol, the monkeys.

P.O. Box 1553 • Lowell, MA
01853
(978) 275-1823 • FAX: (978) 275-1824

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                    <text>DANCE HOUP

E
lephants Weep on the Banks of the Merrimack

BOX 1553

FHNCH SHEET
0 18 5 J

INSIDE:

Apsaras
Come to Life

2

Prestigious
Honor for
Troupe:
Listing in
2007 Catalogue for
Philanthropy

2

National
Endowment
for the Arts
Grant

2

Our Dancers 3
in Virginia
and Colorado

Paris, Phnom Penh, New York
City - these seemed likely venues to premiere the first Cambodian-American Opera ever to be
produced.
The production's
international team included Arn
Chorn-Pond, founder of Cambodian Living Arts, John Burt and
Catherine Filloux, both based in
New York City, Him Sophy of
the Royal University of Fine Arts
in Phnom Penh, and other performers and choreographers
from Cambodia, the US and
Europe. The opera ran from
April 27th-29th, not in any of
those global cities but rather in
Lowell.
An extensive team
worked for over a year to stage
the production at Lowell High
School. Angkor Dance Troupe
was a vital part of bringing this
show to Lowell , and to the thousands of people who saw it.
For those Lowell residents of
Cambodian heritage the opera
was particularly poignant.
It
melded old and new art forms, it
told the story of suffering and

survival
that so

m a n y
h a v e
experienced,
and
it
offered
an examA scene from Elephants
pie of new life, in the form of this
artistic production.
Angkor
Dance Troupe trained performers in classical dance techniques,
and worked with musicians from
Cambodia and the US.
Four
Troupe dancers performed in the
show.
Phousita Huy led the
Troupe's dancers. Her deeply
moving performance reminded
the Troupe of why she is so
valuable to us; Ms. Huy's dancing
mixed immense reserves of innate talent and grace with skill
born of discipline and training.

Peter Veth , Monica
Veth and Sophy Leng joined Ms.
Huy onstage. Monica Veth of
Angkor Dance, said of "usually
we dance to traditional music.
Now we had to dance to music
for the opera. The most memorable moment for me was the
speech that Mr. Burt made backstage, before the play, using such
nice words. I became very emotional." Sophy Leng said, "We
were the only four dancers.
Everyone eise was acting or rapping. The day of the show, before it started, we were preparing, getting dressed. The traditional Khmae band was setting up
their instruments. We did a
quick blessing ceremony. We
knelt with our hands in a praying
position and prayed that the
opera would go well. The incense was burning-it was a
special moment.
I loved the
feeling, and I hope that others
can have this experience too."

After 21 Years, An Endowment
On October 31st, 2007, a dream
came true:
Angkor Dance
Toupe established an endowment with the Greater Lowell
Community Foundation. Thanks
to generous and timely donations
by our friends and supporters,
the Troupe was able to meet the
$5,000 minimum required by the
Foundation to qualify for an additional $2,500 match .

An Endowment is a
fund that will last as long as the
Troupe does, and will pay the
Troupe a dividend every year,
based on interest earned. All of
this is to say that Tim Thou and
Phousita Huy and the dedicated
and talented dancers of the
Troupe will have some guaranteed income every year. At this
point it is small - perhaps only

enough for a costume upgrade,
or to pay for a Master Teach er
workshop - but with the generosity we have seen from our
dono rs and with the goodwill and
guidance of the GLCF, we are
confident that it will only grow
with time. This is a true investment in the Troupe's future and
in Lowell's cultural treasure.

�PAGE

2

/

- ------------------------ '
Apsaras Come to Life After 1,000 Years
While this may seem like a
headline from the National
Enquirer (Cambodian Version), in reality it speaks to the
artistic talent of the Troupe's
Phousita Huy and Phnom-Penh
based musician Him Sophy. It
is through their combined
talents that the Apsaras will
come to life, stepping off the
walls of the ancient temples
an d speaking of modern-day
suffering, need for compassion,
and appealing to the international community for censer-

vation of all things precious.
This includes not only the
welfare of those in distress or
in need, but also the expres-

production of this work is
bringing together the artistic
team and creating the music
and dance that will anchor the

sions of culture and humanity
that are embodied in ancient
artifacts in Cambodia, and
elsewhere in the world.

story.

Returning from
Phnom Penh th is summer, Ms.
Huy returns to work on this
new piece Her collaborators
include musicians, dancers and
writers on both sides of the
globe., Their first step in the

of the

Coming on the heels
Cambodian -American

opera this past spring, Where
Elephants Weep, this new piece
signals deep growth for Cambodian arts in the 21st century.

-------------------------Troupe Chosen for 2007 Catalogue for Philanthropy
Angkor Dance Troupe has
been selected for listing in the
2007 prest1g1ous Massachusetts Catalogue for Philanthropy. This year 390 charities
applied for new listings, and 54
were selected, as "examples of
excellence" in all fields of Massachusetts philanthropy- the
environment, culture (arts and
education), human services
and international.

The purpose of the
C atalogue, now in its I I th
year of ann ual publicati on, is
"to strengthen the culture of
philanthropy in Massachusetts ... through donor education .... " "The Catalogue is
designed as a showcase for
Massachusetts philanthropy,"
McCully said,
According
to
George McCully, President of

the C atalogue, "Angkor Dance
Troupe, Inc. was chosen because they are a great example
of 'private initiatives for public
good, focusing on quality of
life' in Massachusetts, and because they are both excellent
and cost-effective. We urge
donors , especially in the
Lowell area, to consider adding Angkor Dance Troupe, Inc.
to their giving list this year."

National Endowment for the Arts Grant
The National Endowment for
the Arts recognized Angkor
Dance Troupe through a
$10,000 grant this year.

ANGKOR

grant will provide for performances and workshops in Lowell
Public Schools. Look for news
an d pictures from these work-

DANCE

TROUPE

The

shops in the next issue of our
newsletter.

I

�VOLUME

I ,

ISSUE

PAGE

Ancient Meets Nouveau at Fall Fundraiser

"Let the dresses talk," said Peter
Veth, Assistant Artistic Director
and talk they did in ancient Khmer
idioms as well as through the sleekest fashions of today. By combining
classical and folk dance with fashion, Artistic Director Phousita Huy
and her staff engaged the attention

/

of each of the 300 people in the
room at the fall Fundraiser on November I 0th . The Sampao Meas
Hall of the Sunnyda Restaurant on
Chelmsford Street echoed with the
sounds of thousand year old Khme r
melod ies and rythym, accompanied
by the graceful and polished gestures of the Troupe's young dancers, and also with the sounds of the
more contemporary Nasty Band all of this punctuated by applause

ago is rare enough, but to
have them aligned with
present-day aesthetics, is
truly unusual.
A

five-course

Cambodian Banquet and
delicious appetizers, complemented the show, and
the Silent Auction of varied items
offered our guests a chance to do
some holiday shopping for beautiful
artifacts made in Cambod ia.

from the appreciative audience.
To experience the rich
detai ls of ancient arts, created and
first performed thousands of years

If you missed
show, loo k for
next year!

the
us

~----------------------Cambodian Culture in Colorado

Recent stages on wh ich Angkor
Dance Troupe has performed include one in the shadow of the
great Rocky Mountains, in the
western part of the Un ited States.

\

In August of thi s year,
three T roupe dancers t ravelled to
Colorado for the annual Cambodian Culture Camp, sponsored by
Families w ith Cambodian Children .
By performing for this group of
families, Troupe members brought
a taste of the Cambodian arts to an
audience with a great appreciation
for things Khmer.
Linda Sou , th e Troupe's

Assistant Program Directo r, said "It
was a very rewarding experience.
When we began to dance the
younger ki ds all stopped tal king.
They became quiet and watched,
sitting absolutely still."
Board
Member Deborah Nelson, who
attended the Camp with her family,
reflected on how meaningful it was
to those gathered there to connect
with ancient Cambodian trad itions
and to each other.

~-----------------------------

I
I
I
I
I
I
I
I
I
I
I

National Parl( Service Performance

This September we added Williamsburg, Virginia to the growing
list of venues, near and far , where
Angkor Dance Troupe has performed . Th is time the occasion
was a special one: the annual conference of the National Leadership
Council of the National Park Service (NPS) . Lowell Natio nal Historical Park Superintendent, Mi chael Creasy, invited the Troupe to

perform not only as a treat for the
attendees, but also as a way to
model cutting edge private-public
partnership, and exploration of
cultural resources. Among those
who enjoyed the performance were
the NPS Director Mary Bomar, and
the Secretary of the Interior, Dirk
Kempthorne. Lowell N PS's Duey
Kol remarked that "the dancers
who represented the T roupe on

this special day were
magical, and we received many compliments. Their professionalism and passion
for thei r heritage and
trad itional arts really
Troupe Members, NPS's Duey
came through . To be
recognized formally by Kol and Michael Creasy, w ith
Mary Bomar is a great Dirk Kempthorne and Mary
achievement."

Bomar.

3

�·---------------------- -,

,. .

The Angkor Dance Troupe, Inc is a 50 I (c)3 nonprofit organization dedicated to preserving the traditions of Cambodian performing arts while providing a positive social and educational environment for our young members.

Through a generous arrangement with the Lowell National Historical Park,
Angkor has offices and rehearsal space on the third floor of the Mogan Cultural
Center.
The Massachusetts Cultural Council, the Parker Foundation and the National
Endowment for the Humanities generously support the work of the Troupe.
We thank the many individuals, businesses and charitable groups that make our
work possible. We would like to especially mention the following people and
businesses to thank them for their support this season :

Angkor Dance Troupe
PO Box 1553

40 French Street,
Lowell, MA O1853
Tel: (978) 275-1823
Fax: (978) 275-1824
Email: timthou@yahoo.com
Website: www.angkordance.org

Raymond Anstiss and Company, David Blair, Paul Borgasand, Claire Breckon,
Eleanor Briggs, Karla Brooks-Baehr, Casey Family Services, Jim Cooney and the
Arbella Foundation, Nancy Donahue, the Elephant Walk Restaurant, Enterprise
Bank, Maryalice Foley, Khemara Restaurant, Bonna Mai and family, Sokhanarith
Moeun, Deb Nelson and family, Louis Pinn Insurance, Jonathan Pulliam, Samuel
Pulliam, the Lowell Sun, Tim Thou and family, Unwrapped, Inc., Geoffery and
Chenda Wilson, and many others.
We also thank our Board, Staff and troupe members, as well as the merchants
and vendors who provided items Annual Fundraiser's Silent Auction. We particularly thank Phousita Huy and Chhaan Touch and their family for all that they
do for the Troupe.
Last but not least, we thank you, the Friends of Angkor Dance Troupe!

'---------- ------------------ - Angkor Dance Troupe
PO Box 1553
Lowell, MA O1853

_,

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0

~fit;;ms~ef
~~

ififDsm;~es

ft

Att5ltor Dattcc Troupe, lttc.
Sell'vLO Y s

tciff

Sophy Suon
President

Tim Thou
Program Director

Jonathan Pulliam
Vice President

Phousita Huy
A rtis tic Director

Joan Gendron
Treasurer

Doeun Kol
Manager

Ratana Ty-Riebe
Secretary

Rosalie Williams
Grant Writer

Through a generous arrangement with the Lowell National
Historical Park , Angkor has offices and rehearsal space on
the third floor of the Mogan Cultural Center located at
40 French Street in Lowell, Massachusetts.
Our mailing address is:
Angkor Dance Troupe
P. O. Box 1553
Lowell, MA 01853

Tel: 978.275 .1823
Fax: 978.275.1824

Email: tim@angkordance.org
Web site: www.angkordance.org
The Angkor Dance Troupe, Inc is a 501(c)3 nonprofit
organization dedicated to preserving the traditions of
Cambodian performing arts while providing a positive social
and educational environment for our young members.

~=

tn

Att5ltor Dattcc Troupc, lttc.

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Board
Board of Directors

Senior Staff

Junior Staff
Assoc. Administrator

Presenter

Instructors

Assoc. Program Director

Costumers 11

Cleaning

Assoc. Artistic Director

11 Newsletter 11

Gardener

Consultants
ABC Payroll I

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Anna: Web Dev 11 Costume cleaning

�Doey (Fund Raising)
Hours: 40 hrs/ month

Financial
•

Grant writing: Research &amp; write grants

•

Grant writing: Submit grant reports

•

Sponsors: identify &amp; contact individual &amp; corporate sponsor

•

Donors: organize VIP events (dinners, etc) for donors

•

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•

Public relations &amp; press releases to media

�George (Co-Executive Director)
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Financial
•
•
•
•
•
•

Bookkeeping: bills &amp; deposits; maintaining Qbooks file with Anstiss
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Payroll: submitting monthly payroll, stipends &amp; reimbursement with ABC
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Grant writing: Assist Doey with grant writing &amp; reporting
Sponsors: Assist Doey &amp; board with individual &amp; corporate sponsor development

Organizational
•
•
•
•
•
•
•
•

Vision &amp; Mission: overview of all operations
Board: meetings, agendas &amp; communications
Staff: overview of junior staff postings, tasks, etc
Visas: prepare &amp; overview visas for masters
Office work: collect &amp; distribute mail, phone &amp; email, maintain files
Web site: work with Anna &amp; staff to update, improve &amp; revise Angkor Web site
Community: meetings, collaborations with other organizations (UML, City,
Revolving Museum, Boys &amp; Girls Club, BBBS, etc)
Miscellaneous administration: Mogan space, etc

Dance/ Youth Program
•
•
•

Bookings: assist Tim with presenter negotiations &amp; contact
Performances: assist Tim &amp; Phousita with performance logistics, etc.
Outings: organize troupe outings with Tim &amp; Phousita

�Phousita (Artistic Director)
Hours: 40 hours/ month
•

Performance: making dance program with Tim

•

Performance: coordinate performance logistics with Tim

•

Rehearsals: supervise dance instructors &amp; sign time sheets

•

Choreography: create new dance choreography

•

Costumes: coordinate costumes with Tim &amp; Peter

�Tim (Co-Executive Director)
Hours: 40/ month

Dance/ Youth Program
•

Booking: negotiate &amp; contract performances with presenters

•

Schedule: maintain, update &amp; post booking schedule

•

Performance: create budget for performance &amp; send to Geo for payroll

•

Performance: make dance program with Phousita

•

Performance: coordinate transportation, food &amp; hotel with Assoc. Program Dir.

•

Performance: coordinate music with Assoc. Program Dir.

•

Performance: coordinate props &amp; costumes with Assoc. Program Dir.

•

Costumes: clean, store &amp; maintain props &amp; costumes with consultant

•

Costumes: purchase new props &amp; costumes with Phousita

•

Rehearsals: coordinate rehearsals with Phousita

•

Rehearsals: notify members of cancelled rehearsals

•

Master: coordinate with RUF A, etc

•

Outings: organize troupe outings with Geo &amp; Phousita

Organizational
•

Members: Process new members &amp; input information

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0

~fjif fmft~f

Att5kor

Datte~ Tro"'p~.

lttc.
ID#_ __
For Staff Use Onl

. ~I

_______P_e_r_m_i_s_si_o_n_S_li~p_f_o_r_A_d_u_l_t_M_e_m_b_e_r_s_ _ _ _ _ _ ___.

The . Angkor Dance Troupe is a non-profit organization dedicated to t~e preservation and promotion of
Cambodian culture and positive recreational and educational opportunities for youth . Membership is open to
anyone willing to make a commitment to Cambodian dance. The Angkor Dance Troupe does not discriminate
on the basis of gender, age, religion, ethnicity, sexual orientation, or disability.

Information about you (the dancer) - please print:
Today's Date: _ _ _ __

Name:
Street Address &amp; Apartment or Unit #

Telephone. # _ _ _ _ _ _ _ _ _ _ _ __

City

State

Zip Code

Date of Birth: _ _ _ _ _ _ __

Pager/Cell Phone: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Gender: M

F

•

I understand I will be participating in dance rehearsals at the Mogan Cultural Center,
40 French Street, Lowell and in public performances and group outings at various
locations throughout the region.

•

I give permission to be photographed and/or videotaped by staff, volunteers, visitors,
audience members, professional photographers, and/or the news media for the
purposes of documenting or promoting the Angkor Dance Troupe.

•

I give permission for staff members to use their best judgment in the event that
medical treatment is required in an emergency.

•

I agree to hold Angkor Dance Troupe staff and volunteers free from liability for any
damages.

Please Sign: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Emergency c o n t a c t : - - - - - - - - - - - - Phone: ~---'------Does you have any medical conditions or other issues we should know about.?
(please explain): _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __

Health Insurance Company &amp; Policy# _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __
Insurance Card Holder's N a m e : - - - - - - - - - - - - - - - - - - - (If your are not insured, please write "UNINSURED ." This does not exclude you from participating in the program .)

P.O. Box 1553 •Lowell, MA 01853 • (978) 441-9277 •FAX: (978) 275-1824

�tff t$~tt1~t~~
0

Att5ltor Dattce

Tro~pe,

lttc.

This f9rm should be filled oyt by the head of the household ..
The following information is being collected from all members of the Angkor
Dance Troupe to help us obtain a grant from the City of Lowell. The information
will be kept completely confidential (private).
CHILD NAME(s):
1. How many people live in ygur household? Include everyone that you share
living space and expenses with, including people who are not related to you .
Enter the total number of people here:

------

D Yes 0

2·. Is the head of the household a female?
3. Is there anyone in your house who has a perm(Jnent disability?
If Yes, how many? _ _ _ __

No

D Yes D

No

D

0Yes
No
4. Is anyone in your house 60 yesirs old or 9lder?
If Yes, how many?
5. How mapy in your househ,dld are: Male (enter #) ____ Female (enter #) _ _

----

6. How majny in your household are: Asian (enter #)

White (enter #) _ _

I

Hispanic (enter #) _ _ African American - - Other:--..ple..,...,as-e. ,. . sp.. . ,.ec1y_ _ __
..-l

7. Is the chi.Id enrolled in the Troupe a fgster child 'through an agency such as
DSS?
(If you answered y~s to guesljon #7. stop here. You do not need
to fill out the rest of this form. Please return partially completed form to Troupe.)
8. Circle the amount below that is closest to the total amount of money that
everyone in your household receives each month: Amount circled should be
monthly income of all household members combioeg. (If yo1;ir total income falls
between two numbers, please circle the larger of the two numbers .)

$1,229

$2,317

$3,500

$5,425

$1,404

$2,342

$3,625

$5,775

$1, 579

$2,633 .

$3, 863

$1, 754

$2, 925

$3,938

$1,896

$3,063

$4,375

$2,038

$3, 158

$4, 725

$2, 175

$3,392

$5,075

-

'·

I certify that the above information is true and correct to the best of my knowledge .
Parent/Guardian :

Date:

(?~eas'(

---~--

sl-511 .)

�October 2002

Angkor Dance Troupe Policies and Procedures
To: All dancers and staff
Fm: Tim Thou, Phousita Huy, and Ruth Page
Re: Contract concerning appropriate behavior during troupe rehearsals and other operations
Dt: October l , 2002
These rules have..
been developed for your safety and to ensure that we use our facility properly
and respectfully. All dancers and staff must sign and Feturn this contract.
~

STAIRWELL - At no time, should any dancers lean over the stairway railing on the second or
third floor stairwell.This is a very important safety rule. If you are seen hanging over the railing,
you will be issued a verbal warning, and a written record will be made in the office. Repeat
offenders will be suspended from the program.
)&gt; STRANGERS - If you see someone walking through the halls or rehearsal rooms that you do
not recognize as a member or family member of a troupe dancer, notify an adult staff
person at once. Adult staff will inquire about the nature of the visit, and if appropriate, have
the guest sign in and receive a guest pass.
)&gt; FIRE ALARMS - If a fire alarm goes off, immediately leave the rehearsal rooms and make your
way down the stairs. Use the buddy system - leave the building with at least one other
person from the .troupe. Members will gather in front of the building until we are told it is safe
to return. If the front of the building is also being evacuated, move over to Boarding House
Park next to the building. Stay together as a group. DO NOT ASSUME IT IS A FALSE ALARM
unless an .QQ.\.!11 staff member tells you so (Adult staff include Mehmed Ali who works in the
office in the lobby and/or anyone in a Lowell National Park uniform.)
Building Poff cf es
)&gt; FIRE/ELEVATOR ALARMS - Do not tamper with fire or elevator alarms unless there is an
emergency. It is illegal to pull a fire alarm as a prank.
&gt; COMMON AREA POLICY - Please be quiet and respectful when using the "common areas"
of the building. These include the lobby, elevator, and stairways. Absolutely no yelling over
the railings to someone upstairs or downstairs. No wrestling, pushing or otherwise rowdy
behavior. There are offices and a museum exhibit on the first and second floor. We must not
disturb our fellow tenants. If you are rehearsing in the third floor lobby, please close the doors
to the stairwell.
)&gt; CLIMATE CONTROL-.Thermostats should be set at 70 degrees at all times. Do not tamper
with thermostats. Please report any concerns about excessive heat or air conditioning to an
·
adult staff member right away.
Rehearsal Policies
' '·
)&gt; DRESS CODE-All dancers must adhere to our rehearsal dress code: K'ben and An Noy for
girls and sweats for boys. No jeans are permitted.
)&gt; RESPECT - Be respectful at all times of master teachers and assistant instructors.
)&gt; LANGUAGE- No profanity (swearing) is aliowed. No te.osing, arguing, or otherwise "hurtful"
language. Please treat your fellow dancers as you wish to be treated.
)&gt; DISCRIMINATION- No one will be discriminated against or in any way harassed on the basis
of race, sex, age, or disability. Report violations at once to an adult staff member. We have
a ZERO toierance policy concerning discrimination.
)&gt; NO CELL PHONES- No cell phones are allowed in rehearsal rooms . You must turn off your cell
phone during rehearsal.
·
)&gt; OTHER- You must inform your instructor if you nee· to leave a rehearsal room during
d
· rehearsal. Please minimize your "comings and goings." It is disruptive to our rehearsals if
dancers.are constantly leaving and re-entering.

)&gt;

�October 2002

ID Cards (Beginning November 2002)
};&gt; All members and staff will be issued laminated photo ID cards with a breakaway
cord/lanyard to wear around their necks.
,
};&gt; Once you are issued an ID card, you must wear it at all times while at the troupe's
headquarters at the Mogan Center and at performances - except when you are actually
rehearsing or performing. Hooks will be installed in all of the rehearsal rooms so that you can
remove your ID card while rehearsing, but you must wear your'card whenever you leave a
rehearsal room and use the halls.
};&gt; It is your responsibili.ty to bring your ID card to every rehearsal. For your convenience, we will
install a rack at the Mogan Center where you can leave your card between rehearsals .
Anyone losing a card will be charged $4.00 for a replacement.

Guest Polley (Beginning October 2002)
};&gt; If current members have friends who may be interested in joining the troupe, members are
welcome to bring a friend to a rehearsal as a guest ONE TIME ONLY. If the guest wishes to
return, he or she must enroll.
};&gt; All guests must report to the office where they will sign in and be issued a guest pass. If you
bring a guest, it is YOUR responsibility to escort your friend to the office to sign them in. If no
staff is present in the office, please bring your guest to Ms. Phousita or one of the Assistant
Instructors.
};&gt; If you bring a guest, you are responsible for supervising him/her and making sure he/she
complies with all Angkor Dance Troupe policies regarding safety and proper use of our
facility.
};&gt; If you see someone in the hall or third floor rooms who does not have a guest pass or
member ID card, please inform a staff member or assistant instructor who will approach the
guest and ask if they have signed in.
Media Polley
)&gt; If a newspaper photographer takes a photo that includes you during a performance or
rehearsal and asks for your name for the photo caption, you must also say that you are a
performerwith the Angkor Dance Troupe.

Contract between member and the Angkor Dance Troupe:

I have read these policies carefully and agree to abide by them.

ID#

Signature:_-'-:-:--~--::-:----:----------------­
Member Signature

Date

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                    <text>Angkor Dance Troupe, Inc.
ID#- - -

For Staff Use only

Permission Slip for Dancers under 18
The ~glcor Dance Troupe is a non-profit organization dedicated to the preservation and promotion of Cambodian
cultur~ and positive recreational and educational opportunities for youth. Membership is open to anyone willing to
make a commitment to Cambodian dance. The Angkor Dance Troupe does no discriminate on the basis of gender, age,
religio~. ethnicity, sexual orientation, or disability.

Info$ation about you (the dancer)- please print:
Nam~:

_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ Today's Date: _ _ _ _ _ __

Addr~ss

_________________,..------,,..------=--=-~
Street Address &amp; Apartment or unit #

City

State

Zip Code

Tele~hone #----------~--Date of Birth:---------

Paget/Cell Phone: _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _Gender: M F

• • I understand I will be participating in dance rehearsals at the Mo.gan Cultural
Center, 40 French Street, in Lowell and in public performances and group outings
at various locations throughout the region.
•

I give permission to be photographed and/or videotaped by staff, volunteers,
visitors, audience members, professional photographers, arid/or the news media
for the purposes of documenting or promoting the Angkor Dance Troupe.

•

I give permission for staff members to use their best judgment in the event that
medical treatment is required in an emergency.

•

I agree to hold Angkor Dance Troupe Staff and volunteers free from liability for
any damages.

Paretjt/Guardians signature:
Emer~ency

---------------------~

contact: ---------------'Phone#: ________

Do y©u have any medical conditions, allergies or other issues we should know about?
(Plea~e e x p l a i n ) : - - - - - - - - - - - - - - - - - - - - - - - - Health Insurance Company &amp; Policy #
Insurance Card Holder's Name:
------------------Farnio/ D o c t o r : - - - - - - - - - - - - - - - - - - - - - - - - - Hospital:

-----------------------------

�0

1!fgtmtt~t

Attgltor Dattce

Tro~pe,

lttc.

This fQrm shoyld be filled oyt by the head of the household.·
The following information is being collected from all members of the Angkor
Dance Troupe to help us obtain a grant from the City of Lowell. The information
will be kept completely confidential (private).
CHiLD NAME(s):
1. How many people live in ygur household? Include everyone that you share
living space and expenses with, including people who are not related to you .
Eriter the total number of people here:

------

D Yes 0

2. Is the head of the household a female?

3. Is there anyone in your house who has a i;&gt;ermanent disability?
If Yes, how many? _ _ _ __
4. Is anyone in your house 60 yesus old or older?
If Yes, how many?
---5. How mal)y in your househ,old are: Male (enter#)

No

D Yes D

No

D

No

0Yes

Female (enter #)

6. How miny in your household are: Asian (enter #)-...___ White (enter #) - l

Hispanic (enter #) _ _ African American ___ Other:--,.-.----.----please specify
.

.

a

7. Is the chi.Id enrolled in the Troupe f9ster child ;through an agency such as
DSS?
(If you answered Yt:S to guestjon #7. stop here. You do not need
to fill out the rest of this form . Please return partially completed form to Troupe.)
8. Circle the amount below that is closest to the total amount of money that
everyone in your household receives each month: Amount circled should be
monthly income of all household members combined. (If your total income falls
between two numbers, please circle the larger of the two n'umbers.)

$1,229

$2,317

$3,500

$5,425

$1,404

$2,342

$3,625

$5,775

$1,579

$2,633 .

$3,863

$1, 754

$2,925

$3, 938

$1,896

$3,063

$4,375

$2,038

$3, 158

$4, 725

$2, 175

$3,392

$5,075

'

I certify that the above information is true and correct to the best of my knowledge .
.

~

Parent/Guardian:

Date:

(?~eas~ .sl-5"'·J

------

�•.
October 2002

Angkor Dance Troupe Policies and Procedures
To: All dancers and staff
Fm: nm Thou, Phousita Huy, and Ruth Page
.
Re: Contract concerning appropriate behavior during troupe rehearsals and other operations
Dt: October l , 2002
These rules have · een developed for your safety and to ensure that we use our facility properly
b
and respectfully. All dancers and stdff must sign and Feturn this contract.
~

&gt;

STAIRWELL- At no time, should any dancers lean over the stairway railing on the second or
third floor stairwell. This is a very important safety rule. If you are seen hanging over the railing,
you will be issued a verbal warning, and a written record will be made in the office. Repeat
offenders will be suspended from the program.
.
&gt; STRANGERS - If you see someone walking through the halls or rehearsal rooms that you do
not recognize as a member or family member of a troupe dancer, notify an adult staff
person at once. Adult staff will inquire about the nature of the visit, and if appropriate, have
the guest sign in and receive a guest pass.
·
&gt; FIRE ALARMS - If a fire alarm goes off, immediately leave the rehearsal rooms and make your
way down the stairs. Use the buddy system - leave the building with at least one other
person from the .troupe. Members will gather in front of the building until we are told it is safe
to return. If the front of the building is also being evacuated, move over to Boarding House
Park next to the building. Stay together as a group. DO NOT ASSUME IT IS A FALSE ALARM
unless an .Q.Q.ul1 staff member tells you so (Adult staff include Mehmed Ali who works in the
office in the lobby and/or anyone in a Lowell National Park uniform.)
Building Policies
&gt; FIRE/ELEVATOR ALARMS - Do not tamper with fire or elevator alarms unless there is an
emergency. It is illegal to pull a fire alarm as a prank.
&gt; COMMON AREA POLICY - Please be quiet and respectful when using the "common areas" ..
of the building. These include the lobby, elevator, and stairways. Absolutely no yelling over
the railings to someone upstairs or downstairs. No wrestling, pushing or otherwise rowdy
behavior. There are offices and a museum exhibit on the first and second floor. We must not
disturb our fellow tenants. If you are rehearsing in the third floor lobby, please close the doors
to the stairwell.
&gt; CLIMATE CONTROL-Thermostats should be set at 70 degrees at all times. Do not tamper
with thermostats. Please report any concerns about excessive heat or air conditioning to an
adult staff member right away.
·
Rehearsal Policies
" '
&gt; DRESS CODE- All dancers must adhere to our rehearsal dress code: K' ben and An Noy for
gir1s and sweats for boys. No jeans are permitted.
&gt; RESPECT - Be respectful at all times of master teachers and assistant Instructors.
I&gt; LANGUAGE- No profanity (swearing) is aliowed. No te9sing, arguing, or otherwise "hurtful"
language. Please treat your fellow dancers as you wish to be treated.
&gt; DISCRIMINATION-No one will be discriminated against or in any way harassed on the basis
of race, sex, age, or disability. Report violations at once to an adult staff member. We have
a ZERO tolerance policy concerning discrimination.
&gt; NO CELL PHONES - No cell phones are allowed in rehearsal rooms. You must turn off your cell
phone during rehearsal.
·
&gt; OTHER- You must inform your instructor if you nee·d to leave a rehearsal room during
. 'rehearsal. Please minimize your "comings and goings." It is disruptive to our rehearsals if
dancers_ constantly leaving and re-entering.
are

�October 2002

ID Cards (Beginning November 2002)
,... All members and staff will be issued laminated photo ID cards with a breakaway
cord/lanyard to wear around their necks.
,... Once you are issued an ID card, you must wear it at all times while at the troupe's
headquarters at the Mogan Center and at performances - except when you are actually
rehearsing or performing. Hooks will be installed in all of the rehearsal rooms so that you can
remove your ID card while rehearsing, but you must wear your card whenever you leave a
rehearsal room and use the halls.
)&gt; It is your responsibility to bring your ID card to every rehearsal. For your convenience, we will
install a rack at the Mogan Center where you can leave your card between rehearsals.
Anyone losing a card will be charged $4.00 for a replacement.
Guest Polley (Beginning October 2002)
)&gt; If current members have friends who may be interested in joining the troupe, members are
welcome to bring a friend to a rehearsal as a guest ONE TIME ONLY. If the guest wishes to
return, he or she must enroll.
&gt; All guests must report to the office where they will sign in and be issued a guest pass. If you
bring a guest, it is YOUR responsibility to escort your friend to the office to sign them in. If no
staff is present in the office, please bring your guest to Ms. Phousita or one of the Assistant
Instructors.
,... If you bring a guest, you are responsible for supervising him/her and making sure he/she
complies with all Angkor Dance Troupe policies regarding safety and proper use of our
facility.
&gt; If you see someone in the hall or third floor rooms who does not have a guest pass or
member ID card, please inform a staff member or assistant instructor who will approach the
guest and ask if they have signed in.
Media Polley
&gt; If a newspaper photographer takes a photo that includes you during a performance or
rehearsal and asks for your name for the photo caption, you must also say that you are a
performerwilh the Angkor Dance Troupe.

Contract between member and the Angkor Dance Troupe:

,,

I have read these policies carefully and agree to abide by them.

ID#

Signature:._-:-::----:---:::----:---------~------­
Member Signature

Date

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